Yields information about the construction of trackwork and other Museum infrastructure during 1980.Letter from Dave Macartney to Warren Doubleday, typed on the rear of an Association of Railway Enthusiasts foolscap size train tour booking form for the Albury to Culcairn tour for 20/5/1967. Letter dated 20 May 1980 updates Warren on progress of bending rail, track repairs, purchase of a new Second hand drill and building work.trams, tramways, btps, trackwork, museum

RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright

Mrs Fraser was involved in many community groups and received recognition from many of them. Diamond Valley Little Athletics Centre was formed in May 1967 and by season's end had over 1300 little athletes competing.Presentation plaque on green wooden base. 'Diamond Valley L. A. C. 40th Anniversary - 28th April 2007. Presented to Shirley Fraser In recognition of the contribution made to the establishment of our centre.'shirley fraser, shirley black, diamond valley little athletics centre

The Hon. Vicki Ward, MP for Eltham and former Councilor and Mayor, Helen Coleman Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day

Robin Boyd designed this coffee table. It is similar to those he designed for the John Batman Motel circa 1967. The original table is currently stored offsite. The table was reproduced in the 2017 Boyd Collection by K5 (item F037).Victorian oak timber, cork top (4 x2 tiles), 4 tapered legs.john batman motel, walsh st furnishings, robin boyd

Photo of two trams crossing each other at Carlton St loop, out of sequence running, normally crossed at Gardens loop Typical of the operation and the street scene at the time. The background trees were later removed.Bogie tram 36 and single trucker (20) crossing at Carlton St. Loop, early 1970's. View looking down track, towards south. No. 36 with Mt Pleasant destination, and No. 20 with Gardens via Sturt St. West on western track. Trees full with leaves. Note V crossing of frog, one made up by SEC? No. 20 has Twin Lakes sign under headlight. Image not square onto photo paper. 358.1 - duplicate copy from William F Scott, smaller print. 358.2 - as above - but mid size print.358.1 - On rear in ink "SEC Ballarat Tramways. Cars on Carlton Street loop, just outside the southern entrance to the Botanical Gardens" and in pencil "Christopher D Phillips, 113 Windermere Street Ballarat (053) 31 6075" and "12/1967" 358.2 - "44)" in top left hand corner, William F Scott address label in bottom right hand corner, trimming marks top and bottom. Label centrally, "photo page 40, Reduce to 5 1/2" and 3 1/4" " and along bottom :Ballarat Tramways (SEC) Christopher D Phillips "28.12.1967"trams, tramways, ballarat, carlton st., wendouree parade , tram 36, 20

This butter mould/pat may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce. This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This well crafted circular wooden butter mould could also be used as a butter pat.The handle in the middle of the mould was not added after the crafting but has been fashioned from the initial block of wood when the bowl was crafted. The bowl structure has a rim around the edge.The top of the handle has an ink stamp "T. & W. Dav" on the top line and "Tawonga 3697" underneath.domestic food preparation, wooden butter pat, butter mould circular, dairy industry

Karl Duldig

Used by the MMTB to indicate to conductors and inspectors, the tramcar number. Placed on the driver's bulkhead, facing into the tram with one at either end of the tram. The tram was built by Holden's Bodyworks in Adelaide, entered service in April 1926 and was disposed of in Oct. 1967.Demonstrates the method of advising crews the tramcar number internally.Set of 2 signs - galvanised rectangular sheet steel - provided with four screw holes, one in each corner painted with the numerals 3, 3, and 0. Both have small pins - one on the lower edge and one on the right side.signs, trams, tramcars, tram 330, w2 class

Black and white photograph "Written on face of photograph" Presentation to Mr Horace Fenton to Chatham P S. With Mrs Fenton and son Ross (Later killed in R.A.A.F) Mr Fenton retired 1937. Died 1967, aged 93 years.

Stratherne Presbyterian Girls' School was founded in 1889 at the home of Miss Ethel Dare at 45 Riversdale road, Hawthorn. The final location of the school was 131 Power street, Hawthorn - a house gifted to the school by Mr and Mrs John Patterson in 1923. The Alma Pedersen Cup was awarded for best general improvement in the Junior school. The school closed in 1968.EPNS A1 trophy on a bakelite base. The trophy has two handles and engraving on both the back and front.On front: "Stratherne Presbyterian Girls' School Mrs Waters Trophy Athletics Champion House Davidson 1962" On back: "Dare 1963 Dare 1964 Dare 1965 Patterson 1966 Patterson 1967 Dare 1968"stratherne presbyterian girls' school hawthorn

A letter dated 8th May 1973 details how the letter from Florence Nightingale was forwarded to Mrs E.G. (Janet) Wilson in 1955 by Gwendolen, Florence Nightingale's niece. The explanatory letter was forwarded by Elsa Halenstein and given to Royal District Nursing Service and remains in its Archives. From 1948 Mrs. Wilson served on the Committee of Management of Melbourne District Nursing Society (later Service), serving as President from October 1964-1967. In 1949 Mrs. Hallenstein served on the MDNS Committee of Management, becoming President of the now Royal District Nursing Service from 1967-1974. Florence Nightingale was the founder of modern nursing. Melbourne District Nursing Society (MDNS) only employed Trained nurses from its inception in 1885. They followed Florence Nightingale's basic rules of good hygiene, cleanliness, good nutrition and fresh air, which they learned during their Nursing Training at a Hospital, and taught to their patients by instruction and demonstration. In those days Trained nurses were called 'Nurse'. In 1892 MDNS employed Lucy Smith who, through the Nightingale Fund, did her nursing training at the Nightingale Training School at St. Thomas's Hospital in London. She was the first nurse from this school to work at MDNS. Florence Nightingale, born on the 12th of May 1820, was named after the place of her birth in Italy. Born into a wealthy family she was schooled at home where she excelled in her studies; spoke several languages fluently, and was taught home management. She believed she was ‘called’ to reduce human suffering and tended to ill members of her family and tenants on the family estate. She worked as a nurse at Salisbury Infirmary where she learned about nursing sanitation and hospital practice. Florence then enrolled at the Institution of Protestant Deaconesses at Kaiserswerth, Germany where she learned basic nursing skills, the importance of patient observation, and hospital organization. In 1853 she became Superintendent of the Institution for Sick Gentlewomen in Distressed Circumstances in London, where she reformed health care, working conditions, and hospital efficiency. The Crimean War broke out in late 1853 and a newspaper reported the injured and sick soldiers were being cared for by an “incompetent and ineffective medical establishment and that most basic supplies were not available for care”. After an outcry from the public, Florence was asked to lead a group of 38 nurses, whom she had trained, to Scutari where the wounded soldiers were sent. After arriving at the Barrack Hospital in October 1854, she found the soldiers were being cared for in overcrowded and filthy conditions; contaminated water, faeces on the floors and rats running freely. There were few supplies and equipment. Florence bought supplies and equipment and found help to assist in the laundry. The wards were scrubbed from floor to ceiling. Florence set a high standard of care with fresh air, hygiene, clean clothing, sufficient food and regular dressing of wounds being carried out. She realized the importance of psychological needs, and soldiers were assisted to write letters to relatives, and took part in education and recreational activities. Of a night Florence walked through the wards, carrying a lamp to light her way, to check on ill and wounded soldiers and became known as “The Lady with the Lamp”. She gained the respect of the soldiers and the establishment, and later, the public through the soldier’s letters and reports in the newspaper. After visiting Crimea she contracted ‘Crimean Fever’ from which she never really recovered. When she returned to London she was regarded a heroine. The public had given freely to buy her a gift but Florence preferred this money be used to establish a fund, which became known as the Nightingale Fund. Florence had kept excellent records on the running of the Barrack Hospital, medical and nursing staff efficiency, and the causes of illness and death. Many nurses from the training school became Matrons in many countries throughout the world. Florence pushed the Government for legislation to improve drainage and sanitation in homes and in the building of hospitals with fresh air a priority. She wrote the book ‘Notes on Nursing’ and many writings on health reform. She died, aged 90 years, in her home at 10 South Street, Park Lane on the 13th of August 1910. A handwritten letter, written in lead pencil, by Florence Nightingale. It is written to her niece Gwendolen.. The letter is on buff coloured paper and has the date 'Oct 17 1900'/ written in the top right hand corner; below this is, in capital letters, the two line black printed address - '10, South Street,/ Park Lane, W'/ is stamped. The bulk of the letter reads over eight lines: "Dearest Gwendolen",/ "Thanks for your / dear note,/ I shall gladly look / forward to seeing you, / on Friday at 5 ,/ ever your loving, / Aunt Florence./ . rdns, royal district nursing service, miss florence nightingale, mrs e.g. (janet) wilson, mrs d. (elsa) hallenstein

