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Warrnambool and District Historical Society Inc.
Swap Card Albums (2), Mid 20th century
The 120 cards in these two albums are very varied in content. There are many of birds and animals, some of great artwork reproductions, some of famous places and buildings, a couple of V.F.L. footballers, two from the Melbourne Olympic Games, some matching pairs and a couple of Australian aboriginal art work. They are all of high quality and many are very beautiful. Swap card collecting was a popular activity for young girls throughout the 20th century and cards were swapped with friends and sometimes sold. Usually the cards, bought from newsagents and fancy goods shops, were kept loose in a school bag or pocket and so the number of cards and the type varied from week to week. Boys also often saved cards of a particular nature – sports cards, nature cards etc though the idea of ‘swapping’ was not so prevalent among the boys. Card collecting, usually promoted by a business concern or a toy company, is still a pastime for young people today. The cards in these two albums are of considerable interest as they are of good quality and are aesthetically pleasing. They also are good examples of a popular hobby of girls in the 20th century. .1 & .2 These two albums are similar in size and design. Both have grey/pale green covers with red printing on the front cover. Both are bound with two staples and both contain 10 pages with inserts to hold three cards each side of the page. The inserts are edged with a green decoration. Both albums contain 60 coloured cards. There is evidence of silverfish damage on the front covers of both albums. hobbies of the past, history of warrnambool -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 2, No. 2, Apr-May 1997, 1997
Vol. 2, No. 2, Apr-May 1997 CONTENTS DRAWING ON NATURE Jenny Chong discusses the long transition from pottery to sculpture 3 THE WRITER IN THE THEATRE Alison Croggon talks about the pains and joys of writing for the theatre 6 A MUSICIAN'S MUSICIAN Daniel Chable on Steve Vai 9 JOURNEYS OF THE MIND The pathway of 14 regional artists 10 THE INVISIBLE THEATRE The contribution of the Melbourne writers' theatre 13 PHOTOGRAPHY Justin McMahon's camera turns the night sky into 'light paintings' 16 NOLAN AT MUSEUM OF MODERN ART Why the Ned Kelly series is the exhibition we had to have 18 THE VOICE IN BETWEEN Short story by Archimede Fusillo 21 THEATRE AND CD REVIEW A play that puts an Aboriginal and Torres Strait Islander point of view 26 THEATRE AND CD REVIEW 27 ALAN MARSHALL AWARDS 28 SOUL OF SOCIETY Ken Strong tackles some questions of creativity 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, food for all seasons, sidney nolan, ned kelly at glenrowan, jenny chong, manningham artspace, alison croggan, steve vai, daniel chable, recherche speciality picture framing, harriet dance, eva gaitatzis, manningham artspace, rick amor, jenny chong, geoffrey gordon dance, ernest fries, isabel davies, lindsay edward, kazuko eguichi, deborah halperin, inge king, grahame king, kevin lincoln, david moore, akira takizawa, tony trembath, carolyn pickett, melbourne writers' theartre, faces coffee house, eastern metropolitan opera, justin mcmahon, albert tucker, archimede fusillo, slickers, whilefood delights, eltham school of ballet, eltham little theatre, peter chapple, alan marshall short story award, janet drake, jon weaving, barry dickens, do lunch at the library licensed cafe, ken strong, wingrove cottage community clinic, helen o'grady children's drama academy, eltham high school symphonic band, james morrison, eltham wiregrass gallery & cafe -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 3, No. 2, Apr-May 1998, 1998
Vol. 3, No. 2, Apr-May 1998 CONTENTS TOP CATS FOR '97 Emerging talent from our local schools 3 BOOK REVIEW A Small Unsigned Painting 6 LAND SHAPES Eltham artist Nel ten Wolde captures Australian images 7 REVIVING RAVENSWOOD Grand old Ivanhoe mansion restored to its former glory 9 ART IN A VEGE SHOP Murals brighten an organic greengrocer's shop 12 ADDRESSING SOCIAL CONCERNS Literary festival brings critical writers together 14 PHOTOGRAPHY Local student shows her talent 16 WOUNDEDNESS AND HEALING Australian artist in London exhibits in Eltham 18 CD REVIEW 22 SHORT STORY 23 BOOK REVIEW 25 MURALS a charming sense of community 27 EXHIBITION AT HEIDE 28 EVENT - ABORIGINAL CELEBRATION 29 ART OF PRINTMAKERS 30 ART SERVICES & TEACHING 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, faces coffee place, jessie glavin, katie williams, kelly almond, michelle ceravolo, mariella mckinlay, rochelle carr, manningham gallery, stephen sheding, dynamic vegies, nel ten wolde, pool & spa care centre, bi-wize quality paints, llobex image wizards, east ivanhoe gallery, ravenswood, marguerite marshall, theresa martin, soni stecker, virginia trioli, robert dessaix, lauren williams, robert manne, chris jurewicz, moira rayner, marela mckinley, wendy donald, anne redmond, wingrove cottage community clinic, were street cafe, rob vines, ashley cross, serge de leucio, michael conolan, daniel chable, pietro ristorante grossi, lucinda mcknight, litfest 98, morag fraser, michele lonsdale, wintyre recital gallery, murals, port jackson press australia, epping secondary college, bulleen art & garden centre, christmas hills, museum of modern art at heide, nillumbik gayip, mye woonbah dancers, intaglio, violeta capovska, christina cordero, elizabeth dobrilla, belinda fox, david frazer, melinda schawel, amanda woodford, pandora journal, ward sagar, wholefood delights, dymocks booksellers -
