This is a scrapbook of newspaper cuttings, invitations, show tickets and music sheets pertaining to Frank Wright and his musical career between the years of 1933 to 1935. The extra assorted clippings range from this date to the 1970. Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This scrapbook has great research significance when researching the life and work of Frank Wright.Brown paper covered scrapbook containing newspaper clippings, but also includes letters, scripts, parts of programmes, photos, tickets and small printed scores. The scrapbook belonged to Frank Wright and began in January 1933 and finished in December 1935. In addition there are some loose clippings from the 1940's and 1951. b). Assorted newspaper clippings all pertaining to Frank Wright from the 1930's to the late 1970 and one invitation.Throughout the book and on some of the clippings there are various additions written in pencil, mainly dates and the name of the newspaper.frank wright, music, scrapbook, smeaton, cornet, adjudicator, newspaper clippings

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Handwritten speech by Frank Wright on seven sheets of paper, in dark (almost black), blue pen with some smudges and some red underlined passages. On pages 2, 4 and 7 there are additions in pencil and on page 6 is a passage in red. This speech made as the Junior Warden of the Ancient Worshipful Company of Musicians, was to welcome and propose a toast to the guests on Friday 3rd October 1968.Handwritten speechfreemason, ancient worshipful company of musicians, junior warden, frank wright, speech

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Sepia photograph of brick buildings with a conveyor between the top of one building to the bottom of another. Place is the St Hilda's Colliery in South Shields, England. 2). Sepia photograph of the notice board of the St. Hilda Church.In pencil on back - 1). St Hilda Colliery, South Shields, Sept 1934 2). South Shields, St Hilda Church, first built 1256, Sept 1934frank wright, st hilda colliery, st hilda church, brass bands, conductor

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This 36 page book bound in red leather with gold printing is the score of the National Brass Band Championships of Great Britain 1968, Champion Section Test Piece, Prelude, "The Mastersingers" Composed by Wagner, arranged by Frank Wright. Written in pen on the inside front page - To Frank, With most grateful thanks and warmest regards. Vaughan 12th October 1968frank wright, wagner, the mastersingers, national brass band championships of great britain, brass bands

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Coloured photographs of the upper half of three men. Brass bands can be seen in the background. The left hand man is Frank Wright. The place is Kerkrade, Netherlands 2). Full coloured photograph of the same three men in the same place.Stamped on back - Foto Vinders, Markt 19 Tel.2447, Kerkradefrank wright, kerkrade, music festival, brass bands

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.8 photographs - 4 are in the room of a home with a grand piano, some young people and Frank Wright. 2 are groups of people, including Frank Wright sitting around tables at a dinner. 1 is of a man, Frank Wright standing beside a car, possibly a Morris Minor and feeding two horses over a barbed wire fence. 1 is of a man, Frank Wright standing with a group of men at a function in Kerkrade.Only 1 has an inscription written in pencil on back - Kerkrade Aug 1966frank wright, morris minor, grand piano, feeding horses

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He, Alex and their siblings lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Alex Wright travelled to England in 1930 and was known as the Prince of Mimic. His stage name was Navarre. He died in an air-raid in the Hippodrome Birmingham in 1940.Two men dressed in trousers and shirt sleeves and carrying hats are standing in on the grassy bank of a pool fed by a waterfall. The men are Frank Wright on the right and his brother Alex on the left.frank wright, alex wright, waterfall, conductor, navarre, alexander wright, mimic

Frederick "Fred" Fifield Hall was born in Carlton, Victoria in 1878. Son of Frederick Hall and Jessie Wallace Hall (nee Lloyd), Fred would marry Elsa May Daegner in 1899 with whom he had a son named Anthony. Hall died on 27th September 1956 in Mont Albert, Victoria and was buried at the Box Hill Cemetery. Hall was known as a solo pianist and the first conductor of the Station Orchestra at 3LO (ABC Radio Station). He was also a notable music editor at Allan & Co. Earning early recognition at 16 years of age when he conducted the Sydney Orchestra, Hall was a versatile composer having written in a variety of styles including solos for the piano, violin and cello, operas, foxtrots and orchestral suites. Publications indicate that between 300 and 400 of his compositions were published. The most famous of which was "Goodbye Melbourne Town" which he wrote with Lyricist Leonard Nelson. "Let Me Go to Bendigo" was another of their joint compositions. Leonard Nelson Snell, professionally known as Leonard Nelson, was born c. 1874 in Melbourne and grew up in Kew (he was 76 in 1950). Nelson married Lily Maud Haight in Victoria in 1897 and had six children named Roy, Dorothy, Leonard, Lionel, Austin and Marie. Nelson died on the 13 August 1962 in Blackheath, NSW and was buried at the local cemetery. Nelson had a varied resume including Cattle station work, song writing and public speaking. Nelson was known for his enjoyment of Australian poetry having known many of the greats personally and could recite works from memory. In his later life, Nelson worked as an entertainer for hire at banquets and other social gatherings. No. 181 Allan's popular sixpenny edition "Sung with great success by Leonard Nelson" Allan & Co. Pty Ltd. Melbourne, Bendigo & Geelong 1 score A B4 size document containing sheet music titled "Let Me Go to Bendigo". The document has a black and white cover with bold lettering and a cartoon of a man boarding the Bendigo Train. The music was written by Fred Hall and the lyrics were written and sung by Leonard Nelson who is pictured on the cover. The music covers 3 pages (1 double sided page and 1 single side) making up this 3-page document including the cover.The front cover contains a handwritten name in the top right-hand corner "Mrs Sinclair"sheet music, leonard nelson, fred hall, allan's popular sixpenny edition, bendigo, piano, songs and music, frederick fifield hall

