"PATHFINDER" A War Autobiography by Air Vice-Marshal D.C. BENNETT, C.D., C.B.E., D.S.O.. RAF WW2.Hardcover book. Cover - cardboard, dark blue color buckram. Gold print on spine. 287 pages - cut, plain, off white paper. Illustrated black and white photographs. Front and back end papers - owner's stamps. Front end paper - price notation.Front and back end papers - owner's stamp - purple ink "AIR CADET CORPS/ CITY OF BENDIGO SQUADRON. Blue ink "RETURNED & SERVICES LEAGUE/ MEMORIAL HALL BENDIGO" . Front end paper - price notation - grey lead pencil "4590/22/6"books, military history, ww2, autobiography, raf

Owner and donor details - see Cat. No. 5836.3. The idea was to provide ex -service men and women in hospital with a form of occupational activity.Soft cover book. Cover - cardboard, pink colour, black print on front cover. Illustrated with square with geometric shapes. Facsimile document. 107 pages - cut, plain white paper. Illustrated - colour artwork, black and white posters. Binding - plastic binding comb.books, military history, veteran's affairs, story writing, art

"The Lost/ Battlefield/ Of Kokoda/ The extraordinary story/ behind the discovery of a forgotten/ World War Two Battlefield."Soft cover book. Soft cover - cardboard, gold, white and dark green print on front, spine and back. Illustrated - green tones - photograph of jungle scene with 2 timber crosses in foreground. 269 Pages - paper, plain, cut, white, illustrated - colour photographs.books, history, ww2, kokoda

"The Golden Years/ The Royal Australian Air Force 1921-1971.Soft cover book - folio binding. Soft cover - cardboard, mid blue colour, embossed, Gold and Navy blue print on front and spine. Illustrated RAAF Crest. 124 pages - paper, cut, plain, white. Illustrated, colour and black and white photographs and diagrams.books, history, raaf

Blue coloured soft cover with the title in white lettering. A blue and white crest with yellow lettering is located at the top centre of the front cover. A larger version of the same crest is located in the centre of the back cover. 143 pages with cut edges and black and white photographs and illustrations.non-fictionThe book details the history of the Australian Women's Army Service and the Albury Army Areaaustralian women's army service, bandiana museum, albury army area, major thomas b. williams, army history

See Cat 4575PSmall folded cardboard card, Inside i a smaller piece of paper with words written. The two pieces are held together with a piece of brown wool. The front cover is a pen and painted drawing of three flowers. The edges have been cut in such a way as to provide a crinkly effect.The inside leaf, left side, has written VX32652 Dvr. D Dean 2/10 Aust TPT Platoon. Right side has a printed Christmas greeting, with hand written: "To my Darling Wife with all my love, Doug xxx" xxxwar, christmas

Passbook covered Military & RAAF payments between 1942 & 1943. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) Cream paper envelope which covered a bank passbook. .2) Blue buckram bank passbook. 20 cut edge pages. Pages contain details of banking transactions. Instructions for use & notices printed on end papers, first & last pages are on back cover..1) In centre in black ink: Bendigo post mark stamp. In centre handwritten address in black ink: Mr F G Davey 88 Olinda St Bendigo Vic On back: Commonwealth Savings Bank coat of arms. .2) Stamped on front: M15106 Handwritten in black ink on pages 2 & 3: Frederick Gardner Davey Remaining pages have handwritten transaction details & date savings.banks, military payments, raaf

The War to End War and General Monash as seen by a frontline soldier. By Captain Samuel Storer, 14th Battalion, 4th Brigade, AIF. ... this book a most enlightening & interesting insight into 'the war that was to end war'.Cover - soft cardboard, brown print on front & spine. Beige background, sepia tones, full length portrait of General John Monash, AIF on front. 62 pages, cut plain, beige. Illustrated with black & white photos. Autobiography - eye witness account of WWI.Handwritten in black ink on front fly leaf: “To dear Dad, Wishing you a Merry Christmas, Love from Bev & Tom, xxx, 25-12-1977”books-military-history, monash

Book chronicles the experiences of the author, Gary McKay as a National Serviceman in Vietnam.Brown buckram hard cover, title in gold lettering. White dust cover with title in black & brown lettering. Black & white illustration on front. 197 pages with cut edges. Illustrated with black & white photos & diagrams. Brown end paper paper front & back.books - military, military history - army, vietnam

A pictorial history of servicemen & women during 1962 - 1972 whilst serving in South Vietnam. Lex McAuley, Author was born in 1939 in Innisfail, Queensland.Hard cardboard cover, khaki buckram with orange fly leaf. Front dust cover has a soldier carrying equipment, soldier on back has a rifle pointing straight upwards. 147 pages with cut edges & black print. Illustrated with black & white photos & maps. books-military-history, photography, illustrations, vietnam