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. College House, Ilam, Christchurch, New Zealand, 1964. (Architects: Warren & Mahoney.)Made in Australia / 4 / APR 67M7slide, robin boyd

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant and rare example of a couture range by Norma Tullo.Long red cotton evening dress with overall white polka-dots, designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with ruffles at the cuffs and on the hem. The light-weight cotton outer layer is supported by a thick cotton underlayer. Atypically, the dress has a label stating it is an example of 'Tullo Couture'. Dimensions: Shoulder width 40cm Bust: 92cm Waist: 72cmLabel: TULLO COUTUREaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses, tullo couture

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue cotton evening dress designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with buttoned cuffs. The light-weight cotton outer layer is supported by a thicker cotton underlayer. Dimensions: Shoulder width 37.5cm Bust: 90cm Waist: 66cm Hips: 96cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Colour photograph in a black frame . Camoflague material surrounds the picture. Depicted is a Huey - with two gunners hanging out of the doors with M60 maching guns. On the nose of the helicopter is the US Army and RAN Badge (called EMU). UH-1H Helicopter tail number 309. 135th Assult Helicopter Company used by U.S. Army aviation & RAN personnel in Vietnam. 1967-1971helicopter - huey, m 60 machine gun 7.62, uh-1h helicopter, gunner, 135th us army & ran, emu

"Naughty Marietta" is an operetta in two acts by Oscar HammersteinBendigo Operatic Socety Music Programme for "Naughty Marietta" - Naughty Marietta was written as a commission from impresario Oscar Hammerstein in 1914. Aan operetta in 2 acts, opening for 5 nights, commencing Friday 7th July, 1967 - A5 booklet with 14 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story, scenes and songs. programme, concert, bendigo operatic society, capital theatre

Folder containing what appears to be an original typed text with hand-written notes and a copy of typed final text with the heading, "Vietnam". Seems to be the text of a speech given about the role of the civil Affairs Unit in Vietnam. Also a handwritten letter from L.K. Mackay dated 17 April 1969. Includes a chart of the structure of "The new government of Vietnam" dated November 1967vietnam - history, civil affairs unit, vietnam government, "revolutionary development"

A book with a blue dust jacket with red writing saying In The Ocean's Dark Embrace at the top. The Clearance Diving Team's insignia is in the middle. In red writing at the bottom of the cover is the auther's name Lex McAulay. Writtend under the insignia in white text is Royal Australian Navy Clearance Diving Team 3 (US Navy EODMUPAC Teams 21 & 35) Vietnam 1967-1971book, ran, cerberus collection

Views of the Principal's Residence sent to Andrew Smith on 30.03.2010 by Debra Littlejohn, daughter of E.B. Littlejohn, Principal. (1) 1967-1977. (2) E.B. Littlejohn and his wife standing outside house. (3a,b) House partly demolished 1980. (4a-c) House partly demolished 1980. (4d) undated. (5a-d) House partly demolished 1980.principal's residence, andrew smith, debra littlejohn, e.b. littlejohn, house, demolition

A photograph of the old wooden rail bridge over Sherbourne Road Briar Hill, looking toward Eltham. Just past the bridge on the left is the old Hat Factory (now storage lockers). Dated by the HR Holden in photo; these were built in 1967.Digital copy of black and white photograph. rail bridge greensborough, sherbourne road briar hill

History of the establishment of the Greensborough Little Athletics Club in 1967, at Willinda Park, part of the growing Little Athletics movement. During the 1969/70 season, Briar Hill and Greensborough Little Athletics Clubs amalgamated to be come Greenbriar Little Athletics Club.4 p. text and coloured photographs; with 9 coloured photographs, some of which are printed in the document.willinda park, greenbriar litttle athletics club

Foundation members Diana Bassett-Smith and Russell Yeoman (Society Secretary since 1969) cut the ribbon. Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day

Foundation members Diana Bassett-Smith and Russell Yeoman (Society Secretary since 1969) cut the ribbon. Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day

Foundation members Diana Bassett-Smith and Russell Yeoman (Society Secretary since 1969) cut the ribbon. Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day