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Bendigo Historical Society Inc.
Photograph - LANCEWOOD HOUSE, MCLAREN ST., BENDIGO
black and white photo; Lancewood House, home of late Ernest Mueller and family, interior of rooim in house, showing cupboards, shelves, chair, pictures on wall. Light fitting, many ornaments, wall papered walls. On bottom in pencil, V ( ? ) I 589.4buildings, fittings & materials, lancewood house -
Bendigo Military Museum
Book - BOOK, WW1, Patricia Ibbotson & Pam Keown, The Boys of Tragowel 1914 - 1919, 2016
The Boys of Tragowel 1914 - 1919. From the preface: In the Tragowel Hall in Northern Victoria hangs a Roll of Honor of World War I. To commemorate the 100th Anniversary of their enlistment and World War I, we have sought to honour their memory by following up their War Service details with some photos and personal facts.Soft, lightweight cardboard cover, black print on front & back, beige colour background. Foreground has 12 sepia or black & white portrait photos of uniformed men surrounding a colour postcard from 1915. 99 pages, cut, plain, white. Illustrated black & white photos.books-military-history, tragowel -
Federation University Historical Collection
Audio - Cassete, Music by Kerrin Whiting, 2004
The 2004 Lucato Peace Prize was won with a song by musical theatre student Kerrin Whiting who said: 'song has been a vital tool in communicating messages and emotions. In musicals, a song takes the place of a dialogue when the emotion is so intense, it cannot be expressed with just words. With the brief that 'Peace is Always Better Than War', I found the key word was ALWAYS. I used music and lyrics to address a child and the future, while the chorus is thought provoking for a present audience. I believe they will be left to reflect and ponder possible solutions.'Casette tape of music by Keerin Whiting. This work won the 2004 Lucato Peace Prize.lucato peace prize, music, kerrin whiting -
Bendigo Military Museum
Card - XMAS CARD, C.1969 - 71
Hand written inside. "Murray, I will never forget you, how are you? I hope you are always well! My regards to your mother. I hope to one day see you again in V.Nam. Sister Augustine". The card relates to Geoff Murray No 3411521, 3 Cav Regt Vietnam 27.11.67 to 22.10.68, Survey Corp Vietnam 15.10.69 to 15.10.70. On his 2nd tour with Survey Corp Geoff procured a lot of food etc for the Baria Orphanage. Refer 610.2P, 611.8, 1866.3 re the Orphanage and Sister Augustine also 638P.Christmas card with river scene painted on front. .1) Heavy card outer pages. .2) Fine tissue paper inner pages..1) "Greetings" .2) "Merry Christmas and Best Wishes for a Happy New Year"cards, xmas, vietnam -
National Wool Museum
Textile - Blanket
Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label -
National Wool Museum
Textile - Blanket, 1960s
Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label -
National Wool Museum
Textile - Blanket, 1960s
Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label -
Port Melbourne Historical & Preservation Society
Map - Large map of Port Melbourne, British Chart, Japanese war-time map of Port Melbourne, c 1937
Jim Sinclair was born in Cruickshank Street, Port Melbourne in 1924. During World War II Jim found this map in a network of caves near Rabaul, Papua New Guinea. He remembers '"The Japanese] had linked just about every hill with a tunnel. Concreted. Most of them were packed with stuff. I used to wander through - being very careful too, mind you!. You didn't want yourself to get blown up. I found these maps. I thought that looks familiar! It's in English with Japanese stuff on it too."A large map of Port Melbourne with Japanese printed annotations with strategic infrastructure. Stamp on back explains age in Japanese.war - world war ii, port of melbourne, jim sinclair -
Nillumbik Shire Council
Painting: Melinda Harper, 'Untitled'
