Certificate for Legion of Honor Melbourne Hospital for Sick Children presented to Miss Tilly McCormack of Knowsley, buff coloured paper with borders of green & brown. Showing Hospital Scenees, a Red Cross, Angels, Floral Decorations and Coat of Arms, mounted under glass and framed with a black wooden frame with gold edges and brass corner pieces, markings read 'No 85 December 23rd 1900', 'Aunt Connie Weekly Times'organization, government, health, legion of honor, melbourne hospital, tilly mccormack

Certificate presented to Miss Tilly McCormack of Knowsley by the Melbourne Hospital for Sick Children for Collecting funds. Buff coloured paper with gold and black lettering and an illustration of sick children, mounted under glass and framed with a black wooden frame with gold edging & brass corner pieces, markings read 'No 81, December 23rd 1900'organization, government, health, tilly mccormack, melbourne hospital

This paper was read on 14 June 1965 by Dr Frank Forster at a meeting of the section of Medical History, Victorian branch, Australian Medical Association, according to Ann Tovell, who worked at the AMA and in association with Frank. It was likely that Frank Forster acquired the midwifery box belonging to Mrs Mary Howlett at the former Eastern market that was located on the corner of Bourke and Russell Streets up to the early 1960s.Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.A5 size paper transcript of lecture. Reprinted from The Medical Journal of Australia, 1965, 2. Pages are numbered 3 to 21.midwifery

This flag flew over the 1st Australian Field Hospital, Vung Tau, Vietnam.Large rectangular blue flag with Union Jack in top left corner, stars of the Southern Cross beside it and 7-pointed star beneath.flag, vung tau, vietnam war, field hospital, 1st australian field hospital, 1 australian field hospital

Black and white, and coloured footage of the March in Sydney (3 Oct 1987) and the demonstrations against the war. black and white footage of coffins arriving in Sydney from Vietnam; wounded soldiers in hospital; Also an interview with his father Walter plus Brian Edwards, Trish Gibbon, John Thompson & Graham Edwards. Normie Rowe singing the song, Only 19. The cassette is contained in its black plastic case with its labelOn the front cover reads: To Walter Noack, ABC News Sept 1987vietnam veterans, vietnam veterans parade, vietnam war (1961-1975), noack, errol, normie rowe, noack collection

Advertisement for a dance, organised by the Mayor of St Kilda in aid of hospitals and charities, at the Maison de Luxe, Elwood on 12 April 1930. The Maison de Luxe Dance Palais was on the north corner of Glenhuntly Road and Broadway in Elwood and operated as a venue for dances and private parties from the late 1920s until the mid 1950s (except when occupied by the Army in 1942-1945).White paper, discoloured with age, printed in blue on one side.On reverse side, written in pencil: '500 - 8/4/30'hospital fundraising, maison de luxe, all nations fair, elwood

Large fold out map and chronology of Australian Army Operations between 1940-1945 that belonged to Private Joan Spencer VFX12932 (VF507134) born 12/11/1924 at Albury. The family moved to Wangaratta and Joan was educated at Wangaratta High School before joining the Australian Army Medical Women's Service at 115 (Heidelberg) Military Hospital. She served with the 130 Australia General Hospital and was deployed overseas to Japan on 17/6/1947 and returned on 26/1/1949Large cream coloured cardboard folded in three, inside is a coloured map of the Middle East 1940-1942, New Guinea Theatre 1942-1944, Pacific Islands 1944-1945 and Malay and Islands 1942-1945. Front cover has Unit patches from top left to bottom right corner , at top right corner is the rising sun badge and bottom left corner 1940-45 Back cover is a listed Chronology.Hand written at top - VFX Pte Joan Spencer AAMWS 115 (H) M.H.australian army operations, private joan spencer, aamws, 130 agh

This artwork was a gift from Michael Shannon to Robin Boyd, (thought to be in thanks for opening Shannon's 1961 exhibition at South Yarra Gallery).Buildings and chimney in a landscape.Signature "Shannon '57, for Robin Boyd 1961" in lower left hand corner. michael shannon, south yarra gallery, robyn boyd, walsh st artwork, ohm2022, ohm2022_23

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing corner of slate roof with downpipes.villa alba museum, conservation photographs, victorian architecture, etched glass, slate roofs, victorian downpipes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one corner of the slate roof with evidence of slipped slates, rusted and blocked galvanised guttering and encroaching trees. This section of the roof is in the north west corner of the house.villa alba museum, conservation photographs, victorian architecture, slate roofs, gutters

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one chimney on the south west corner of the house. The distinctive rendering of the chimney cornets with the welsh slates used on the roof. This chimney services the fireplaces in the dining room and the second and third bedrooms. villa alba museum, conservation photographs, victorian architecture, slate roofs, chimneys

The original photo is part of the photo library of the Mental Health Library, which late in 1999 was transferred to the Royal Melbourne Hospital. Copying of photo was by the photography department of the Royal Children's Hospital in Parkville.A Red Cross concert at Sunbury Mental Home. There are 6 rows of chairs with people seated on them. The pianist and the violinist are in the LH back corner of the hall. There are three curtained windows along the LH side and an exit door.sunbury mental hospital, caloola, sunbury asylum, sunbury hospital for the insane, medical services, red cross, george evans collection

