Owned by James and Ada Brimblecombe, Heywood. Later owned by Merle Lewis, Mt. Gambier. R.H. Plant founded Tuscan Fine China in 1878 in Staffordshire. This area known as the Potteries, was England’s centre for the production of china. The Plant family already had a long history in producing china. Tuscan specialized in decorative fine bone china dinnerware that is very fine and light. Despite their reputation for quality, the company suffered the fate of the other potteries with lower sales and higher costs after WW2. Wedgwood purchased the company in 1967. However, Wedgwood continued producing china under the Tuscan name. However, in 1967 the new owners added the Royal prefix to the name. Despite this production ceased in 2006.Leaf-shaped butter dish of white glazed china, edged in gold. Black and white image of a lighthouse on a cliff with a tall flagpole behind it. There is a broken fence running to the edge of the cliff in the right foreground.Front: Lighthouse Bluff, Portland, Victoria (printed with image in centre of dish) Back: Tuscan China/England (stamped logo, green)souvenir of portland, portland harbour, whalers bluff, domestic item, butter dish

This photograph is one of approximately 43 original photographs and photocopies of buildings, patients and staff assembled in a red covered, spirally bound photograph album (the album itself is now discarded and the images stored separately). The images in the album cover the period from the 1870s to 1965. A few photographs have inscriptions on the reverse; others had later separate labels in the album. The album was presumably compiled as a public record. It and other items came from the collection assembled by Dr Fred Stamp, the last medical superintendent of Willsmere Hospital before its closure in 1988. Original photographs have been uploaded to and described on Victorian Collections. The album itself is listed and linked separately showing the photographs in situ.A number of the photographs from the Willsmere Hospital album are confronting, especially given the condition of the buildings and facilities depicted, as well as the casual photographs of patients, which some viewers may find distressing. The album and its photographs are however an historically significant visual record of the Kew Mental Hospital, especially in the years 1951-1965.Black and white photograph of Ward F9 in the Kew Mental Hospital. "Willsmere 1972. Ward F9. Vacant foreground area where 'Tent' stood - burnt out fire 1967. Six (6) elderly ladies burnt to death. Four (4) escaped. Ward: closed from time of fire."kew lunatic asylum, kew hospital for the insane, kew mental hospital, kew mental institute, willsmere mental hospital, willsmere hospital

A coloured photograph in a black fram of three aircraft slying over rugged terraine. Aircraft 1921-1981. RAAF Aircraft 1921-1891 written under the photographSTRIKING SYMMETRY The English Electric Canberra, named after Australian Capital City was RAAF's 1st Bomber. The Government Aircraft Factories produced 48 Canberras to replace the GAF Avro Lincolns. Canberras operated in Vietnam 1967-71.photograph, canberra bomber

L-R (facing camera): Irene Gerard, - , David Essex, Faye Shepard, Peter Bassett-Smith, Harry Gilham. Wal Delaney on far right. 40th Anniversary Celebrations of the founding of Eltham District Historical Society (formerly Shire of Eltham Historical Society) in 1967Colour photo print 100 x 150mm40th anniversary, celebrations, david essex, eltham courthouse, eltham district historical society, fay shepherd, harry gilham, irene gerard, peter bassett-smith, wal delaney

L-R (facing camera): Irene Gerard, - , David Essex, Faye Shepard, Peter Bassett-Smith, Harry Gilham. Wal Delaney on far right. 40th Anniversary Celebrations of the founding of Eltham District Historical Society (formerly Shire of Eltham Historical Society) in 1967Colour photo print40th anniversary, celebrations, david essex, eltham courthouse, eltham district historical society, fay shepherd, harry gilham, irene gerard, peter bassett-smith, wal delaney

Ballarat Institute of Advanced Education (BIAE) was the tertiary division of the Ballarat School of Mines. The 240 acre Mt Helen campus was purchased in 1967. In 1972 a four storey library, union building and hall of residence for 70 students were under construction at an approximate cost of $2,500,000.Orange four page outline of an open house designed to give civic leaders a glimpse into the new campus at Mount Helen that was opened in 1970.ballarat institute of advanced education, mount helen campus, ballarat school of mines

