White Ovens College branded envelope containing assorted documents concerning the schools 1981 split from Wangaratta TAFE. Heritage Committee

4 page A4 printed document. Achievements of Peter Ellis (for consideration for the Order of Australia) Peter is regarded as one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra. Peter has been collecting for many years and has collected with the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi amongst others. Peter has literally travelled Australia collecting over the past thirty years. He has extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection, for example. Most of his recording has been in North Western and Central Victoria. Peter collected a lot of his material from Harry McQueen ( Castlemaine), which led to a double CD of Harry's music. Harry had played in dance bands for over sixty years in Central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. Founder, Charter member and life member of the Bush Dance and Music Club of Bendigo. Life Member of the Victorian Folk Music Club. Recipient of the Graham Squance award (for the person who has done the most to promote folk dance and music in Victoria)) from the Folk Song and Dance Society of Victoria. Member of the famous Wedderburn Old Timers Band for over twenty-eight years (two platinum and several gold recordings in that time). Founder and leader of the Emu Creek Bush Band (twenty-nine years old in 2010) Emu Creek has made many CDs of dance music as listed. Friday Night at the Spring Gully Hop, Three double CDs called 'Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded, under Peter's guidance, so they would not be lost to posterity. A triple CD called 'Take Me Back To Bendigo' with heritage songs and music from the Gold Rush to Federation (solely organised and financed by Peter) These CDs show the multicultural heritage in Bendigo and include music and groups from the Koorie, Chinese, Cornish, German, Irish, Italian, Scots, English and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by Emu Creek Following much practice under Peter's tutelage. For further authenticity Peter liaised with other musicians to record some tracks which were revived from almost two hundred years ago and have now been recorded using the instruments of the time. A three volume set of Bush Concert recordings (Vol 1 Goornong (launched Australia Day 2006 with any profits going to the Soldier's Memorial Hall Committee), Vol 2 Heywood and Vol 3 Maldon/Sutton Grange, already recorded and to be released as money from other projects becomes available. NOTE: None of these CDs have led to any profit. All money raised is put back into the community and further heritage recordings, books and videos through the Bush Dance and Music Club of Bendigo Inc. In 2009 a full collection of all Peter's book and CDs was donated to the John Gorton Library as part of the recognition of the fifty year career of the Gay Charmers Dance Band from Lake Charm. 'Music of the Diggings' (4 tracks by Peter or Emu Creek). In addition the Emu Creek Band, under Peter's leadership, has appeared on a CD backing Bruce Watson on his song, 'The Old Bush Dance'. Emu Creek has performed at National Folk Festivals in four states and several times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for over twenty years as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter has written and published many books related to traditional music and dance. These include Three volumes of 'Collectors Choice' which is musical notation for bush dances coupled with much dance history which would have been lost without Peter's efforts. 'Two Hundred Dancing Years - How to run a Colonial Ball: (co-authored with Shirley Andrews (A.M.), 'Music Makes Me Smile - The Music of the Nariel Valley' (co-authored with Harry Gardner). The Merry Country Dance' (292 pages) a companion to the three double CDs. He has also been a contributor to Verandah Music' authors Rob Willis and Graham Seal and 'The Oxford Companion to Australia Folklore' Ed Graham Seal. Peter is also a regular contributor to 'Trad and Now' Magazine. His latest completed book is titled 'The Merry Country Dance' and is over three hundred pages of social history, recipes and dance instructions. It was completed with the assistance of a Victorian Government Heritage Grant. The first edition sold out in only a few weeks. Peter has taught many children about old time musicianship through the junior bands which have functioned over the years with many children joining Emu Creek and then going on to follow their own musical inclinations. He has trained several young concertina and button accordion players over the years. Peter has been a regular tutor with Continuing Education in tin whistle, harmonica and old time dancing for many years. Peter has conducted workshops in music dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National folk Festivals. He has also done this at Maldon for many years, Port Fairy, Glen Innes, Jamberoo and Kiama Festivals. For over thirty years Peter has been a guest player and MC for the dances at the Nariel Folk Festival (Australia's oldest continuing Folk Festival) Peter is very well known in the Corryong area as a collector and the co-author of the book, Music Makes Me Smile, about the Klippel/Simpson dynasty in the Nariel Creek Band. This book is currently being revised for re-issue as more material has come to light since the original publication. For many years Peter trained Debutante Sets in the Bendigo District. Peter was an instigator of the annual Dinki Di Ball held each September in Eaglehawk for the past thirteen years. At this ball three bands play for a quarter of the night and then join together for the final part of the evening. The bands are Emu Creek, The Wedderburn Old Timers and the Gay Charmers. Up to four hundred dancers, many in heritage costumes have attended this dance. The ball also pays tribute to, and involves, the old MC's. Through this example their skills have been passed down to a younger generation of MC's. All profits are returned to the Dance Club to foster our musical heritage. Each Ball includes presentations designed to promote social dancing in Australia. Over the years several young musicians have been presented with musical instruments at the Ball, libraries have been given copies of Peter's books and CDs and one year a keen young dancer was presented a pair of dancing shoes. Peter is a trained ballroom dancer and has gained gold medal status in this field. Peter is an accomplished musician and is one of Australia's foremost button accordion players. He is also highly accomplished on the tin whistle, bones and harmonica. He is the only exponent of the Swanee whistle that I have seen. Peter also plays the piano and ukulele. Thirty six years membership of the Bendigo Field Naturalists Club, Secretary in the 1970s and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). Peter was also extremely active in the establishment of the Salomon's Gully and Jackass Flat Flora Reserves in Bendigo which have now been saved for posterity. Peter has also been involved in efforts to save One Tree Hill and this area has now been included in the Greater Bendigo National Park. He has discovered and named new plant species in the Whipstick Forest and propagates Australian plants. Peter takes regular guided tours of interested people through the Whipstick each Spring on wild flower educational tours. He is a keen and gifted photographer of local plant species. Life member of the Bendigo Field Naturalists. Peter contributed text and photographs to their publication 'Wildflowers of Bendigo'. When the Victorian State Parliament had its first historical sitting outside Melbourne Emu Creek played during lunch for the guests and public. They have also played at functions such as the Centenaries of Federation, the Bendigo Post Office, the Shamrock Hotel and the opening of the new Melbourne Museum and the Federation Museum in Bendigo. The band regularly plays for Seniors week and at homes for the aged such as Bethlehem, Mirridong, Bignold Park, Bendigo Village and others. Peter has been instrumental in getting the band to play for fundraisers such as schools, scouts and environmental groups. The band plays many charitable 'gigs'. The band supports the Bendigo Easter Fair and the Eaglehawk Fair when able and has appeared in several parades over the years. The above list shows the invaluable contribution that Peter Ellis has made towards the collecting and distributing of Australia's musical and dance heritage. No one has done more than Peter in this area. He has also been active locally and nationally in his endeavours towads saving the natural environment. He has put many years of time and energy into both area's and has many on going projects in mind for the years ahead. The awarding of an honour from Australia would be just reward for a man who has preserved so much of our musical and dance heritage for future generations. Knowing Peter I have no doubt he would treasure such an honour as he has given so much to preserve Australia's music and dance heritage over most of his sixty plus years. Compiled by John Williams. Handwritten notes at bottom of last page reads: Referees Jacinta Allan MLA Steve Gibbons MHR Willie Carney ex Mayor of Bendigo Supporting letter Mary Smith Sec. Bush Dance + Music Club.person, individual, peter ellis oam

