This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Neck has seams and shoulder seam from 3-piece mould. Body tapers towards base. Push-up base with pontil mark and embossed inscription. Base is uneven. Mouth has remnants of the seal in it and tape remnants around its outside. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

This olive green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the flared collar. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, olive glass, cork-top style. Applied flared lip, slightly bulbous neck with horizontal lines in glass. Shoulder has seam, body tapers inwards towards base. Heel is thick, with concave base, wide inverted pontil, uneven base. Glass has some bubbles, blow lines and imperfections. Sediment inside bottle along one side. Surface of glass is scratched.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, olive green glass

Two printed Application Forms for Hiring Radio-electric Medical Units. Secretaries and address printed at the top of the page. The first page mentions how the Scalebuoy works and its effects on the water. Also the different things that can happen to the body. On the back are Instructions for the Use of the Radio-electric Medical Unit and the hiring of the Units. A form is at the bottom of the page for the Medical Officer to fill in as it required a Doctor's order to hire one.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, the electronic company of new zealand limited, mr wallace, mr bruce, mr duthie, mr voyce, national mutual life chambers, radio-electric medical unit, application for hiring radio-electric medical units

Metal statue of a figure holding a baby. Figure and baby take the form of stick figures, with thin metal bodies and hexagonal bolts for their heads. The larger figure is holding the baby by ankles in its right hand, dangling the baby head down in front of its torso. Sticker on underside of base of statue reads 'Handcrafted/By/ROCK CREEK/METAL CRAFT/P.O Box 39/Hansen, Idaho 83334/USA'.

Mrs Charlotte Anderson was born Charlotte Eliza Alsop in England in 1838 and arrived in Australia in 1848. She married lawyer James Anderson in 1864, and in the year of his death in 1878 she became the founding owner-Principal of Ruyton Girls' School, Kew. Mrs Anderson operated Ruyton initially in her own home of 63 Bulleen Road, Kew (now 63 High Street South). According to Ruyton histories, Mrs Anderson is said to have begun the school with her own two sons, four daughters and some of her Alsop nieces and nephews who resided in Kew. Around the time of the addition of Maud King, the first student outside the family, the school changed to a 'Ladies College', and the boys were sent elsewhere for their education. By late 1881 Mrs Anderson began using the name 'Ruyton' for the school, in honour of a connection to Ruyton-XI-Towns, Shropshire, England where her great-grandfather had been vicar and where she was baptised. In 1882 Mrs Anderson moved the School to Edgecomb in Studley Park Road from 1882-1888. The larger premises enabled her to begin accepting boarding students from 1882. She retired due to ill health and sold the school to her friend Miss Eliza Bromby. Mrs Anderson lived at 'Bongamero', in the King Valley, Victoria until her death in 1906. She is buried in Boroondara Cemetery. One of Ruyton's four Houses, Anderson, is named for Charlotte Anderson. Artwork AC/0099 is a framed reproduction photograph of an original portrait of Mrs Anderson, c.1900-1906. The location and date of the original photograph is unknown, but may be held among Ruyton papers at the State Library of Victoria (MS 12079). The reproduction was probably created to be part of the gallery of Principals and significant people for the Conference/Boardroom, Henty House.A framed, black & white reproduction of a photographic portrait. The portrait shows the head and shoulders of a middle aged woman wearing Victorian-era clothing including a dark ribbon tied around her collar. She wears a lace cap on her head, and the cap's tail is draped around her shoulders. The woman's body is partially turned away from the camera, while her face is turned toward the camera. Plaque on frame: "Mrs Charlotte Anderson/ 1878-1888"charlotte anderson, ruyton, ruyton girls' school, kew (vic), bulleen road, high street south, studley park road, edgecomb, woman, school, teacher, principal, anderson, reproduction, 1990s

Cypriot White Painted Ware from the Middle/Late Cypriot Bronze Age.The interior with brown band, the angled rim with three sets of lines and wavy line between, a broad band on tall neck, pierced with two string holes, above and below, a broad band on flattened globular body with frieze of vertical lines flanked by wavy vertical lines and alternating with sets of two vertical wavy lines, to broad concentric band, the underside with broad band flanked by sets of stripes. cypriot

Decorative quilt made by SGSC staff. Each department contributed a decorated fabric square which represented what that department did. The body of the quilt features these decorated squares in between plain blue and green squares. Orange fabric border. Backed with calico and hemmed with a wood dowel hanging rod upper edge. Four plain white squares with the council logo in the centre are includes in the top and bottom rows.

