Thomas Stoddart, bought 12 marble statues during a visit to Carrara in Italy and gave them, together with Sicilian marble pedestals, to the citizens of Ballarat. The statues were unveiled by the Governor of Victoria on Queen Victoria’s birthday, 24 May 1884 and are located throughout the gardens.View of the gardensballarat botanical gardens, trees, parks, lawns, flowers, pathways, thomas stoddart, marble, statues, carrara, italy, 1884, fernery

Thomas Stoddart, bought 12 marble statues during a visit to Carrara in Italy and gave them, together with Sicilian marble pedestals, to the citizens of Ballarat. The statues were unveiled by the Governor of Victoria on Queen Victoria’s birthday, 24 May 1884 and are located throughout the gardens.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, thomas stoddart, marble, statues, carrara, italy, 1884, fernery, statuary pavilion, wallace, james russell thomson, 1889

View of the gardensballarat botanical gardens, trees, parks, lawns, pathways, summer, leaves

View of the gardensballarat botanical gardens, trees, parks, lawns, pathways, summer, leaves

Inscription on the plaque : "A tree that looks at God all day and lifts her leafy arms to pray." United States Marine Corps 1st Marine Division This tree is to commemorate the friendship established between the United States marines and the citizens of Ballaarat during their sojourn here in early 1943.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, plaque, memorial, united states, navy, marine corps, friendship, 1943, glove, anchor

Inscription on the plaque : "A tree that looks at God all day and lifts her leafy arms to pray." United States Marine Corps 1st Marine Division This tree is to commemorate the friendship established between the United States marines and the citizens of Ballaarat during their sojourn here in early 1943.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, plaque, memorial, united states, navy, marine corps, friendship, 1943, glove, anchor

Thomas Stoddart, bought 12 marble statues during a visit to Carrara in Italy and gave them, together with Sicilian marble pedestals, to the citizens of Ballarat. The statues were unveiled by the Governor of Victoria on Queen Victoria’s birthday, 24 May 1884 and are located throughout the gardens.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, thomas stoddart, marble, statues, carrara, italy, 1884, fernery, 1889, plaque, memorial, mrs w.d. thompson, mbe

Aerial view of the gardensballarat botanical gardens, trees, parks, lawns, flowers, pounds, men, pathways, fernery, statuary pavilion

View of the gardensballarat botanical gardens, trees, parks, lawns, pathways, summer, leaves

View of the gardensballarat botanical gardens, trees, parks, lawns, pathways, summer, leaves, plaque, memorial, w.l.j. crofts, president, australian natives association, ana, federation

View of the gardensballarat botanical gardens, trees, parks, lawns, pathways, summer, leaves, plaque, memorial, w.l.j. crofts, president, australian natives association, ana, federation

The Rotary Club volunteered to build the paddling pool for children in August 1960.Added social amenity to cater for children after WW2.Mr Frank Brown measuring out and Bill Roff spreadingballarat botanical gardens, trees, parks, lawns, men, frank browm, bill roff, rotary club, paddling pool, volunteers, 1960, swimming

The Rotary Club volunteered to build the paddling pool for children in August 1960.Added social amenity to cater for children after WW2.Site for the paddling poolballarat botanical gardens, trees, parks, lawns, men, frank browm, bill roff, rotary club, paddling pool, volunteers, 1960, swimming

Courier, "Inside Out with Kim Quinlan", Wednesday 25th May, 1994, speaking with Bob Whitehead, outgoing Chairman of the Friends of the Botanic Gardens, Ballarat.Bob Whitehead was instrumental in the formation of the Friends of the Ballarat Botanical Gardens. Prior to that, he was Parks and Gardens Director for the City Council. So, he was something of an authority on the Gardens and the Friends' early history. p.4 of the Ballarat Courier, torn down right side, yellow with age. There is a black and white photograph of the Statuary Pavilion in the Gardens, top right hand corner.Blue biro marks in columns 3,4,5.john garner collection, garner, dr, whitehead, courier, chairman, friends of the botanical gardens, city council, ballarat botanical gardens, ballarat, gardens, bob whitehead, jack chisolm, jessie scott, ballarat botanical gardens' design, gardens' history, history of the friends.