Bendigo Symphony Orchestra Concert, Bendigo City Hall. Saturday December 1st, 1984, 8pm. Conductor: David Lord. Guest Artists: Anne Marshall (oboe), Stephen Kenyon (Clarinet), Clare Morton (Bassoon), Catherine Moore (French Horn), Veronika Kenyon (Flute). Program. Members of the Orchestra. Violins: Ellis Ormerod, Sister Cecilia, Jean Boulton, Ruth Weldon, Natasha Anderson, Daniel Herbst, Sally Tidwell. 2nds: Graeme Balaam, Thelma Harvey, Edna Osborne, Myrtle Robbins, Jean Wilson, Margaret Cowder, John Gault, Elizabeth Grounds. Cellos: Diane Chapman, Marge Bubb, Chris Wilson. Bass: Neville King. Flutes: Colin Bubb, Sally Pell, Nigel McGuckian, Karen Hansen. Oboes: David Tunley, Rob Boxshall. Clarinets: Jane Davies, Craig Spenceley, Trevor Quirk. Bassoons: Stuart Anderson, Michael Grounds. Horns: Giles Lean, Gaye Cooper, Allan Davies, Anthony van Emmerick. Tuba: Brian Brewer. Trombones: Stephen Vine, Neil Newman. Cornet: Paul Cooper. Trumpet: Neville Pearce. Percussion: Lloyd George, Nola McIver, Jim Merritt. Acknowledgements: The Orchestra wishes to acknowledge the support given by the Victorian Ministry for the Arts, & the Bendigo & Castlemaine Arts Councils.program, music, bendigo symphony orchestra, bendigo symphony orchestra concert, bendigo city hall. december 1st, 1984, . conductor: david lord. guest artists: anne marshall (oboe), stephen kenyon (clarinet), clare morton (bassoon), catherine moore (french horn), veronika kenyon (flute). program. members of the orchestra. violins: ellis ormerod, sister cecilia, jean boulton, ruth weldon, natasha anderson, daniel herbst, sally tidwell. 2nds: graeme balaam, thelma harvey, edna osborne, myrtle robbins, jean wilson, margaret cowder, john gault, elizabeth grounds. cellos: diane chapman, marge bubb, chris wilson. bass: neville king. flutes: colin bubb, sally pell, nigel mcguckian, karen hansen. oboes: david tunley, rob boxshall. clarinets: jane davies, craig spenceley, trevor quirk. bassoons: stuart anderson, michael grounds. horns: giles lean, gaye cooper, allan davies, anthony van emmerick. tuba: brian brewer. trombones: stephen vine, neil newman. cornet: paul cooper. trumpet: neville pearce. percussion: lloyd george, nola mciver, jim merritt. acknowledgements: victorian ministry for the arts, bendigo & castlemaine arts councils.

Yields information about the change over from horse to electric trams and a comparison between the two types of trams, uniforms and clothing of passengers and the way destinations were shown.Black and White photograph, assumed a copy photograph of ESCo 16 and a horse tram - at Rubicon St where Sebastopol passengers transferred between horse and electric transport. No. 16 has two uniformed men at the front and a conductor on the rear stop, two children on the front seat and a lady on the rear. A uniformed horse tram driver is standing by the front of the horse. No. 16 has the destination of Grenville St, and a large sign "Sebastopol & Rubicon St Tramways via Drummond St". The destination is on the roof of the tram, possibly indicating early 1907 - 08. Used in The Golden City and its Tramways - page 42. Text notes the photograph was donated by a Mrs. I Butler. Three additional copies of the same photograph and a handwritten note from the donation of Karelyn Satter added 2-3-2016. .2 - handwritten note from the rear of photograph .3 (can be seen from the tape marks - was loose when received), giving the name of the man on the back step of the electric car - Frank Greenfield (Junior) and notes on the photograph itself. .3 - print mounted onto heavy brown cardboard with a scorch mark in the top left hand corner. .4 - print .5 - copy print on a small sheet - darker image. items .2, .3 and .4 to rear of box 77On rear of .3 has in ink "Mr. B. Smith 10 Walker St" and in pencil "B. Smith"tramways, trams, rubicon st, electrification, horse trams, sebastopol, esco, tram 16