Yields information about the layout and detail of the form used by crews to report defects. Significance reduced as to missing portion and damage.Form - SEC Electricity Supply Department, form number TYE 1 - 13, titled "Motorman - Conductor's Daily Report as to Condition of Car", listing details of the use of the car and lists electrical equipment and car body -not complete and no signature block. Has been torn in half, Completed for 10-10-1942 for use of No. 14 between Lydiard St and the City. On the rear are sketches for the field coils of a motortrams, tramways, tramcar components, forms, motormen, conductors, tramcars, records, sec

Colour postcard of Wellington Parade, East Melbourne with Melbourne skyline in background and Fitzroy Gardens in background. Would appear works for the underground are in progress. Has W2 509, outbound on route 29 to 'Kew Depot' and a tram (wide body car) in bound on route 74. Has on rear caption, "National View" by Murfett Pty Ltd. Australia, place for address and stamp. Taken early 70's.trams, tramways, melbourne, wellington parade, postcards, tram 484, tram 229, tram 364

Single printed page with nine photos of Wanganui New Zealand trams, most of tram bodies after completion of service and on the other side, six photos of transport in Australia - 1 Sydney bus and last piece of tram track, four of Brisbane and one of Melbourne - W2 385 and another W2 tramcar. on white paper. Australian photos by Alan Smith. Possible source of sheet is NZ Tramway topics.trams, tramways, wanganui, brisbane, melbourne, sydney

Yields information about disposal of tramcars from Ballarat and 21E trucks.Newspaper clipping from The Courier, 30/1/1956, titled "The End of a Tram" with a photo and caption of depot workers pushing a 21E truck back into the depot after the body of a single trucker was sold for a "sleepout" - See Reg Item 5526 - most likely No. 16 as the dates match up. Contained originally within Reg Item 5507 at the back of the binder. For items see btm5507 loose items list.pdf disposal, 16, sale of trams, depot

Set of two bell cord supports from Melbourne cable trams. .1 - cast brass hanger with a screw hole on each side and a formed opening for the bell cord to pass through. .2 - as for .1, but with the letters "J S" on top of the formed opening - John Stephenson and Co of New York. These items were from the three recovered cable tram bodies that the BTPS / BTM dismantled over the years.bell cord, john stephenson, cable trams, mto co, mmtb

Theodolites are a highly accurate instrument that measures angles between designated visible points in the horizontal and vertical planes. The theodolite has a long history, with the term first found in 1571 in a surveying textbook 'A geometric practice named Pantometria' by Leonard Digges. (source https://en.wikipedia.org/wiki/Theodolite). Theodolites are used by surveyors as part of their everyday work and although there is no specific information regarding the provenance of this particular one it is assumed it was used locally by the Shire of Marong and / or the Lands Department. Edwin Watts started the company in 1856, trading up to 1920s as E.R. Watts & Son with E. R. Watts & Son Ltd amalgamating with Adam Hilger Ltd to form Hilger & Watts in 1948.0442.1 A black and grey theodolite no 39161 made by Watts & Sons. Various moving parts showing signs of extensive use particularly on the uprights on the main body and around knobs and dials where the paint is worn back to brass. Is housed in original box with key, oil container and pin. 0442.2 handwritten instructions for making adjustments to the Theodolite written on the back of Road Users' Association of Victoria letterhead note paper.Watts & Sons / London / 5974 For N H Seward / Melbournelands and survey department bendigo, shire of marong

Chambers Edinburgh Journal is a magazine series which began in 1832. The founder was William Chambers. He was later joined by his brother Robert. A new magazine series began in 1844. In 1854 the Journal moved to London & became Chamber's Journal of Popular Literature, Science, and Art. At the end of 1897 the named changed to Chamber's Journal. It ceased publication in 1956.Brown marbled cover with black leather spine, hardcover book. Marbled paper on front cover peeled & part missing. Top & bottom of spine worn/torn and detached. Title page & eight page index missing. No end paper/s. Amateurish pencil drawings inside front & back covers. Loose pages in centre of body with rough/worn edges. Poor condition. 348 pp.Childish pencil drawings inside front & back covers.kilmore mechanics institute library.