Orbost & District Historical Society
black and white photograph, late 19th century
Bendoc is in the far east of the State close to the border. Benduck is Aboriginal for plain, Wagra meaning `black-eyed crow' and Wagra Benduck means ‘noise in the trees'. On the 13th of December 1872 the Bendoc people had 2 roods of land reserved for a school and again on 22nd of May 1874 1 acre was also reserved. It was not until 7th of July 1876 that the Government authorised the building of the school. It was 24ft x 16ft with quarters (three rooms) for the teacher, total cost £446 1s 6d. The teacher paid £9 per year rent. School began on 11th of July 1873 which suggests that classes were held prior to the erection of the school building. The head teacher then was Frederick Jones. In 1962 the Department erected a new school of two rooms and the following year a new residence was provided. (info. from Schools East Gippsland) Bendoc Primary School closed mid 1980s.This item is associated with education in Far East Gippsland.A black / white photograph of 21 students standing outside a wooden school building.education-bendoc-state-school -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document, Photocopy Letter Stephen Charman to Michael Charman UK 1857, 1857
Stephen Charman, aged 21years, arrived in Melbourne in 1842 as one of Henry Dendy's Emigrants. 1852 he purchased 160 acres for £328 bounded by Charman Rd and Balcome Rd. 'The Spring' was an important water source for the local Aboriginal people and then for the early settlers. Charman's first wife Harriet and their infant child died and in 1850 he married a widow with 5 children, Mary Gettens. Their first home was made of wattle and daub and they had 7 more children. Later a weatherboard cottage was built c 1855 Together they developed a market garden and specialized in marigolds which were sold for medicinal purposes to the Melbourne Chemists - Martin & Pleasance . The first Methodist Church Services were held at Spring Grove and the Charmans donated land in 1857 for the first Chapel, Cemetery and Primary School . Mary died 1870 and Stephen married again and moved to Gippsland where he died aged 85 in 1906 Stephen and Mary Charman were pioneer market gardeners in Moorabbin Shire 1842 and were involved in the development of Church, school and community in the area now called Cheltenham. Charman Road Cheltenham was a boundary of their land. Letter, handwritten from Stephen Charman to his brother Michael in UK 1857 x 3 pageshandwrittenmoorabbin, cheltenham, dendy henry, dendy's special survey 1841, assisted emigrants, early settlers, pioneers, market gardeners, marigold flowers, pharmacy, charman stephen, gettens mary, charman harriet, methodist church, primitive methodists, box william, box elizabeth, state schools, education, moorabbin shire, moorabbin roads board, city of moorabbin, kingston city council, charman michael, cancel -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document, Photocopy Letter Thomas Charman to Michael Charman UK 1878, 1878
Thomas Charman came to Australia with his brother Stephen and went to Sydney. Thomas came to Melbourne c 1853 with a large dray and bullock team and with his son took supplies to the Victorian Gold digging sites. Quite profitably. Stephen Charman, aged 21years, arrived in Melbourne in 1842 as one of Henry Dendy's Emigrants. 1852 he purchased 160 acres for £328 bounded by Charman Rd and Balcome Rd. 'The Spring' was an important water source for the local Aboriginal people and then for the early settlers. Charman's first wife Harriet and their infant child died and in 1850 he married a widow with 5 children, Mary Gettens. Their first home was made of wattle and daub and they had 7 more children. Later a weatherboard cottage was built c 1855 Together they developed a market garden and specialized in marigolds which were sold for medicinal purposes to the Melbourne Chemists - Martin & Pleasance Thomas Charman arrived in Australia 1842 with his brother Stephen and moved to Sydney where he obtained a large dray and bullock team. He delivered supplies to the Goldfields and realized this was more secure than chancing to find gold by digging. Thomas returned to Melbourne when the Victorian Mines became more numerous than NSW and profitably delivered to the Victorian gold fields .Letter, handwritten from Thomas Charman to his brother Michael in UK 1878 x 3 pagesHandwritten -