Bendigo Operatic Society ''Annie Get Your Gun'' At the Capital Theatre View Street Bendigo for a Six Night Season Commencing Thursday 18th November,1971. Producer: Max Collis. Assistant Producer, Bellet and Wardrobe Mistress: Madge Welch. Society Pianist: Ruth Gorman. Musical Director: Gwen Grose. Cast: Kerry Lorenz as a Small Girl - Ferd Lorenz as Charlie Davenport - Shane Brennan as Mac (Property Manager) - Douglas Sayle as Foster Wilson - Ann Ball as Dolly Tate - Annette Beckwith as Winnie Tate - Terry Carr as Tommy Keeler - Len Carr as Frank Butler - Heather Lindhe as Annie Oakley - Mark Edebone, Peter Miller as Little Jake - Debbie Moyle, Rosemarie Favaloro as Nellie - Jennifer Carr, Cathy Johnson as Jessie - Judith Hall, Suzanne Hartley as Minnie - Brian Thomas as Col.Wm F. Cody - Valerie Griffith as Mrs. Little Horse - Wilma Baldwin as Mrs. Black Tooth - Kerry Hogan as Trainman - Bridgette Agnew as Waitress - John Tonkin as Conductor - Bernard Keogh as Major Gordon Lillie (Pawnee Bill) - Fred trewarn as Chief Sitting Bull - Ann Rundall as Wild Horse Ceremonial Dancer - Jan Lovett as Sylvia Potter Porter - Jill James as Mrs. Adamsprogram, theatre, bendigo operatic society

Series of newspaper clippings about travelling on Melbourne trams, people, conductors, and what can happen. .1 - Newspaper clipping titled "Swanston Express", from The Age 18/5/1985 by Alan Fitzgerald, about travelling on a tram and being on the wrong tram to an unusual destination and the things that can happen. Based around the story that a person was supposed to fly to Oakland USA but finished up in Auckland NZ. .2 - ditto titled "Its not easy losing green", from The Herald, 12/12/81 written by Lawrence Money about the loss of the green W's and their quirks - like sand on the floor, ticket butts, trap doors, peep holes, Melbourne habitats, compared to the orange trams. .3 - Letter to the Editor "Keep our trams and buses green", written by R Francis head of the graphic design, Swinburne Institute of Technology - regarding the colour of our vehicles, heritage and the craze of having orange colours - industrial design. Dated 8/5/1982. .4 - Editorial, 17/1/1995 - titled "Other peoples' trams" - The Age, about the reliance on Melbourne trams by its people, comparison with other large cities e.g. St Petersburg, cost of running it, finishes with the view that the system should be extended.trams, tramways, melbourne, behaviour, tramways, crews, tramcars, people and places, sanding equipment, compressors, livery, colour schemes

A photocopy of newspaper publication of obituary for Annie Mavis Webster, MBE 21/5/1914 - 8/4/2000 An exceptional singer who contributed greatly to local Bendigo and Australia as well as abroad Bendigo born and raised by Edwin and Annie Webster, Education was at Camp Hill. A life long participation in and commitment to local music and Competition Society provided opportunities for performance. The ultimate prize for amateur singers at the time was the Sun News Pictorial Aria Competition, which Mavis attained as runner up in 1938 and as winner in 1939. Outbreak of WWII curtailed early opportunities for overseas travel but there was much call for her as recitalist, artist and teacher such as at The Sisters of Mercy at St Mary's Convent, Bendigo where she taught singing. Mavis gained impressive reputation and experience in numerous roles including as chorister (and founder of the all female choir and the Benola singers which she also named, after her home), and later (1960) included male voices; she was also conductor; musical director; and adjudicator at Eisteddfords. She laso taught at Girton, St Killian's. During the 1950s Mavis went on a very successful 9 month overseas trip on which she was inspired in many respects including the formation of the choirs. In 1978 Mavis was made a Member of the British Empire for her services to music.City of Greater Bendigo acknowledged Mavis contribution and skills by establishing the Mavis Webster Vocal Collection at the City library.bendigo, history, obituary and biography of annie mavis webster mbe, forest st methodist (now uniting) bendigo, girton, st killian's, herald sun aria, the eisteddford, sisters of mercy at st mary's convent, mavis webster vocal collection, city of greater bendigo, margaret watters.

