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City of Greater Bendigo - Civic Collection
Memorabilia - Event Program, City of Bendigo, Mayor's Ball, 1910
David Andrew was born in Castlemaine in 1866 and moved with his family to Bendigo in 1871. He took over his fathers auctioneering business which was situated on the corner of Hargreaves and Williamson Streets in 1893. David Andrew married Myra Swan McIntyre in 1888 and they had two children. After the death of Myra in 1892 aged 27 he married Myra's younger sister Clare and together they had a further two children. David Andrew was a prominent member of the old Bendigo Caledonian Society, Captain of the Bendigo Fire Brigade, a member of the Bendigo Masonic Lodge and for many years Secretary of the Easter Fair. He served as a Councillor from 1904 - 1925 and Mayor 1909 - 10 and 1913 - 14.Event program for the Mayor's Ball. Gold and purple print on white and cream card. Half fold with menu and wine list inside. Back cover has portrait of both the Mayor and Mayoress.Front cover: Mayor's Ball / 1910 / (Picture: City of Bendigo Coat of Arms) / MENU / Cr. D ANDREW, Mayor. / TOWN HALL, BENDIGO, / July 1910.bendigo town hall, making a nation exhibition, councillor david andrew, mayor andrew, bendigo caledonian society, bendigo masonic lodge, mayoress myra andrew, clare andrew, city of greater bendigo ceremonial item, city of greater bendigo events -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Ethel Garvin, Mayoress 1931 - 32 , 1938 - 39, unknown
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Ethel Rose Douglas married George Dawson Garvin in 1906 and was twice Mayoress from 1931 - 32 and 1938 - 39. Mayoress Ethel Garvin died in 1952 aged 74 and had been an esteemed member of the Women's Central Auxiliary of the Bendigo Base Hospital, a member of the Baby Health Centre and Mayoral Ladies Auxiliary. Reproduction of photographic studio portrait sitting behind oval mount.vincent kelly, studio photography, raymond kelly, city of bendigo mayoress, city of greater bendigo portraits, mayoress garvin, mayor garvin, ethel douglas -
Wodonga & District Historical Society Inc
Photograph - Wodonga Business - Wodonga Home Furnishers, c1980s
This popular furniture business was owned and operated by Mr Les Cheesley. In about 1963 the premises of Birrell's Bakery, Miss Hamilton's Corsetry, Gouge's Dry Cleaners, and the Dalgety NZ Loan Stock & Station Agents were demolished to make way for the Wodonga Home Furnishers. Mr Cheesley was a well-respected member of the community and served 13 years as a local councillor. He was often referred to as the council’s watchdog. His contribution is commemorated in the naming of the Les Cheesley Oval, Wodonga in his honour. Mr Cheesley died in Wodonga on 29th September 1994. The business continued to operate for a few more years but the shop was demolished in 1999 to make way for the realignment of Elgin Street in central Wodonga.A colour photo of the premises of Wodonga Home Furnishers in High Steet, Wodongawodonga businesses, high street wodonga, wodonga home furnishers, les cheesley -
Glen Eira Historical Society
Document - McKinnon, George Andrew
... Councillors ...This file contains a photocopy of the entry for George Andrew McKinnon on page 175 of the publication ‘500 Victorians: Centenary Edition 1934’. The upper half of the page contains a sketch of McKinnon with an inserted photograph of McKinnon’s head plus surrounding cartoon depictions of his activities and interests. The bottom half of the page provides and “Who’s who” type listing of his place of birth, education, recreational interests and civic duties.councillors, mayors, justices of peace, mckinnon george andrew, mayor of caulfield 1933-34, shops, newsagents, city of caulfield, north ward, sports and recreations, bowls, golf -
Hume City Civic Collection
Photograph, Oakleigh Studios (Chas. Wishart), 24/05/1905
... Councillors ...This is a photograph of the stage setting for the 1971 Presidential Ball at the Memorial Hall.A coloured photograph of a stage setting.presidential balls, debutante balls, fashions, dancing, shire of bulla, councillors, mcmahon, john, mcmahon, margaret, memorial hall, george evans collection -
City of Whittlesea
Certificate - Illuminated Address - Corporal P E Cook, He Answered His Country's Call
Corporal Phillip Edward Cook, 4470, 46th Battalion AIF Over 300 men from the Shire of Whittlesea enlisted during WWI. One of these was Corporal Cook, son of the Rev. Richard and Elizabeth Cook, and husband of Jessie May Cook of Whittlesea. On 27 July 1915, at the age of 33, Phillip Cook enlisted in the AIF. He was killed in action at Bullecourt on 11 April 1917. Corporal Cook had no grave, but is remembered with honour at the Villers-Bretenneux Memorial, Somme, France.Illuminated address, framed - Record of Admiration and appreciation to Corporal PE Cook killed in action in 1917, during WWI. Produced by Shire of WhittleseaInscription: He Answered His Country's Call - The President, Councillors, and Ratepayers of the Shire of Whittlesea - Hereby place on record their Admiration and Appreciation of and thanks for the gallant conduct of - Corp. P. E. Cook - who served his King and Country in the Great War, which commenced 4th August, 1914 - In Witness Whereof the Corporate Seal of the Municipality - is hereto attached in the presence of - Leslie W. Clarke President - James Ryan Secretary - Dated 6. 12. 1918 -
Orbost & District Historical Society
account, 12.12.1912
Previously published as The Snowy River mail and Tambo and Croajingolong gazette from 1890 to 1911. The Gippsland Courier merged with the Snowy River Mail when proprietor Lachlan Ross moved to Orbost in 1910. In 1999 the paper was acquired by the Yeates family when the Hollins family retired from the newspapers business. The paper is still being produced by the fourth generation of the Yeates family as part of East Gippsland Newspapers. They also produce the Bairnsdale Advertiser, the East Gippsland News and the Lakes Post and the yearly publications East Gippsland Visitor Guide and the Great Alpine Road Touring Guide. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex.This item is an example of the early book-keeping of the Snowy River Mail newspaper and is a useful research tool.A light blue paper account with dark blue print from The Snowy River Mail, Newspaper and General Printing to R. Cameron.snowy-river-mail cameron-robert-pullar -
Orbost & District Historical Society
book, Australian Glass Manufacturers, before 1894
This book was used by Orbost Cemetery Trust to record letters written especially to provide a running account of the trust's activities. Although the cemetery was officially gazetted in November, 1891, it seemed certain that burials had taken place before that time. The early trusts were diligent in their record keeping and visionary in their planning.The original Trust members approved by the Public Health Department included C. N. Henderson, E. Watt (Ernest), D. Munro (Donald), M. R. Coote (Massy) and James Cameron (recorded at the first meeting of the Trust dated 29th May 1891. The first mention of a Mr. C. Richardson wasn’t until 25th February 1916 whilst the cemetery was under the control of the Orbost Shire Council with select councillors on the committee. Orbost Cemetery is an important part of Orbost's history. Its records are essential in research of local history.A grey covered letter book used by the Orbost Cemetery Trust to record letters written between 1894 and 1907.On spine-Letter Bookorbost-cemetery letter-book -
Warrnambool and District Historical Society Inc.
Book - Album, 1988-1991 Premier Town Volume 2, Circa 1988
The Premier towns is an award given by the Victorian state Government. It recognises positive actions by regional communities to protect and enhance their local environment. It is based on criteria relating to litter prevention and waste management, environmental and heritage management as well as activities among community groups and leadership. The following is taken from Hansard at the announcement of the awards in 1988 That the Senate- (a) congratulates the Mayor, Councillors, the Premier Town Committee, and the people of the City of Warrnambool, Victoria, for their achievement, on Saturday, 20 November 1988, in taking out the Victorian `Premier Town Award' for an unprecedented third time; (b) congratulates the business people of Warrnambool for their efforts in helping the city to win the Victorian Industrial and Commercial Development Award, including a special award for coastline preservation and studies This album is significant in that it documents an important award to the City of Warrnambool. It is also a comprehensive pictorial record of Warrnambool as it was in 1988.Volume 2. Covers Warrnambool rivers, bridges, coastal features, places of learning, clubs and sporting facilities and historical and general interest all of which have played an important role in the development of and history of the city and lives of its people.Soft brown vinyl cover with plastic cover. Pages are dark cream cover paper. A sticker with the Warrnambool Premier Town logo is inside the front cover. The album consists of photographs of various buildings and streetscapes with relevant descriptive text.Sticker inside front cover, Mr J Gietz Po Box 1007 Warrnambool Vic 3280. warrnambool, ideal town 1988-1991, victoria’s bicentennial premier town premier town awards -
Warrnambool and District Historical Society Inc.