Churchill Island Heritage Farm
Photograph - Photograph of moonah trees
Churchill Island has a significant photograph collection dating from the nineteenth century. Moonah trees can be seen growing in various spots around Churchill Island. They are a type of Melaleuca and can live for up to 300 to 400 years. Moonah trees were of special significance to the Bunurong people, the local aboriginal tribe, who called Churchill Island Moonar'mia. The Bunurong people also have a special legend which relates to the Moonah Tree. The legend is that there was a boy and girl who had fallen in love and wished to spend each moment in each other’s embrace, this resulted in them neglecting their family duties. The lovers still continued to disappear to be alone, so the tribal elders banished them from their village. The moonah tree trunks are the reminder of the lovers in their tightly entwined embrace twisting around each other. A statue representing this legend can be seen at the entrance to the Churchill Island Visitor Centre.Black and white photograph of group of moonah trees by the shoreline.Catalogue number written in pencil on reverse. On reverse in pencil 'FROM ALBUM 10, page 59'churchill island, moonah, tree, melaleuca -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Bunjil' - Russell Petherbridge. 2012, 2012
'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture -
Nillumbik Shire Council
Sculpture, Ghost, 2012
The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize -
Federation University Art Collection
Painting - Artwork - Painting, 'Strive & Grow, Thrive & Flow' by leni
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.A triptych commissioned for the Federation University Mt Helen A-Building Staircase.aboriginal, abstract -
Federation University Art Collection
Painting - Artwork - Painting, 'The heart's path' by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriignal education centre collection -
Federation University Art Collection
Painting - Artwork - Painting, ''future days" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Federation University Art Collection
Painting - Artwork, ''calm and clear" by leni, 2019
leni (1960s- ) Born Melbourne Wotjobaluk "leni is both a long story and a short life. A Wotjobaluk woman, born in Melbourne in the sixties, adopted into a non-Aboriginal family and raised by true destiny on country in the Wimmera. leni was reunited with her mother and extended family in her late teens. Simple swift sentences with complex challenging undertones. Thus began an ever evolving and endlessly deep cultural and personal exploration which has passionately consumed, confused, enticed and enriched her since. leni’s creativity is inspired strongly by her cross cultural heritage, learnings and loves, failures and fears, passions and dreamings. This artwork has its own determination and authenticity. leni’s work constantly explores concepts of the past and present. leni has exhibited in the Koorie Heritage Trust, The Convent Gallery, Kirret Barreet Gallery, Gallery on Sturt, Tussock Gallery and others. Her work has been commissioned by various organisations, public and private collectors.aboriginal, aboriginal education centre collection -
Wodonga & District Historical Society Inc
Functional object - Seal - Police Office, Belvoir, c1854
This seal was used for official police and court documents by the Belvoir Police Office.The initial land survey for the city now known as Wodonga was first undertaken in 1852 by Thomas Wedge - Assistant Surveyor. The new township was called "Belvoir" and was proclaimed by that name in 1852 and again in 1861. The first sale of land in Belvoir was held at Wangaratta on April 28, 1854, when all the allotments surveyed by Thomas Wedge (excepting those set apart for reserves, government and public areas) were offered at auction. Following representations by the Postmaster General on June 23, 1869, the Governor in Council, on July 12, 1869, approved of its Aboriginal name "Wodonga" being restored. The seal was found at the Yackandandah Courthouse by the Circuit Judge, the late Mr. Jim Humphrey. As the Wodonga Historical Society was in recess at that time, the seal was held in trust by the North-East Historical Society in Wangaratta. It was donated to the Wodonga Historical Society in 1987.This item was the official seal of the Belvoir Police office from the beginning of the European settlement of the modern day city of Wodonga, then know as Belvoir. It is one of the earliest relics of that period of history, until its name was changed in 1869.Wood and metal seal bearing the official emblem of the Police Office Belvoir. It would have been used to apply a wax seal to official documents. The seal is mounted in a timber and glass case so that the imprint of the seal can be seen reflected in a mirror mounted in the base of the box.Around the edges of the seal "POLICE OFFICE / BELVOIR"belvoir police, official seal, history wodonga -
City of Kingston
Photograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking out to the bay. Many small fishing and leisure craft are moored on either side of the banks of the creek. To the right hand side can be seen parklands, while the left hand side has a small inlet in which more small crafts are moored.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways -
City of Kingston
Photograph - Colour, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking inland.Small fishing and leisure boats are moored on either side of creek, with a view of the Mordialloc Bridge Hotel in the background.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel -
City of Kingston
Photograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek, looking inland. Boats are moored on either side of the creek and the Bridge Hotel is visible in the background.mordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel -
City of Kingston
Photograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek with boats moored on both sides of the street and Pompei's boat yard visible on the right hand side of the creek., Main Street and St Brigid's Catholic Church are visible in backgroundmordialloc, bunurong, traditional owners, suburbs, boats, fishing, waterways, hotel, church -
City of Kingston
Photograph - Colour, Paul Tresize, 1998
The name Mordialloc was derived from the name Moody Yallock, which comes from the Bunurong language. The Bunurong Peoples are the Traditional Owners of this area. The name means “high water” or “high creek”. In 1839, colonial authorities declared the mouth of the creek, and an additional 830 odd acres as an Aboriginal Reserve, although this proclamation was never gazetted. The reserved land included part of the Carrum Carrum Swamp which was abundant with wild life and natural resources. Regular encroachments, including land sales which began in 1863, were made on the land until 1878 when the Reserve was declared closed, and the land was opened up to land sales. Market gardening and suburban house lots quickly began to develop, and Mordialloc became a renowned picnic and holiday site. Mordialloc Creek is a popular bay side destination for local and visitors, and is a site for boating, kayaking, fishing and swimming, along with many other activities.Colour photograph of Mordialloc Creek with boats moored on both sides of the street and Pompei's boat yard visible on the right hand side of the creek., Main Street and St Brigid's Catholic Church are visible in background.mordialloc, bunurong, traditional owners, boats, fishing -
Kiewa Valley Historical Society
Binder Victorian Education 1947, Circa 1947
These educational publications covering a topical monthly theme and providing a slice "of the era" in general knowledge, was used by schools in Victoria as a basic starting point for a particular level of perceived knowledge. The general articles and extracts contained within, were not targeting a specific gender or socio economic sector but designed for all children at a particular stage of their development. This publication did have a format of: 1st page topical, e.g. ANZAC day scouting (U.N.), one page of regional Victoria, one page of poetry, one page of short stories, one page of world history and the last page of a song, complete with appropriate notes. These publications were produced during the second World War and made special references to it. This publication occurred during a period when the Education Department was highly authoritarian in its approach to State levels of learning. Fragmenting "special" schools like later "New Age" teaching methods and doctrines (home schooling) were repressed with considerable force.This binder full of monthly educational studies was particularly important to "hidden away" rural communities such as in the Kiewa Valley, especially at this point in time (World War II). The teaching methods used by local schools provided the necessary break through required by local school children to stop any adverse knowledge deficiencies due to factors of regional isolation. School children with in the Kiewa Valley would be able to integrate with children from all regions, weather in cities or larger towns. This hard cover (card) binder contains 11 monthly publications produced by the Victorian Department of Education for Grades 7 and 8 in the year 1947. Each issue has 16 pages with the cover page covering the major theme for the month. Each issue is placed within the folder by the folded middle page constrained by a thin cord. This is the only method to contain each monthly edition as they have no clasp or are stapled.The folder"SCHOOL PAPER COVER" underneath and to the left is a sketch of the world (revolving desk top stand) on top of a book and next to this "Name ------------ " underneath "Grade-----------" underneath "School---------" all enclosed by a thin border line.school paper, victorian education curriculum, education news letters, loose leaf educational binders -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''KEATS & HIS POETRY'' BY WILLIAM HENRY HUDSON
