The photo appears to be taken soon after the opening of the electric trams, as the tramway is well paved compared to the rest of the street which shows vehicle tracks etc. For similar images see Reg. items 834, 838, 2151 and 2659. Shows buildings along the north side of Sturt St. and the building at the SE corner of Doveton St. ESCo tram has a destination board on the front dash of the tram. The photo appears to be taken just before the one used in item 2659 given the shadow of the pole in front of the tram. Photo by WTP & Co.Yields information about Sturt St soon after the opening of the Ballarat Electric tramwayPrinted photograph on a sheet of plain paper.tramways, trams, doveton st, sturt st

Sheet with the four sides for a packet of tea. Two have a green shield shape with Half Pound Net. Printed in white. One has How to Make a Good Cup of Tea printed in green with a gold border and the fourth has Our Own Tea with green leaves with a gold oval border between Own and Tea. Our and Tea is printed in gold with white shadow and Own is printed in white with gold border on a green background, then narrow white, green and a wider gold border.business, printers, cambridge press, cambridge press collection, our own tea

The quarry was part of John Butler Maling's property. He was one of the original settlers of the area and farmed the area between Weybridge Street and Whitehorse Road. Clay was quarried from part of this area and used to make the bricks used in the construction of his home, known as 'Ancyra'. This is still extant at the corner of Weybridge and James Streets. Maling grazed cows and used the quarry as a water source. He was the uncle of John Butler Maling, Mayor of Camberwell. He was married to Kate Conlon in 1882. They had 3 children: Silas Young, Alick and Zillah. Maling was born in c1829 in Shepreth, Cambridgeshire; he died in Surrey Hills on 9 October 1912 and is buried in Box Hill Cemetery - CE-*-0586. Mrs Kate Maling (born c1859 in Co Meath, Ireland) died at the property on 8 March 1921. She is buried in Brighton General Cemetery. Probate was valued at over 10,000 pounds and included other properties in Sandringham, Hawthorn and Macedon. At the time of her death the Surrey Hills property was described as being 23 cres with 2 brick houses, 1 cow, 2 heifers and 40 fowls or chickens. The property was subdivided after her death. The quarry was filled in after several drownings or near drownings and the land is now occupied by a park and playground maintained by the City of Boroondara. Beckett Park is sited on horizon to the left beyond the trees. This documents the landscape prior to close settlement and is material to early building and farming in the Surrey Hills area.Black and white photo of the quarry between Grovedale Road and James Street taken in the 1920s and looking north. In the foreground is an area of water with high banks dividing the horizontal centre. Beyond are paddocks and trees behind which is a row of at least 3 single-storey houses. Light poles can be seen along a distant street. There are many mature trees in the background. The houses and trees are positioned along Whitehorse Road in the vicinity of Westminster Street. Shadows indicate the photo was taken in early morning or evening.quarries, grovedale road, james street, surrey hills, balwyn, clay quarries, ancyra, kate conlon, kate maling, john butler maling, farming

The sons of a spirits dealer, Andrew and John Usher created one of the world’s most successful blended Scotch whiskies, Old Vatted Glenlivet, and played a key role in building the North British distillery. But they were also responsible for one of the most misunderstood lawsuits in Scotch history – the trademark battle for ‘Glenlivet’. Iain Russell reports. Three badly damaged paper labels on the back. A mirror is mounted on a one centimetre thick, 67 by 43 centimetres wooden frame with 18 centimetres by three centimetres decorative extensions on all sides. there two pieces of metal on the top to hang the mirror. A box nine six by four centimetres is mounted on each side, one is labeled MATCHES and the other CIGAR CUTTER both have ANDREW USHER & Co written on them. Behind the glass is gold coloured writing with black shadows stating USHER'S "SPECIAL RESERVE" & "O.V.C." WHISKIESpub mirror, andrew usher, o.v.c. whiskies

The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290

Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465.

