This Hymn Book was given to Margaret (Peggie) Peacock by the Christ Church Choir, Warrnambool when she left Warrnambool in 1912. She was the sister of Archdeacon Andrew Peacock, the fourth Vicar of Christ Church, Warrnambool. Their brother was Sir Alexander Peacock, at one time Premier of Victoria. Margaret Peacock kept house for her brother and assisted him in his pastoral work. Her brother died in Warrnambool in 1912 and Margaret left the town. She died in 1947.This book is of considerable importance as it belonged to a Warrnambool resident in the early 1900s. She worked as a housekeeper for her brother, Archdeacon Peacock and assisted him in his pastoral duties in the Anglican Church. The sketch in the book shows that Margaret Peacock was interested in art work and the caption, ‘Where Memory Lingers’ shows that she had fond memories of her time in Warrnambool. The book was in the possession of her sister, Mrs Uglow, the wife of a Colac physician and this lady was a friend of Gladys Angus, the wife of a well-known Warrnambool doctor, Roy Angus. Mrs Uglow gave the book to Mrs Angus’ daughter, Berry McDade and she has handed it over to the Warrnambool and District Historical Society for safe-keeping. This is a maroon-coloured leather-bound book of 514 pages of hymns (music and words) and 31 pages of additional material at the end of the book. The inside of the cover has an ornamental gilt pattern on the edges and the page ends have red gilt shading. There are four loose pages, three of them relating to the ownership and donation of the book and one is a prayer for members of the Girls’ Friendly Society. The front cover has been personalised with gold lettering with the initials of the owner and there is an inscription inside relating to the original presentation of the book to the owner, Margaret Peacock. This is in silver and black script. There is also a sketch of Christ Church, Warrnambool by Margaret (Peggie) Peacock inserted into the third page. There is some small damage to the first page.Front Cover: ‘Hymns Ancient and Modern, M.P., HIS’ Inscription: ‘To Miss Peacock, A parting gift from the Choir, Christ Church Warrnambool, October 1912’ Sketch: ‘Where Memory Lingers’ christ church warrnambool, archdeacon peacock, margaret peacock, warrnambool

Rev Alexander W. Bray founded the Methodist Order of Knights in 1914, when he was a Sunday School teacher at Hurstville. He was later ordained and was stationed at: 1924 Barraba; 1925 Far West Mission; 1928 Rylstone; 1931 Goulburn; 1936 Lower Blue Mountains; 1940 Waratah-Broadmeadow; 1945 Annandale; 1952 Nowra; 1956 Boorowa; 1961 Dural. He was born c.1896, married Jean Stirling in 1928 and died in 1982.Informal B & W gloss photograph of the Rev Alex Bray standing talking to a man and a boy outside a church buildingRev Alex Bray, Founder 1917 Methodist Order of Knights

Flemington Wesleyan Methodist Church, Mount Alexander Road built in 1865. A Wesleyan church of which the nave of 1865 is typical in its use of brick and contrasting dressings and is a minor variant in the Methodist tradition of token Gothic, with pointed windows and brittle detailing; the spiky octagonal turrets and classical finial being somewhat novel, the porch and the transept (1883) being later additions. Classified: 18/09/1975 Demolished: 07/1999. [http://vhd.heritagecouncil.vic.gov.au/places/65363]Flemington Wesleyan Methodist Church brick. flemington wesleyan methodist church

Established during the great Mount Alexander alluvial gold rush of 1852-54 the cemetery is located on a small hill overlooking one of the richest spots on the goldfield (the junction of Fryers Creek and Loddon River). The location of the cemetery was chosen because it was a convenient piece of ground where gold was not likely to be discovered, and burials were mainly of Chinese miners. It remained in use until 1857. The cemetery was restored in 1929 using money raised within the Chinese communities of Bendigo and Castlemaine. Colour photograph of the Chinese Cemetery at Vaughan. vaughan, vaughan springs, vaughan chinese cemetery, chinese

