Mrs Jessie Beardmore, wife of the Shire President, Mr Henry Beardmore, was invited to switch on the electrical current at the power house in Wodonga on 15th January 1912. This was not the official opening of the newly installed system which took place a few weeks later. Disagreement existed amongst Shire Councillors about the official opening, several of them including Mr Beardmore believing the opening should only take place when the scheme was completed. However Dr Schlink, Mr D. M. Stavely, Cr Twomey and Mr C. Holloway, Engineer for the Electric Lighting Company, arranged a small ceremony to turn lights on for the first section of the scheme. This included street lighting along Sydney Street between South Street and the Shire Hall as well as a few business houses and private establishments, with the balcony of the Terminus Hotel illuminated by over 100 lights. Other areas and buildings were connected over the following weeks. Mr Beardmore was not present at the beginning of proceedings but joined the crowd in the street. During a small number of speeches, credit for his work to instigate and further the introduction of electricity to Wodonga was given to Councillor Twomey, referred to as “the father of the scheme”. This item is significant because it records the first connection of electricity to Wodonga in 1912.A hand written letter addressed to Mrs Beardmore of Wodonga. A portrait of Mrs Beardmore is also included. A transcript of the letter is included below. Wodonga 15 -1-12 Mrs Beardmore Wodonga Dear Madam, Mr Holloway, Engineer for the Electric Lighting Company, has invited me to invite you as the wife of the Shire President to switch on the electric supply for the town at the power house not later than 8.30PM (this evening). Hoping that you and Mr Beardmore can make it convenient to attend. I remain yours sincerely, R. H. Schlinkbeardmore family, electricity in wodonga

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Two Photocopies: 1. Marriage Certificates of Edward de Lacy Evans to Julia Mary Marquand 18th Sept 1868 with appropriate marriage details. 2. Marriage Certificate dated 21st Mar 1985 for Edmund de Lacy to Mary Delahunty.ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy evans, de lacy, edward de lacy evans, edmund de lacy

Draft of a MMTB Notice, typed on a quarto sheet for passengers, "Notice - (Used Tickets)" advising passengers that it is an offence to litter streets by throwing used tickets away. Gives locations of baskets or bins in five location. in pencil in top right hand corner "OPK will you let me have two printed copies in due course" with initials and dated 21/1/22.Has various initials and the stamp of the Chief Managertrams, tramways, mmtb, tickets, passengers, behaviour

Set of four documents or pamphlets concerning Yarra Trams "tramTRACKER" system featuring Yarra Trams logos, tram trackers logos, PTV logo. .1 - A4 pamphlet - yellow background - advising how you could get tramTracker - 6 different ways. .2 - A4 pamphlet - blue background - advising now available on Android and additional features. .3 - hanging rail item - "please take me" advising now available on Android. .4 - fold out pamphlet with the bassett and mobile phone cut around advising how you can get and use TramTracker. Two copies of .1 and .2 and three copies of .3 and .4trams, tramways, yarra trams, tramtracker

Set of four small black and white prints of the interior of the Carlton MMTB substation, Bouverie St, Carlton during the construction phase. Printed on Kodak paper. Has English Electric equipment. .1 - Boxes of equipment and some assembled items .2 - View of substation with rotary converter and a switch board .3 - ditto with a transformer behind .4 - ditto and more boxes. Items .1 to .3 feature a man in a white shirt. Item .3 has a hand written note and arrow "ME".On rear in ink "Carlton" on all photos, with "Control Station" in addition on item .1trams, tramways, mmtb, substation, carlton, rotary converters, switchboards, english electric

These are two vintage small cups, probably dating from early in the 20th century. They may have originally had saucers to match. Both cups have different inscriptions, and were likely given as a present to indicate friendship or love and other examples of the same type of cup have similar inscriptions such as 'Remember me' and 'Forget-Me-Not'. The cup may not have been used but kept for decorative purposes.This cup has no known provenance and is kept for display purposes as an attractive vintage household itemThese are two small china cups with a light greenish yellow and white body and a white handles. The white section has some gold lettering on it. The cup is decorated with s raised pattern of a gold chain and blue and gold flowers. The country of origin is stamped on the base..1 A Present .2 Remember me. Made in Germanysmall china cup, vintage china, household decorative items