These hand carved framed wooden pictures are part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.Two hand carved Indigenous busts in wood frames.1: A mother wearing a headband and striped gold, white blue and pink painted clothes draped over a baby. Only the face of the baby is depicted. 2: A father's upper body bust also has clothes draped over the baby he is holding. Both are framed using natural sticks which are painted brown on a white backfround.wood carvings, carvings, portraits, artworks, objects

Representative of military issued accoutrements, possibly Australian Army, late 20th Century. Army water canteen, possibly Australian Army issued, with olive green fabric insulating cover featuring flaps with stud fasteners, black twist top lid attached to aluminium body fixed by aluminium chain that is attached both to base and top of lid. Back of fabric cover has a metal prong threaded through a strong fabric loop which has been sewn on for attaching to a belt. Tag on back sewed on which reads 'Made in Japan'. flask, canteen, military, military accoutrements

Representative of military issued accoutrements, possibly Australian Army, late 20th Century. Army water canteen, possibly Australian Army issued, with olive green fabric insulating cover featuring flaps with stud fasteners, black twist top lid attached to aluminium body fixed by aluminium chain that is attached both to base and top of lid. Back of fabric cover has a metal prong threaded through a strong fabric loop which has been sewn on for attaching to a belt. Tag on back sewed on which reads 'Made in Japan'. flask, canteen, military, military accoutrements

Newspaper cutting from The Sun, Wednesday 26/8/1987 of MMTB tramcar No. 1 with two crew standing alongside. Possibly in relation to when No. 1 body was recovered with the caption noting "Tram No. 1 how the dining-room looked in its heyday". See also Reg Item 1356 for another newspaper cutting which identifies the other tram as No. 1. and 1518 for other photos of the building it was located in.trams, tramways, mmtb, pmtt, ferny creek, tramcars, melbourne, houses, tram 1

Colour photograph from a 1979 John Sands published calendar, titled "Australia in Colour" of tram 1041 running a Toorak, route 8 service with the Shrink of Remembrance in the background. Photo taken summer 1973/74, possibly a publicity photo as the tram has yet to be repainted with the brown band along the bottom of the body, but the trolley retriever has been repositioned so the rope was out of the direct view of the driver.trams, tramways, colour schemes, livery, 1041, shrine of remembrance, st kilda rd, tram 1041

Tender or notice - two A4 pages stapled in the top left hand corner, titled "Tender for Purchase of Second hand trams from the Corporation", issued by the Met, Public Transport Corporation, tender No. 9226, closing 11am, 16 August 1989. Gives details of the tender lodgement (60 Market St), tram location, details of the body, removal time, crainage - sale of trams 798, 804 and 835.trams, tramways, sale of trams, the met, tenders, ptc, tram 798, tram 804, tram 835

Tender document - Tender "O" 594 - single foolscap duplicated sheet titled "Purchase from the Board or Eleven (11) Second-hand W2 Type Tram bodies", giving details of the tram numbers and some dimensions. Document refers to attached conditions, but no attachments. Tenders closed 20/9/1978. Trams: 359, 412, 424, 448, 527, 536, 550, 559, 585, 590 and 628.On rear in pencil re tram 386 going or gone to Sunbury Hospital.trams, tramways, mmtb, tramcars, tenders, sales items, tram 359, tram 412, tram 424, tram 448, tram 527, tram 536, tram 550, tram 559, tram 585, tram 590, tram 628

Black and White photograph of MMTB Freight Tram No. 17 turning from Coldblo Road into Glenferrie Rd after leaving Malvern Tram Depot. The body of the tram is advertising Mitchells Brushes with various types of brushes shown. In the background is a Continental delicatessen advertising four and twenty pies and other products. On a pole is a warning sign about turning trams. Could be a MMTB Photograph. Printed on a stippled paper.trams, tramways, glenferrie rd, malvern depot, work trams, freight tram, advertising trams, tram 17

Set of four Colour prints of Keith Kings and his Studebaker austerity or Munitions bus MMTB No. 165: Photo of the bus in Bendigo 8/4/1999, for the Easter Monday procession 5/4/1999. Photos by Dennis O'Hoy. 1 - Keith Kings standing on the front step. 2 - ditto 3 - showing the nature of the austere nature of the emergency wartime construction of these "Munitions" bus bodies. 4 - dittoDetails in ink on each photo.trams, tramways, bendigo, buses, studebaker, munitions factory, austerity buses, tram 165

Three page, photocopied, foolscap technical pamphlet titled "New Non-Articulated Tramcar for Melbourne", providing technical details for the Z class tram. Provides a description, development history, status, cost, warranty, vehicle performance, dimensions, suspension, braking, propulsion, electrical and control systems and body specifications. Developer - Commonwealth Engineering (Vic) and ASEA Sweden. Second copy added 28/11/2016.Has word "orange" in top right hand corner.trams, tramways, z3 class, mmtb, commonwealth engineering, specification, z class