This work was completed during Harper's Laughing Waters residency at Boomerang House, 2001. The Laughing Waters Artist in Residence Program was run by Nillumbik Shire Council (in partnership with Parks Victoria) 2001-2015. "My painting is about colour and form, and their relationship. I am interested in what one colour does to another colour, the weight of a colour and the feeling of a colour. Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015.The painting is representative of Harper's artistic practice and the vivid colours and abstraction particular to her work. Small-medium sized oil painting of vivid, bold, coloured shapes arranged in a kaleidoscope pattern. There is an array of colours each placed in proximity to each other to create a vibrant, lively atmosphere. Anna Schwartz sticker on back of canvas. harper, untitled, 2002, contemporary, laughing waters, boomerang, abstract -
Rutherglen Historical Society
Image, Kingsway Real Photos, c1910
Found at the rubbish tip. Postcard written by Percy Fullerton during WWI to his future wife Fern Aitken.Black and white photograph on postcard, showing church with tall steeple.At bottom of photo: "S 2469 Parish Church, Grantham" On back of postcard: "22/10/17 | Darling Fern, Doing A.1. and hope to be out of Hospital by the end of the week. I had the pleasure of looking down on this church last week, think I told you in my last that I had been up flying. Trusting this finds my bonnie little girl well as it leaves yours lovingly. Percy xxxx"percy fullerton, fern aitken, world war 1, world war i, ww1, wwi -
National Vietnam Veterans Museum (NVVM)
Functional Object - Cigarette Lighter
Silver flip-top Zippo lighter. Personalized with engraving.LIVE BY CHANCE/ LOVE BY CHOICE/ DRINK BY DESIGN/ SMOKE BY COMPULSION/ GAMBLE BY NECESSITY YEA THOUGH I WALK/ THROUGH THE VALLEY/ OF THE SHADOW OF/ DEATH I WILL FEAR/ NO EVIL FOR I AM THE/ EVILEST SON OF A BITCH/ IN THE VALLEY. On the other side of the lighter reads: WE ARE THE UNLUCKY LED BY THE UNQUALIFIED TO DO THE UNNECESSARY FOR THE UNGRATEFUL. IF YOU CAN'T EAT IT DRINK IT OR SLEEP WITH IT DON'T BUY, IT IF YOU'RE NOT WITH THE ONE YOU LOVE, LOVE THE ONE YOU'RE WITHzippo lighter, capt i.c. teague, aattv, cigarette lighter, australian army training team vietnam (aattv) -
National Wool Museum
Badge
Badge probably sold as a fund raiser for the war effort during World War I.Badge, circular. Pin back, celluloid cover. White badge printed with a Union Jack in red, white and blue.MADE IN AUSTRALIA / ALFRED E.S. STOKES / Manufacturer of / Photographic reproduction, / colored Patriotic, Carnival, / & Campaign Buttons, Etc / 228 PITT STREET / SYDNEYworld war i -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
The McKesson Nargraf anaesthetic record was introduced in 1930, created by Dr Elmer I. McKesson.Black and white photograph of a drawing of the head of a McKesson Nargraf anaesthetic record, Model J. The view is from the top looking down onto the machine, showing a round vaporiser with a valve attached to it and two round pressure gauges on either side. The recorder on the top of the photograph does not have a chart attached to it.Each part of the machine has been labelled and handwritten in black ink the letters A - H and J - M on the surface.mckesson nargraf anaesthetic record, anaesthetic equipment -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
The McKesson Nargraf anaesthetic record was introduced in 1930, created by Dr Elmer I. McKesson.Black and white photograph of a drawing of the head of a McKesson Nargraf anaesthetic record, Model J. The view is from the top looking down onto the machine, showing a round vaporiser with a valve attached to it and two round pressure gauges on either side. There are blood pressure tubes attached to the sides of the machine. The recorder on the top of the photograph has a chart attached to it with written details.Each part of the machine has been labelled and handwritten in black ink the letters A - H and J - P on the surface.mckesson nargraf anaesthetic record, anaesthetic equipment, anaesthetic apparatus -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
The McKesson Nargraf anaesthetic record was introduced in 1930, created by Dr Elmer I. McKesson.Black and white photograph of a drawing of the head of a McKesson Nargraf anaesthetic record, Model H. The view is from the top looking down onto the machine. There are two pressure gauges on either side of the round central component, with controls for oxygen, nitrous oxide, ethylene and carbon dioxide. A circular vaporiser for Ether is also attached to the machine.The recorder on the top of the photograph has a chart attached to it with written details.anaesthetic equipment, mckesson nargraf anaesthetic record, oxygen, ether -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
The McKesson Nargraf anaesthetic record was introduced in 1930, created by Dr Elmer I. McKesson.Black and white photograph of a drawing of the head of a McKesson Nargraf anaesthetic record, Model J. The view is from the top looking down onto the machine, showing a round vaporiser with a valve attached to it and two round pressure gauges on either side. The recorder on the machine does not have a chart attached to it.Handwritten in black ink the letters A - H on the surface, labelling each part of the machine.anaesthetic equipment, mckesson nargraf anaesthetic record -
Waverley RSL Sub Branch
Dispatch Riders Gauntlets and Goggles
Used by Dispatch rider I Beale vx 5078 in ? Crete Egypt and New GuineaSet of Amy issue Dispatch Riders Gauntlets and Gogglesmilitary, dispatch rider, gauntlets -
Uniting Church Archives - Synod of Victoria
Photograph, Freda Whitlam, Moderator-elect NSW Synod, 1984
"Miss Fred Whitlam is the moderator-elect of the NSW synod, a former principal of Pymble Ladies College, she is a lay preacher, elder and member of the NSW synod board of Social Responsibility. After the ballot she told synod: 'With my name I was sure I would not be elected.' Gough Whitlam is her brother."Whitlam is shown standing in a garden, facing the camera.C&N identification.whitlam, freda, nsw synod moderator-elect -
Rutherglen Historical Society
Book, Thomas Drenen, Golden Rutherglen: Mining Activities of the Past, c 1935-1945
Information from donor: "The orange booklet was printed mid-to-late 1930’s or early 40’s by my father Curtis Drenen, and written by my grandfather Thomas Drenen. The original publication would have been handset by Thomas’s employees as he had a keen interest in the mines financially. This booklet has been set and cast in hot metal on a linotype machine my father purchased after taking over the Rutherglen “Sun” and passing of Thomas in July 1932. This booklet was one of half a dozen I put together when I found some flat sheets of 8 page sections stored away in a cupboard. I folded, collated the sections, stapled and trimmed these Sheets during my time at the “Sun” from 1951 to1969. Where the rest are I have no idea. I wrote the final paragraph on Page 44 from a copy provided be my mother." Thomas Drenen was Proprietor and Editor of The Rutherglen "Sun," from 1886 to 1932. The articles in the book were first published in 1904.Small book of 44 pages, stapled, with cover of orange heavy paper.On cover: "Robert Drenen, 11 Hinchley St., Wangaratta" At bottom of last page, the last line "In suspending work the mine was not dismantled, except taking the ropes" is followed by handwritten lines: "down. However no further was done with the mine and the plant and machinery was later sold to Mr S.P. Gollings and eventually dismantled. THE END."drenen family, gold mining -
Greensborough Historical Society
Audio - Audio Cassette, Diamond Valley Choral Society, Futter Concerts, performed by Diamond Valley Choral Society 1991, 18/05/1991
A recording of songs performed at Futter Concerts 18/05/1991, including Advance Australia Fair, Australia Fair I love you, Riding to the Never Never, Bush night, I love to go a-wandering, Waltzing Matilda. This performance is by the Diamond Valley Choral Society at Reservoir Baptist Church on 18/05/1991.2 audio cassettes in clear plastic casesHandwritten on insert: Songs included see context; typed on cassettes "Futter Concertsdiamond valley choral society, futter concerts, reservoir baptist church -
Ringwood and District Historical Society
Photograph, Ringwood Station Staff, 1891