The Ballarat Y's Mens Club Project had this leaflet printed calling for funds to restore the Adam Lindsay Gordon Cottage. The letter to Mr R.Whitehead, Director, Parks and Gardens from Dr.R.R. Schrieke, President of YMCA, 23/1/1989, confirms their interest in the active involvement in the restoration and management of the Cottage.The Adam Lindsay Cottage was seen as an important part of local history.1 sheet of yellow paper with printing and picture of Adam Lindsay Cottage and 1white sheet of paper with blue and red print in the heading. There is the red and blue international logo for the YMCA and the heading Y's Men"s Club of Ballarat. john garner, doctor, john garner collection, ballarat botanical gardens, adam lindsay gordon cottage, craft cottage, craig's hotel, australian poet, ballarat y's mens club project, restoration, ymca, doctor r.r. shrieke, mr r.whitehead, director of ballarat parks and gardens, gardens, ballarat

EWART BROTHERS MENSWEAR In 1954 Clarrie and Jeff Ewart opened their business, Ewart Bros. Menswear in High Street, Wodonga. They united after having worked in separate menswear businesses following schooling at St Augustine’s in Wodonga. Clarrie had worked at Abikhairs and Jeff had his own business after working at Cann’s in Albury. Over more than 40 years in business Ewart Bros. operated from different premises, first in a rented premises at 192 High Street, then their own shop at 180 High Street in 1965. Their second site became known as the 'long shop' as it extended from High Street and through to the Coles supermarket car park. In 1962 they also opened a book shop at 192A High Street, advertising sales of books, stationery, cards and school book orders. Ewart Bros. was put up for auction in November 1995, with Clarrie and Jeff intending to retire. However the business was passed in at auction, so the business continued. On Friday 3rd April 1998 a clearance sale of all shop fittings was finally held, with Ewart Bros Menswear thanking the customers and friends who had supported them over the past 45 years. Jeff died on 5th April 1999 and Clarrie died on 20 May 2020.These items are significant because they represent an important and long serving business in the Wodonga community.A collection of photos and advertisements for Ewart Bros. Menswear in Wodongaewart bros. menswear, wodonga businesses, jsff and clarrie ewart

Black and white postcard of four young women, Alice andd Jessie Wills and friends all wearing hats, posed in a structure resembling a motor boat at Luna Park Melbourne Victoriagenealogy, recreation

Built by artist and cartoonist Percy Leason in 1927 in what was then New Street but renamed Lavender Park Road in the late 1950s/early 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p121 Said to be a genius, cartoonist Percy Leason’s career was at its peak when in 1925 to 1926 he built his home at New Street (now Lavender Park Road) Eltham. The Herald newspaper owner, Sir Keith Murdoch, had hired Leason for his newly acquired Melbourne Punch magazine at a salary of £1750, making him ‘one of the highest paid cartoonists in the world’.1 With this salary and financial help from Murdoch, Leason was able to build his lovely home in Eltham. At the crest of a sweeping drive, the home now two-storey in white brick with a gabled grey slate roof and dormer windows is flanked by an extension built by another owner in the 1980s. Leason lived in the home with his wife, Isabel and children, until 1937, when he left for the United States of America, where he lived until his death in 1959. The four-bedroom house and garden would have been well-suited to bringing up his family and to entertaining their friends in style. Large airy rooms have high ceilings with moulded plaster, timber floors and several are brightened with bay windows. Leason made friends with many of the artists and personalities who gravitated to Eltham. Around 1931 Justus Jörgensen, founder of the Montsalvat Artists’ Colony, helped Leason build his large studio at the back of the house. Another friend was journalist Mervyn Skipper, father of jeweller and sculptor Matcham, and artists Helen and Sonia. Leason’s teacher, artist Max Meldrum, also visited and rented accommodation in Eltham, opposite Wingrove Park. Punch folded in 1925, but Leason continued as cartoonist for Table Talk. In 1926 Leason began the cartoons of a mythical Australian town Wiregrass, which were inspired by Kaniva, his home town. The art gallery in Main Road Eltham was named Wiregrass in Leason’s honour. Leason completed 1000 drawings from 1919 to 1937, which author Garrie Hutchinson claimed, were technically unsurpassed and had regional and universal interest. Leason’s acute observations of country life stemmed from his childhood in Kaniva in Victoria’s western Wimmera, where he was born, the son of a selector, in 1889. Meldrum claimed that Leason could name every plant and the habits of every animal.2 Leason also painted 28 portraits of the last full-blooded aboriginals in Victoria at Lake Tyers in Gippsland, most of which are in a private collection. In Sydney Leason illustrated Henry Lawson’s Selected Poems and worked for The Bulletin. Leason had begun his career at 13 as an apprentice lithographic artist at Sands and MacDougall. He attended night classes at the National Gallery and the Victorian Artists Society. Leason first visited Eltham in 1910 to paint with fellow artist William ‘Jock’ Frater. They camped near Bible and Pitt Streets and along the Diamond Creek on the site of the present Eltham Retirement Centre. Despite his success as a cartoonist, Leason wanted to be recognised as a serious painter and for his anthropological work.3 He was also conservative and felt uncomfortable with the modern art scene in Melbourne.4 So he left for the United States of America to work as a painter. Ironically his time in New York saw the burgeoning of modern art, notably by artists such as Jackson Pollock. But Leason found his niche by running an art school, painting society portraits and illustrating books and magazines.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, landscape, lavender park road, percy leason, new street

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens