Mark REID Mark Reid began working with clay in the early 1980s, working for a time at Kairi Pottery in North Queensland. In 1985, he and his wife Robyn set up the Torvil Pottery at Buninyong, Victoria. In 1991, they relocated to a 10 acre property in nearby Magpie and set up the Ballarat Clayfire Gallery with a working studio, gallery and residence. In 2005, the Clayfire Gallery was located to Daylesford. Reid signs his work with an incised 'Mark Reid' or 'MR'. Photograph of a hand thrown ceramic vase. australian landscape pottery, gilbert buchanan, graham wood, landscape, redbyrne pottery, ceramics, shepparton, torvil pottery, ballarat clayfire gallery

Maldon Pottery was established in 1973 by Neville Wilson (1946-1996), Tom Metcalf (1948- ) and Graham Masters (1950- ) on Barringhup Road, Maldon, Victoria. Tom Metcalf and Graham Masters Masters graduated from Bendigo College of Advanced Education all Bendigo graduates. Wilson ) He was a skilled drawer and did all the brushwork. Metcalf (1948- ) graduated in 1968, did two years' work experience at Non-porite in Melbourne, then worked as a thrower and decorator at Bendigo Pottery from 1971-73. He is T.M. on Epsom ware. Masters (1950- ) graduated in 1973 and established the Enterprise Pottery at Myers Flat with Morris Hesse in 1974, so must have joined the partnership later than the others. He left in 1984 to set up his own Sweenies Creek Pottery. Metcalf left in the late 1980s, leaving Wilson to operate the pottery by himself until his death in 1996. As well as using the Maldon Pottery stamp, Wilson signed some of his work with his name or an impressed 'N'. Photograph of a hand thrown ceramic bottle, with glaze design depicting an Australian landscape in the 'continuous trees' pattern.maldon pottery, ceramics, australian studio pottery

Robert MAIR Robert (Bob) Mair (1943- ) Born New Zealand A potter who trained at the Sturt Pottery in Mittagong under Les Blakebrough and later set up a pottery at Clifton Pugh’s Dunmoochin estate at Cottles Bridge near Melbourne. He then worked with John Olsen for two years from 1969-1970, with Mair throwing and Olsen hand-decorating the pots. During the 1970s, Bob Mair worked in goldfield production pottery in Ballarat with Robert Pitman before moving to Clarendon in the Adelaide Hills in South Australia in 1982. In the late 1880s and 1990s Robert Mair is working at Sturt Pottery timeline again in the late 1980s/1990s as a visiting potter under Campbell Hegan. In the early 2000s, he and partner Janie Kerr set up a pottery at Braemar in the Southern Highlands of NSW. They then moved, first to Sutton Forest where they took up a residency at Hillview, the former summer residence of the governors of NSW, then to Wingham in the Mid North Coast region of NSW. Mair’s work may be marked with an impressed ‘RM’, an impressed tricuspid symbol or both. In Clarendon, he continued to use the tricuspud symbol with an impressed ‘Old Clarendon Pottery Adelaide’ stamp. A Ballarat mark has not been identified, but simse this lidded pot was found in Ballarat it could be a cross in a circle?Lidded ceramic container with blue bamboo like design on the outside.australian studio pottery, ceramics, bamboo

Bill LONGLEY (03.12.1933 – 20.5.2020) Arrived Australia 1981 Bill Longley started an apprenticeship with “Kingwood Rural Industries” Surrey in 1948. In 1956 is changed name to “Greyshott Pottery" After serving in the Royal Air Force from 1954 to 1977 he undertook and later, teacher training, then bought the “Penderleath Pottery”, St Ives, Cornwall in 1977 from Anthony Richards and renamed it the “Cripplesease Pottery.” Bill made a wide range of domestic stoneware. He built up the pottery into a successful business, eventually selling in 1981 and migrating to Australia with his wife Sue. In Melbourne, Bill Longley made and sold pottery at weekend markets, as well as helping Robert Gordon (June Dyson’s son) set up his Pakenham pottery, which Gordon started in 1979. Bill Longley worked as an advisor and thrower with Robert Gorndon for some time." Bill retired in the late 1980s to Daylesford Works may be marked with an impressed 'Bill Longley, Australia'.Blue Vessel by Bill Longleyaustralian studio ceramics, bill longley, pottery, ceramics