This outfit belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A two-piece silk taffeta chalk-striped afternoon dress worn by Mary Ann Henty, aged 49, in the period when she lived at Merino Downs near Portland. The outfit has bands of black silk and rows of fabric covered buttons on the bodice and skirt. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 889, Waist 736.6, Hip 863.6, Cuff 254, Hem circumference 2032. Vertical - Front neck to hem 419.1, Front waist to hem 152.4, Back neck to hem 558.8, Back waist to hem190.5 , Sleeve length 584.2. Horizontal - Neck to sleeve head 165.1, Chest back 330.2, Underarm to underarm 406.4. SKIRT Girth - Waist 609.6, Hip 1270, Hem circumference 4064. Vertical - Front waist to hem 1117.6, Back waist to hem 1371.6.francis henty, fashion -- 1870s, women's clothing, afternoon dresses, mary ann (lawrence) henty

This dress is believed to have belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A one-piece, lustrous silk taffeta evening dress, lined with polished cotton, probably owned by Mary Ann Henty, and later by her daughter, Alice. The V-waist line of the dress and the dimensions of the skirt are comparable to Mary Ann’s wedding dress. The bodice in contrast is less structured. At a later stage, the sleeves were removed. Measurements (mm): BODICE: Girth - Neck 914.4, Chest 863.6, Waist 685.8, Hip 863.6, Hem circumference 3302. Vertical - Front neck to hem 1371.6, Front waist to hem 1092.2, Back neck to hem 1384.3, Back waist to hem 1079.5 Horizontal - Neck to sleeve head 44.45, Chest back 431.8, Underarm to underarm 431.8.mary ann lawrence, francis henty, evening dresses, henty collection, fashion -- 1840s

This dress belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A two-piece, moiré silk faille day dress, owned and worn by Mary Ann Henty, aged 59, while resident at Field Place, Kew. The fitted and panelled bodice on the day dress features wide velvet ribbon, hand sewn to form ‘V’ detailing at front and back. The front bodice hook and eye closure is decorated with handmade velvet covered buttons. The high round neckline is trimmed with pleated ivory fine tulle lace. The wide long sleeves of the bodice are also trimmed with velvet ribbon and buttons forming exquisite cuff detailing. The full length skirt and train are tucked into a fitted waistline band. The hemline is hand finished with wide velvet ribbon. A separate attached peplum is worn over the full bustle of the skirt. Measurements (mm): DRESS: Girth - Neck 355.6, Chest 889, Waist 673.1, Cuff 279.4, Hem circumference 4292.6. Vertical - Front neck to hem 1447.8, Front waist to hem 1117.6, Back neck to hem 1765.3, Back waist to hem 1346.2 , Sleeve length 590.55. Horizontal - Neck to sleeve head 196.85, Chest back 469.9, Underarm to underarm 457.2. PEPLUM Girth - Waist 711.2, Hem circumference 1066.8. Vertical - Back waist to hem 406.4.mary ann lawrence, francis henty, fashion -- 1880s, day dresses, women's clothing

Among the many pressing priorities for Alf Lawrence, the Forests Commission's new Chief Fire Officer, in rebuilding the firefighting capacity after the catastrophic 1939 bushfires was to invest heavily in modern vehicles and equipment. Powered pumps like the trailer-mounted Coventry Climax (Godiva) gave firefighters a much greater capacity than ever before to put the “wet stuff on the red stuff”. Its four-cylinder, four-stroke, water-cooled, petrol motor produced 38Hp and was connected with either 1½ inch or 2½ inch canvas hose for direct attack, or as a filler pump it could deliver 300 gallons per minute at 120 psi. Some of the first acquisitions included this war surplus veteran shipped over from the London after the blitz bombings of WW2. Fire pump mounted on trailer Two lengths of suction hose, nozzles and some tools.Coventry Climax Serial 3844 FCV No 24fire pump, forests commission victoria (fcv)

Among the many pressing priorities for Alf Lawrence, the Forests Commission's new Chief Fire Officer, in rebuilding the firefighting capacity after the catastrophic 1939 bushfires was to invest heavily in modern vehicles and equipment. Powered pumps like the trailer-mounted Coventry Climax (Godiva) gave firefighters a much greater capacity than ever before to put the “wet stuff on the red stuff”. Its four-cylinder, four-stroke, water-cooled, petrol motor produced 38Hp and was connected with either 1½ inch or 2½ inch canvas hose for direct attack, or as a filler pump it could deliver 300 gallons per minute at 120 psi. Some of the first acquisitions included this war surplus veteran shipped over from the London after the blitz bombings of WW2. Fire pump mounted on trailer Two lengths of suction hose, nozzles and some tools. Modified from original design at Altona to include recoil battery starterCoventry Climax fire pump, forests commission victoria (fcv), bushfire