The nurses would have been employed at the Sunbury Asylum, which functioned for 120 years until in closed in 1992. The entire complex is now a housing estate, known as Jacksons Hill.Sunbury Asylum like other similar institutions were establish in outer rural areas or regional towns across the state. Mounted b/w photograph with corner of the mount cut off, of nurses. There is some damage from mould across the photograph and the cardboard mounting.264 Little Collins Streetnurses, occupations, sunbury hospital for the insane, george evans collection

This brass registration plate was once attached to the former Sunshine District Community Hospital in King Edward Avenue, Albion, 3020. The hospital, under several names, served the local community since the 1920's. It became the Sunshine District Community Hospital in 1946 and was closed in 1989. The building was demolished and replaced by residential units. The plate was preserved by Carol Duvall a long serving nurse, who about 20 years later donated it to the Sunshine and District Historical Society.This brass plate is a rare physical relic of what was once the main hospital serving the Sunshine area, and in which many local babies were born.Tarnished brass plate with indented or carved lettering finished in black paint. The black paint is showing signs of deterioration. The plate has six holes for attaching it to a wall, and two of the corners have been bent probably during the removal of the plate. There is also a small amount of paint contamination on the edges.REGISTERED OFFICE / SUNSHINE DISTRICT COMMUNITY HOSPITALbrass plate, registered office, sunshine district community hospital, king edward avenue

Phototb, chalet, new, nurses home

This dress belonged to Meredith Lenné, a lifelong Brighton resident. She bought it around 1965-66 at Oggi, a fashion boutique at the "Paris End" of Collins Street, while she was working at the Royal Children's Hospital as an occupational therapist. It was her 'good' dress, worn to dinner parties, balls and lunches throughout the 1960s. The hem was taken up and adjusted several times as the fashion moved towards shorter skirts.Emerald green print midlength shift dress, sleeveless, with high neckline and high waist. Back zip. Hem has been let out, having been altered multiple times during the 1960s. Label reads "Oggi of Collins Street".oggi, melbourne designers, 1960s, meredith lenné

Growing up in Sandringham, Joy Bosomworth learned to sew at the knee of her mother Elsie Myra Keefer, a seamstress. By the time she was an adult, she was making most of her own clothes. She made this shot velvet evening dress, along with a matching stole and bag, in 1961 to wear to a ball at the Royal Melbourne Hospital, where she worked as a radiographer. An evening outfit consisting of a matching dress, stole, bag and gloves. Sleeveless one-shoulder evening dress of blue velvet shot with metallic red. The dress is gathered at the proper left front waist and is lined with red synthetic fabric. Fastens with a zip and hook at the side. Stole of blue velvet shot with metallic red, lined with red synthetic fabric. Handbag made from blue velvet shot with metallic red. The bag has a gold metal frame and clasp, with a shot gold metal chain attached. The interior is red synthetic fabric, with a single side pocket. Elbow-length red nylon evening globes.joy myra bosomworth, joy myra keefer, evening dress, ball gown, 1960s

IMBROS was used as a private hospital 1930's to 1939 Photo of house IMBROS at corner of Scallan Street and Allen Crescent Stawell"Imbros" Stawell hospital, nursing, medical

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Chris Richards organised contact with donor.Black and white photograph of two children, Dianne and Cynthia Gallus, sitting on a bull. They were involved in raising money for the Children's Hospital Good Friday Appeal in 1955. Photo taken on corner Springvale/Canterbury Roads, Forest Hillhorse troughs, springvale road, forest hill, canterbury road forest hill, good friday appeal, gallus dianne, gallus cynthia

Original photo at Blackburn Lake Education Centre. Dorothy Meagher loaned photo so a print could be made.Black and white photograph of children playing on the dam on the corner of Blackburn and Canterbury Roads, Blackburn. The Bellbird Hospital is now on the site.canterbury road, blackburn, blackburn road, blackburn lake education centre, meagher, dorothy, bellbird private hospital

Original photo at Blackburn Lake Education Centre. Dorothy Meagher loaned photo so a print could be made.Black and white photograph of dam being built on the south west corner of Canterbury and Blackburn Roads, Blackburn. Bellbird Hospital is now on this site.canterbury road, blackburn, blackburn road, blackburn lake education centre, meagher, dorothy, bellbird private hospital

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Corner of Doncaster East Road and Mitcham Road, looking North. Four tall pine trees and parked sedan cars backing on to Mitcham Private Hospital.doncaster east road, mitcham, mitcham road, mitcham & district private hospital

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Corner of Doncaster East and Mitcham Roads facing grounds of Mitcham Primary School. Note road and street signage: Doncaster East Road; Mitcham and District Private Hospital; Centre of Community Care; Mitcham Uniting Church. (See also NP2324)doncaster east road mitcham, mitcham road, mitcham, mitcham primary school no. 2904, street signs

Four copies of Warrender Hospital and Surgery run by Dr. Stanley Cochrane, Harrison Street- McDowall corner, Mitcham - site now occupied by R.S.L. Originally Dr. Cochrane's extremely large home the hospital became two private family dwellings when its activities as hospital ceased . Dr. Cochrane had consequently built a private residence/surgery on the corner of Mitcham Road and Harrison Street.warrender hospital, cochrane, stanley, dr., mitcham private hospital

Dam on the corner of Canterbury and Blackburn Roads where the Bellbird Hospital now stands.Black & white photo of S.W. corner of Blackburn Road and Canterbury Road c1922. Mrs wellman is standing on rock.wellman mrs, blackburn road blackburn, canterbury road blackburn