WWI Historical significance.1# Letter of commendation for Pte Christopher Parkinson. 2# Photo of internment for C. Parkinson 2156, 2nd Battalion Trois Arlines Military Cemetary.1# Second Australian Pioneer Battalion. Battalion Headquarters, January 5th 1918. To Mrs E. Parkinson Pridfort St, Daylesford Vic. Letter reads The Commanding Officer has directed me to advise you that the name of 2156 Pte Parkinson C. has been published in the routine orders of this Battalion, for good work done by him previous to his death, and in forwarding this note to you wishes to express his appreciation of this man's services with this Battalion. Signed by Capt. & Adj. 2nd Australian Pioneer Battalion. 2# Parkinson Christopher 2156. Private. 2nd Battalion, Trois Arlines Military Cemetry. A photo on the opposite side Of Pte Parkinson's grave.

This six-postcard group is the first in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six photo postcards B+W 1. Photo portrait of Shuttleworth, Henry 2854 57th Btn, wearing military medal, no headwear 2. Photo portrait of Ross, George Herbert Sergeant 3596 57th Btn. 3. Photo portrait of Davidson, Robert Sergeant 3379 57th Btn. 4. Photo portrait of Lyndon, Herbert Roy 4532 57th Btn. 5. Photo portrait of Walsh, Alick 3494 57th Btn. 6. Photo portrait of Tanner, Walter John 4620 57th Btn. 1. On front, "Yours sincerely, H. Shuttleworth 11-14-19" 2. On front "Yours sincerely, Rossie". On rear "This is CQMS Ross who came over on the boat and was with me on leave". 3. On front "Yours sincerely Davo". On rear "This is the orderly room sergeant Davidson who was with me on leave" 4. On front "Yours sincerely HRL" On rear "This is Paddy Lyndon who was photographed in the canal with me. He was a clerk in Bendigo and came over on the boat with me" 5. On front "Sincerely yours Alick France 1917" 6. On front "Sincerely yours W Tanner France 1917" On rear "This was my B Company sergeant major, but has gone to Blighty for his commission"postcards, 57th battalion, edgar dawson dcm, lyndon herbert roy

.1 .A poster advertising the production of Kiss Me Kate proudly sponsored by The University of Ballarat Arts Academy performed by the Graduating Performers of the Third Year Music Theatre students of the University of Ballarat to be held at The Princess Theatre from 24th November - 3rd December 2006. Directed by Kim Durban; Choreography and Staging by David Wymen, Musical Direction by Andrew Patterson. Music and Lyrics by Col Porter. Book by Sam and Bella Spewak. Tickets were available through Ticketek 1300 795 012, or premier.ticketek.com.au or www.kissmekate.ballarat.eu.au .2 The program includes messages from Professor David Battersby, Vice Chancello and Professor Peter Matthews, Head Arts Academy;. Directors Notes (Kim Durban); Notes About the Play; Cast; Songs; Orchestra; Creative Team; Performing Arts Staff; Visiting Artists; Administrative Staff; Actor's Biographies; Creative Team's Biographies and Sponsors. Cast: Claire George, Joshua Piterman, Graham Foote, Kate Cusworth, James Chapel, Luke Rice, Ed Howard, Jo O'Callaghan, Jennifer Stirk, Paul Bebbington, Spike Levy, Adam Stafford, Penelope Bruce, Zoe Wood and Vicki Doak. Featured Dance Ensemble: Eliza Brian, Deeon Clark, Kat Frain, and Tara Minton. Company: Denise Ververakis, Jennifer Stirk, Vicki Doak and Zoe Wood Chorus: Adam Kirk, Alex Cheatley, Amanda Remfrey, Andrew R Jenkings, Ashley Craven, Belinda Howe, Carla Trolano, Cassie McIvor, Chantel Bui Viet, Cristina D'Agostino, Elise Brennan, Hayley Nissen, Hayley Ramfrey, Jenny Byrne, Jim Cocks, Lara Thew, Liam Kilgour, Luke Hales, Mark Booth, Melanie Harris, Sue Luderman, Sarah Power, Zac Gower and Zoe Thomas. .1 Original Poster .2 Program