Book. ALEC H CHISHOLM COLLECTION. 95 page soft cover booklet by William Henry Hudson on the life and poetry of John Keats. Contains a selection of poems, some in part only, with an accompanying discussion on each. B & W image of John Keats opposite title page. Published in 1911 by George G. Harrap & Co., London and printed by Ballantyne & Co., London. Catalogue sticker ''2260 HUD'' on spine. Signature ''A. H. Chisholm'' inside front cover. Seven newspaper articles relating to Keats, loose inside front cover. (a) Argus 4-5-40 Poet who died young. (b) Sydney Morning Herald 9-4-67 Keats seen again as Shakespeare's heir. (c Age 26-7-58 Keats's Ode to a Nightingale. (d) Age 3-11-63 Keats's Ode to a Nightingale (e) Age 4-5-63 Keats's Legend of St Agnes. (f) Age 17-5-58 Keats's Ode to a Grecian Urn. (g) Unknown paper and date Two new sonnets (by Keats).William Henry Hudsonbooks, collections, poetry, alec h chisholm collection, john keats, poetry, william henry hudson -
Mont De Lancey
Book, Wells Gardner, Darton & Co. Limited, Chatterbox, 1918
A vintage 1918 Chatterbox collection of puzzles, poetry and stories for children with black lined illustrations and coloured plates throughout.A vintage 1918 hardcover children's book with the title Chatterbox printed in white lettering at the top of the front cover which has a green coloured background with an illustration in a large circle showing a boy and girl playing in hay. The publisher details are printed at the bottom. It is bound on the left side with red tape. The cream and red coloured back cover has an advertisement for "Pears" soap 'This only is the witchcraft I have used' showing a smiling woman talking to a man. Both are dressed in Victorian Era style clothes. The frontispiece coloured illustration inside depicts four Egyptian black men on a Dhow boat chasing another boat next to it.'Chasing Gun-Running Dhows' is the name of the illustration. The title page has the title plus Founded by J. Erskine Clarke, M.A and publisher details with a black lined illustration of children, a woman with children at her knee reading and flowers. There are further coloured plates in the collection. of puzzles, poetry, and stories for children. Pp. 316. The endpapers have several advertisements related to children, their health, food and sweets included.fictionA vintage 1918 Chatterbox collection of puzzles, poetry and stories for children with black lined illustrations and coloured plates throughout. children's books, books, children's stories, adventure stories -
Mission to Seafarers Victoria
Booklet - Music Score, Franz Schubert Song Album, c. 1950
Commercially printed Song book with blue cover featuring small portrait of composer. Contains words and music scores for 8 songs by Franz Schubert.non-fictionmusic, sheet-music, entertainment, indigenous songs, songs, franz schubert, allan and co music -
Federation University Historical Collection
Book, University of Ballarat Annual Report, 2009
Soft covered book with a building and details from an Aboriginal dot painting on the cover. Contents include: Univesity of Ballarat Charter, About the University, TravelSmart Program, Prospects Restaurant judged Best Training Restaurant in Victoria, IMB Services Centre opening, 'Learn to Succeed' branding, grant Street Foot Bridge,Manufacturing Technology Training Centre, riding for the Disabled, Equine Centre Images include: Grant Paulson, Robert H.T. Smith, David Battersby, Christine Nixon, Angela Carey, Andrew Allen, John Brumby, Jacinta Allan, Mathew Hall, Rowan Waina, Ronnie Smith, Alsion Nguyen, Grant Hackett, Frank Stagnitti, Sam Kameer, Rowena Coutts, Barbara Webb, Trevor Ferguson, Peter Gell, University of Ballarat Council .3) Financial Statementsuniversity of ballarat, battersby, webb, coutts, gell, annual report, david battersby, barabara webb, reconciliation action plan, grant paulson, robert h.t. smith, honorary doctorate - christine nixon, angela carey, andrew allen, geoff howard, dale boucher, frank stagnitti, rowena coutts, sovereign hill, jacinta allan -
Bendigo Historical Society Inc.
Document - FOSTERVILLE GOLD MINE COLLECTION: PROJECT UPGRADE TECHNICAL APPENDICES
Black cover book, wire binding. Pages in reports numbered individually, overall approx 250 page report. On front: "Fosterville Gold Project' Project upgrade, EES Technical Appendix B. Central North, Central Ellesmere, Harringtons Hill." Page 1 'Perseverance Exploration Pty Limited' Book contains technical appendices. Topics: hydro geological assessment; surface drainage study, noise emission to residential properties, flora survey, tailings dam site; flora survey Wellesford Forest; Daley's Hill Plant List; diurnal Avifauna Survey - Wellesford Forest; survey of vertebrate fauna - Wellesford Forest; brief summary of fauna - Daley's Hill, Axedale, Aboriginal Archaeological survey; archaeological investigation Fosterville; traffic survey - Fosterville Sulphide Project; traffic report.bendigo, mining, fosterville gold mine -
Bendigo Historical Society Inc.
