This uniform was made for the students of the Ballarat College of Advanced Education, School of Nursing. It was probably used in about 1986, then put on display in the School of Nursing until 2005..1) White princess style uniform with central front zipper and set in side pockets. It has machine embroidery around the collar and short sleeves. It has a back yoke with side pleats. .2) The apron is junior navy in colour with green binding and an orange emblem on the front left breast. It has a full back and front with ties at the side. Apron is printed in orange with - Ballarat C.A.E. Nursingnursing, ballarat college of advanced education, school of nursing, student nurse uniform, nurse uniform, nurse apron, apron, costume, textiles

School of Mines Ballarat was a predecessor of Federation University. .1 Letter from N.A. Crouch Accountant at M.B. Ltd to School of Mines Ballarat regarding employees who have completed their 2nd term studies asking for subjects taken and fees paid. .2 A letter from R. Clelland to Ballarat School of Mines asking to see a book on machine design and outlining some issues experienced.school of mines ballarat, m.b john ltd., n.a. crouch, f.e. ferguson, correspondence

Pure wool, navy blue men’s cardigan. Five navy blue buttons. One bound pocket on each side front. A 10.5cm wide band of woven pattern on each side front. Fine knit of heavy density. Set in sleeves with a 2cms wide fine knit cuff. Machine stitched button holes. Overlocked seams.Sutex ® Quality Knitwear. Made in Australia. Size 18 to fit 100cm. PURE WOOLcostume, male, cardigan

Sepia copy ( photocopy ) machinery, wheels, driving belts, iron hooped wooden barrels on bench. 6 adult males in background, 1 adult male in foreground. 'New Moon or Sth. New Moon' J. Lerk. On back 'cannot identify' stamp mark 'Bendigo Branch in circle. On the front ' View showing head of stamping machine 'organization, business, new moon mine

Guntruck escort vehicle and stores truck next to paddy field. Crew appear to be buying refreshments from local villagers. Stores truck is a POL (petrol, oil and lubricants) truck towing a fuel trailer. A wrecked jeep is on the side of the field. Junk dog truck has four machine guns mounted to protect the stores truck.Gun truck bears the name JunkDog. White US stars on the POL truckalso says USA.junk dog, gun truck, diorama

Yellow Express Carriers loaded with machine parts. Background left is part of Pulfer motors building, Photo taken before mid 1980's when building on left (Pulfer's Motors occupied it) was demolished to make way for the building of Thompson building at Bendigo TAFE. Centre background is second story of Specimen Coittage in Hargreaves Street Bendigobusiness, transport, yellow express carriers., yellow express carriers

Photograph. Cohn Bros. Collection. Black & white photo of a man operating a bottle filling machine. The bottles travel on a conveyor to the filling point. They travel past a large container with a gauge on the top. There are other various pipes and pieces behind the man. He is wearing a bag apron tied up with string. ML45/3 (written on the back).organization, business, cohn bros, cohn bros. collection, bottle filling machine, brewers, cordial & aerated water manufacturers

A black and white photograph of 131st Divisional Locating Battery, 1st Field Regt RAA. Gnr Cahill mans an M60 machine gun while his number two is at the ready with his SLR rifle, in one of the units' sandbagged bunkers, in the battery location on top of Nui Dat Hill, 1AFT BAse, (circa March 1967)photograph, 131st locating battery, 1st field regt, raa, nui dat, gibbons collection catalogue, gnr cahill

From Box Hill Historical SocietySmokingEmpty match box. Drawing of a stylised teacher on right hand side in shades of green red and black, with black board beside him. 'Brymay ' Redheads1/3 safety matches no. 15 Australian decimal currency.. system'. LSD shops will be those whose machines have not been converted. Average contents 50. Made in Australiapersonal effects, smoking accessories

00080.1 12th Australian Light Horse Regiment White Metal 1900 - 1912 White Metal Hat badge. 00080.2 24th Australian Light Horse Regiment Hat Badge 1930 - 1942 Brass by K.G.Luke. Blackened ? 00080.3 25th Australian Light Horse Machine Gun Regt. 1930 - 42 Hat badge Brass.

A souvenir from Egypt. It contains a central image of the Sphinx, the Great Pyramids and man seated on camel. There are flags and images of military leaders. The date is unknown but assumed to be from the first World War period. Flags around the central image are from countries allied in World War One, clockwise from bottom left: Sultanate of Egypt (red flag used 1914-1918) ; flag of Belgium ; Russian flag and image of Tsar Nicholas II in top left ; a form of the UK flag with King George V ; French flag ; Italian flag ; and the Serbian flag in bottom right. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.A record of a type of souvenir from Egypt at the end of World War I. Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Square printed cloth (possibly silk) with gold lace outer edge, machine stitched possibly at a later date. Printed section contains central image of Egyptian Sphinx, pyramids and man seated on camel (facing right) Surrounding main picture is a series of portraits of leaders of various countries with respective national flags either side.Souvenir of Egyptsouvenir, world war one