Copy of a colour slide showing Tram 17 in Lydiard Street North, at the terminus. This photo is taken from further north than 6013. From the direction of the trolley pole it is preparing to head back into the city, however the destination board is reading View Point.. One of the crew can be seen standing near a fence in the background, with a point bar in his hand. Several homes and motor cars can be seen. The photographer says this was taken on the last day of trams in Lydiard Street in 1971. There are shadows of other photographers at the location.trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, tram 17

MEDIUM: Photographic print. DESCRIPTION: A photograph of abstract architecture. Black outer frame with glass front panel and white board inner frame. An abstract collection of building faces meeting towards a left off centre vertical line collision point. This picture is a meeting of mirrors, how many remains a mystery. Where one mirror or building starts and another ends, to the viewers eye is met with some uncertainty. Following lines, the clearest meeting of mirrors is where the building on the left appears to be the same and collides with a variety of other buildings coming horizontally in a distinct vertical line to the top of the image. The bulidings on the right have somehow through the skill of the photographer captured a bermuda triangle of walls. The mirroring angles of the walls being from either several different buildings, or from several different mirrors. This creates a strange collecetion of imagery, the viewer unable to make clear distinctions of where something starts or ends or from where it is coming from. The tonal shades and shadows created also play a role in creating an interesting collage of shapes and lines. This piece essentially speaks of lines, angles, geometric shapes, meeting points, shadow and light. Signed and dated on white board inner frame, directly under left corner of image.photograph, st, considine, converge, collins

Situated near the top of what was known as 'Policeman's Hill' according to Miss Ivy Reynolds, neice of the photographer, Tom Prior. From the left, Eltham Court House, Police Residence and Police station on Main Road and corner of Brougham Street. These buildings formed part of Little Eltham and still stand (without the front fence) today though the Police Station was demolished in 1986 due to termite damage. A replica was built circa 1989. The institutions of law and order in Colonial Victoria included the police, courts and prisons. The 1852 report of the Snodgrass Select Committee appointed to "identify the policing needs of the colony” noted there existed seven independent police forces that did not co-operate or regularly communicate. Following the committee's report all these police entities were merged into the Victoria Police, founded on 8 January 1853, to implement law and order responsibilities throughout the Colony of Victoria. The Eltham Courthouse (1860) and adjacent Police Residence (1859) formed a justice precinct established in the immediate aftermath of the 1852 police inquiry and the effects of the gold rush. The physical presence of these buildings, in the centre of the early Eltham township, defined centralised control over law and order. In the early days the Police Constable in charge would conduct his duties travelling around the district by horse; a stable was located at the rear of the residence. At times the horse would be grazed on the paddocks across the road. Horseshoes were forged by the blacksmith beside the Courthouse on the high side of “Policeman’s Hill”. Along with the stable, there was a two-cell bluestone lockup where prisoners were held awaiting trial in the adjacent Courthouse. Their meals were usually provided by the policeman’s wife or from the hotel just up the road. With the arrival of the railway in 1902 the town centre gradually shifted towards the railway station. The Police Station and operations were moved into the town centre in 1961 to a renovated house in Pryor Street, which was later replaced by the current Police Station. From 1961-1981 the residence was occupied by the Vermin and Noxious Weeds Destruction Section of the Department of Crown Lands and Survey. Prior to August 1967 the former Police Station was dragged to the rear of Police Residence to make way for the construction of a driveway and access from Main Road. The building was placed on the site of a former Scullery and modified for Lands Department use. In 1981 the Shire of Eltham took over management of the former Police Residence in Eltham. It remained unoccupied for a period whilst its future was discussed in Council. It was then used for a community job creation scheme until 1985. In 1985 the Shire of Eltham Parks and Environment occupied the residence. Council improved the driveway but later added a second rear access from Brougham Street due to the dangerous nature of the Main Road entrance. Additionally, a rear toilet facility between the Police Residence and the relocated former Police Station, which was doubling up as a lunchroom. Council also commenced discussions to re-establish a replica Police Station. Around November 1986 the former Police Station was demolished; believed to have been suffering termite damage. About 1989, after some years of discussion, a replica Police Station was built, based on photographs, to act as a lunchroom and meeting room for the Parks and Environment staff and volunteers doing community service. In 1996 Eltham District Historical Society held discussions with Nillumbik Shire Council commissioners throughout the year regarding a home for the Society. A proposal was put forward by the Society in October to occupy the former Police Residence. In March 1997 Eltham District Historical Society gained access to former Police Residence and on July 12, 1998, moved into its Local History Centre. In July 2018, Eltham District Historical Society gained access to the replica Police Station (which had been used as a music library and storage for the Eltham Concert Band) for use as part of regular heritage tours for schools and community-based groups.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years. The Reynolds family were early settlers in Research. The Reynolds/ Prior collection of photographs were taken by Tom Prior, the maternal uncle of Ivy Reynolds, around 1900 and the 60 photos in the album give a fine overview of many of the landmarks of Research and Eltham over 100 years ago. lvy lived in the family home for many years at 106 Thompson Cres Research. Ivy's father, Ernst Richard Reynolds and grandfather, Richard Reynolds, lived at the same address. Ivy's father Richard worked for Mr. Trail on his property in Research. Reynolds Road is named after the family. Mr Tom Prior (wife Eva) worked at the Melbourne zoo. He was very innovative and made his own camera, using the black cloth hood to exclude the light. The photographs are a reminder of the rural nature of Research and Eltham and its rich heritage.Digital imagechildren, court house, courthouse, eltham, eltham district historical society, eltham justice precinct, little eltham, local history centre, main road, police residence, police station, reynolds prior collection, sepp, shadow, shire of eltham pioneers photograph collection

Vol. 10, No. 4, Sep-Oct 2005 CONTENTS Short story In Shadows by Bill Collopy 3 Discovery of the rural by Clive Dickson 7 Wagga based artists by Thomas A. Middlemost 10 Short Story by Emilie Anita Teear 12 Gallipoli : A Turkish view Photography at Bundoora Homestead 13 Musicians who answered the call 16 Book reviews 18 Australian landscape Conference 2005 by Kate Herd 20 Threads that bind the CSA and CWA 22 Music at Wellers Restaurant 23 Music reviews 24 The Snakes in Eden by John Jenkins 27 Artin' About 29 Wining & Dining 30 Listings 32"Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 32 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams magazine, silos, australian landscape conference 2005, bill collopy, bundoora homestead, click here to add keywords, clive dickson, emilie anita teear, gallipoli, john jenkins, kate herd, the snakes in eden, thomas a. middlemost, wagga based artists

"As the train on its journey from Melbourne to Healesville crosses the Yarra-flats, many glimpses are caught of the Yarra, sometimes between large belts of gumtrees, and splashing over boulders with is bosum covered with bubbles, dancing with sunlight, and racing each other until lost in the dark shadows of the wattles. Another turn catches it in a sombre mood, stealing slowly beneath some rustic bridge, whereon stands a patient fisherman waiting for a fish, which if the bait be correct, comes pretty frequently. Our illustration depicts one of these pretty nooks, and a very good idea is given of our picturesque river before it is polluted and turned into a sewer at Prince's Bridge."This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 35mm Negativesepp, shire of eltham pioneers photograph collection, yarra glen, steels creek, cave hill

This type of kit was used by the Regiment for vehicular cross country navigation. The crew commander would stand in front of the vehicle with a prismatic compass and guide the driver to align the vehicle on the back bearing of the required direction of travel. The discs were set for time of day and the required bearing and the driver would watch the compass and steer so that the shadow of the gnome was on the arrow. The compass would be re-set about every half hour to adjust for rotation of the Earth. In featureless country navigation was by dead reckoning by direction travelled by compass and distance travelled from the vehicle odometer. Armoured vehicles are now equipped with GPS navigation aids rendering the sun compass obsolete Type of equipment used by the Regiment on exercisesMetal construction. One fixed and one rotatable aluminium disc with a vertical steel gnome at the centre. The lower disc is marked with bearings in mils, the upper with time of day. There is a rotatable aluminium arrow under the 2 discs. A 33 mm dia spirit level is fixed to the top disc.On spirit level "GENERAL #847"daytime use only, navigation aid

CENTENARY PLAQUE AUSTRALIAN NATIVES ASSOCIATION.1871 - 1971.This plaque commemorates the centenary of the Australian Natives Association and depicts some of the achievements brought about by the Association in Australia over a Century.The circular shape symbolizes a continuous line of achievements around a central point or theme.Whithin this shape are three bands of waving and undulating sand textured steps,passing through the map of Australia. these bands signify the rolling sandy plains which are so characteristic of this country .There is a total of seven basic shapes representing the seven states - six of which are overlapping representing the mainland.The six oval shapes depict The ANA.crest Federation 1901.The Made in Australia Council.The Australia Day Council. The Armed Forces and Friendly Society.Made to commemorate 100 years service of ANA to Australia.A rectangular shadow box style frame of brown wood,in which is a round Brass Medallion on a beige background.Around the edge are wavy bands representing rolling sands.At the top are the words AUSTRALIAN NATIVES ASSOCIATION and at the bottom is inscribed 100 YEARS OF SERVICE and on a map of Australia TO AUSTRALIA.There are seven basic oval shapes on which -from the top-is the ANA Crest and the words Federation 1901.then a Boomerang with the stars of the Southern Cross and the words Buy Australian,then a map of Australia on which are standing three figures of Army,Navy,Airforce Personel,then the Australian flag with Jan 26 and Friendly Society.AUSTRALIAN NATIVES ASSOCIATION 100 YEARS OF SERVICE TO AUSTRALIA.ana commemoration plaque.

The site specific sculpture is located at the entry to the office of Nillumbik Shire Council. It was commissioned in 1994 by the Shire of Diamond Valley for their 20 year celebration. Baines was chosen from a short list of three artists. He is an internationally renowned artist, particularly in the field of gold and silver smithing. 'Transaction' takes on the visual and aesthetic vocabulary of its surroundings. It is a statement of the geometry and idiosyncrasy of its immediate site. The series of arcs are reinterpreted into longitudinal curves in the sculpture. It is a transaction between the place and the anticipated entry to the building. The title also suggests the flow of civil and administrative procedures that take place daily within the Shire's offices. A large cascading form in stainless steel. Multiple rows of concave dishes set on long steel stems, which progressively increase in size as they rise in height. The work plays elaborately with perspective, and its repeated shapes are arranged in a orderly mathematical series. It faces a wheelchair ramp lined with polished steel rails, and is integrated with the architectural features of its forecourt setting, for which it was designed. The piece is sited in a small garden area and can be viewed from within the building's foyer. In bright sunlight, its dish-shapes cast elliptical shadows across walkways and lawns. N/Apublic art, transaction, ekphrasis2017, stainless steel, disks, poles, council

Brown decorated timber frame, cream shadow box mounting card, booklet, photocopy text, glass. Black printed text reads -Autograph Book / Belonging to Geelong Supporter / Kenneth W. Cavey- and -Donated by / Peter Price / and Family-. There is a photocopy of a blue front cover of a booklet with the text -Autographs-. On the left of the display is an opened booklet with notes and autographs hand-written in pencil and pen. Display is protected by glass. Rear of frame has a Kardinia Picture Frames sticker and a fabric cord running horizontally which is used to hang the item.Autographs of 1934. Les Hardiman. Reg Hickey. Angie Muller. Bob Troughton. Clive Coles. Lou Daily. Alex McGregor. George Todd. George Moloney. Jack Walker. Jack Williams. Jack Metherell. Jack Carney. Len Metherell. Bill Kuhlken. Allan Everett. Jack Collins. Peter Hardiman. Tom Arklay. Joe Tucker. Jack Lyons. Norm Glenister. Gus Leishman.gfc 1934 team, geelong cats 1934

Black and white photograph the intersection of Sturt St. and Lydiard St., Ballarat, north side, c 1905 to 1910. Two trams, ESCo No. 14 and 11?, east bound in street, with many people lining the streets, a precursor to a parade? Both trams have the original four side roof mounted destination indicators. Photo also has a number of horse drawn cabs and vehicles in photo. Winter photo? - long shadows. Copy 1 made for No. 12 display 3/99. High Resolution image added 31/8/2012trams, tramways, sturt st., esco, lydiard st. , tram 14 esco, 11 esco

This photograph was most likely taken for the 1866 Intercolonial Exhibition in Melbourne.25cm x 20cm black and white reproduction of a photograph of the Oriental Bank Corporation, 7 Sydney Street Kilmore, from the State Library of Victoria. Double storey building with decorative parapet along roofline, wrought iron balconets at upper storey windows, decorative hood molds above windows, name of bank in stone under ground floor cornice, a man standing on path in front of bank. Woman standing at back of building in shadow. A sign on post at back of building reads: Land for Sale Apply to W. Grace Solicitor Kilmore.Printed on back: REPRODUCTION RIGHTS RESERVED Copied by State Library of Victoria Tenders called for erection of this building in March 1864.banks, 19th century