Ordained 1964 at Rosebery Zeehan 1964-1967, New Town 1968-1972, then Broadmeadows 1973-1979; Ringwood 1980-12/1987, Ballarat Central 01/88 to 04/1994. Finally at Bendigo west 05/94 to 12/98. Retired 01/1999.B & W photograph of the Rev. G. Kerrie Graham, wearing a "UCAN for young people" sweatshirt with an unidentified small boy. g. kerrie graham; rosebery; uniting church minister; former methodist minister; zeehan; broadmeadows mission; ringwood; ballarat central; bendigo west

Clem Dickinson ordained in 1967 and served as minister at Dunkeld Penshurst 1966-69, Maryborough 1970-1974, Horsham 1975-August 1983, Executive Director of Stewardship Australia September 1983 to November 1991, Assembly Managing Treasurer of Beneficiary Fund from December 1991.B & W Head and Shoulders portrait of Rev. Clement A Dickinson, Ministerrev. clem dickinson; methodist; uniting church; beneficiary fund; stewardship australia; dunkeld-penshurst; maryborough; horsham

Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Black and white Ex Libris Bookplate for Robert Littlewood.bookplate, andrew sibley, keith wingrove memorial trust, available

Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Six framed limited edition prints by Andrew Sibley using the Sugar-lift etching technique and hand colouring. Printed at the Australian Print Workshop, Melbourne and published by The Lytlewode Press, Melbourne in an edition of 125 in 2010. .1) 'Catch a Falling Star' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 17/125 Signed, inscribed and numbered by the artist. Catch a Falling Star written by Paul Vance (born 1929) and Lee Pockriss (1924-2011) 1957 .2) 'It’s only a Paper Moon' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. It's Only a Paper Moon by Harold Arlen (1905-1986) lyrics by E. Y. Harburg (1896-1981) and Billy Rose (1899-1966) 1933 .3) 'Come Fly With Me' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 9/125 Signed, inscribed and numbered by the artist. Come Fly with Me by Jimmy Van Heusen (1913-1990) lyrics by Sammy Cahn (1913-1993) 1957 .4) 'You are the Sunshine of my Life' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. .5) 'Some Enchanted Evening' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition:1/125 Signed, inscribed and numbered by the artist. Some Enchanted Evening Richard Rodgers (1902–1979) and Oscar Hammerstein II (1895–1960) South Pacific 1949 .6) 'Vilya, Oh Vilya' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. Vilya, Oh Vilya Die lustige Witwe (The Merry Widow), operetta Vilya, oh vilya Composed by Franz Lehar (1870-1948) 1905 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, printmaking, etching, churchill, gippsland campus

A box with a picture of men and women on the front. It contains 2 folders of newspaper cuttings. (1) A series of 'Bendigo Advertiser' newspaper cuttings under the heading of 'Woman on Bendigo' 1956-1957. Also contains a few cuttings all relating to Bendigo 1932 - 1960 and from 'Bendigo Advertiser' and 'Table Talk.' 1932 - 1960. (11) 'Press pictures of Bendigo Women and their Work.' 'Bendigo Advertiser,' 1956 - 1967.Women on Bendigo and Paper Snapsperson, individual, women, lydia chancellor, collection, bendigo, women, 'women on bendigo, ' 'paper snaps, ' pioneer women of bendigo, ' female, individual

From left; Jim Connor (President), Harry Gilham (former President) and Doug Orford (Committee) standing beside Lock-up No. 17. Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day

This unused bag would have been used by Snowy River Co-Op Ltd to pack sweet corn in the late 1960's -1980's Snowy River Seeds started life as a farmers' co-operative (Snowy River Co-op) in 1967 specialising in horticulture. Snowy River Co-op were the original creators of Snowy Seeds.This item is significant because it was specially made for the seed bean industry which is a major industry in the Orbost district.A white synthetic woven fibre bag used to pack sweet corn prior to sale. It has red, green, yellow print.On front of bag - Logo of Man From Snowy River in outline map of Australia with a hand holding corn cob in the centre, Produce of Snowy River Co-Op Ltd Orbost- Victoria V73 25kg NETsweet-corn seed-bags snowy-river-co-op