Full length black mayoral ceremonial robe with centre front opening. Silk grosgrain with dark brown ermine fur edging on centre front opening and cuffs. Cream silk lining in sleeves. The cuffs are also trimmed with cream coloured machine made net and lace. Gathered/puckered detail at back. Black ribbons attached to shoulders.mayoral robe, robe, ceremonial wear, mayor, bayside, brighton, sandringham, mayoral regalia

Donor believes items were completed by her great aunts Lydia, Rosa, Olivia and Isabelle Pollard when the sisters were young girls. They were completed in Country Durham, England. The items have been passed down through the family by the girls mother or aunt.Two handmade embroidered laundry bags. 6575.1 Red flowers with green leaves and white foliage embroidered on a cream cotton front, back of bag is undecorated. Hand and machine stitching evident. 6575.2 Gold flowers, green leaves and some white foliage. Four rings attached with gold and cream stitching on top of bag for hanging.A L 4 embroidered in top left hand corner of 6575.1 in yellow thread. A L embroidered at top L H corner of 6575.2 in red thread.late victorian needlework, handmade embroidery, lingerie bag, garment bags, cleary

Nippon dolls were made by Noritake in Japan. This example is referred to as a China glazed doll. They were made about 1915. The shoulder plate bisque dolls were usually under 10inches tall.Stuffed doll with ceramic face, decolletage, hands and feet. Dress machine sewn from cream and brown printed material. Arms and legs made from browncolored linen type material. Eyes (blue), eyebrows (brown), hair (black) rouge (pink) and lips (red) painted on. Dress tied at back with pink embroidery cottontoys, dolls, sewing

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Camisole comprised of three types of machine lace and an embroidered cotton joined together to form a fabric and backed with fine netting. There is a band of narrow lace at the square neckline, this is attached to a band of insertion lace with ribbon holes and then wide bands of insertion lace. At the upper midriff level there is a band of lace interspersed with embroidered butterflies. Garment is buttoned at the front.lace, women's clothing, lingerie, underwear, undergarments, chemisettes

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

Cloth bag - sewn brown canvas with a metal ring and cloth strip attached to one side and stencilled "16" on both sides of the bag. Used by Conductors to pay in their cash at depots following the introduction of ticket machines on the Z class trams. 2nd copy - "19" added 3/7/2019 from donation of Hugh Waldrontrams, tramways, tickets, cash handling, depots, revenue clerks, conductors

Adhesive labels for fitting to a Metcard machines to advise passengers how to purchase Metcard tickets. Shows a Metcard - 3 zone map, which buttons to use and fares effective 1/1/2001. Notes includes GST and provide a contact phone number - no web address. Has the Metcard logo in the top left hand corner.trams, tramways, metcard, metlink, signs, tramcars

News paper clipping from The Age, March 1998 titled "A Melbourne Love Song", Saturday Essay written by Paul Bateman about the love affair with Melbourne trams, W class trams, ticket machines, how Melbourne people used them, conductors, passengers. Has a drawing by Spooner and mentions Roberto D' Andrea.trams, tramways, ticket machines, conductors, melbourne, behaviour, passengers

A Large Rare mid 19th Century Balance Scale (also called a Beam Scale) Made in England by W&T Avery a British manufacturer of weighing machines. The company was founded in the early 18th century and took the name W & T Avery in 1818. The undocumented origin of the company goes back to 1730 when James Ford established the business in the town of Digbeth. On Joseph Balden the then company’s owner’s death in 1813 William and Thomas Avery took over his scale making business and in 1818 renamed it W & T Avery. The business rapidly expanded and in 1885 they owned three factories: the Atlas Works in West Bromwich, the Mill Lane Works in Birmingham and the Moat Lane Works in Digbeth. In 1891 the business became a limited company with a board of directors and in 1894 the shares were quoted on the London Stock Exchange. In 1895 the company bought the legendary Soho Foundry in Smethwick, a former steam engine factory owned by James Watt & Co. In 1897 the move was complete and the steam engine business was gradually converted to pure manufacture of weighing machines. The turn of the century was marked by managing director William Hipkins who was determined to broadening the renown of the Avery brand and transforming the business into a specialist manufacture of weighing machines. By 1914 the company occupied an area of 32,000m² and had some 3000 employees. In the inter-war period the growth continued with the addition of specialized shops for cast parts, enamel paints and weighbridge assembly and the product range diversified into counting machines, testing machines, automatic packing machines and petrol pumps. During the second world war the company also produced various types of heavy guns. At that time the site underwent severe damage from parachute mines and incendiary bombs.Then from 1931 to 1973 the company occupied the 18th-century Middlesex Sessions House in Clerkenwell as its headquarters. Changes in weighing machine technology after World War II led to the closure of the foundry, the introduction of electronic weighing with the simultaneous gradual disappearance of purely mechanical devices. The continued expansion was partly achieved through a series of acquisitions of other companies. After almost a century of national and international expansion the company was taken over by GEC in 1979. Keith Hodgkinson, managing director at the time, completed the turn-around from mechanical to electronic weighing with a complete overhaul of the product range of retail scales and industrial platform scales. In 1993 GEC took over the Dutch-based company Berkel and the Avery-Berkel name was introduced. In 2000 the business was in turn acquired by the US-American company Weigh-Tronix, who already owned Salter, and is today operating as Avery Weigh-Tronix. Item made and used possibly around the 1850s by Victorian colonial government to check weights of goods being sold by early shop keepers on the gold fields item is very rare.James McEwan & Co were the retailers of W & T Avery scales in Victoria from 1852. A very rare item used probably to check weights used by merchants during colonial times by government inspectors in Victoria. A similar example exist in a NSW museum, the item is believed to have been made before W & T Avery expansion to the Soho foundry in Birmingham in 1885 and after 1818.Beam balance scale suspended from a wooden tripod, with metal trays suspended by three chain lengths. embossed on the balance beam W T Avery, Birmingham,flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, scale, avery

