This brand of starch was first manufactured in 1914, during the First World War, and continued to cover the other wars and military conflicts that followed. It was a time when Australian made was important due to the limited supplies coming from England and Europe. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity not by the "Buy Australian" campaign (of later years) which was the major factor for the demand of goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. The important social more of "clothes make the person" was in vogue. This is a sample box provided by the manufacturer as an advertising and promotional method of prospective customers becoming aware of the product. This type of promotional avenue brought results and ensured that this type of advertising and inducement by manufacturers would be ingrained as a lasting avenue through to the 2nd Millennium This box which once contained starch powder is very significant to a rural semi isolated region because it clearly demonstrates that the social mores of the city were also entrenched into the rural population. The fashion of the day, even in remote areas, especially rural, were still a requirement to be maintained on certain special occasions. Cleanliness and stiff "upper lip" persona were just as important in the rural sector as in city and Government circles. Institutions such as hospitals, Government Offices and the legal personnel were bound by the fashion of the starch appearance (no dirt sticks to a personage with the "starch" look). Appearances, especially the first ones, were the judgmental image that remained in the uppermost regions of the viewer.This box with white writing and a "formally clad" man on a navy blue background held Australian grown maize based starch powder(1 LB gross). The package is made from 200 gsm thick cardboard. As production was made during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize.The front(has "Sample" on top) the rest inscriptions are the same on each cover both and back, "DANDY" below this a figure outlined in white on a navy blue background "hat and tails" outfit. Next to the sketch in smaller lettering" STRONGER THAN OTHER STARCHES. LESS REQUIRED". Below the figure "GLOSS" and below this in larger print "STARCH". Below this and in smaller print "CONTENTS. NETT WEIGHT 14 1/2 ozs" Below this and in smaller print "MANUFACTURED BY MAIZE PRODUCTS PTY LTD FOOTSCRAY VICTORIA" On one side of the box and in large white print on royal blue background"PURITY, STRENGTH AND UNIFORMITY." On the other side are the manufacturers directions. On the left side "FOR RAW STARCH" Underneath and in smaller print,"Dissolve in warm water a quantity to give the required thickness. Add bluing if required Stir before each using. On the right side "FOR BOILING STARCH" underneath this in small print"Mix well in small quantity of cold water to creamy consistency. Add boiling water, and stir constantly while cooking. Allow to cool, and add blueing if required. Underneath these two sets of instructions is "Make your consistency thinner than if using another kind of Starch"household starch, household cleaning, domestic laundering.

This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps

This hat pin stand would have been a common object in a woman’s bedroom in the past, especially about the end of the 19th century and the beginning of the 20th century when women wore large hats and they needed large pins to hold them in place. This hat pin holder has no known local provenance but it is kept as a memento of the past and will be useful for display.This is a silver-coloured metal stand with a round base with impressed patterns on the top and a central raised oval section containing a circular spike. Near the top of the spike is a circular-shaped piece of metal in a fretwork pattern. This fretwork has been welded on and has space to insert several hat pins women’s accessories, history of warrnambool, hat pin stand

These hat pins would have been used by women wearing the large-style hats popular at the end of the 19th and the beginning of the 20th centuries. The hat pin was both a practical and an ornamental item. Smaller varieties of hat pins may still be used today. These items are retained as examples of the type of hat pins used by women over 100 years ago.These are nine hat pins, all with metal spikes and all rusted. One has a round top with an inlay of blue glass, two have aqua and cream-coloured elongated tops made from composite material, four have round black tops and two have pearl-coloured tops. One hat pin has a metal cover at the end. women’s accessories, history of warrnambool

This navy officer’s hat has been reconditioned and this alteration may have been done for theatrical purposes. No information is available on its original owner or his country or rank.This hat is of minor interest as it is no longer in its original condition and has no known local provenance. This is a Navy officer’s hat with a white cloth circular top and a black material base and a band lined with black material. It has a Bakelite peak. The black band has an off-centre cloth badge of metallic thread featuring decorative feathers and a flag with a blue and red six-pointed star. The hat appears to be a re-conditioning of an original hat and the badge is probably not an original one. The edges of the hat are frayed and soiled. The hat has a leather lining with the maker’s name inside the hat but this is illegibleSouthhamptonaustralian navy uniform, history of warrnambool

This cap belonged to Mark Pullen, a cub scout from Highton, Geelong, Victoria. No information is available on Mark Pullen. In Warrnambool there are three scout groups – Allansford, Norfolk (scout hall at the corner of Raglan Parade and Kepler Street) and Tooram (scout halls at the corner of Timor and Banyan Streets and in Otway Road). Cub scouts in Victoria are aged between 8 and 10. This cap has no known local provenance but is a useful item for display.This is a cap made of dark green wool with narrow gold braid dividing the crown into six sections. A button is missing from the top. The badge on the cap is a circular patch with the scout emblem in yellow and green. The cap is lined with black material with a white centre.Hills Hats Size 7 Name: Mark Pullen Group: 1st Highton Fabric Content all wool Scout Approved Product Made Expressly for the Scout Association of Australia Made in Singapore scouting in australia, scout association of australia, mark pullen, highton, geelong, fleur de lis, fleur de lys

This is a Warrnambool High School cap from the 1930s. Warrnambool High School was established in 1907 with a farm site in Merrivale and it was also in several sites in the main town area, with the longest occupancy in Hyland Street. In 1961 the school moved to its present location in Albert Park (Grafton Road). The High School amalgamated with Warrnambool North Technical School in 1995 to form Warrnambool College. Malcolm Goodall, the owner of the cap, was born in 1917 and died in 2010. He lived in Coulstock Street and he worked in the tinning department of Nestles. The Goodall family has been in the Warrnambool area since the mid 1850s including being at the farm, ‘Wanstead’ in East Warrnambool and at Framlingham in the 19th century where William Goodall was the manager of the aboriginal settlement. This cap is of interest as an example of the boys’ uniform at Warrnambool High School in the 1930s and as a memento of Malcolm Goodall. His ancestors were pioneers in the Warrnambool district.This is a boy’s cap made of dark green cloth with octagonal sections and a cloth button on top. The peak is edged with navy and cream cord. The centre front of the cap has a school badge with the school initials and motto. The inside of the cap is lined with black cloth with a cream centre and has the cap seller’s business details and the name of the owner of the cap. Some of the printed material here is indecipherable. The stitching is worn in some places. W.H.S. Sine Labore V. Becker Boys Shop & Hosiery Parlour Warrnambool Name: M. Goodall warrnambool high school, goodall family, history of warrnambool

This is an army officer’s hat from the Australian Army. It dates back to the 1940s before the word ‘Commonwealth’ was deleted in 1949 from the name of the military forces. The Australian Army has used the rising sun emblem in its official insignia since the early 1900s. The owner of this hat is not known. This hat has no known local provenance but is retained for display purposes.This is a khaki hat with an oval padded crown and a rounded peak. The top has four metal eyeleted air holes. The badge on the hat has the Rising Sun emblem. There is a brown leather strap round the brim attached by metal buttons. The inside of the hat has a blue cloth lining with a square of cellophane. There is a grey leather internal band in the peak section overlaid with black material. There is some slight staining inside the hat. Australian Commonwealth Military Forces

This hat is one commonly called a fez but there are many variations of the style and colour and many different names according to the country or group wearing this type of hat. The name fez comes from the city of Fez, the capital of Morocco up to 1927. This style of hat was part of the traditional clothing of Cyprus and introduced into the Balkan countries in the Byzantine era. In the early 1800s it was made part of men’s clothing by the Sultan of the Ottoman Empire and was used particularly as part of the military uniform. Today in military circles it is used as part of a dress uniform only but is extensively worn by men in many countries and is now seen to be part of oriental cultural identity. This particular fez appears to be a theatrical prop.This hat is not an authentic one, being a theatrical piece, but it will be useful for display.This is a short cylindrical peakless hat made of cardboard covered with a burgundy-coloured felt. There is a black tassel attached to the top and hanging down the side of the hat. The inside of the hat has a green and white striped material around the edge and patterned material covering the rest of the inside. ‘8’men’s headwear, history of warrnambool

This hat box could have been used for either a man’s or a woman’s hat in the days when it was the custom for both men and women to wear a hat when outside the house or on social occasions. It would have been used in the home or for travel, especially when on board a ship. Hat boxes today may still be used but are usually made of cardboard or other less durable material.This box was acquired over 40 years ago from a local person. It is retained for display purposes.This is a round metal box with a circular base and a lid affixed with a metal hinge. The lid is wider at the front of the tin allowing for extra height for the stored item. The lid had a metal clip handle and there is a front metal clip for closing the box. The tin has been painted black but is much rusted, particularly on the top section. vintage headgear, history of warrnambool

Thursday, December 15, 1949, the quiet little bank was embroiled in an infamous wild shoot-out between a daring thief and two bank officers. Today, the building still carries the scars ; a bullet hole remains visible in a cedar bench testifying to the events that played out that day. 3.30 a.m., Friday, December 9. The manager of the Commercial Bank branch at Greensborough, Mr Harry Wallace and his wife are asleep in their bedroom of the little house behind the branch. Harry is awakened by a noise and sees an intruder in a corner of the bedroom. He calls out but the intruder who has switched off the power in anticipation flees through a side door and scarpers down Main Street. Harry summons the police but a search by First Constable Thomas of the Greensborough Police assisted by a wireless patrol car is unsuccessful. A report is filed noting the theft of a .25 calibre pistol from the wardrobe. Thursday, December 15th. It is 1pm and the Commercial Bank has just opened. The branch is only open Mondays and Thursdays from 1-3pm. The morning started off a little cool with some scattered showers but it has fined up and the temperature is now around 61 degrees (16 C). A new grey Singer sports car with soft-top pulls up on the opposite side of the road and a young man, neatly dressed in a dark blue suit, wearing a grey hat and carrying a brief case exits the vehicle. He looks around then crosses the road and walks up the steps and through the door into the bank. There are three people inside; Mr. Jack Burgoyne whose grocery store is situated just 50 yards up the road, Mr. Lindsay A. Spears, the Eltham Agency Receiving Officer and by chance, Mr Harry Wallace, manager of the Greensborough branch. Jack Burgoyne takes note of the young stranger; thinking to himself he appears nervous. The man approaches the counter and introduces himself as John Henderson of Greensborough and explains that he wishes to open a new account. He places his hat and £3 on the counter. Mr Spears attends to the paperwork. He asks the young man to sign two forms, which he does but then he withdraws from the counter and starts walking towards the door. Suddenly he spins around pulling an automatic pistol from his right-hand pocket. He exclaims forcefully; “The game’s on! I’ll take the lot!” Spears appears to comply by pretending to open a drawer. The man shouts loudly, “Keep your hand away from that drawer.” Spears instead reaches for a pistol in his pocket and challenges the man, “Here it is. Come and get it!” At the same time, Harry Wallace pulls a pistol from his pocket as well. The bandit fires a shot but misses, the bullet striking the counter. Both Spears and Wallace open fire and Jack Burgoyne ducks for cover. As the bandit turns and runs for the door leaving his £3 behind, he fires another shot, which strikes the ceiling. Spears fires back, and thinks he may have hit him in the foot. The bandit flees the bank and heads for the grey Singer car, registration NO-106, parked opposite. Wallace and Spears pursue him to the door and open fire again, striking the car three times around the driver’s door. Spears lets off eight shots and Wallace, seven before his gun jams. The getaway car initially heads slowly down Main Road towards Bridge Street. About 100 yards down the road, Dave Adams, a PMG employee, who has heard the shots, throws a steel manhole step at the driver. It hits the roof of the car nine inches above the driver’s head and tears the hood. Another witness claims to have seen the door blow open and the driver raise his hand. The car gathers speed and swings left into Bridge Street racing along at about 60 miles an hour careering recklessly past council employee, Mr. Percy Williams, who is driving a dray along Smarts Road [believed to be Bridge Street]. At the end of the road the Singer fails to get round the sharp turn and crashes into an embankment skidding to a stop outside the home of Mr John Clifford. One side of the car is wrecked. Mr Clifford, an aircraft engineer hears the fast travelling car bump heavily into the road bank at about 1.25 p.m. Hearing the whine of an engine he goes outside to find the grey Singer parked at the side of the road. Jack George also lives at the corner and hears the car crash. “The bandit opened the car door, ran 50 yards, and suddenly turned back,” exclaims Jack. “He took something from the car. It might have been a gun.” In his haste, the bandit drops his grey felt hat, size 6 7/8, on the road and dashes up Sherbourne Road for about 200 yards then disappears into the scrub carrying a brief case and a bundle in which a sailor’s cap can be seen. About 3 p.m., Mr H.D. Pettie of Mountain View Road, Montmorency is looking through his field glasses and notices a young man walking through thick scrub on private property some distance from his house. The man is wearing a sailor’s cap and disappears along the railway track toward Montmorency. As the day progresses, ten police cars, one motor cycle, and about 40 police led by Det. Sgt. McMennemin of Malvern CIB are searching for him. They believe he is hiding in thick scrub along the bank of the creek about half-a-mile outside Eltham township. Wireless patrol cars, four mobile traffic cars and the CIB area cars from Malvern and Kew are taking part. Police check the thief’s car and discover it was stolen from Helen Baxter, of Doncaster Road, North Balwyn from outside Victoria Barracks. Harry Wallace informs the police that he believes he recognised the bandit as the man who took his pistol from his bedroom the previous Friday morning. As night falls, armed police are posted at strategic points in the Eltham-Greensborough district. Police in cars are watching the roads. Others are searching the bush and checking passengers on trains. Little do they realise the young man has already slipped out of the net. SEQUEL YOUTH OF 19 CHARGED WITH ATTEMPTED ARMED ROBBERY OF BANK AT ELTHAM Weekly Times, Wednesday 15 February 1950, page 6 Detectives who raided a house in Bell St., Coburg, Melbourne, charged a 19-year-old youth, of South Yarra, with attempted armed robbery at the Commercial Bank’s Eltham (Vic.) receiving depot on Dec. 15. Police say they recovered a loaded automatic pistol, diamond and signet rings worth more than £200, a complete set of house-breaking instruments, a sailor’s uniform, and chloroform gauze in the raid. The youth was charged that while armed with an offensive weapon, he attempted to rob Lindsay George Spears of a sum of money. He was further charged on six counts of breaking, entering and stealing. Police allege that the person who tried to hold up Mr Spears in the Commercial Bank receiving depot at Eltham on December 15. escaped in a stolen car, after Mr Spears and Mr Henry Wallace, manager of the bank’s Greensborough branch, had fired at him. After the car crashed, he escaped into thick scrub and is alleged to have changed into a sailor’s uniform. On December 9 an automatic pistol was stolen from Mr Wallace’s bedroom at the Greensborough bank. The chloroform pad recovered is alleged to have been stolen from the Dental Supply Company, Plenty Road, Preston. The rings are alleged to have been taken in a £513 burglary from the shop of James Paton. Sydney Road, Coburg. Det. Sgt. H. McMennemin conducted the investigations with Senior Dets. R. Newton and M Downie, Detectives l. Dent, R. Rayner, P. Pedersen and M. Handley and First Constable A. Thomas. The youth will appear at Eltham Court on February 22. Manager’s Gun Used in Holdup at Bank The Age, Thursday 23 February 1950, page 4 It was stated in Eltham court yesterday that a youth who robbed a bank manager of his pistol, later used it in an attempt to hold-up the bank. Kay Arthur Morgan, 19, draftsman, of Castle-street, South Yarra, was committed for trial on charges of breaking and entering, and stealing a pistol and attempted robbery while armed with an offensive weapon. He pleaded guilty. The manager of Eltham branch of the Commercial Bank of Australia Ltd., Henry Clifton Cabot Wallace, said he disturbed someone in the bedroom, in which he and his wife were sleeping, at 3 a.m. on December. 9, 1949. Later he found that his automatic- pistol was missing. On December 15 a youth, who said his name was John Henderson, entered the bank and opened a new account. As the youth was leaving the bank he turned round with a pistol in his hand and said: — “I want the lot.” Spear indicated a drawer under the counter; and said.— “Here it is. Come and get it.” The youth said:— “Keep your hand away from that drawer.” Witness said Spear then drew his pistol from his hip pocket. The youth fired at them, and Spear returned the fire. “I pulled my pistol and fired, too” said witness. The youth fired again, ran out to a car and drove off. Witness and Spear fired several shots at the car. The youth was the accused Morgan, sitting in court, witness said. Evidence was given that one bullet was found in the celling and the other in the bank. Morgan was allowed £100 bail on each charge. Morgan ended up serving three years for the failed armed robbery and became a notorious criminal. He had twin sons, Peter and Doug and even though only ten years old, Morgan would get his sons to act as lookouts whilst he committed burglaries. The lads became building contractors but when the industry suffered a downturn in 1977 and they were short on cash, they returned to the family business. Over the following 23 months they undertook 24 raids on country and outer-suburban TABs and banks. Whilst robbing one country bank for the third time, just like their father, it all went wrong ending up with a police officer shot. They were nick-named the “After-dark” bandits and are considered to be Australia’s last bushrangers. They were convicted and served 17 years in prison.5 x A4 photocopied pagesbank hold-up, cba bank, det sgt mcmennemin, eltham, h.d. pettie, harry wallace, jack burgoyne, kay arthur morgan, lindsay a. spears, main road

Made from selection of butterfly wings and cellophane from cigarette packets during WW2 on islands near Australia.Wooden frame, green felt lining, glass top contains; 1. Belt, shades of brown, cream hat shaped shell ends. 2. Belt, orange and cream, brown ends.souvenir, belts, framed item

The name of the soldier is unknown at this time. The photographers details are partly missing, the letters “Bartl” are legible. This is most likely “Bartlett Bros” Bendigo photographers.Sepia tone oval shape photo of a soldier with slouch hat on, photo set on a brownish colour card, bordering at edge of the card is a darker brown. There is a faint embossing across the top, part of the photographers details are visible on the front bottom.On the rear in faint dark blue, “To Allie”.photographs, ww1

See cat 4799 for dataPostcard with black and white photo. It shows 3 seated british soldiers with peaked hats. In fron of them is a box being used as a table. Stencilled on that box is the name - Jacob & Cos. Biscuits. Dublin. On the ground in front of that box are three bully beef tins with some rock hard army biscuits on top. There are some tents in the background.The letter on the rear is addressed as "Dear Susie...............14 lines of text .........Ending with Fond love Joe.ww1, biscuits, bully beef

Part of the Reverend Chaplain Major Thomas Bruce Williams No 556101 Collection.Five Army Christian Chaplain's Hat/beret badges. Each features a silver coloured Maltese cross surrounded by a gold coloured wreath and topped with a gold coloured queen's crown. In the centre of the Maltese cross is a purple coloured quatrefoil on a gold coloured background. This is encircled with a purple coloured ring with the motto ' IN THIS SIGN CONQUER' inscribed in gold coloured lettering. On the back of each badge are two metal pins to which are attached press clips for fastening to a hat or beret.Stamped in the each: 'STOKES'army chaplain, christian army chaplain, major thomas b. williams, hat badge

In WW1 the Australian Light Horse served from the Suez Canal right around through Palestine - Syria.1. Memorial Card. Black cardboard with gold printing. It is a religious article with images and prayers. In the top centre is an oval shaped hole with a B & W portrait of an Aust soldier. Slouch hat with side up. 2. Set of 31 B & W photos depicting scenes of light horse activity. Beaches - Middle East buildings - locals - repairing train lines - daily life - campsites - ships off shore etc.Thomas McGinty, Beloved son of Catherine Power. "Who gave his life for the Empire. At Gallipoli, Turkey, August 13 - 1915. Aged 33 years.ww1, middle east, light horse

Refer to Cat 4967.2Brown Puggaree for a slouch hat. It has the six folds on top edge. On one side is a purple felt badge. That badge is rectangular shaped with a triangle above it.ww2, uniform, hats

See Cat 4575PBlack hat band for RSL Bowls hat. Titled "Bendigo & District Servicemens". It has 3 badges attached. 1. Red & Green enamel shield shaped - titled Bendigo & District Servicemen's Bowls Club. 2. A Blue & Gold rectangular badge showing a number '8', a figure bowling with letters RVBA on bottom. 3. Rectangular Blue & Silver badge with a bowling ball on top. The name 'Doug Dean' is in the main body of badge.bowls, bendigo

.1) A class of seven students and one lecturer, c1980 .2) A female in a hard hat, kneeling at a cutting face, with a geological hammer, c1980 .3) A male at a geological microscope, c1973 .4) 3 males in a geology laboratory, with microscopt and VDU, c1978 .5) Five males in a field locationwith electric resistance apparatus, c1974 .6) A male in grey overall at a lapping machine, c1978 geology, geolological microscope, resistance apparatus, rudi lennards, noone, stafford mcknight, julia gleeson, phillip edward petrie, kenneth heighway, alumni, mount helen campus, student activity

Army officer's peaked cap worn on formal occasions, dark blue with red band around hat. The peak top side is finished in high gloss black leather and the hat has a similar high gloss black hat band. Worn by an officer in the Royal Australian Engineers (RAE). This hat is referred to as a 'blues' hat.Navy blue cap with red and black trimming. The hat itself is a flat cap made out of navy blue felt. around this is a red felted band, itself encircled with a black patent band and peak. The black band is held on by two smaller badges, which are brass in colour and have an image of the Australian map (above which is the crown) and around the edges says Australian Military Forces. At the front of the cap is a badge which says: Royal Australian Engineers. On badge: Royal Australian Engineers. Moni Soit Qui Mal Y Pense Inside cap: L. Silberston and Sons Ltd London hat, engineer, army, australian army, rae, royal australian engineer, officer

Officers cap , flat on top with a peak at the front and a brown belt half way around it and a sweat band inside the cap.Khaki in colour.Label inside cap saying Christies Pty.Ltd. 248 Pitt St. Sydney.hat

Royal Australian Air Force officer’s cap.Navy cotton drill peaked cap with black crossgrain band around exterior. Two black eyelets sit above band on either side. Black patent leather chin strap attached by two gold buttons on brim, slightly misshapen. Embroidered patch carrying a red velvet and metal crown (Queen Elizabeth II era) with blue, green and red embroidered knots mimicing jewels, sits above a gold eagle above now tarnished gold leaves. Interior sweatband in patent leather with plastic layer on top interior, underneath which is a manufacturer’s label with red ink. Strip of folded newspaper (H06.2) inserted inside interior sweatband.Label reads “M.TX/SIZE 6 7/8/A [broad arrow] F/MADE IN AUSTRALIA”. Black ink stamp on inside of sweatband reads “M. TX” inside a circle and “S19/[broad arrow]”raaf, royal australian air force, officer

This beret was made in 1943 and presumably was used by during service in WW2. InfantryDark blue wool beret-style hat with black leather edging and black cotton tie at back. Two eyelets on right side, brass painted on exterior in black. Cotton-lined interior with reinforced sewn diamond in centre and manufacturer’s label, transcribed below.Manufacturer’s label reads “N.316 A./F./1943/MADE IN/AUSTRALIA/SIZE 7-1/8” wth faint purple stamp over top, illegible.second world war, beret, world war two, world war ii, wwii, uniform

This hat was part of a RAAF uniform and likely dates to the Second World War due to the style of crown. Hats such as these are often misshapen at the crown due to the use of earmuff-style headphones worn by aircrew during the Second World. Navy peaked cap in cotton with beige topstitching along crown. Black cotton grosgrain ribbon band. Black leather chin strap buttoned to left and right with black metal button carrying image of crown atop eagle. Centre of hat carries embroidered patch with crown in gold-coloured metal and red fabric with red and green additions mimicking jewels. Crown sits above two metal shapes, an eagle with arms outstretched and laurel branches. Two eyelets on left and right side of the cap, bronze on interior and painted black on exterior. Interior of cap brim is green plastic or patent leather now cracked. Interior of hat cotton is dark cotton with quilted top.second world war, royal australian air force, raaf, r.a.a.f., flying, uniform, world war ii, world war two, world war 2

The soldier in the photo is Nr 1366, Dvr Donald GILLIES of the 4th Field Artillery Brigade. The grey horse, Bess, was blinded by shell fire. The bay horse was Lady. Photo was taken near Villers-Bretonneux. For photo of the four Gillies brothers, refer to Cat No 3531. For book refer to Cat No 3534.Photographic print in colour of a soldier smoking a pipe. He is in uniform - slouch hat, jacket, trousers, puttees & boots, alongside 2 horses. Print is mounted in wooden decorative frame with floral arrangements at top, bottom & both sides. Frame is rounded at top & at each corner with curved glass front. Wire hanging strap on back.Written in black texta on back: “Donated by J Gillies” Stamped on back: “Empire Art Company Ltd”photographs, framed

The collection revolve around Laurence Edward (Larry) O'Connor No.2508, enlisted 2.4.1917 in 21st Reinforcements, 13th Light Horse, embarked for England 21.11.1917. .1) On rear "Heap of Love 7 Kisses, In the best of health Larry". Another address on rear in "2515 TRP I.H. Westaway 18 Kinkorra road Hawthorn Vic" enlisted 3.8.1917 21st Reinforcements 13th L.H. Regt. embarked 21.11.1917 for England. .2), .3) & .4) All are "Larry O'Connor" on rear of .3) "8.11.17 To Mrs Ryan with best wishes from Linnie" .5) on front written in pencil "Uncle Larry" with arrow pointing to him. on rear "to Linnie with Love from Larry Dec 23.12.1918". across the top "??? Belgium " .7) On rear "To Linnie with best wishes Larry" "Taken in Glasgow June 28.6.1918" Larry is on the left of photo. .8) On the rear in pen "Your aff brother Larry" "Taken in Glasgow June 28.6.1918" Larry is on the left of photo. .9) One rear in pen - letter to "Dear Sister France Oct 23/1918" signed off "Your affectionate brother Larry". .10) Photo is Laurence (Larry) O'Connor..1) Postcard photo, black & white, two men on horseback, trees in the background. Brief letter on rear in pencil and ink. .2) Postcard photo, black & white, soldier sitting, wearing a cap, background clear. .3) Postcard photo, sepia tone, same as .2) but with brief note on rear in pen and pencil. .4) Postcard photo, black & white, portrait of a soldier in great coat and peak cap. .5) Postcard photo, black & white, three rows of soldiers, 24 in total in front of a building. .6) Postcard photo, black & white, 17 soldiers on horseback lined up in a row, trees in background. .7) Postcard photo, sepia tone, portrait of two soldiers in slouch hats. .8) Postcard photo, sepia tone, portrait of two soldiers without hats. .9) Postcard photo, colour, eagle at top, centre has oval frame with soldier centre, American, brown background, writing at bottom. .10) Photo, black & white, soldier standing with bandolier, peak hat, holding a crop.photographs, postcards, larry, 13th lh

The items were issued to Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details..1) & .2) Blackended RAAF badges, centre has “RAAF”, top has a crown with a wreath surrounding. One on the rear has two lugs for uniform attachment, the other has none.“RAAF”badges, military, uniforms, hats

Item relates to R T PHILLIPS VX113093 early in the CMF, refer Cat No 3239P for his service details.Small black & white portrait of an Australian Soldier wearing peaked cap, no rank evident. Rising Sun on his lapels & hat. The colour patch on his left shoulder is a square with a dividing line top right to bottom left. Dark on left, light on right. Photo is held in a simple tin frame painted gold.Small print at bottom: Photographic company name "Vincent Kelly - Bendigo"photograpy - photographs-frame accessories, military history-army

Coloured picture of red poppies with fields, trees & sky in background. A slouch hat with Rising Sun badge is with the poppies at the bottom centre. Poster is covered in clear plastic & has a brown border & is mounted on chipboard with black border. Short white hanging strap at back.Emblem at top centre: “THEIR SERVICE OUR HERITAGE” Printed at bottom centre: “On the 11th of November pause at 11..... to remember the fallen”poster, remembrance day