ISBN 0-0021-1368-6320 page, cut edged hardcover book with dust cover, illustrated with maps and B&W photos. Cover is brown buckram with gold writing on spine. Dust cover is black with orange title, gold and white subtext and sepia image of Field Marshall Montgomery and the author."Mrs May Hall"books, military history

317 page cut edged hardcover book with illustrations and colour and B&W photos and dust cover. Cover is grey buckram with gold print on spine and front cover. Dust cover is white with grey and light blue text with images of a Victoria cross and another medal.Handwritten in black on title page "Graeme McGregor" Stamped on front flyleaf "Bendigo District RSL Sub Branch Inc PO Box 449 Bendigo Vic 3552"books

Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, white print on front, back & spine. Front cover illustration detail from Digging Bore Hole Latrines by Murray Griffin. Rising Sun badge illustrated on front & back covers, 400 cut plain pages, black & white illustrations. Handwritten in blue ink on front flyleaf: J Fuller In black ink on front flyleaf: RSL Stampbooks, military history

The amazing SAS - provides a thrilling insight into the way Australia's SAS soldiers are selected and trained and of various SAS deployments.Soft cover cardboard. White color print on back, front spine. Illustrated cover. Colored photograph. Solder on front, Grey tones colored army vehicle on back. Jungle green colored background. 349 pages cut plain. Illustrated colored photographs and maps.books-military-history, books-sas

The family of Miss Carol Pedersen-Green migrated to Australia from Norway c1900 and probably brought this desk set with them. A desk set comprising a wooden base with 2 cut outs for 2 clear glass ink wells with silver hinged lids. A ledge on either side to hold pens. and 4 rubber stops under base to maintain stability 5 wooden pens with steel nibs writig equipment, pens, glass inkwells, pederson-green carole, cheltenham, moorabbin, bentleigh, early settlers

Written on the retirement of Philip Scott as This copy kept by Council Portland Town Council archives

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 66 page black and white magazine with a colour front cover. The magazine contains a guide to London and regional musical events for May 1967 as well as articles on various musicians. The book was owned by Frank Wright. On page 9 a piece has been cut out of the page.music and musicians, hansom books ltd, frank wright

Newspaper cut out from May 1974. Article titled: Council urged to invoke by-laws over gas works. Cr. A.E Mills has called on Ballarat City Council to invoke its by-laws on organisations or contractors excavating footpaths without council permission.newspaper, bendigo advertiser, gas and fuel

Necklace made of black 3 mm leather knotted 7 cm from the end. Below the knot, the two strands have a light brown 2.2 x 0.9 piece of wood cut to a point on both ends and another knot to hold them on each strand.personal effects, jewellery, leather necklace

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1967. Bendigo Institute of Technology, Engineering School, Applied Science. 1st Floor well underway. Photo taken from ground level looking over the rubble and off cuts, drum lid visable.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1967. bendigo institute of technology, engineering school, applied science. 1st floor well underway. photo ground level rubble off cuts

Blue Doctor's Certificate dated May 9th 1877 certifying that John Lubcke of Happy Valley was unable to follow his usual employment. Signed by H. L. Atkinson. Signed at the end by John Lubcke declaring himself on the Sick Funds. He had a cut hand.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, john lubcke, h l atkinson

Black and white drawing printed on thin card showing a Sundercut stump jump plough being worked with a team of six horses. A man sits on the plough, looking at the viewer. Appears to be a print-out on thin card. Has been cut out along printed lines.Handwritten on front bottom: 'Sundercut Stump Jump Plough 1925" Artists' signature under rear wheel on drawing: 'M. Caccianiga"stump jump plough, farm machinery

Clothing. Child's cream coloured linen petticoat. Round neckline with casing and embroidered edge. Cotton tape tie threaded through casing and tied at centre front. Short kimono cut sleeves edged with pintucks and lace (2 cm). Body of petticoat widens to hem.costume, children's, child's cream coloured linen petticoat

Oamaru NZ origin 1923 Essendon (St. John's) from July 1929 admittedSepia studio portrait of Rev S F Hunter mounted on brown card. The Rev Hunter is posed sitting holding a piece of paper with his arm resting on a table. He is dressed in his clerical clothing. The mount has been cut on the left hand side. Handwritten on the back: "Rev. S. F. Hunter MA. D." "July 1923 - 1929" "c/o Mrs S. F. Hunter Brighton St Highgate Hill Sth Brisbane"presbyterian ministers, rev s f hunter, st john's presbyterian church essendon

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back