Colour photocopy of newspaper article Obituary. Dated Saturday, May 23, 2015. Article is not complete. Titled Peter Ellis O. Reads: Bendigo is set to farewell a true national treasure. Dawn Rasmussen reports. Peter Ellis OAM 1946-2015. Friends, colleagues and mates around the world agree, with the passing of Peter Ellis OAM, Bendigo has lost a national treasure. 'Peter was passionate about dance, music, photography and the environment, and watching him tend to his interests, like a juggler with 100 different objects in the air, was a sight to behold,' friend John Williams said. In his 70th year, Peter was known for his casual approach to the niceties but he always insisted his teapot be adorned with a suitable tea cosy. He enjoyed a glass of wine with friends, hunting up the history of folklore, dance and music, and nothing better than a walk in the bush. Peter is one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra, collected over many years, with mates like the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi among others. He literally travelled Australia collecting, and had extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection. .. .. .. And central Victoria. Peter collected a lot of material from Harry McQueen (Castlemaine), who played in dance bands for over 60 years in central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. As a charter member and life member of the Bush Dance and Music Club of Bendigo and the Victorian Folk Music Club, a member of the famous Wedderburn Old Timers Band for over 28 years (two platinum and several gold recordings in that time), founder and leader of the Emu Creek Bush Band (29 years old in 2010) and creator of the 'Friday Night at the Spring Gully Hop' single CD, Peter has been a driving force in the local band and live music scene. Turning his attention to ensuring the music he unearthed would not be forgotten or let lay idle again, under his guidance three double CD's called Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded were produced, and a triple CD called 'Take Me back To Bendigo', composed of heritage songs and music from the Gold Rush to Federation. These Cd's show the multicultural heritage in Bendigo and include music and songs from the Koorie.. .. … and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by the Emu Creek bush Band following much practice under Peter's tutelage. For further authenticity .. .. .. Tracks which were revived from almost 200 years ago and have now been recorded using the instruments of the time. There is an accompanying book which is set to become the 'Bible' for anyone interested in social dance in Australia. Other CDs include Bush Concert recordings (Volume 1 Goornong), Cooee, Songs of the ANZACs two- CD set in conjunction with the Bendigo Historial Society, 'Music of the Diggings' (four tracks by Peter or Emu Creek) and many more guest… ARTICLE CUT OFFperson, individual, peter ellis oam

