The Bridge Hotel was built by Henry Hopwood to house visitors to the town crossing the Murray River on his punt , which was situated just below the Bridge Hotel on the Murray River. The accommodation was spacious and grand! In the right back corner of the photograph, the 'lantern' roof of the St George's Hall can be seen. The street is level with the front entrance to the Hotel, which is very different to what it is today.The photograph shows hotel activities and accommodation in the late 19th Century. The Bridge Hotel was a very busy place as can be seen with women on the balcony, a stage coach full of people, laden carts and buggies.The Bridge Hotel Echuca - photo taken looking south towards front of building. Four people can be seen on the balcony and several gathered under the verandah. In the foreground are several horse-drawn carriages. The road in front of the hotel is unmade and very wide, with the roof of St.George's Hall seen over the right (western) wing of the hotel. Verso: Bridge Hotel, 1860s? St. George's Hall in background.bridge hotel, henry hopwood, lantern roof, st.george's hall, 1870s

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold toned chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned beaded metal chain from the Sarah Coventry jewellery range, with the Sarah Coventry mark stamped on the rectangular clasp. "SARAH COV" - this mark thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains

Part of the Rose Stereograph Co Armadale, VictoriaBlack and white postcard of Ararat Town Hall taken from a high position on the Vincent Street side of the building. A fountain can be seen on the right and there are two garden beds. A woman is walking on a path between the Town Hall and fountain.The Town Hall Ararat, Souther Cross Series 156

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

This dance was attended by the donor Cheryll Henry. A leather ticket with information stamped into leather for entry into the Ballarat School of Mines dance held at Corbould Hall. Casual Dance Corould Hall Fri 26thballarat school of mines, casual dance, corbould hall, bookmark, ticket

The Ballarat Teachers' College opened at Dana Street Primary School in 1926. From 1927-1931 it was conducted at the Ballarat East Town Hall. Returning to Dana Street Primary School in 1946 to 1955, and eventually was held in a costume built facility in Gillies street from 1955 to 1976. In 1976 pre-service teacher training was moved to the Ballarat College of Advanced Education at Mt Helen Campus. This image was hung in the corridor of the School of Education (Mount Helen). It most probably dates from around the time of the transfer of Ballarat Teachers' College to the Mount Helen Campus of the Ballarat College of Advanced Education. Framed black and white photograph with green mount. The photograph shows the Former Ballarat East Town Hall during the era it was used as the Ballarat Teachers' CollegeOn a plaque ' Ballarat Teachers' College, Barkly Street, 1927-1931, (Formerly Ballarat East Town Hall)education, ballarat teachers college, ballarat east town hall, barkly street, ballarat east gardens

This cap belonged to Mark Pullen, a cub scout from Highton, Geelong, Victoria. No information is available on Mark Pullen. In Warrnambool there are three scout groups – Allansford, Norfolk (scout hall at the corner of Raglan Parade and Kepler Street) and Tooram (scout halls at the corner of Timor and Banyan Streets and in Otway Road). Cub scouts in Victoria are aged between 8 and 10. This cap has no known local provenance but is a useful item for display.This is a cap made of dark green wool with narrow gold braid dividing the crown into six sections. A button is missing from the top. The badge on the cap is a circular patch with the scout emblem in yellow and green. The cap is lined with black material with a white centre.Hills Hats Size 7 Name: Mark Pullen Group: 1st Highton Fabric Content all wool Scout Approved Product Made Expressly for the Scout Association of Australia Made in Singapore scouting in australia, scout association of australia, mark pullen, highton, geelong, fleur de lis, fleur de lys

Hard cover, blue cloth report book of 16 pages. Contains school report and marks for Robyn Tompson achieved during the period 1961-65 Hand written teacher remarks and subject marks.williamstown high school, robyn thompson, 1961, 1960's, 1962, 1963, 1964, 1965, student reports

This collection was compiled by Peter Fagg who worked as a scientist with the Department of Sustainability and Environment (now DELWP) to study dieback in eucalypts. He specialised in the silviculture of the eucalypt forest types of South-East Australia for most of his 40-year career, which started with the Forests Commission Victoria. He was in Orbost from 1968 - 1973. The contents of the book are all related to sporting groups in Orbost at the Mechanics Hall. Peter Fagg was the Publicity Officer for the group as well as president. He was also associated with the Orbost municipal bands.This item is related to Peter Fagg, a prominent member of the Orbost community. The item is a record of sporting activities in Orbost.A hard-covered book with a green spine and a green thatched cover. It contains financial statements, newspaper cuttings, photos which have labels hand-written in pen, minutes and a brief history of the Orbost Mechanics Hall.on front cover in black marker - Affiliated Sporting Bodies of Orbost ( Mechanics Hall Committee)fagg-peter sport-orbost mechanics-hall-orbost