L. to R.: Porters, G. Hazeldine, F. Neil, D. Mackay, Guard W. C. Roberts, Signalman Sullivan, Stationmaster J. K. Turnbull, Assist. Stationmaster W. B. Johnson, Porter J. Jenking, Clerk M. O'Keefe, Guard T. H. Swindon, Porter G. King.(This was forwarded to RDHS by Mrs. I. Roberts, Sth. Yarra, widow of William Roberts. The late William Roberts was the son of Guard W. C. Roberts and lived in Ringwood when a boy.)Heading above photograph reads, "Ringwood Station Staff, 1891". Listed below are the following names, "L. to R.: Porters, G. Hazeldine, F. Neil, D. Mackay, Guard W. C. Roberts, Signalman Sullivan, Stationmaster J. K. Turnbull, Assist. Stationmaster W. B. Johnson, Porter J. Jenking, Clerk M. O'Keefe, Guard T. H. Swindon, Porter G. King. This old photo was forwarded by Mrs. I. Roberts, Sth. Yarra, widow of William Roberts, who died 10 weeks ago. The late William Roberts was the son of Guard W. C. Roberts and lived in Ringwood when a boy. He joined the Telegraph Office, Spencer St., and worked his way up to the top. He retired 6 years ago. Some of the staff may be remembered by the older Ringwood residents". -
Creswick Museum
Red Cross badges, 20th century
Mrs. Margot Eddy was a member of the Creswick Red Cross Society for over 40 years. Creswick Red Cross was established in 1915 after the outbreak of WWI. Mrs. Eddy received her 40 year bar in 1977; she was President of the Creswick Red Cross for 10 years up to 1975. Mrs. Margot Eddy's daughter Mrs. Lucia Stephens donated these Red Cross badges and newspaper articles and letter to the Creswick Museum August 2014. 10 badges from Mrs. Margot Eddy of Red Cross. a- round metal badge; b- round metal badge; c- rectangle metal badge; d- rectangle metal badge; e- rectangle metal badge;h- round plastic badge on pin g- round metal badge with flourish at base; h- rectangle metal badge; i- red ribbon with oval metal badge at base and rectangle metal piece at top; j- round white plastic badgea- on front- Australian Red Cross. Victorian Division - back- 38102; b- front- Australian Red Cross Society - back- Stokes; c- front- Red Cross/ Emergency Service - back- 5177;d- front- Life Member;e- front- Mrs. M. Eddy - back- stokes/melb; f- front- blue ring with white interior and red cross in middle- back- 50c; g- front- Australian Red Cross Society/ Service Award - back- Stokes/Melb.; h- front- Red Cross/ Emergency Service - back- 5178; i- front- Australian/ Red Cross/Society/Twenty Years' Service - back - c / 76/ w. o. luke/ melb.; j- front- white badge with red cross at top/ Mrs. M. Eddy/ Creswick - back - Imprint Plastic/ Myaree, West. Aust. red cross; badge; -
Federation University Historical Collection
Correspondence, Richard T. Vale, Correspondence between R.T. Vale and Mr Martell of the Ballarat School of Mines, 1898
R.T. Vale had a stationary and bookshop in Ballarat. He had studied at the Ballarat School of Mines, and served on its Council. In 1886 he was elected to the Victorian Legislative Assembly as the member for Ballarat West, serving until 1889 and again from 1892 to 1902. From 1894 to 1896 he was a minister without portfolio.Two handwritten letters from Richard T. Vale. .1) Letter on Government of Victoria Education Office letterhead dated 09 May 1898. .2) Letter of Legislative Assembly Victoria letterhead dated 28 October 1898..1) Dear Martell, I want you to send to dept details as to Room required size of classes how often they meet [illegible] of present accommodation and [illegible] how they clash ad how the proposed rooms are to be erected send at once. Yours truly R.T. Vale .2) 28.10.1898 D.M. I called at [illegible] today plans not quite colored yet I have to be traced from sheets full of detail drawings [illegible] to service and would made had it been safe when they tried [illegible]. I [illegible] would have to wait another fortnight. Yours R.T. Vale.richard t. vale, r.t. vale, legislative assembly victoria, goverment of victoria -
Federation University Historical Collection
Letter - Correspondence, Neville Bunning: Ballarat Art Society Proposal, 1946
Neville Bunning was a staffmember at the Ballarat Technical Art School.Two page hand written letter relating to setting up a Ballarat Art Society. From Neville Bunning to the Ballarat Art Gallery.604 Dana Street Ballarat 20th Aug 46 The Secretary Ballarat Art Gallery Dear Sir, I submit the attached proposition for the formation of the Ballarat Art Society. I am convinced that it is needed as an outlet of expression for teh Art School and for the development of sculpture and Painting in Ballarat. I have taken the liberty of suggesting that your committee shld form the society because I imaginbe that a society formed withou your support would be unlikely to succeed. If it failed it would mean a set-back for many years. U trust that you will be interested in the proposition Yours faithfully Neville M. Bunning. neville bunning, ballarat art society, ballarat art gallery, art gallery of ballarat, ballarat fine art gallery -