Newspaper article from the Bendigo Advertiser stuck on A4 printer paper. Article is dated Friday, May 22, 2015. Article is accompanied by a picture of Peter Ellis and is captioned as such. Article is written by Jason Walls and is titled Loss for folk music history. Article reads: Celebrated Bendigo Music identity, historian and naturalist Peter Ellis OAM died suddenly this week after a brief illness. He was 69. Mr Ellis was highly regarded as a collector and preserver of traditional bush music, with his collection of dance related material the largest in the National Library Archives in Canberra. He was award an Order of Australia Medal in 2012 for services to the arts through the collection and preservation of Australian folk history and heritage. Mr Ellis was a founding member of the Emu Creek Bush Band and achieved two platinum and several gold records in his more than 30 years with the Wedderburn Old Timers Band. Fellow Emu Creek Bush Band member and close friend John Williams said Mr Ellis had made an invaluable contribution to the preservation of Australia's musical and dance heritage, travelling extensively across the country recording and notating folk music. 'In 500 year's time, as long as they can find the technology, people will be able to resurrect our bush dancing history,' he said. 'Probably his biggest legacy is the number of young people who have been made aware of bush music and are continuing to play it today and will play it in the future.' As a life member of the Bendigo Field Naturalists Mr Ellis was also involved in campaigns to establish the Whipstick and Kamarooka State Parks and the Saloman's Gully and Jackass Flat Flora Reserves, and lobbied for the inclusion of One Tree Hill in the Greater Bendigo National Park. A public funeral service will beheld at the Mulqueen Family Chapel on Bridge Street on Monday, May 25, at 11am, followed by a private cremation. An extensive obituary will be published in Saturday's Bendigo Advertiser.person, individual, peter ellis oam

2 A4 sheets. Handwritten pencil note at top of first page reads: Eulogy published in Trad & Now Magazine. Vale Peter Ellis OAM. By John Williams. The folk community lost a giant on May 18th when Peter Ellis passed away after a short illness. Peter had been a collector, author and musician for nearly forty years and his work has been prodigious to say the least. Peter has the largest collection of dance related material in the National Library and had travelled Australia on his collection trips. He produced twenty CDs of dance music and historical music with his Bendigo based band the Celebrated Emu Creek Bush Band which he founded and led for thirty four years. His final project was the double CD 'Cooee, Songs of the ANZACS' which he organised in conjunction with the Bendigo Historical Society. It was launched on 24th April and was Peter's last performance. Peter has also been a member of the Wedderburn Old Timers for over thirty years and has assisted with many of their recordings including their latest Bush Concert CD which Peter Organised. Peter has contributed to many other CDs over the years and has been thanked on many a CD cover by many folk artists. Peter has also written several books, the three volume 'Collectors' Choice,' 'Two Hundred Dancing Years' co-written with Shirley Andrews OAM, and 'Music Makes Me Smile' the history of the Nariel Valley musicians co-written with Harry Gardner. Peter's recent major work The Merry Country Dance will become the bible for people wishing to learn about our bush music heritage with its matching six CD collection. Peter has also contributed to 'Verandah Music' edited by Rob Willis and Graham Seal and 'The Oxford Companion to Australian Folklore' edited by Graham Seal and is a regular contributor to Trad & Now. He completed his last Trad & Now article the week before he died. Peter was also a life member of the Field Naturalists and was extremely active in campaigns to preserve Lake Pedder, the Whipstick Forest and Kamarooka Forest (now part of Bendigo National Park and preserved forever) One Tree Hill, Jackass Flat Flora Reserve and Saloman's Gully bushlands. Peter has discovered and named plants in the whipstick and enjoyed propagating native plants. He loved his amazing bush block in suburban Bendigo. Peter was also a keen photographer and had photos published in the book 'Wildflowers of Bendigo'. Peter taught dancing and music classes with Continuing Education for many years and encouraged many young musicians over the years. Peter was an accomplished ballroom dancer and had achieved gold medal status in that field. He was one of Australia's finest exponents of the button accordion, concertina, harmonica and tin whistle. Peter also played piano, organ and ukulele as well as the Swanee whistle and bones. Peter was the founder of the Annual Dinki Di Ball held each September in Eaglehawk as a tribute to the old MC's. Peter was happy playing for fund-raisers for any organisation who asked and also enjoyed plying the big gigs such as for the opening of the Melbourne Museum or for State Parliament. He played in the National Folk Festivals in four states and was a regular at the National in Canberra where he gave regular classes, performed with his bands and was a stalwart of the Aussie section of the session bar. He performed at nearly every Maldon Folk Festival and was MC at Nariel Folk Festival dances for many years. Peter was very proud of his OAM and wore the little medal at all of his performances. That honour was rightly given to one who did so much to preserve Australia's dance history. Peter lived a full life and was a friend to hundreds of people. He was taken far too young and in typical fashion was planning new projects right till the end. His passing is a huge loss for us all but one thing is certain. He will never be forgotten.person, individual, peter ellis oam

The Restoration of The Bendigo Gasworks Boiler House Complex, A Community Jobs Project March 2002 - June 2002. Final Report. Researched, compiled and written by: Fiona Gust and Simone (Mona) Krause. Front cover is purple, back cover is black and some inside pages are red or yellow. Topics in the book are: History of the Gasworks, How a Gasworks Works, Heritage Requirements, The CJP Crew, Crew Profiles, Initial Condition of the Boiler House Complex, O, H & S, Work Begins - Asbestos Removal, Clean-up, Iron Removal and Glazing. Artifact Cataloguing, where artifacts and where they were found were cataloged. On Going Discoveries. Exhauster ad Tank Room Ceilings, Pipes, Oil Spray Tower, Skillion over the Amenities Block, Posts, Beams along the Exhauster Room Wall-NE side, Beams on the SW side of the gable .. The join between the skillion and gable roof, Donuts on the Exhauster Room Wall - NE side, Trusses, Gutters and down pipes, Paint and Whitewash, Brickwork, Iron Fittings, Internal Fixtures, Generator Room/Compressor Room, Floors and Conclusion. The Captains Last Words by Peter Roberts. Acknowledgements. The coloured pages in the back are Edition One - 19.4.2002, Edition Two and Edition 3 of Combustible News which gives a progressive account of the work.buildings, gas company, the bendigo gasworks, the restoration of the bendigo gasworks boiler house complex, fiona gust, simone (mona) krause, city of melbourne gas and coke company, the bendigo mercury, the gas and fuel corporation, central deborah, community jobs project, peter roberts, chrysalis constructions, cvgt industrial training center, rod mclaughlin, allan fox, david gilroy, glen slater, aaron ott, ron whitford, daniel keogh, paul atkins, nick pearson, leigh williams, des leahy, anthony jennings, heritage victoria, the bendigo shire, central deborah, david bennear, david wright, deborah simm, community jobs unit, james thompson, mac booth, mine, tramways, discovery centre, mandy cooper, delwyn douglass, cindy tassie, helen yorston, brenda stanley, greg o'connell, kym smith, darren hutchesson, julie cain, john bullen, joe slaviero, mario joh;ns, norm harris, paul green, len cutting, jim morrissy, melissa tuddenham, fiona beckwith, leo trainor, gary anquetil, helen lynch, abbotts supply, action auction, garry floyd, bendigo trailers and hardware - matt, ron & jack, brennans - butch & robbie, bunnings - evan, brett crapper, hip pocket, jason kiel, country victorian scaffolding, paint right bendigo, alan gladman, deborah simms, graeme jennings, hugh ward, leigh williams, paul eccles, peter sporn, barb & mal krause, peter & shirley turner, bendigo copy centre