CEMA Art Collection Previously located in History HouseA large body of water with a shore line in the foreground on the left. Depicted in shades of grey, the calm water features a patch of white in the centre - reflection. In the background to the right, is a distant view of a small patch of land covered in trees. Behind the land is an out of focus view of mountains in the distance. The top half of the work features a grey cloudy sky. The work has a gilded ornate frame with cardboard and gold mounts and glass.Front: A.S. Murray Label attached to glass front: Presented to Council in 1984 by A.S. Murray Dunrobin Back: W. Hamer 189 Sturt Street Ballarat VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADElandscape

Black and white (in cardboard) photograph of early Huntly bus. James Lerk 'A Cobb & Co coach body mounted on a motor truck, to serve as the Huntly to Bendigo bus. Photographed by Bartlett Bros'. Male passengers wearing suits, collars and ties, hats. Photocopy of reverse inscription, dated Bendigo Oct 1st 1926, reads - ' This picture represents an old Cobb & Co's coach. It is over sixty years old, and ran from Castlemaine to Swan Hill in the old coaching days, and afterwards ran from Bendigo to Inglewood. It was owned by Mr Shadbolt, and was purchased from him by Mr Bannerman of Huntly near Bendigo, who had the undercarriage taken off and the body placed on a motor chassis. It now runs between Bendigo and Huntly as a daily motor transport. It has never been painted since it was made.' See Research. Portrait (scan of photocopy) of William Bannerman attached.Bartlett Brosplace, transport, early bus, huntly bus; cobb & co.; bannerman, william dougal; shadbolt, alfred;

An example of a Telephone Set D Mk V which was used by Australian forces during the Second World War for verbal and Morse code communications over short distances via a telephone line.An example of a Telephone Set D Mk V which was used by Australian forces during the Second World War for verbal and Morse code communications over short distances via a telephone line. Rectangular aluminum green painted box with broad canvas webbing strap secured to the side of the body through metal loops. Two vertical webbing loops are attached to the rear of the body. Stencilled in black on top TELE. SET. D. MK. V.'. The housing opens by a hinged fold back lid that is secured by a hook and eye closure. Attached to the inside of the lid are two metal plates. The first is a circuitry diagram, the second is the instructions for use of the set. The interior contains the phone assembly and is divided by a metal shelf. On the left is a bell with two screw terminal in front. At the center is the telegraph key and behind that is the battery box with a small metal plate with, 'TELEPHONE SET. D.MK.V To the right is metal box with two terminals in frontAttached to the bottom of the shelf is a slide out metal key Below the shelf is a compartment in which is stowed a black metal headset with provision for a bakelite handset with attached cord and four-prong plug.Tele Set stamped on outside of unit. Inside lid plaque - Telephone Set D MK V

This is a program for the events held in the 1992 Glenelg Games. These were held annually and began in 1982. The activities in 1992 included swimming, softball, ballroom dancing, surfing, tennis, shearing, go carting and croquet. The Games are organized by the Glenelg Sports Assembly, a regional body with representatives of sporting clubs, local government and interested individuals. The Assembly aims to promote sport in the Glenelg Region and hosts and organizes a number of other activities as well as the annual Games. This program is of interest as it demonstrates the number and range of activities that were included in the Glenelg Games of 1992. This is a booklet of 12 stapled pages. It contains, photographs, a programme of events, a map of Warrnambool, a Chairman’s Message and advertisements. The printing material is in black, blue and yellow tonings. Front Cover: ‘1992 Portland Aluminium Glenelg Games, Warrnambool, 31st October-8th November, Light Up on Sport- Smoking is a Drawback, Program1992 glenelg games, glenelg sports assembly, glenelg sports region, glenelg games

A hunter uses this tool to throw a spear in front of a fleeing animal, skillfully intercepting it so that it is speared on the run. The size of the groove and spear holder indicate this woomera was made for light weight hunting spears not for warfare. Elders and young warriors carried these with them and each man made his own to suite his strength and body size. They were used when the need and opportunity for fresh meat arose. Woomeras were used by men.This is the only Jaara woomera in the collection and is a significant tool used in the on going search for food. It is a mens tool.This woomera is undecorated. At the broad end there is a small hook like protrusion which holds the spear in place before throwing. The narrow end has a tapered waist with bulb to assist grip and a shallow groove to help guide the spear. The overall shape is an elongated hollowed single piece of timber.There are no inscriptions, the wood is strong with a prominent grain pattern.wood, jaara, tool, woomera, throwing stick, mens business, hunting