Red covered pattern book of needlework designs from Briggs of Manchester. Over 130 pages with inserts and advertising specific products in the Briggs range.non-fiction

Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p175 It’s Saturday morning and thousands of people are visiting St Andrews Market at the corner of Heidelberg-Kinglake Road and Proctor Street. It’s hard to find a park. Cars are banked up along the narrow road and crammed in a nearby parking area. Yet, at the market, people look relaxed and happy amongst the yellow box gums on the site where the Wurundjeri people used to gather. Stone artefacts unearthed there by Koorie researcher, Isabel Ellender, indicate the site was once a Wurundjeri meeting place, according to Aboriginal Affairs Victoria.1 Acoustic sounds mingle with quiet conversations. A guitarist blows a mouth organ while his bare toes tickle chimes. A tiny busker, perhaps five years old, plays a violin while sounds of a harp emerge from the hall. One stallholder, selling delicious-looking pastries, chats to another in Spanish, then to me in broad Australian. ‘I was born in Fitzroy but my mother came from Mexico and my dad from Serbia,’ she smiles. A New Zealander fell in love with Mongolia and now imports their hand-made embroidered clothes and Yurts (tents) and runs adventure tours. A young woman visited Morocco and when friends admired the shoes she bought, she decided to import them and sell them at the market. Oxfam sells Fair Trade toys and clothes and displays a petition to Make Poverty History. Other stalls sell Himalayan salt, jewellery made from seeds from northern Australia, glass paper-weights from China as well as locally grown vegetables, flowers and organic freshly baked bread. A woman sits in a state of bliss under the hands of a masseur. Another offers Reiki or spiritual healing. A juggler tosses devil sticks – ‘not really about the devil,’ he smiles. This skill was practised thousands of years ago in Egypt and South America he says. At the Chai Tent people lounge on cushions in leisurely conversation. The idea for the market was first mooted among friends over a meal at the home of famous jazz and gospel singer Judy Jacques.2 Jacques remembers a discussion with several local artists including Marlene Pugh, Eric Beach, Les Kossatz, Ray Newell and Peter Wallace. ‘We decided we wanted a meeting place, where all the different factions of locals could meet on common ground, sell their goodies and get to know one another,’ Jacques recalls. They chose the site opposite another meeting place, St Andrews Pub. A week later Jacques rode her horse around the district and encouraged her neighbours to come along to the site to buy or sell. On February 23, 1973, about 20 stallholders arrived with tables. They traded ‘second-hand clothes, vegetables, meat, cheese, eggs, chickens, goats, scones, tea, garden pots and peacock feathers’. Now around 2000 people visit each Saturday. People usually linger until dusk. The market – with around 150 stalls of wares from a wide variety of cultures – stands alongside Montsalvat as the most popular tourist attraction in Nillumbik. By the 1990s St Andrews Market was in danger of being loved to death, as the site was becoming seriously degraded. The market was spreading in all directions and the degradation with it. A local council arborist’s report in 1994 noted exposed tree roots from erosion and compaction. The Department of Sustainability and Environment threatened to close the market if the degradation was not rectified. After many months of research, discussions and lobbying by a few residents, the council formed a Committee of Management, with an Advisory Committee, and introduced an Environment Levy. The State Government, the council and the market, funded terracing of the site to stop erosion, and retain moisture and nutrients. Vehicles were excluded from some sensitive areas and other crucial zones reserved for re-vegetation. Volunteers planted more than 3000 locally grown indigenous species. The old Yellow Box trees fully recovered and are expected to give shade for many years to come.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, didgeridoo, jesse tree, st andrews market, swiss hang drum

The story is written by Ingrid Stephen, daughter of Hans Barth who was an internee in camp 1 during WW2. She wrote the story for her children as part of their knowledge and heritage, the history of how and why she arrived in Australia and her life in this wonderful country which has been so good to her and her family. Tells what her father went through from capture to release.A white book with a sepia colour photograph, in centre, of a lady and child. Title at top and author below, in black writing. Family photograph on back in colour.ingrid barth, ingrid stephen, hans barth, john stephen, camp 1 internees