Bill LONGLEY (03.12.1933 – 20.5.2020) Arrived Australia 1981 Bill Longley started an apprenticeship with “Kingwood Rural Industries” Surrey in 1948. In 1956 is changed name to “Greyshott Pottery" After serving in the Royal Air Force from 1954 to 1977 he undertook and later, teacher training, then bought the “Penderleath Pottery”, St Ives, Cornwall in 1977 from Anthony Richards and renamed it the “Cripplesease Pottery.” Bill made a wide range of domestic stoneware. He built up the pottery into a successful business, eventually selling in 1981 and migrating to Australia with his wife Sue. In Melbourne, Bill Longley made and sold pottery at weekend markets, as well as helping Robert Gordon (June Dyson’s son) set up his Pakenham pottery, which Gordon started in 1979. Bill Longley worked as an advisor and thrower with Robert Gorndon for some time." Bill retired in the late 1980s to Daylesford Works may be marked with an impressed 'Bill Longley, Australia'.Blue Vessel by Bill Longleyaustralian studio ceramics, bill longley, pottery, ceramics

Photographs of student Olympics event at Shakespeare Grove, 1983. Features students in sports uniform waving Australian flags featuring the Olympic rings, and winners on a podium holding medals. Please contact [email protected] to request access to this record.1980s

Les MacLEMAN Les MacLeman was Apprenticed to Michael Cardew and was trained to make beautiful pots. He survived the late 1980s recession by slip-decorating them with Australian themes for the sourvenir market. In 2001, MacLeman was working part-time at Bendigo Pottery. A bright landscape scene on a handcrafted ceramic plate.australian landscape pottery, les macleman, ceramics, landscape

This book is a history of Radio Station 3KZ and its substantial role in broadcasting in Australia.A hardback cover of the history of Radio Station 3KZ with loose cover."Dial 1179/The 3KZ Story..."radio, 1980s, george evans collection

The GE12 Electric Kettle was designed by Barry Hudson for General Electric and in 1978 won the Australian Design and the Prince Philip Prize awards for Australian Design. The kettle was innovative in many ways; it was an early example of an all plastic electric kettle with a single-handed opening-spout. According to design historian Ian Wong ‘The use of an integral hinge for the spout opening mechanism utilised the unique live hinge property of polypropylene, now common but at the time a novel use and very efficient to manufacture.’ The kettle was available in Carpentaria Orange, Blaze Yellow and Lime Green with a contrasting base. Barry Hudson (1935-2008) studied Mechanical Engineering at the Melbourne Technical College (MTC). In the 1970s he was Research and Development Manager at General Electric, and he also worked with the industrial design practice Rosenfeldt, Gherardin and Associates. He established Barry Hudson Industrial Design in the 1980s and began a teaching career at the former MTC, now known as RMIT University. Ann Carew, 2020 1978 the Kettle won an Australian Design Award and the Prince Philip Prize for Australian Design.Orange and brown electric kettlekettle, industrial design, rmit university, domestic appliances

Abyss Studio was one of a number of fashion labels established by Sara Thorn and Bruce Slorach in the 1980s and 1990s. From 1986 to 1992 the pair also operated the Galaxy Emporium where they stocked their own designs as well as those of fellow Fashion Design Council members. Abyss was a street wear label and, like many independent designers at the time, was concerned with creating culture through clothing.T-shirt featuring 'Daisy Bone' and mouse printaustralian fashion, fashion design