Footwear - Beaded evening shoes, 1888
These shoes were worn by Mary Glass Cramond when she married James Dickson Jnr. in 1888 in the Presbyterian church in South Yarra Melbourne. Mary Cramond was the daughter of John Glass Cramond and his wife Frances. Her Scottish born father formed a partnership with James Dickson, also a Scotsman and founded the Cramond and Dickson store on the corner of Timor and Liebig streets Warrnambool which opened on 21st August 1865. The store closed in 1974. . James Dickson's parents were James and Susan. James Dickson was an original director of the Warrnambool Woollen Mill, an original guarantor and director of the Warrnambool Cheese and Butter Factory. He also served on the committee of the Warrnambool Base Hospital for nearly fifty years and was a town councillor. The Store of Cramond and Dickson was one of the most important businesses ever to have been in Warrnambool. The marriage of the daughter and son of each of the founders was an important social and romantic event.A pair of cream satin covered lady's shoes with medium height heels. The toes are gently pointed and decorated with a bow and intricate glass,clear beading.The soles are leather. Both shoes are damaged as the satin is torn and shredded.6D small twelve pointed starshoes, cramond and dickson, warrnambool, cramond -
Warrnambool and District Historical Society Inc.
Book, Tommy & Grizel, 1920s
This book by J. M. Barrie was a prize given in 1927 by Warrnambool High School to Janet Slade. She was born in Warrnambool in 1913 and marred Stewart Lindsay in 1935. The presenter of the prize, Cr Frederick Williamson, had a tailoring shop in Liebig Street and was a City Councillor from 1924 to 1930, 1934 to 1939 and 1942 to 1945. He was a Mayor of Warrnambool in 1944-5. George Langley was the Head Master of Warrnambool High School from 1924 to 1940. He had a distinguished military career in both World Wars One and Two. Warrnambool High School was established in 1907 and moved to its present site in Albert Park in 1961. It merged with Warrnambool North Technical School to form Warrnambool College in 1995. This book is of interest as a memento of several features of Warrnambool society in the 1920s - Warrnambool High School, a pupil, Janet Slade, an important Head Master, Colonel George Langley and a Warrnambool businessman and Councillor, Frederick Williamson. This is a hard cover book of 432 pages. It has a dark blue leather cover with a gold monogram on the front cover and gold ornamentation and printing on the spine. The book has 28 chapters. The school book plate on the first page has green ornamental edging, the Warrnambool High School shield and handwritten material in black ink. The cover and spine are somewhat faded.‘W.H.S. Nil Sine Labore, Form C, To Janet Shade For C Chemistry, presented by Cr. F. Williamson, G. F. Langley B.A., Headmaster, December 1927.’ warrnambool high school, frederick williamson, george langley, janet shade, history of warrnambool -
Eltham District Historical Society Inc
Folder, Pioneers & Painters; Manuscript, 1971, 1971-1978
Material pertaining to the production of a history of the Shire of Eltham, "Pioneers & Painters: One Hundred Years of Eltham and its Shire" in recognition of the shire's centenary in 1971 Item Title 04769-1 Manuscript: Pioneers & Painters - A History of Eltham Shire, edited by Alan Marshall, 1971 04769-2 Eltham District Road Board Members 04769-3 Shire of Eltham Councillors 04769-4 Galley Proof, Pioneers & Painters, Appendices pp137-138 04769-5 Eltham Shire Celebrates 100 Years of Colour and Progress; Book Review, The Australian Municipal Journal, July 1971, p 13 04769-6 Letter: Acknowledgement from RHSV to Shire of Eltham Historical Society that Pioneers & Painters is to be reprinted, 10 November 1978 The idea to develop a book on the history of the Shire of Eltham to be edited by noted author, Alan Marshall in celebration of the shire's centenary was initiated in 1969. The Shire of Eltham Historical Society undertook significant research in conjunction with Alan Marshall locating material at various institutions and other societies; interviewing longer term residents and a public campaign through the local press to acquire photographic material for duplication and use in the book. The public campaign received generous response and the material collected became the genesis for the Shire of Eltham Pioneers Photograph collection now held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library).Paper documents of various sizesalan marshall, cr. charis pelling, manuscript, pioneers and painters, rhsv, royal historical society of victoria -