The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Front view, from Wellington Street, of the former Kew Recreation Hall. The 1880 weatherboard building has a long covered entrance leading to the gabled facade. A smaller gabled room protrudes from one side of the facade. At this stage, the decorative features: gables, brackets, finials, etc were still preserved. The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. Annotation verso: "28. Kew Recreation Hall prior to demolition. Built about 1880."dorothy rogers, kew recreation hall, buildings -- wellington street (kew)

Undated page of VBBC Constitution and By-Laws with pen marks under section referring that 'the President shall be elected annually but should not (underlined from this point onwards) remain in office for more than two consecutive years."1 page of typewritten constitution and by-laws with pen marksnon-fictionelizabeth maxwell, neil maxwell, victorian blind bowls club

BHS CollectionWatercolour by John Hall, in gold timber frame, cream mount board. Painting shows the New Chum Mine site. In foreground, open shaft with timber supports, in background mining chimneys and poppet head.John Hall, Eaglehawkbendigo, mining, new chum mine

BHS CollectionWatercolour by John Hall of Hustler's Mine, Hustler's Hill, North Bendigo. Painting in gold frame, cream mount board. Painting shows a mine chimney and poppet heads on RH side, housing on left.John Hall, Eaglehawkbendigo, mining, hustler's mine

Mark in blue stone gutter outside Her Majesty's theatre, Lydiard Street South, Ballarat.Colour photograph showing a mark carved into a bluestone gutter in Lydiard Street South, Ballarat.bluestone, mason's mark

Black and white postcard photograph of the Memorial Hall in Rutherglen. Road is still unpaved and the cars appear to be from the 1930s to 1940sAt foot of photo: "Soldiers' Memorial Hall, Rutherglen"soldiers' memorial hall, rutherglen memorial hall

Louis Lachenal manufactured concertinas for C Wheatstone & Co. from around 1848-1858 in a combined home and manufactory in Cheswick, England. He then establish up his own business 'Lachenal's' at 8 Little James Street in London. In 1863 the firm began advertising both 'Anglo and English concertinas, which were more expensive. Lachenal passed away in 1861, so his wife Elizabeth took over the business. The firm was sold to a group of five businessmen in about 1873 and in 1874 the firm became ‘Lachenal & Co.’ A Trade Mark application was made by Richard Ballinger on behalf of Lachenal & Co. on 31st August 1878 and the Number 19,555 was published in the Trade Mark Journal January 8, 1879. The symbol was an English-style reed-shoe with the words 'Trade Mark' and 'English Make'. It was stamped on the right-hand rail (handle) of the Lachenal Anglos, to distinguish them from the German-made ones. It seems that the company ceased business in 1933.This concertina, made in the late 19th to early 20th century, represents the portable musical entertainment of the early settlers in the colony of Australia. Concertina, six sided, 21 buttons, with fitted case. Wooden ends have carved cut-outs and leather straps attached to brass buttons. Five-fold bellows have light coloured sides with reinforced edges and corners. Constructed with steel reeds and bone key-buttons. Wooden, black fabric-covered hexagonal case with triangular metal catch, two brass hinges, leather handle and faded red lining. Inscriptions on label inside lid and on wooden ends of bellows. Lachenal, Anglo design, made by Lachenal & Co. of London. Label within oval cut-out "LACHENAL & Co / PATENT CONCERTINA / MANUFACTURERS / LONDON", Label inside lid " - CHENAL -", Impressed into wood STEEL REEDS", "ENGLAND", "TRADE MARK ENGLISH MAKE [reed-shoe symbol]" , (originally marked with Number "98030" )flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, concertina, squeeze box, musical instrument, london, english make, trade mark 15222, english-style reed, richard ballinger, louis lachenal, concertina manufacturer, reed-shoe, lachenal anglo, lachenal & co, lachenal

This saucepan belonged to Doris Orr who mostly used it for heating milk.Aluminium double saucepan with two steel handles attached with three rivets and a hole in each and etched trade. The lift-off lid has a bakelite handle and a trade mark in a triangle featuring an image of a swan.On lid: SWAN BRAND/TRADE MARK BRITISHMADE On saucepan: SWAN BRAND/TRADE MARK BRITISH MADE allansford, cookware, swan brand saucepans, kitchenware, saucepans, orr, doris

This item was hand-carved by Mark Richardson in 1899 at Tabbara. He operated the Richardson saw mill on the Brodribb at Tabbara and was a farmer at Bete Bolong.A hand-carved wooden rolling pin made from local blackwood."by Mark Richardson 1899"rolling-pin domestic food-preparation richardson-mark