Black and white photograph, mounted on card, showing 7 men standing and 7 men sitting. They are the Ballarat School of Mines Student Association Committee. Standing Left to right: Thomas Sim, Alexander Campbell, Reginald Callister, S. Leathes, V. Tucker, Mitchell, Colin Corrie. Sitting left to right L. Middleton, W. Gerald (treasurer), Bertram Whitington (vice-president - staff), Prof. Alfred Mica Smith (President - staff), A.C. Hesselmann (secretary), W. T, Sayer, Leslie Coulter. Absent Mr Sutherland and William Baragwanathmitchell, thomas sim, alexander campbell, reginald callister, s leathes, v tucker, colin corrie, l middleton, w gerald, bertram whitington, prof alfred mica smith, ac hesselmann, w t sayer, leslie coulter

This image was reproduced in the Ballarat School of Mines Calendar 1901-2. The students would be overlooking the Ballarat School of Mines Botanical Gardens/Students of the Ballarat School of Mines pose for a group photograph behind 'The New Classrooms' which were opened in 1901. (later called the Administration Building). Students include Harold Alston, Sydney Adamson, Thomas Davies, Victor Nichol, William Playford, Donald Urquhart, Samuel Walmsley, Herbert L. Krause, Lionel Lambert, John Dickenson, Roy Inglis, Frank Lush, Reginald C. Stewart, Harold Irwin, William Tucker, Vere F. Barton, Alexander Andrew, Hendley Bruant, Sim, Arthur Atkins, Victor Nicolballarat school of mines, ballarat school of mines students, new classrooms, administration building, krause, lambert, urquhart, playford, adamson, davies, inglis, lush, irwin, barton, andrew, bryant, sim, grieve, giles, elder, gibson, atkins, nicol, alston, walmsley, student activity, class photograph

Artists Of The Bendigo Goldfields 1852 - 1864. Short notes on the paintings and their artists. This Collections was exhibited at the Bendigo Art Gallery, 9 March - 9 April,1989. The Artists were: Ludwig Becker, Edward Thomas Barnard, Nicholas Chevalier, William Dexter, Alexander Fox, S. T. Gill, Thomas Ham, Theodore King, George Lacy, Frederick Nixon, J. A. Panton, C. Rudston Read, George Rowe, G. J. W. Russell, Edwin Stocqueler, A. J. Stopps, W. E. D. Sturat, Thomas Wright. With Index. 32 pages.David Thomasbook, bendigo, paintings, books, catalogues, and newspapers.

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph with an unidentified bassoonist. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph with an unidentified bassoonist. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of an informal dress rehearsal for The Maid of the Mountains, which was due to be performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph.Underneath the photograph, Marion Tilley wrote: "Informal dress rehearsal of Maid of the Mountains"performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Black and white photograph of the Essendon tram depot, taken from the western side of Mt Alexander Road, looking north east. Shows the various buildings of the depot, has l1 trams in the view. Photo taken late 1950's to early 1960's. The tram stop pole fitted with a set of traffic lights, "Warning beware of Trams Crossing" sign and a box located by the pole for tramway paperwork collection. First four trams are: 836, 474, 766 and 817. Printed on Fujichrome paper. Not known who took the photograph or when it was printed.Stamped in black ink on back "TMSV Sales"trams, tramways, essendon depot, mount alexander rd, tram 837, tram 474, tram 766, tram 817, w5 class, w2 claas

The index cards have very brief details of each personIncomplete set of 17 small Index Cards with names of local residents from B to J, biographical information, children, residences etc. Undated, and writer unknown. Names are: Batten, William C. - Miner; Brakewell, John - Labourer Cox, Joseph - Miner Curran, John - Storekeeper Cutts, Samuel - Publican Cutts, James Bennitt - Labourer Ditchburn, William - Brickmaker Drury, John R. - Miner Dynes,Joseph - Miner Eyre,Francis - Brickmaker Hill, David Gilchrist - Labourer Hill, John - Brickmaker Hill, Will Henry - Florist Hill, Ninian C. - Grazier Howship, Charles Burton - Mount cutter (pictures) Howship, Charles Lawrence - Picture framer Jones, George J - Burnt Bridge Hotel Keeper