emu feathers, parrot feathers and peacock feathers, seed, cottonbasket, feathers, seeds, indigenous, lisa waup, woven, emu, peacock, parrot, handcraft

oil on boardmargaret baskerville, landscape, bush, children, farm, barn, fence, tree

As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Paint the Country 2010, etching, 19.5 x 28 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010.etchingetching, vicki couzens, country, indigenous coastal trail, bayside, carolyn briggs

In 1920 the Prince of Wales embarked on a journey to Australia on behalf of his father, King George V. While the visit was intended to strengthen the relationship between Australia and the Empire, the main objective was to offer thanks to the Australian men and women for the sacrifices and contributions that they had made during World War I. The Royal Tour began in April 1920 and covered 110 cities and towns across the country. The Prince spent eleven days in New South Wales, nine days in Victoria, four days in Tasmania, eleven days in Western Australia, six days in South Australia and eight days in Queensland. On Saturday 5 June 1920, following a morning at the races in Flemington, the Prince spent the afternoon at ANZAC Hostel in Brighton, where he chatted to wounded soldiers and, according to the newspaper reports at the time, "won the hearts of all present."prince of wales, his royal highness, hrh, royal tour, anzac hostel, brighton, mayor, cr. thomas wilson, j.h. taylor, town clerk, soldiers, diggers, crowd, guard of honour, captain grieve, h.m.s. renown, north road, kamesborough, bayside

In 1920 the Prince of Wales embarked on a journey to Australia on behalf of his father, King George V. While the visit was intended to strengthen the relationship between Australia and the Empire, the main objective was to offer thanks to the Australian men and women for the sacrifices and contributions that they had made during World War I. The Royal Tour began in April 1920 and covered 110 cities and towns across the country. The Prince spent eleven days in New South Wales, nine days in Victoria, four days in Tasmania, eleven days in Western Australia, six days in South Australia and eight days in Queensland. On Saturday 5 June 1920, following a morning at the races in Flemington, the Prince spent the afternoon at ANZAC Hostel in Brighton, where he chatted to wounded soldiers and, according to the newspaper reports at the time, "won the hearts of all present."prince of wales, his royal highness, hrh, royal tour, anzac hostel, brighton, mayor, cr. thomas wilson, j.h. taylor, town clerk, soldiers, diggers, crowd, north road, kamesborough, bayside

In 1920 the Prince of Wales embarked on a journey to Australia on behalf of his father, King George V. While the visit was intended to strengthen the relationship between Australia and the Empire, the main objective was to offer thanks to the Australian men and women for the sacrifices and contributions that they had made during World War I. The Royal Tour began in April 1920 and covered 110 cities and towns across the country. The Prince spent eleven days in New South Wales, nine days in Victoria, four days in Tasmania, eleven days in Western Australia, six days in South Australia and eight days in Queensland. On Saturday 5 June 1920, following a morning at the races in Flemington, the Prince spent the afternoon at ANZAC Hostel in Brighton, where he chatted to wounded soldiers and, according to the newspaper reports at the time, "won the hearts of all present."prince of wales, his royal highness, hrh, royal tour, anzac hostel, brighton, mayor, cr. thomas wilson, soldiers, diggers, crowd, north road, kamesborough, bayside