Document - MANUSCRIPT RE ''TURAND'' PROPERTY AT MAIDEN GULLY
Manuscript re ''Turand'' - Property at Maiden Gully - subtitled ''Historically - Ancient and in the Dream Times''. Author (owner) is B S Andrew. Undated. Property is at the commencement of Myers Creek. Description of aboriginal background to area, modern history (the hotel and associated home), nearby forest, dams and water. Of particular interest on p.2 is description of the 'museum' in the Stables building (description on contents of museum) Description of the Cellars and the House itself. Article concludes: '' This has been more lengthy than I would have liked but I find that visitors have different interests and in fully covering questions that are usually asked each can browse through and view their own particular interest''. Included here (March 2013) is relevant citation from CoGB Heritage Policy Citations Project, Lovell Chen 2010)document, names of bendigo pioneers -
Victorian Aboriginal Corporation for Languages
Book, A month in the bush of Australia : journal of one of a party of gentlemen who recently travelled from Sydney to Port Philip : with some remarks on the present state of the farming establishments and society in the settled parts of the Argyle Country, 1965
Journal of a party of gentlemen travelling from Sydney to Port Phillip; p.6-7; Information on Lakes Bathurst &? George; p.15; Family, Yass area gathering &? eating manna; p.20; Meeting with small tribe Mantons Station; p.23-24; Hume R., tribe, guide Baambargan; p.26; Meeting with native party 27 miles S.E. Ovens R.; p.30-32; Catching possum Violet Creek, Aboriginal - English, flies warn game of danger, finding honey; p.38; Visit to camp Campaspe R.; p.41-42; Yarrayarre R. natives seen, attempts by guide to obtain wife, language difficulties; p.46; Head of Wearidy R. camp visited by natives.7colonisation, frontier life, pioneer life -
Victorian Aboriginal Corporation for Languages
Audio CD, Radio 3CR, Beyond the bars : highlights from 3CR's prison broadcasts : NAIDOC Week 2004, 2004
The Beyond the Bars broadcasts are the culmination of 3CR's out + blak on air project. The project was produced with the support from the City of Melbourne, the Victorian Aboriginal Justice Agreement and the City of Yarra. This CD is an hour-long radio program of highlights from two live prison broadcasts. These broadcasts took place during NAIDOC Week 2004. The session includes interviews, songs, poems and messages from Indigenous inmates at Port Phillip Prison and the Dame Phyllis Frost Centre, Deer Park. The broadcasts were presented by 3CR broadcasters Lisa Bellear, Eleisha Jones, Gilla McGuinness, Johnny McGuinness, Ross Morgan, Lester Green, and Kutcha Edwards. Technical assistance by Greg Segal and Lotti Stein. Program coordination by Juliet Fox. Project coordination by Bree McKilligan.CDsocial justice, victorian prisons, naidoc, broadcasting, radio, 3cr, rehabilitation, dame phyllis frost centre, port phillip prison -
Kew Historical Society Inc
Book, Outcasts, Mists & Shadows: a short history of institutional care around Yarra Bend, Melbourne / by Colin Briton, 2017
Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- ) -
Melbourne Tram Museum
Negative, Wal Jack, 10/03/1954 12:00:00 AM
Black and white negative, by Wal Jack, of W2 625 northbound in Swanston St at Lonsdale St. Extensive flagging bunting and an arch with an aboriginal motifs suspended by an arch structure over the intersection. The bus on the south west corner is a Reo Bullnose type. Bruce Eames on Facebook advised 7/9/2020; it’s been identified as the 1954 Royal Visit - https://viewer.slv.vic.gov.au/?entity=IE5664991&mode=browse Paul Kennelly of BCSV advised - 14/5/2023 - The bus in Swanston Street is a Giles bodied Reo that was new in 1947 to Lew Page, either JB 652 (on Route 1) or JJ 337 (on Route 2). Both became part of Melbourne-Brighton Bus Lines upon amalgamation of the multiple operators of both routes in July 1954.trams, tramways, swanston st, lonsdale st, events, w2 class, buses, royal visit, tram 625