Black and white photograph - Basketball, 1964."Attached to photograph" Back Row- L to R: Lorraine Tann, Julie Cook, Meg Flowers, Rhonda McLeod, Lynette Milne. 2nd Row- L to R: Deb Lawrence, Barbara Donald, Rosemary Weaver, Ann Downey, Ann Hagar, Susan Simpson. Front Row- L to R: Jean Carruthers, Pam Williams, Cheryl McLaughlin, Vicki Munro, Kay Langford, Jenny Flaherty, Jenny Buchanan.

Ian and Jean McDonald were the children of Mr and Mrs Norman McDonald of 42 Gladstone Street, Orbost. This photograph was taken in late January, 1919 on Jean's first day at school.. It was taken at the home of John Rowe, the former headmaster of Orbost Primary School. He was then living opposite the school. Norman Alexander McDonald was a book-keeper at Macarthur‟s and was very musical. He was proprietor of the Capitol Cafe, Nicholson Street, Orbost, selling the business to Mr Coad on 4th December 1947. This photograph record an important event in the life of an Orbost family in the early 20th century.A black / white photograph of two young children, a boy and a girl, sitting on the verandah of a house.mcdonald-ian mcdonald-jean education-orbost

The letter describes various financial arrangements, the letter has him in 20th MGC. Alexander Cross Smyth, No 559, enlisted 19.10.16, age 27 years 2 months in 8th Reinforcements 10th Machine Gun Company. Embarked for England 14.2.1917, embark for France 5.6.1917, detached to “A” Burial unit 9.4.1919, detached to Australian Graves Services 20.8.1919, RTA 22.10.1921, discharged from the AIF 2.2.1922. letter describes various financial arrangements. Letter refers to 20th MGC.Business correspondence. Brown with letterhead. Purple type, addressed to Private A.C. Smyth, signed by manager.Hand-written signature, addressed to Private A.C. Smyth, 20th Machine Gun Company, Seymourletter, ww1, 20th

Henry Hurst and his family settled at Allwood, Hurstbridge. It is his family that the town name comes from. In 1886 Henry had a scuffle with a bushranger known as Robert Burke in the Hurst home. During the scuffle a pistol was fired wounding both men. Burke was overpowered by some station hands and placed under arrest. Hurst later died. Wood engraving published in The illustrated Melbourne Post. Calvert, Samuel, 1828-1913, (engraver) and Fox, Alexander, 1830-, (photographer.) This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, henry facey hurst, engraving

The outrigger gives greater stability and seaworthiness to the canoe. Outrigger canoes were originally developed by the peoples of the islands of Southeast Asia for sea travel, and were used to transport these peoples eastward through to Polynesia and New Zealand more than 2000 Years ago. Today they are still in use. This item possibly came to Orbost with Reverend Alexander Morton . Morton was the minister at the Presbyterian church about 1890. He had spent time in new Hebrides and went on to New Zealand.This item is an example of a handcrafted artefact from the New Hebrides.Detailed model of an outrigger canoe from the Polynesian islands. It isa handmade wooden (possibly breadfruit wood) model of an outrigger canoe - one outrigger attached to the main hull. Bound with string. It has two wooden paddles.handcraft morton-alexander model-outrigger-canoe

Item donated. Day book kept by Alexander Walker, Cartage Contractor, father of Council employee Bill Walker, as noted by Jean Telford. On pages 156- 159, Walker records details of an incident between William Oaks and himself when they were in the Boot Shop of Mr George Chatfield and Oaks accused Walker of stealing his fence.Oaks called him a liar, a rogue,a thief and a coward. Walker justifies his behaviour with respect to the wood in dispute. Page 185.Very old day book with heavy cardboard covers with most of original green colour removed by daily use. Binding black.Inside front cover: A. Walker / Bright / 26th Augt./ 1897 Numerical additions -see image Front page: Top of page: Myrtleford / inscription crossed out - see image Further down page: Day Book / 5th Oct. '03 /Alexr. Walker / Gavan St / Bright Below above inscription: Alex Walker - Cartage Contractor / Father of late Bill Walker - Council Employee / Bright

The White Flat Sports Reserve was officially opened on 18 March 1925 at which time Sir Alexander Peacock said that "a wonderful change had been brought about at White Flat , and those who had brought it about would have the gratification of knowing that they were providing inestimable pleasure for the children and young people." The site of the reserve had originally been abandoned mining ground and subsequently a municipal rubbish tip. See http://bih.ballarat.edu.au/index.php/White_FlatThree colour photographs in digital format White Flat Sport Ground, Ballarat. The oval is used for football and cricket, and includes a small grandstand. ballarat, white flat, white flat sports ground, hickman street, south street, armstong street, oval, cricket, football

Mary Munro was the mother of Isabella Munro. They travelled to Australia together aboard the Glen Huntley, although Mary travelled using her maiden name of McKenzie. They arrived in Port Phillip District in 1840. After an arduous crossing, they were required to go into quarantine at Point Ormond on arrival as the ship had several outbreaks of infectious diseases and arrived flying the yellow quarantine flag. She died in 1882 at 'Wattle Grove', Mordialloc. Isabella went on to marry Alexander Macdonald.Hand tinted colour image of Mary Munro, nee McKenzie, wearing black dress and a white bonnet, tied at the chin.

Black and white photo of “Swinton” Homestead Glenorchy with light pole and flagpole on front lawn. Swinton was a family name of John Carfrae whose father was Thomas Swinton Carfrae of Edinburgh. When John Carfrae came to Ledcourt in 1848 he divided it into three runs, Ledcourt - Swinton & Newington. Alexander Grey came to Swinton in 1881. The Grey Family still live at Swinton. After severe floods in 1909 the original homestead was destroyed. This home picture was built in 1911 on a site on higher grounds.B/W. Photograph: of a substantial house with five chimneys and verandah and Flagpole, in the mid distance is a light pole with a gas light, in the foreground is a tree. This photograph is a copy of a negative owned by the society. Paid with a grant 1991. this photograph is of the home at SWINTON Glenorchy. glenorchy

Formally situated on the first floor of the Ballarat goal building. Currently situated at the Historic Precinct, Brooke Street, Smythesdale. In 2005 Mr Butler approached the Woady Yaloak Historical Society asking if we would like to become the new caretakers of the Gallows because of our historical connection. Four of the first five men executed on the gallows were from the Woady Yaloak area. Alexander Davies, James Jones, George Searle and Joseph Ballan were hung between 1864 and 1867 on these gallows.Wooden Gallows with metal parts and rope noose.alexander davies, james jones, george searle, joseph ballan, geoff butler, ballarat gaol, 1864 - 1965, capital punishment, death penalty, gallows

The photographs show the Butter Factory at Orbost in 1892 and 1906. The postcard is addressed to Miss N. Cameron C/- Mrs H. Nixon of Picnic Point Bairnsdale. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. The first shipment in about 1893 to England went rank and was only good for axle grease on wagons and carts.The milk was brought to the factory by horse and dray.Most people would take the whey home for their pigs,which were abundant on the farms in the Orbost district. Mr John Gilbert is the man second from the left in 1250.1.Postcards form a vital part of social and historical records for researchers. These cards are photographs of the Orbost Butter Factory. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. Two photographs / postcards of the Orbost Butter Factory. 1250.1 is a a photograph of several horse-drawn wagons outside a large wooden building.There are several men on top of the wagons, seated and standing. 1250.2 is a postcard with a photograph of the butter factory taken from the north side showing the two storeys with a person standing at a door on each level. There are horse drawn carts behind a wooden fence and several men standing on the front verandah with one man at a top window. On the back of this postcard is a hand-written letter.1250.1 - on front - Orbost Butter Factory Ward Bros Sale 1250.2 - on front - Butter Factory Orbost on back - " 27/11/06 Dear Girls Yours to hand you should have had a letter from me yesterday. Glad you wrote to Miss Alexander. Hope ypou have a good time out there. ??? meeting a success, Mother"dairy-orbost orbost-butter-factory