A mounted Heritage Troop was formed during the 1980s and 90s and performed a number of royal and vice-regal escorts as well as performing at local agricultural shows. The Troop consisted of serving members of A Squadron 8/13th Victorian Mounted Rifles; Heritage Troop and was extra-curricular to normal duty.Fine example of extracurricular activity undertaken by soldiers of a citizen soldier regiment of Victoria.Framed coloured photograph of a section from 8th/13th Victorian Mounted Rifles Heritage Troop at Yarrawonga Show. Section includes one Womens Royal Australian Army Corps (WRAAC) member.8/13 victorian mounted rifles, heritage troop, yarrawonga

Swords were issued to Australian Light Horse in 1918. They were part of the equipment of Light Horse ln period 1920 -1940. Carried by 8/13 VMR Heritage Troop during 1980s.Display potential and occasional ceremonial use.British Model 1908 cavalry sword steel blade 890mm long, composition handle with steel hand-guard painted khaki green. Steel scabbard with 2 fixed rings painted khaki green.On handguard 2 RMA MBY 340sword, sabre, cavalry, light horse, military, weapon

Swords were issued to Australian Light Horse in 1918. Light Horse in period 1920 - 1940 were equipped with swords. Some soldiers including Trooper G R Fear chose to obtain their own swords. Trooper Fear served with 2/9th Armoured Regiment during World War Two. 8/13 VMR Heritage Troop carried swords and gave exhibitions of tent-pegging during 1980s.Part of collection relating to an Armoured Corps soldier of WW11British Model 1908 cavalry sword with steel blade 890mm long, composition handle with steel handguard, painted steel scabbard with 2 fixed rings. Painted khaki greenON blade 12 A 15 EFD On back " 08 "military, sword, fear, light horse, militia

This vehicle was issued to 8/13 VMR for transport services in 1970s and 1980s. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Maroon stiff vinyl covered Technical Manual being User Handbook Truck Cargo 2.5 Ton GS 4 x 4 with winch. Published by Australian army 1967. Covers and pages secured with metal fastner.Ink stamp on title page " 8/13 VMR Regimental Collection "

This vehicle was issued to 8/13 VMR in 1980s and 1990s for recovery purposes. Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Maroon coloured stiff vinyl covered Technical manual being User Handbook Truck Wrecker 5 Ton GS with winch. Bound with metal screws. 102 pages. Published by Australian Army 19 February 1974.Ink stamp on title page " 8/13 VMR Regimental Collection ."

This shell type is used in the main armament of the interim Fire Support Vehicle (FSV) developed using the turret from the Saladin Mk2 Heavy Armoured Car on an M113A1 Armoured Personnel Carrier. The vehicle was developed by the Australian army. 8/13 Victorian Mounted Rifles was equipped with FSVs in the 1980s.76 mm shell rendered inert for display purposes.shell, gun, fsv, vmr

This brief case was used by the secretary of the Association till its closure in 1980s, when it was passed to the 8/13 Victorian Mounted Rifles Heritage Collection with other regimental memorabilia. The 13th Australian Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops. The regiment was raised as 13th Light Horse (Gippsland), a Citizen Forces unit. following WWI, and trained as a cavalry regiment till August 1940, when it converted from horse to mechanised initially as 13th Motor Regiment then 13th Armoured Regiment. It trained in Victoria and, as the Japanese threat to the mainland declined, was disbanded in October 1943 with men going to other units. Black leather brief case with two locks and with title embossed on side of flap13th Aust light Horse Regt Association13th, light horse, wwi, wwii, world war one, world war two

The 13th Australian Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops. The regimental association was formed following the return from the war and continued to meet regularly till early 1980s. Records and memorabilia were handed to the 8/13 Victorian Mounted Rifles.Twenty editions of the Annual Report of the 13th Australian Light Horse Regimental Association. Multiple pages, saddle stitched and stapled.association, 13th, light horse, wwi, world war one