Sister McDonald is visiting a patient to give them nursing care as requested. The photograph depicts the RDNS uniform in 1967. Her coat with the blue background Royal District Nursing Service material badge attached to the top of each sleeve, is worn over a grey cotton uniform dress.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Poliomyelistis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and white photograph of Royal District Nursing Service, (RDNS,) Sister B. McDonald, wearing her grey uniform coat with the words 'Royal District Nursing Service' written in white on a dark curved material badge attached to the left upper sleeve; she is wearing her grey peaked uniform hat over her dark short hair. She is carrying her rectangular nursing case in her left hand and is opening the gate of a tall white picket fence before entering a patient's home. Number '19' is on the right hand side gate post. Trees can be seen behind the fence on either side of the gate. A two storey white attached house is in the background. The grey front door with white surround, can be seen on the ground floor. Two posts are supporting a balcony which protrudes from the top storey; a safety rail runs around its outer edge. A closed colonial door can be seen behind the balcony on the upper storey.Photographers stamp. Quote No. GE 42rdns, royal district nursing service, rdns uniform, sister betty mcdonald

Shield prepared to recognise winners of a Geelong West Cycling Club road race in memory of Russell Wright.This perpetual trophy spans 3 decades on road racing with the GWCC.Wooden shield with small shield shapes in plated silver placed around the shield. These small plaques are inscribed with winners of this event. The shield also has a plated silver banner with inscriptions on it, plus the shape of a cyclist in a medallion at the bottom of the shield."Geelong West Cycling Club/Russell Wright Memorial Shield/ Donated by his Loving Wife/1967 R Dillon 68m59sec/1968 J Elsworthy 54mins 55secs/ 1969 T Ryan 70mins 3secs/ 1970 R Edwards 53mins26secs/1971 Geo O'Dwyer 82mins 17secs/1972 K Bunting 51min 50 secs/1973 W Mahoney 54min 20secs/ 1974 W Crookshanks 83min 28secs/ D Ferguson 83 mins 47 secs/ 1976 S Jennings/ 1977 R Bunting 51mins 50 secs/ 1978 - /1979 Don Wilson/1980 Rodney Baker/ 1981 David Carnegie/ 1982 -/ 1983 Neville Williams/ 1984 Tony Pickles/ 1988 Ian Hendry"geelong west cycling club; gwcc; russell wright memorial shield; 1967; r dillon; 1968; j elsworthy; 1969; t ryan; 1970; r edwards; 1971; george o'dwyer; 1972; k bunting; 1973; w mahoney; 1974; w crookshanks; d ferguson; 1976; s jennings; 1977; r bunting; 1978; 1979; don wilson; 1980; rodney baker; 1981; david carnegie; 1982; 1983; neville williams; 1984; tony pickles; 1988; ian hendry;

Colour photograph of the headstone of James Carroll and Mary Carroll in the Tower Hill Cemetery.In Loving Memory of James Vincent Carroll Who died 5th March 1967 aged 68 years. also his wife Mary Bridget Carroll who died 16th April 1984 aged 86 years. Requisat in pace.tower hill cemetery, james vincent carroll, mary bridget carroll

Andrew SIBLEY ( 9 July 1933-3 September 2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Four hand coloured linocuts by Andrew Sibley framed in two frames. .1) ‘Memories of My Garden’ Hand Coloured Linocut Plate 21.6 x 13.7cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .2)‘Roses with Love’ * Hand Coloured Linocut Plate 21.3 x 13.4cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .3) ‘Flowers Embraced’ Hand Coloured Linocut Plate 20.5 x 12.8cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .4) ‘Red Roses’ * Hand Coloured Linocut Paper 21.3 x 13.4cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 The four linocuts are the subject of the Private Press book: ‘Four Linocuts by Andrew Sibley’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014. Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, churchill, printmaking, gippsland campus

38 Bn was raised in Bendigo in 1916. Post War it was the CMF Unit until 1967. The Mollison St Drill Hall was built by Contractor Mr. Midgley. First used Jan 1916. Shut down Circa 2002. The 38 Bn Colours are held within the RSL Military Museum, Bendigo.1. Photo of 4 Senior NCO's in battle dress in front of the Mollison Street Drill Hall. 38 Bn Northern Victorian Regiment. The four soldiers have .303 rifles. WO Burrell has the red sash of a Colour Sgt. His MM can be seen. 2. Photo of Regiment Colours 38 Northern Vic Regiment in front of Mollison St Drill Hall. Two Officers, Capt. Emonde holding Queens Colours - 4 Snr NCO's have rifles at the slope with ceremonial tips on their bayonets.1. On rear is written - Cenotaph party/ Warrant Officer 3 sets Guards. 2. On rear is written - '" ANZAC DAY" .38 bn, mollison st, drill hall, photographs