Dark timber frame with a glass front. Inside is a piece of timber taken from the Portland Drill Hall. Underneath the mounted timber is a label with the Glenelg Shire logo on it.Label: Identification Mark by the Portland Drill Hall (orderly room) carpentry contractor G. & A. Findlay. Dated 16 February 1888 Piece of timber in pencil script: G. & A Findlay/ 16 Feb / 1888portland drill hall, portland, findlay, portland builder, portland businesses, 1800s

In the words of the donor, Betty Stone, "This pewter plate belonged to Joshua and Susan Chamberlain. They, with their family, arrived in Australia as assisted migrants in January 1855. Our Chamberlain family was among those chosen to participate in a Bounty Scheme and on 24 October 1854 embarked on SS Shand to begin their journey. A few years later they set up a home on a small farming property in Wangoom, Warrnambool with the possessions they had brought with them from the village of Thriplow, Cambridgeshire, England. Amongst those household possessions was this plate. During the first half of the nineteenth century, a Bounty scheme was introduced to encourage migrants to Australia to work on properties granted or sold to settlers. Agents in England were engaged to select suitable emigrants; applicants had to be "sober, industrious and of good moral character....and married men over the age of forty-eight were only eligible to receive the bounty if they had five or more children over the age of ten years'. The successful applicant also had to pay one pound sterling for each adult, and ten shillings for each child between the ages of one and fourteen years. This payment covered the cost of a mattress, bolster, blanket, small box, knife and fork, two spoons, metal plate, and drinking mug, all of which became the emigrant's property on arrival in the colony. The pewter plate, handed down from one generation to the next, was always valued by members of the family as an important artefact. The plate has a mark stamped on the back which is almost indecipherable." (Reference- Brown Martyn- Australia Bound! The story of West Country connections 1688- 1888 Bradford on Avon Wiltshire Ex Libris Press 1988 p 112.) (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The plate is an example of the goods emigrants brought to Australia under the Bounty Scheme in the 1850s.Pewter plate: metal plate with a wide rim and shallow bowl. The top has a gold-brown colour, underside is grey with a red-brown mark. Made c. 1850. The plate has an Inscription stamped on the back and front.It is part of the 'Chamberlain, Dale and Lees Collection' Maker's Mark on back: 'rectangle with rounded corners / T H all within a circle' almost indecipherable. Mark heavily stamped on front: 'L / T M'flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, pewter plate, emigration, bountey system, dinner ware, joshua chamberlain, susan chamberlain, 1855, emigrant, assisted migrant, ss shand, wangoom, triplow, cambridgeshire

The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Oblique view, from Wellington Street, of the former Kew Recreation Hall. The 1880 weatherboard building has a long covered entrance leading to the gabled facade. A smaller gabled room protrudes from one side of the facade. At this stage, the decorative features: gables, brackets, finials, etc were still preserved. The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. Annotation verso: "Kew Recreation Hall. Built ca. 1880 (Photo prior to demolition in 1960".dorothy rogers, kew recreation hall, buildings -- wellington street (kew)

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned, wide link chain necklace from the Sarah Coventry Jewellery range, featuring circular makers mark tag.On circular makers mark tag, "SC", on reverse "(c) Sarah Cov". sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces

Colourised postcard depicting the Shire Hall Ararat. The building facade is brick with a white painted front.In gold print of the front of the postcard is written Shire Hall Ararat.

Seward laryngoscope blade only. No light bulb is present in this item. Size1 for infants use. Minor scratches and dust around the piece. Some hit marks on top of the blade and base. Rusty washer under the joint base. Stamped on the base, lateral side: the trade mark details (PENLON), place where it was made (ENGLAND) and at the back side of the blade the type of blade (SEWARD) and the size (1). Stamped, REGD. TRADE MARK / PENLON / MADE IN ENGLANDblade, laryngoscope, seward, light bulb, size 1, penlon

Special souvenir of seven issues of the "Geelong Advertiser" in a presentation box to mark the newspaper's 150th anniversary.Special souvenir of seven issues of the "Geelong Advertiser" in a presentation box to mark the newspaper's 150th anniversary.geelong advertiser

This is a photograph of Army Survey Regiment personnel undertaking surveying measurements during a search for the ‘Mahogany Ship’ Warrnambool, VIC on 3rd September1985. CPL Mark Lander and SGT Don Williams were taking electronic distance measurements using an MRA-301 tellurometer. To measure the distance, personnel at another site operating another MRA-301 tellurometer would have exchanged the signal emission. A ‘Hilga Watts’ light appears in the background and a barometer in the foreground.This is a photograph of Army Survey Regiment personnel undertaking surveying measurements during a search for the ‘Mahogany Ship’ Warrnambool, VIC on 3rd September1985. The photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. L to R: CPL Mark Lander, SGT Don Williams‘R.S. 3/9/1985 CPL Mark Lander, SGT Don Williams PIC BY COURTESY OF THE WARRNAMBOOL STANDARD’ annotated on back of photoroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, surveying