Marysville & District Historical Society
Book - Hardcover book, Travis Easton, Waterfalls of Victoria-Volume Three-Eastern Waterfalls, 2015
A book of photographs and information pertaining to the waterfalls in Eastern Victoria.A book of photographs and information pertaining to the waterfalls in Eastern Victoria.Hardcover. Front cover has a photograph of Toorongo Falls and back cover has a photograph of Evelyn Falls with a synopsis of the book.Gift fo Marysville & District Historical Society by Travis. 17 After catching up with my family because I had lingered to take a few more photographs,/ I was serenaded with the following song:/ Don't go chasing waterfalls/ Please stick to the rivers and the lakes that you're used to/ I know that you're gonna have it your way or nothing at all/ but I think you're moving too fast/ from the song Waterfalls by TLC Dedicated to my wife and children: Monique, Iona, Zahra, Jasmine & Flynn,/ who have continued to love me despite my waterfall chasing ways.waterfalls, eastern victoria, travis easton, photographs -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered sailing boast with flying french flag and union jack. Also pink, blue flowers and green foliate decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "My dear Alice / France / Just a PC to let you know I'm well and hope you are all the same I have not see Joe yet over here but I believe he is alright so far well there not much news to tell you get more news over there than we do. I hope Jack and Father are working. I wrote to Jack he aut to have my letters by now well this all the news ???? as long as you know I'm well ?????? bye best love Will xxxxxx"wwi, postcard, embroidered postcard -
Bendigo Military Museum
Postcard - CARTOON POSTCARD, Inter Art- Co, 15.11.1916
The letter details how the writer GEORGE saw George yesterday and waved and yelled but he did not see him as they were marching past. It also describes how they just came out of the trenches with mud over their knees and higher. The George walking past is possibly George Frederick Pierce DCM. Refer Cat no 1891P for his service details, award and death.Cartoon coloured postcard depicting a boyish soldier surrounded by boys and girls. On the rear is a letter from France to a girl, the writing is in blue pen.On the rear “15/11/16 France, Dear Gaddis”. The letter ends “I remain yours sincerely George H..........postcards, military, cartoons -
Bendigo Military Museum
Accessory - BROOCH & BADGES, c.WWII
Items were classed as Trench Art, many items were made out of Perspex..1) Rising Sun badge, mother of pearl. .2) RAAF Badge with wings, perspex. .3) Brooch, oval shape. .1) Bottom: Australian Commonwealth Military Forces .2) Centre: RAAF .3) Centre: Mother I go to return numismatics - medals, military badges -
Frankston RSL Sub Branch
Medal, Service, Distinguished Flying Cross
Distinguished Flying Cross and Bar awarded to Squadron Leader Ian Frank Tamagno. The medal has been mounted in a gold rectangular frame. The medal has been mounted on a maroon backing material. The medal is in the form of a silver finished cross suspended by a white and violet diagonally striped ribbon. Below the cross, is a gold plated engraved presentation plate. The inscription on the plate is the following, 'D.F.C. (and) Bar Awarded to Sqn. Ldr. I. F. Tamagno Presented to Frankston R.S.L. 7.10.81ww2, distinguished flying cross and bar, squadron leader ian frank tamagno -
Geelong Cycling Club
Pennant, 1971
Amateurs during this period were strong. Ian Wood had won a schoolboys championship. This pennant charts his progress.Record of strength of Juniors in the ClubTriangular Pennant in blue felt trimmed with white felt. Wording regarding event and winners is embossed in white over the navy blue felt."VACU/Junior Road/Premiership 1971/Won by Geelong/I Wood/P McKinnon/M Allen/K Salmon"vacu; junior road; premiership; 1971; geelong cycling club; gcc; i. wood; p. mckinnon; m. allen; k. salmon;