Winner of Bayside Acquisitive Art Prize 2020-21.ngura, country, alec baker, yankunytjatjara, indigenous, bayside acquisitive art prize

ramon horsfield, hill, country, rural, landscape

ramon horsfield, country, rural, landscape, bush, gum, tree, murray river

One of three scrapbooks of photographs and newspaper cuttings taken and or collected by Eva Grant, a past member of the Kew Historical Society, which were donated by her niece, Julie Thomson. The albums include many photographs of Kew from the 1950s to the 1970s. Buildings included in the scrapbook include: Billy Hughes' house - 167 Cotham Road Congregational Church - Walpole Street (c.1978) Country Roads Board - Denmark Street (1960) Dorothy Rogers Reserve - Studley Park Road Ellsmere (also Ellesmere/Ellsmore) - Princess Street Field Place - 3 Henty Court Fernhurst - 13 Fernhurst Grove Kew Civic Centre (1959) Kew Junction (1958) Kew Railway Station (1902, 1959) Kew Recreation Hall - Wellington Street (1960) Neama (Hall) - Studley Park Road Southesk (formerly Ordsall) - Cotham Road (c.1960) St Anthony's Home for Babies (formerly Madford) - 43 Wellington Street (c.1976) Studley House - Nolan AvenueThe scrapbook contains historically significant, rare and sometimes unique images of significant heritage buildings in Kew, including their erection and demolition. 11-page scrapbook of photographs and newspaper clippings with annotations by Eva Grant, a past member of the Kew Historical Society. The pages of the album can be viewed in the image carousel above. Based on the text and known dates of demolition of a number of the buildings, the scrapbook was assembled over a twenty year period between c.1958-c.1978.Includes letter from donoreva grant, billy hughes' house - 167 cotham road, congregational church - walpole street - kew, country roads board - denmark street - kew, dorothy rogers reserve - studley park road - kew, field place - 3 henty court - kew (vic), ellsmere (also ellesmere/ellsmore) - princess street - kew, fernhurst - 13 fernhurst grove - kew (vic), kew civic centre - civic drive - kew (vic), kew junction - kew (vic), kew railway station - denmark street - kew (vic), recreation hall - wellington street - kew, neama - hall - studley park road - kew (vic), southesk - ordsall - cotham road- kew (vic), st anthony's home for babies - madford - 43 wellington street (vic), studley house - nolan avenue - kew (vic)

The children and their teacher were engaged in a variety of outdoor gardening activities for the three days from 26th - 28th April 1989 for Arbor Week. Over the three days a new garden bed was set out as well as tree planting. During Arbor Week, people are encouraged to plant trees as well as caring for established gardens. The date varies from across different countries and takes into account suitable seasonal planting conditions. Arbor Week gives an awareness of the importance of trees in the environment and the need to provide green areas in the community.A non-digital coloured photograph of seventeen children and an adult moving a long log to a designated area.arbor week, bulla primary school

The Sunbury Post Office with a residence pictured in the image was the first official post office building in the town. It opened on the corner of Brook and Evans Streets in 1892. Prior to that time postal services were conducted in an office at Sunbury Railway Station. Although the present day post office is still on the Brook-Evans Streets corner, the building has undergone many changes in services and appearances over the years. Like many country towns, the post office offered many services to the residents over the years. short message has been written on the back to a person in Stirling WA.sunbury post office, sunbury railway station, brook street, evans street, post offices

A register of the pupils who attended the Bulla State Scool from 1906 to 1942. Details in the register are the child's name, date of birth, admission date, previous school, parents' names, address and occupation, date of achieving the Qualifying and/ or Merit Certificate, attendance record, last attendance and destination.The register is a record of the children who lived and attended the Bulla State School from 1906 to 1942 when it was a small country school. It continued to function as a school until it was closed in December 1996. It shows the movement of families and occupations in the district over that time.A 46 page booklet with black tape around the spine and covered in clear plastic. bulla state school,, state schools, pupil register, education

The building is the former Greenvale State School No. 890. Although a school had been functioning at Greenvale since 1870. This is a photo of the school building that was renovated in 1926. At weekends the building was often used for family gatherings and social functions in the district. As the area became developed and changed from a country settlement to a suburb, the school was relocated to a new building closer to the new housing development. The existing building became a community centre. Many country settlements throughout Australia had similar school buildings which as well as being used for education also doubled up as venues for local social functioons.A non-digital sepia photograph with a surrounding white border of a two roomed country school with a water tank against a wall. A gum tree is growing in front of the building.schools

The function took place at the Sunbury State School in 1916. As many of the town's menfolk were away fighting in the First World War and the flags flying were of allied countries, the function was most likely held to raise funds for the war effort. During those years many community groups in Sunbury held a variety of events to aid the3 war effort.A black and white photograph of a social gathering of people in a park with flags from various countries flying overhead.