.1 - Book - 56 pages + grey covers, side stapled, issued by the British Engineering Standards Committee "Electrical Machinery excluding motors for traction purposes", No. 72-1917, September 1917. Has "Commonwealth Engineer" label along the bottom edge. .2 - Book 28 pages - light grey covers, side stapled, issued by the British Engineering Standards Association, "Insulating oils for use in Transformers, oil switches and circuit breakers" No. 148-1923, April 1923. Has a Tait Book Co. stamp along the bottom edge and ESCo date stamp 1 Oct. 1925. Printed by Gaylard & Sons London. .3 - Book 72 pages - light grey covers, side stapled, issued by the British Engineering Standards Association, "Tungsten Filament Electric Lamps" No. 161-1925, August 1927. Has a Tait Book Co. stamp along the bottom edge and ESCo date stamp 15 Feb. 1928. Printed by Waterlow & Sons London. .4 - Book 48 pages - light grey covers, side stapled, issued by the British Standards Institution, "Metal Sheathed paper insulated plain annealed copper conductors for electricity supply including voltage tests" No.1 48-1933, March 1933. Has a Tait Book Co. stamp along the bottom edge and ESCo date stamp 15 Feb. 1928. Printed by Waterlow & Sons London. trams, tramways, power station, standards, materials, electrical systems

Melbourne Tramway & Omnibus Co. Bell Punch No. D1902. A heavy nickel plated steel ticket or fare strip cancelling / registering mechanism used on Melbourne cable trams. When a fare was sold, the bell would ring advising the passenger that their fare have registered. "An ingenious device resembling in principle the ticket punch of a railway porter. It is carried by the conductor who wears pinned to his coat a 'trip-slip'. He punches this once for every fare received; the action is simultaneously registered on a dial inside the punch and bell rings to appraise the passenger of the fact. The punch is provided with a patent lock, the secret of which is known only at headquarters and effective system of check is thus secured." (" A story of the Melbourne Cable Tramway System" - page 54). Used by the MT&O and MMTB until 1922/23 when replaced by the check ticket system. Manufactured by the Railway Register Manufacturing Company. Lock number IDMA - see btm6. Has "TB" - Tramways Board - stamped on one side along with patent dates. See also Reg Item 72 and 72.1 for other examples. See "A story of the Melbourne Cable Tramway System 11/11/1885 to 26/10/1940" C.N. Govett and A. E. Twentyman. Copy held in the Hawthorn Tramway Depot collection. See Notes on opening from the Hawthorn Tramway Depot collection - see related documents.Has "D 1902" punched above ticket entry slot (both sides), "1902" on handle, "TB" stamped on numbering registering face. trams, tramways, ticket punch, tickets, fares, cable trams

Yields information about Ballarat Tramways and trams prior to the closure of the tramway system.Set of 10 digital images of Ballarat trams prior to closure, scanned from original slides by Tony Smith, 1971 prior to closure of the system. This set of slides appears to be the last day of operations - 19/9/1971 .1 - 40 in Drummond St Nth. near Macarthur St, showing Sebastopol. .2 - 35 turning from Drummond St north into Sturt St with the Southern Cross hotel in the background. Note the shoes in the overhead. .3 - 42 in Drummond St North, showing Special, nearing Sturt St. .4 - 42 turning into Sturt St, with the Shell Service station on the left. .5 - 42 reversing on the Lydiard St Nth crossover with the post office in the background. Tram showing Sebastopol. .6 - 39 reversing at Grenville St, tram showing Special. Has the Dickins and the Gasometer in the background. the conductor adjusting the trolley ropes. .7 - 39 running from Bridge St into Sturt St - as above. .8 - 34 and 39? parked in the City Loop. Has Patersons furniture, Gear Chemist and Edments stores in the background. .9 - 43 showing special at the Sturt and Lydiard St stop with 39? about to leave Lydiard St Nth. Has the post office in the background. .10 - 40 at the Lydiard St North terminus, with passengers boarding. Cemetery gates in the background.trams, tramways, drummond st nth, macarthur st, sturt st, closure, lydiard st nth, grenville st, city loop, closure, tram 40, tram 35, tram 42, tram 39, tram 34

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Set of six black and white photographs from Keith Kings of the staged closures of the Geelong tramways. Note some of these photographs are very similar to those of Geoff Grant - See Reg Item 485 and 476i7. .1 - No. 18 last tram to East, leaving city - 8/1/1956 - KSK Photo Q(x)(6) .2 - No. 7, last tram at West at terminus - 8/1/1956 - KSK Photo Q(x)(7) - has a group of people standing in front of the tramcar. .3 - No. 6 - last tram at North terminus, with a very large group of people in front of tram. Tram has the destination of North. 4/3/1956 - KSK Photo T(b)(6). .4 - No. 18 - last tram at Newtown terminus, with a very large group of people in front of tram. Tram has the destination of Newtown. 22/1/1956 - KSK Photo R(y)(3). .5 - No. 19, last tram to Eastern Park, at terminus on second last trip, with conductor on front step. 22/1/56, KSK Photo R(y)(2). Tram has the destination of Eastern Park. .6 - No. 1 - last regular tram from Beach to Chilwell, leaving Beach terminus - KSK Photo Q(x)(5).On the rear in ink and with the Keith Kings Copyright stamp: .1 - Geelong - 18 last tam to East leaving city, Sun 8/1/56 - Q(x)(6) .2 - Geelong - 7 - last tram at West at terminus, Sun 8/1/56 - Q(x)(7) .3 - Geelong - 6 - last tram at North terminus, Sun 4/3/56 - T(b)(6) .4 - Geelong - 18 - last tram at Newtown terminus, Sun 22/1/56 - R(y)(3) .5 - Geelong - 19 - last tram to Eastern Park, at terminus on second last trip - Sun 22/1/56 - R(y)(2) .6 - 1 - last regular tram from Beach to Chilwell, leaving Beach terminus, Sun 8/1/56 - Q(x)(5)trams, tramways, geelong, closure, east, north, chilwell, beach, newtown, eastern park, last tram, tram 18, tram 7, tram 6, tram 19, tram 1

72 - Melbourne Tramway & Omnibus Co. Bell Punch No. D1335. A heavy nickel plated steel ticket or fare strip cancelling / registering mechanism used on Melbourne cable trams. When a fare was sold, the bell would ring advising the passenger that their fare have registered. "An ingenious device resembling in principle the ticket punch of a railway porter. It is carried by the conductor who wears pinned to his coat a 'trip-slip'. He punches this once for every fare received; the action is simultaneously registered on a dial inside the punch and bell rings to appraise the passenger of the fact. The punch is provided with a patent lock, the secret of which is known only at headquarters and effective system of check is thus secured." (" A story of the Melbourne Cable Tramway System" - page 54). Used by the MT&O and MMTB until 1922/23 when replaced by the check ticket system. Manufactured by the Railway Register Manufacturing Company. Lock number not known. Has "MT& ..." stamped on one side along with patent dates. 72.1 - as above but for punch number D1338 - added 17/12/12. See also Reg Item 6437 for another sample - punch No. D1902. see - \dbtext\museum\documents\htd242i.pdf for opening instructions. See "A story of the Melbourne Cable Tramway System 11/11/1885 to 26/10/1940" C.N. Govett and A. E. Twentyman. Copy held in the Hawthorn Tramway Depot collection. Has "D 1335" punched above ticket entry slot (both sides), "335" on handle, "MT& ..." stamped on numbering registering face. 72.1 - As above with number "D1338" punched in. The M.T.& Co" is more visible.trams, tramways, ticket punch, tickets, fares, cable trams

Comb bound (white plastic) specification or tender document, approx. 70 pages, with glossy card covers, titled "Tender Schedule for All-Electric Trams" and "Contract 2500", published by the Melbourne and Metropolitan Tramways Board, closing Monday 2 October 1972. Details the conditions of tender, conditions of contract, notes, specification, gives background information about Melbourne, dimensions, performance, drivers and conductors, trucks, wheels, brakes, electrical equipment, control panels and drawings. The drawings give a map of the system, typical city route, Glenferrie Road route (grade diagram), concrete track construction, min. radius curves, loading gauge, all-electric tram and mounting details for the trolley base, schedule of prices, tender form, form of contract, schedule of information to be provided by the tenderer. On the inside of the cover is a memo from D. Snell, Deputy Chairman to the Testing Engineer, dated 11/7/1972 about the tender being issued, but requesting least publicity and all enquiries to Mr. Snell. Part of the work to tender for the construction of Z class trams. Document scanned to pdf file word searchable. See Item 4388 for the Z3 document and 1583 for an August 1966 version and Reg item 4667 for a draft June 1965 version. 2nd copy added 7/8/2020 from Keith Kings papers.In in pencil in the top right hand corner of cover "1975" crossed out and "1972" written in. On first sheet in pencil, "Howard Smith" and "Laboratory 10 Feb 1975" stamped on.trams, tramways, specification, tenders, z class, mmtb, melbourne

Set of six Agfa colour blue white plastic mount slides, photo by Keith Caldwell of trams passing the intersection of Flinders and Swanston St. Slides undated - c1967/68, possibly 3/68, aligns with similar scene and time on Reg Item 4315 .1 - W4 670 crossing Flinders St with both the driver and conductor in the view. Has destination of Hanna St. .2 - L102 crossing route 61 to South Caulfield Junction. Has adverts for Tolley's Brandy and a fast courier. In the background is SW6 940 (University 2A) and W2 389? (East Malvern, route 4D) .3 - W3 668 to South Melbourne Beach, route 1 .4 - W3 669, route 1 to South Melbourne Beach, has advert for White Crow sauce. .5 - W2 627, North Balwyn with other trams at the Swanston St stop, including a SW6 on route 64 .6 - a long line up of up to 9 trams northbound at the Swanston St stop outside Flinders St Station, led by SW6 917 (University, route 64) with adverts Suptuned, Sony and "take my advice" featuring an owl. Following is another SW6, 913? with adverts for Tiger Paw, also a route 64. In the background is the Flinders St station awing with a Craven Filer cigarette advert.. Photos have Young and Jackson, the Classic Restaurant Coffee lounge bar in the view, Coles,.1 - "BXBU" and on .3, .1 also has W4" in ink.trams, tramways, flinders st, swanston st, w4 class, w3 class, l class, sw6 class, w2 class, hanna st, south caulfield, university, route 2a, route 4d, east malvern, st kilda beach, route 1, route 64, north balwyn, tram 670, tram 102, tram 668, tram 669, tram 627, tram 913