Studio portrait of unidentified male, taken circa 1882. From the Partington collection. [Note: In the Hobart Mercury 11 May 1882, page 3… Portraits: Secure the shadow ere the substance pass away. Persons desiring large life-like portraits; taken from life; or copied from any portrait; and finished in oil or water colours; Indian ink; or any other style known in the art; should go to C. W. and Co.; who are the only artist photographers (portrait painters) in Tasmania. The most perfect and highly finished card portraits. Only 7s. 6d. per dozen. Address: C. WHERRETT and CO. Melbourne Portrait Rooms. Elizabeth-street, Hobart.] Sepia studio portrait.In black pen on reverse "Mrs Partington Kindest regards WRC"partington family

Photo shows the view looking east along Bridge St from Grenville St. Bogie tram 35 is in the shadows. A bus is entering Bridge St, In the view are Dickins Self service grocery, Morseheads store, CTA Hotel, and the Bucks Head Hotel. On the rear, Wal Jack to Ken Magor of Newcastle has written "No. 35 bogie to Victoria St, 1948. Bridge St from Sturt and Grenville Sts. Note two green lights on the span pole under neon sign which guards the Bridge St (bottom light) and Victoria St single track. Mt Pleasant light is on opposite side pole. No. 35 is standing at the old city terminus up to 1937."Yields information about Bridge St Ballarat and its various buildings.Postcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, bridge st, tram 35, buses, dickins, bucks head hotel

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and white photo of a group of nurses from school 43. Taken at Lister House. 14 in uniform - one person not in uniform On a separate sheet the following information in biro- At Lister House Group of 43 L -R Front 1. Betty Evans 2. Kaye Lewis 3. Marjorie Billings Middle Row 4. Judy Taylor 5. Glenys Morrison 6. 7. 8. 9. Joy Wilson Back Row 10. Louise Murphy 11. Gwen Hinneberg 12.Jan Goss 13. 14. and 15. unable to recognize due to shadows group of nurses from school 43. taken at lister house in 1959

Black and white photograph of W3 669 standing (appears to have just arrived) on the entry to Nos. 1 and 3 roads at Essendon depot. The tram has a run number (E48), is showing Essendon Depot. From shadows is late in the afternoon. Date of photo taken based on the series of photos received from the ARHS as being during Oct. and Dec. 1965. On Kodak paper. W3's were not based or attached to Essendon and would thus appear to be a visiting tram, but in service due to the presence of a run number. See P.Winspur note - see data sheet for item 1418trams, tramways, w3 class, essendon depot, mmtb, tram 669

Colour postcard of Ballarat Tramway Museum's Gold tram, No. 45, in Wendouree Parade, near the Gardens kiosk. Photo taken by Austin Brehaut. Has destination of St. Aidans Drive, roof advertisements for the Bendigo Tramways Cafe Tram and Visit Sovereign Hill. Has words "Ballarat Australia" in white with black shadow in the bottom right hand corner. On the rear of the photo, has position for stamp, address, photo credit and along bottom centre, that the BTM is celebrating 150 years of gold, supported by Country Victorian Tourism Council and the Victorian Community Support Fund. Three copies collected.trams, tramways, gold tram, wendouree parade, btm

Photocopy of a Press Release or a News Release - 11 pages stapled in the top left hand corner. First 9 pages titled "Melbourne's Trams - A Tramway Museum and Tourist Tramway for Melbourne". Written by the Victorian Liberal National Party Coalition when in opposition by Shadow Minister for Public Transport Alan Brown setting out the proposal for the conversion of the Hawthorn Tram Depot into a Museum. Has proposal for the operation of the Museum, volunteer operated and a heritage tram service. Last two pages details the open day at Kew Tram Depot to celebrate the 75th anniversary of the depot - Sunday 8th December 1991trams, tramways, liberal party, press release, melbourne, museum, hawthorn, kew, kew depot