The postcard features a view of the Jacksons Creek in Sunbury. Before settlement, Jacksons Creek was the main source of water in Sunbury. It flows from the Macedon Ranges and is an important arm of the Maribyrnong River. A sepia photograph in post card format of a view of a river in the country. JACKSONS CREEK SUNBURYjacksons creek, sunbury

The post card is an early view of the intersection of Brook and Evans Street looking west and towards Sunbury Station. Mount Holden is in the distance. Chris Christianson's shop is on the LHS of the picture with the post office on the RHS. This image is an early view of Sunbury town centre with the railway station and post office. Like many country towns of this era, The roads have been formed but not surfaced. A sepia photograph in post card format of a view of a town centre showing an intersection and some small buildings with a hill in the distance.TO THE RAILWAY/SUNBURYbrook street, evans street, sunbury railway station, christianson, chris.

This is a view of one of the settled parts of Sunbury when it was a small country service town and before its rapid suburban expansion.A black and white photo with a cream border of a landscape in a country town. A driveway is in the foreground wi A small settlement on a distant rise is visible. a post and rail fence in the middle distance and two tries growing beyond the fence line.

This view of Sunbury Railway Station was taken from the corner of Brook and Evans Streets two years after the station underwent refurbishment and extensions and a carpark was constructed adjacent to the station. The Sunbury & District Heritage Association Inc. has a photograph P0663 of the station taken a century ago from the same place, when Sunbury was a small country town. The contrast between the two images is interesting. A coloured photograph of a streetscape with a weatherboard building in the middle distance,sunbury railway station, brook street

The aerial view of Sunbury was featured in The Argus newspaper in 1936 in recognition of 100 years of European settlement of the area. It shows the extent of the township in 1936 which extended from the railway line in the west to the Jackson Creek in the east and the Sunbury Asylum in the south and northwards towards Macedon Street. The photograph was taken when Sunbury was a country settlement 25 miles ( 37 kms) from Melbourne. Since the 1980s the area grown rapidly and is now an outer suburb of Melbourne.A black and white aerial photograph with a cream border of the Sunbury township. SUNBURY 1936 - A SOUVENIR AERIAL PHOTOGRAPH ISSUED BY THE ARGUS.aerial photographs

This bolero is part of a Greek national costume from the Peloponnese. Long-time Brighton resident Olga Black wore it to the 1956 Melbourne Olympic Games to represent her Greek heritage. She remembers the stands at the MCG being full of migrants wearing their traditional national costumes. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Red velvet bolero decrated with gold stitching and braid. Lined with red satin. Stand collar which fastens with two metal hooks and eyes. bolero, jacket, greece, ithaca, migration, olympic games, 1956 olympic games, olga black

Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available

Minnie PWERLE (c1910-2006) Atnwengerrp/Utopia Minnie Pwerle's Dreamings consist of elements of 'Bush Melon' and 'Awelye'. Awelys-Atnwengerrp' is depicted by a series of lines painted in varying widths and colours. These patters represent the lines painted on the top had of women's bodies during ceremonies in Minnie's country of Atnwengerrp. 'Bush Melon' is depicted using linear design of curves and circles in different colours creating a very loose and bold design. This dreaming tells the story of this lovely sweet food that comes from a very small bush and is only found in Atnwengerrp. Once very abundant and fruiting in the summer season, the Bush Melon is now hard to find. Minnie and other women used to collect this fruit (that was green in colour and then ripened to a brown colour) and scrape out the small black seeds. They would then eat the fruit straight away or cut it in pieces and skewer them onto a piece of wood to dry then to be eaten in the coming months when bush tucker was scarce. These artistic symbols carry potent spiritual meanings.. The physical creation of these Dreamings in an important part of the continuation of an ancient and rich cultural heritage. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Awelye & Bush Melon Dreaming, 2004 Acrylic on canvas, over three panels art, artwork, minnie pwerle, aboriginal, anmatyerre language, atnwengerrp country