Set of 17 transparencies taken on 20/11/1962 on Kodak mounts. 1187.1 - Bendigo No. 2 at the Quarry Hill terminus, showing destination of Quarry Hill. Has Cohns Drinks and Streets Ice Cream ads on dash panel, a SEC 'electric cooking' roof ad and another roof ad. Shows the Y terminus at this location, but tram standing just before it. Overhead in position. 1187.2 - as above, but closer up. 1187.3 - as above, but from the north side, showing cemetery in the background. 1187.4 - Bendigo No.3 at Eaglehawk terminus. Tram showing destination of Quarry Hill. Has the various buildings at Eaglehawk in the background including the Foodland store. Has Streets Ice cream and White Horse Whiskey ads on the dash panel. 1187.5 - Bendigo No. 18 at Garden Gully crossing loop, in bound, with destination of Eaglehawk. Passengers waiting for an Eaglehawk tram at the stop. Has a white horse whiskey ad on dash panel and SEC roof ads. Conductor standing in doorway looking out. 1187.6 - Bendigo No. 7 inbound in Nolan St. at cnr of McCrae St. showing destination of Golden Square. Has Streets Ice cream ad on dash panel and a Castrol Roof ad. 1187.7 - Bendigo No. 19 at the North Bendigo terminus with railway level crossing in background. Tram has a Cohns Drinks ad and an SEC 'Electric Cooking' roof ad. 1187.8 - Bendigo No. 2 at the Quarry Hill terminus, looking back into Bendigo, showing destination of Eaglehawk. 1187.9 - Bendigo No. 21 in McCrae St, near Nolan St outbound for North Bendigo. Photo taken after tram has passed photographer. 1187.10 - Bendigo Nos. 4 and 26 at Charing Cross in View St. with fountain alongside and the Beehive, Ezywalkin Buildings in the background. No. 26 has a Sandhurst Milk and SEC 'Electric Cooking' roof ad. 1187.11 - close up of 22E maximum traction truck and folded footstep. 1187.12 - Bendigo No. 19 at Charing Cross terminus, after tram has passed photographer, showing destination of North Bendigo, with the Beehive building in the background and passengers boarding tram. 1187.13 - Bendigo No. 11, turning from View St. into Pall Mall, showing Special with the conductor holding point bar. Has the Beehive and Ezywalkin Buildings in the background. 1187.14 - No. 7 at Charing Cross terminus, in Pall Mall, bound for Golden Square. Has the Beehive and Ezywalkin buildings in the background and passengers waiting at the tram stop. 1187.15 - No. 18 at the Charing Cross terminus, bound for Eaglehawk. Has the Beehive and Ezywalkin buildings in the background and passengers waiting at the tram stop. Also has the 'Safety Zone' sign in the photograph. 1187.16 - No. 2 at Quarry Hill terminus, night or dusk photo. Tram showing destination of Depot. 1187.17 - No. 26 at Charing Cross, night photo. Tram has destination of Quarry Hill, but is on the line for Eaglehawk. Photo looks along Mitchell St. Also shows Safety Zone sign. Information written on in black ink and date stamped on purple ink. 1187.1 - "No. 2 at Quarry Hill terminus Bendigo" 1187.2 - "No. 2 at Quarry Hill terminus Bendigo" 1187.3 - "No. 2 at Quarry Hill terminus Bendigo" 1187.4 - "No. 3 at Eaglehawk terminus" 1187.5 - "No. 18 in Mt Korong Road, Long Gully at cnr of Havilah Road (Eaglehawk Route)" 1187.6 - "No. 7 in Nolan St. Bendigo, at Cnr of McCrae St., near lake Weeroona, (North Bendigo Route)' 1187.7 - "No. 19 at North Bendigo terminus" 1187.8 - "No. 2 at Quarry Hill terminus" 1187.9 - "No. 21 in McCrae St. Bendigo, near Nolan St. (North Bendigo Route) 1187.10 - "4 and 26 at Alexandra Fountain, Charing Cross Bendigo" 1187.11 - "Truck of Bogie Car, Bendigo Tramways" 1187.12 - "No. 19 in Pall Mall at Charing Cross, Bendigo" 1187.13 - "Birney car No. 11 entering Pall Mall from View St. at Charing Cross Bendigo" 1187.14 - "No. 7 in Pall Mall at Charing Cross, Bendigo" 1187.15 - "No. 18 at Alexandra Fountain, Charing Cross, Bendigo" 1187.16 - "No. 2 at Quarry Hill terminus, Bendigo" 1187.17 - "No. 26 at Alexandra Fountain, Charing Cross, Bendigo" tramways, trams, bendigo, quarry hill, eaglehawk, north bendigo, maximum traction, night photo, tram 2, tram 3, tram 4, tram 7, tram 11, tram 18, tram 19, tram 21, tram 26