This Edwardian era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death occurred often to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were a part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The black silk tailor-made jacket is one of three pieces of a ladies’ Edwardian mourning outfit. It has long sleeves, a stand-up collar trimmed with appliqued black crochet lace, and pleated sashes on the left and right sides from front to back fastened at the shoulder and waist. The jacket has a peplum or flounce below the waistline. The front of the jacket has brass hooks and fabric eye fastenings. The back of the jacket has two tails. The jacket is lined and the shoulders are padded. It has been machine sewn and finished with hand stitching. A white card is tied with a ribbon inside and has an inscription. The poplin skirt on the jacket has been cut up to the waist at the side seams. There is an attached card with an inscription, handwritten in ballpoint pen.“Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, sunburst pleats, western district victoria, mourning jacket

8714.1 - The pencil pointer is painted black with gold writing and ornate.8714.1 - Original Machine - Pencil Pointer Jupiter - GUHL & HARBECK - HAMBURG - JUPITER - L.&C. HARDMUTH - LONDON W.C 2 -Wipe the round and flat sliding rod every week with petroleum, then rub with a dry cloth, so that the carriage slides easily.

Original owner - Stephen John PARISH Regiment number/ Unit 703, Enlisted 19-08-14 F.COY 8th Battalion Became an officer 2nd Lieutenant in 1st Machine Gun Battalion RTA 17-03-1919 See also Cat No. 5979.6.Original photograph - black and white on photographic paper. Scene depicts landing boats, beach scene, an encampment with tents and small buildings with background of ridges. Handwritten greeting and information on back of photograph. Panorama photograph.Handwritten in faded black ink - back of photograph "Clevedon/ 3/7/18/ Just a picture of Gallipoli/ if you show it to any of/ the boys that have been/ there they will explain it/ better than I can by writing/ best love/ Ste ? xx" Handwritten in mainly uppercase letters, blue ink. Left to Right - " MOST OF OUR/ SUPPLIES WERE/ LANDED HERE" " THE LAST OF/ THE AIF LEFT/ HERE 29-12-1915" " 1ST AIF DIVISION/ LANDID (sic) HERE/ 25-4-1915" " THIS PERE WAS/ RECKED (sic) SEVERAL/ TIMES BY STORMS" " 1ST AIF/ HOSPITAL TENTS " TURKS BEACHIE (sic) / FIRED SCHRAPNIL/ ALONG BEACH/ FROM HEARE (sic)" " 4th INF BGDE/ Faught (sic) have/ on 9-5-1915" . "photographs, ww1, gallipoli, s. j. parish, 8th battalion

One inch Nordenfelt machine guns were used on board vessels of the Victorian Navy to combat the torpedo boats. One inch, as opposed to the .45 inch, Nordenfelt guns used by the Land Forces could penetrate the boilers of torpedo boats and thereby stop them.none

Colour patch identifies the hat as belonging to a member of the 26th Light Horse (Machine Gun) Regiment, a CMF (militia) regiment raised around Geelong and western Victoria c.1939. First tasked with coastal defence in south-western Victoria and later Western Australia.rare example of headgear of a CMF regiment from Victoria mobilised for defence of mainland Australia during World War Two.Khaki slouch hat with colour patch on puggaree and rising Sun badge on turned up brim.Stamped inside band: V553 / 6 7/8 / 1942military, slouch hat, light horse, machine gun, world, world war two, wwii, cmf

A cartoon of the 1930s titled "The Clancy Kids" of a boy dropping his pennies down the cable tram slot. Calls on Mr Timmie to help who responds with a comment regarding a vending machine. If you dropped a coin or a small item down the slot, there was no way of retrieving it.Demonstrates the peril of cable tram slots and lost items. Reproduction of a cartoon onto a display paper.tramways, cable trams, cartoon, cable slot, pennies

Pamphlet - "Accessibility Guide" - providing information on accessible trams, a plan of a Combino (D class) and Citadis (C Class) tram buttons, ticket machine, wheelchair access, and contact details. Has Yarra Trams, tram tracker and love your trams logos on the rear.Yields information about accessibility for C and D class trams.Pamphlet - four fold DL size, full colour.trams, public transport, yarra trams, accessibility, wheelchairs, combino, citadis, c class, d class