Preston Technical School opened in 1937. Magazines held include 1951-1960. The school changed its name to Preston Technical College and magazines held for this entity range from 1963-1967. Preston Institute of Technology: Girls' section magazines for 1968 and 1969. Boys' section 1968 held.The school magazines present a record of each year's school events such as staffing, programs, outings and includie student writings and drawings, reports and photos of events and teams. Preston Technical School: 1951 issue consists of 48 pages, with a drawing of the school building on the front cover. Preston Technical College magazine 1963-. From 1964 the cover image changed to a graphic image of Kupper's sculpture which stood in the foyer of the WJ Baker Memorial Hall. Preston Institute of Technology: Girls' section, and Boys' section also has the sculpture image on the cover. Electronic copies of PTS magazine (editions 1953-1956) have been scanned and available on CD.preston techinical school, school magazines, preston technical college, preston institute of technology, nmit

B: 1808 10 May in Cornwall England; D: 21 October 1865 Portland Vic. See "Cross at the Campfire" by Heather Le Griffon for the full history of Francis Tuckfield and his attempts to establish a mission near Birregurra, Vic. Also "Australian Dictionary of Biography, Vol. 2, 1967.Two photographs cut from a newspaper in one card frame of Rev. Francis Tuckfield - the first from 1837; the second from 1865, the year he died.The 1837 photo has "Preacher … Geelong, July 28th 1838"tuckfield, francis, buntingdale aboriginal mission, wesleyan methodist

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Bontharambo is a homestead located in Wangaratta and was built in 1857-9. This homestead plays a prominent role in the history of Wangaratta and the pastoral history of Victoria. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Bontharambo homestead on white paper.Obverse: Cantlon 65/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, bontharambo, homestead

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Fairfield, Rutherglen is located in the North East region of Victoria and is a historic homestead that was built in 1889 and plays a prominent role in the history of the region. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Fairfield homestead on white paperObverse: Cantlon 66/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, homestead, fairfields, rutherglen

I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape

Issued to National Serviceman, Lance Corporal B A Rosenthal, 3rd Battalion, The Royal Australian Regiment 1967-8, Mentioned in Despatches for his command and control during a section ambush in which he was wounded. Unit Citation for Gallantry for his involvement in the Battle of Fire Support Bases Coral and Balmoral.Green battle dress jacket with red Royal Australian Regiment badge on each shoulder. Green lanyard attached to left shoulder. Two blue material badges under red badges on either shoulder. Size 10Regimental No. 4718450 Name B.A. Rosenthaljacket, rosenthal, army dress jacket

Used by National Serviceman, Lance Corporal B A Rosenthal, 3rd Battalion, The Royal Australian Regiment 1967-8, Mentioned in Despatches for his command and control during a section ambush in which he was wounded. Unit Citation for Gallantry for his involvement in the Battle of Fire Support Bases Coral and Balmoral.Single key attached to string and a label stating Equipment Label and information about owner. Pte Rosenthal B.A. 3 RAR 4718450key, 3rar, rosenthal

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.2 small newspapers 1). Small 16 page newspaper from Saturday, 14 October 1967. On page 5 is a photograph and caption pertaining to Frank Wright. His name is also mentioned on page 9 in the 'Fourth Section Test Piece' as composer. 2). Small 8 page newspaper from Saturday, 25 October 1969. On pages 2 and 6 are 'Adjudicators' Remarks' written by Frank Wright among others.frank wright, the british bandsman, newspaper, brass bands, adjudicator, composer

From left; Jim Connor (President), Sue Law (former President), Doug Orford (Committee) and Harry Gilham (former President) outside the Local History Centre. Newly refurbished Eltham Local History Centre Open Day, 4 March 2017 Celebrating 50 years of the Society 1967-2017Born Digitalactivities, eltham district historical society, local history centre, main road, eltham, 50th anniversary, open day