A copy of an address given to a Legacy luncheon by Legatee Frank Doolan. He speaks of the 24th Battalion and their role at Gallipoli and in France. The story of the withdrawal from Gallipoli is interesting. Legatees Savige and HC Brinsmead were two of the three last lieutenants on the peninsula. Both were foundation members as was John Anderson who was also mentioned. He digresses to relate a story of an evening when he was with a 'VC mate' (assumed to be L/ Donovan Joynt) and they decided to speak to the editor of the Argus, Allan Spowers, about the newspaper's stance against the building of the Shrine of Remembrance. He related the paper published an article two days later in favour of the Shrine project and shortly after so did 'The Age'. The address also relates the return to war in 1939 and the formation of the 2/24th and it fighting in Tobruk. It was absorbed into the 9th division and later a new 2/24th was formed to wear the 'Red and White Diamond'. 'This unit consisted of younger men who had served with the CNF between the wars and included several sons of Legatees and several Junior Legatees. Our President Don, was attached for a short time.' (referring to L/ Don Simonson who was president in 1970). It went on to fight in New Guinea. Legatee Doolan's aim had been to link the 24th battalion with Legacy and suggests the book about the history of the 24th Battalion by Bob Serle was worth reading. He then introduced two other speakers, Squadron Leader Hicks, Conductor of the Royal Australian Air Force Band and Mr John Anderson of AWA. From the speakers record this event was in June 1970. The notation H27 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Legatee Frank Doolan was part of the archive project around the 1970s.A significant account of the withdrawal from Gallipoli and other experiences of the 24th Battalion retold at a Legacy luncheon. Speakers at Legacy luncheons were from very different walks of life and the subjects spoken on were many and varied. White foolscap paper with black type x 5 pages of a speech by Legatee Frank Doolan.Handwritten H27 in red pen.history, battalion, speakers, speech, gallipoli, frank doolan, 24th battalion

Music in the Open Air was an initiative of Frank Wright, the Musical Director of the Greater London Council Parks Department. Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Two tone rectangular paper pamphlet of 4 double sided pages, with photo of an orchestra in a sound dome in top right hand corner. Held at Kenwood Lakeside for the Greater London Council Parks Department 11017.1 - Music in the open air: New Philharmonia Orchestra. Conducted by Norman del Mar, 11017.2 & .4 - London Symphony Orchestra. Conducted by Edo de Waart and Frank Wright 11017.3 - Royal Liverpool Philharmonic Orchestra. Conducted by Charles Groves. 11017.5 - Royal Liverpool Philharmonic Orchestra. Conducted by Charles Groves 11017.6 - Royal Philharmonic Orchestra - Conducted by Stanley Pope 11017.7 - New Philharmonic Orchestra - Conducted by Norman Del MarDesigned by GLC Supplies Department and printed by Staples Printers Limitedfrank wright, music in the open air, kenwood lakeside