Ballarat born Steve Bracks in an alumni of Federation University Australia obtaining both a Diploma of Business Studies (Accounting) and Graduate Diploma of Education (Economics).. Attending Ballarat College. . He entered Parliament as the Member for Williamstown in 1994. After serving as a Shadow Minister in the Employment, Industrial Relations and Treasury portfolios, he became Leader of the State Opposition early in 1999. Mr Bracks fought the Election later that year with a completely new set of policies he oversaw and personally drafted in Opposition. Steve Bracks went on to become Victoria’s 44th Premier in October 1999. He became one of Victoria’s most successful Premiers winning three consecutive elections including achieving record majorities in the 2002 and 2006 elections.Portrait of Steve Bracksxsteve bracks, stephen bracks, premier of victoria, alumni, politician

Silver flip-top Zippo lighter. Personalized with engraving.LIVE BY CHANCE/ LOVE BY CHOICE/ DRINK BY DESIGN/ SMOKE BY COMPULSION/ GAMBLE BY NECESSITY YEA THOUGH I WALK/ THROUGH THE VALLEY/ OF THE SHADOW OF/ DEATH I WILL FEAR/ NO EVIL FOR I AM THE/ EVILEST SON OF A BITCH/ IN THE VALLEY. On the other side of the lighter reads: WE ARE THE UNLUCKY LED BY THE UNQUALIFIED TO DO THE UNNECESSARY FOR THE UNGRATEFUL. IF YOU CAN'T EAT IT DRINK IT OR SLEEP WITH IT DON'T BUY, IT IF YOU'RE NOT WITH THE ONE YOU LOVE, LOVE THE ONE YOU'RE WITHzippo lighter, capt i.c. teague, aattv, cigarette lighter, australian army training team vietnam (aattv)

Khaki and Green is a summary of the scope of the activities of the Australian soldiers since last they related their experiences, in book form. To their homeland. It speaks of desert and jungle epitomising the two major regions of the campaign in which Australians have participated since October 1942 - the overthrow of Rommel's forces at El Alamein and the smashing of the Chinese in Papua.Collection of servicemen recounts, poems and cartoons from World War 2Faded light green hardcover front and back with title in centre symmetrical green and back lettering (shadowed) With the Australian Army at home and overseas. Text is repeated on spine of book. Front and back inside pages has an illustrations of a kit bag and it's contents and text - Palestine, United Kingdom, Egypt, Libya, Greece, Crete, Eritrea, Cyprus, Syria, Siam, Malaya, Java, Ambon, Ceylon, China, New Britain, Ocean islands, Nauru, New Caledonia, New Guinea, Solomon's, Papua, Timor, Dutch New Guinea. Photos, illustrations, cartoons, poems. There are three copies held at the Lara RSL Sub Branch.To the memory of fallen comrades ‘They gave their lives. For the public gift they received a praise which never ages and a tomb most glorious – not so much the tomb in which they lie, but that in which their fame survives, to be remembered forever when occasion comes for word or dead…. ‘ blaney, aif, 6th and 7th division, poetry, middle east, south west pacific, darwin, nassau bay, kokoda, rats of moresby, bullybeef, night patrol, jungle fighters, prisoners of war, world war 2, ww2

MEDIUM: Inkjet print on cotton rag. DESCRIPTION: Abstract image, black and pale brown/ivory, black outer frame with glass, white board inner frame under glass. The objects appear to be broken up pieces of something greater. Pieces of a greater machine, here re-assembled in hard angular lines and triangular blocks, in abstracted form. The image is a close up, the ink on cotton comes up in rough grainy scratches of shadow. Shades of grey with highlights of blue. Dark angles with patches and corners of pure black. Hard dark lines which meet with white surfaces, blend into grey.Signed, titled and dated on backing board.de, grouchy, lightspace, inkjet

Document, Greeting Cards. Single whitish card wirh ripple cut edge. In the top left corner is a coloured scene with a house on the edge of a lake. Below this is a branch of pink flowers. In the top right corner is printed in gold: Motto for the Year. Below is printed 'Learn to do ?ell.' Isiah 1.17. Capital L is red at the top and yellow lower down. All the rest of the letters are brown with a pale grey shadow. Along the bottom, starting from the left is: London: The Sunday School Union, Ludgate Hill. Over to the right is: Printed in Germany. Surface of card is lightly stippled. Written on the back: with love from Lieut Harewood.person, greeting cards, malone collection, malone collection, greeting cards, lieut harewood