Hilary Bennet Mason (born 25/12/1911 in North Melbourne; died 16/3/2008) married Olive Marjory Muridge (B 20/7/1915; D 26/9/2001) on 30 September 1940. They has one daughter, born in 1947. Hilary had a number of occupations in his lifetime. His daughter referred to him as a tram conductor. The family lived at 7 Charles Street, Surrey Hills from c1960, having purchased it from William Stanton (Stan) Philp, a baker, and his wife Eileen. The title originally extended over 2 plots. The Philps sub-divided the land and built a new house for themselves at No 9. No 7 Charles Street had a well under the kitchen window; the house was extended in 1971/72; it was sold after Hilary Mason died in 2011. [REF: Personal communication from the donor; Alan Holt property register and online research.] The handwritten timeline refers to the area having been "called Irish Town as Catholic's were in the majority." Most of the writing is that of Hilary Mason, although some blanks have been filled in by another (unknown) hand. There is also an entry by John Whitford, who moved into a new home on the corner of Charles and Arthur Streets in 1982. The last entry is dated June 1996, when Hilary Mason would have been c 85 years old. Comment in relation to this catalogue entry: "One of the occupation that Mr Mason had was a Radio shop in Bridge Road, Richmond, called Mason's Radio. I worked for Mason's Radio in January 1963 to December 1964. Mr. Mason was a true gentleman, very kind and treated me like a son. Regards M.Zammit." (Maurice Zammit email; 9 March 2025)This is a unique piece of social history reflecting the closeness of this small suburban street.A standard lined exercise book, brand is HEADLINE, which contains a mixture of handwritten entries and pasted in and loose ephemeral items. These include house advertising flyers, newspaper clippings of a general nature and death notices, tickets, etc. The handwritten notes mostly pertain to a timeline of residents and their comings and goings to and from Charles Street in Surrey Hills, but also include some reflections on social history. Memories of other residents of the street are recorded. There are also some personal diary notes.Front cover: "begun october 1987 / History of / Charles street / Surrey Hills / History of Charles st. 1989 / 1996 / 1995 / 1993 1991 1990 / History 1987" in biro and marking pen in blue, red, brown and green. Back cover: "History / of / Surrey / Hills [1987 /1990 /1993 / 1995 / 1996] / History of / Charles street / Surrey Hills 1991" handwritten in black, blue, green, red and pink biro and marking pen.charles street, edna holzer, jack wright, john whitford, diana whitford, amanda whitford, melissa whitford, june kavanagh, aub sherlock, hilary bennet mason, olive marjory mason, noni hallier, elvis greenwood, bob peacock, ken warren, chris holford, enid holford, keith ellis, gina ellis, nita jacobsen, christine craig, peter craig, gary austin, deb austin, ian pearson, chris jacobsen, jack titansaw, peter burton, william (bill) philp, george cook, lee burton, mary pearson, bill sloan, carmel sloan, fielding's foundary, antonio panzera, annunziata panzera, nancy panzera, dr eric allan, merelyn maher, charles lyons, doug sloan, coral meehan, peter haase, steve creati

This disc belonged to Frank Wright. The letters ENSA refer to the Entertainments National Service Association, which was set up in 1939 to provide entertainment for the British armed forces personnel. Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This red coloured 3.5 cm leather disc has been stamped with the letters ENSA Frank Wright CE. It has a hole pinched in the top, through which a string has been threaded.frank wright, armed forces entertainment, musician conductor, brass bands, ensa, entertainments national service association

Copy of pages 3 and 4 titled French's Corner and Village Parliaments. Some passengers travelling on the tram would ask to be put down at French's corner. The conductor had no idea where it was. The passenger would be returning to where he used to live or work. The old who met at the pub corner were mostly teetotallers, but they met at the pub where the publican provided the two forms of seats for them and if business was slack he would join in the discussion. Another group met at Uncle Tom Foss' shop further down the road. This group was made up of old men over 80 and they met inside the shoemaker's shop. One old man used to go to his granddaughter's house and sit beside the kitchen fire and then he would tell her he had a pain beneath his ribs and she would give him a little wine to drink. Then he lost the last of his cronies and he went slowly up the hill and told his granddaughter he had nobody left but his old stick. The pain of being left without contemporaries made him forget about the pain in his side. There was another group that met at Philpot's smithy. The men would talk and argue while the smith was shoeing the horses. This smith has a long finger- nail on his left hand which he would use to pick up horse shoe nails as he was shoeing the horse. The bottom of the page has a photo of the main street of Long Gully taken from the Blacksmiths Shop.bendigo, history, long gully history group, the long gully history group - french's corner and village parliaments, manchester arms, french's hotel, mr french, uncle tom foss' shop, philpot's smithy, a crossley

Form used to record a summary of the working hours of crews, showing the total hours and the hours worked when one man operation. Gives a list of names at the time when the form prepared. Also used by Jerry? as a sheet of paper to write out the details of No. 9 run for Saturdays as a reference document and noted it was last time on the Victoria St route and recorded the tramcar number.Duplicated typed form, foolscap sheet, titled "Summary of daily time sheets - Traffic Department", giving name, total time, one man rate time, and spread of hours. Has a list of employee names in two columns. Dated 28/7/1971 - Wednesday On rear of sheets, Jerry? Van Rooy - has used the sheet to write out Saturday 9 run details. Has endorsed it - "My last Vic Run on 21/8/1971" - Conductor Jerry? Van Rooy - Car No. 17" Names on the sheet are: (in alphabetical order on the sheet) L Walker H Knight J Smerdon A Turnbull A Mercer R. Courtney W. Ward R. Williams A. Jeffreys D. McGregor D. Thomson I Willis D O'Leary J. Maher A. Morris D. Domaschenz R. G. Knight E Lake I. Tierney N Cahill N Reynolds W. Davies N. Hamilton L. McMahon J. Billman W. Nancarrow H. M. Van Oorschot W. Newell L. Bird D. Chambers H. Van Rooy H. Mannion N. Robe E. Van Rooy M. Blackman N. K. Alan - crossed out H. Hall J. Mason S. Davies W. F. Segrave N. D. Hunt K. Butler V. L. Gill R. K, Morris D. Everett T. Williams A. Reed B. Melville I. Trenfield Power - in pen W. Tuddenham Photocopy of sheet made.See above.trams, tramways, timetables, sec, ballarat, shifts, times