Eltham District Historical Society Inc
Newspaper clipping, Eltham loves a parade, Diamond Valley News (Eltham), Vol. 33, No. 32, 14 August 1979, p1, 1979
Feature news story about 1979 Eltham Parade with photo of Society members Joh Ebeli and Russell Yeoman pushing Peter Bassett-Smith along in a wheelbarrow. Others featured were Eltham Rugby club float and Anne Mandel of the Slovenian Association of Melbourne. Other story on "Council elections provide shocks" featured the defeat of Eltham sitting councillors, Ken Hines and Helen Wells with Shire president Cr, Robert Marshall returned with a commanding majority. Reverse side (p2) story "Laughing cop no softy" is a feature article on Tony Zalewski of Greensborough CIB who was the key policeman involved in a hour-long siege in Norfolk Crescent, Bundoora in 1978 and for which he received the Victoria Police Valour AwardNewsprint page1979, anne mandel, ansell and muir, bundoora, elections, eltham festival, eltham rugby football club, greensborough cib, helen wells, joh ebeli, ken hines, lyon bros ford, norfolk crescent, parade floats, peter bassett-smith, robert marshall, russell yeoman, shire of diamond valley, shire of eltham, shire of eltham historical society, siege, slovenian association of melbourne, tony zalewski, victoria police valour award -
Orbost & District Historical Society
account, 1910 - 1919
This account form was made for the Orbost Motor Garage owned by George Nixon. George Nixon (1862-1941) selected land in Bete Bolong in the 1890's. He married Emily Warren in 1889 in Orbost. He was a shire councillor. He was a prominent breeder of Clydesdales and after a serious fall off a horse walked with a walking stick and special boot for the rest of his life. He was well-known for his interest in cars, horse-racing and politics.He was married to Emily Warren in 1889 in Orbost. Mrs Nixon (Emily)was the first Red Cross president during WW1. They had ten children.both George and Emily are buried in the Orbost Cemetery. (ref:From White Knowle to Pumpkin Point by Hon Peter Nixon A.O.) This item is associated with a prominent Orbost family. George Nixon was the son of James and Alice Nixon. The Nixon families were among the earliest settlers on the Snowy River. It is an example of the early book-keeping of an Orbost business in the early 20th century.A white paper account form. It has black print, blue ruled lines and is unused. t the top is "Orbost Motor Garage" in black capital letters. document-book-keeping nixon-george -
Ballarat Base Hospital Trained Nurses League
CHAPMAN Wanda (nee Archibald) & DALE Janet (nee Scott)_Past Trainees_Mayor & Councillor_Ballarat_1989
Miss Elaine Orr, Director of Nursing Royal Children's Hospital, guest speaker at Queen's Church of England Girl's School Open Day. 1970s. Vote of thanks was given by Cr Jessie Scott, who said it gave her special pleasure to be able to propose a vote of thanks to Miss Orr because when she worked in Ballarat Miss Orr was one of a team who saved Cr Scott's daughter when she was in the Ballarat Base Hospital. **The daughter referred to is Janet Dale who trained at the Ballarat Base Hospital July 1951 to Jan 1955 and later became a City of Ballarat Councillor. Miss Elaine Orr also trained at the Ballarat Base Hospital, June 1946 to July 1949. Hard Copy - City of Ballarat Mayor's Report, 1989.chapman, dale, scott, mayor, councillor, ballarat, 1989, past trainee,, orr, 1970, children's hospital, archibald, courier -
Unions Ballarat
Photograph: ALP Campaign corflute Karen Overington and Steve Bracks, 25/11/06
Photograph: ALP Campaign corflute Karen Overington and Steve Bracks The photograph was taken during the Victorian state election campaign. The election was held in November 2006. There are two coreflute posters. One of Karen Overington and Steve Bracks side by side and the second one of Karen Overington by herself. The message on both coreflutes is: "Karen Overington MP: Delivering for Ballarat West." Karen Overington was a former welfare worker and served as a councillor and mayor (Sebastopol Borough) before she was elected to federal parliament in 1999. Karen did not contest the 2010 election. She died from cancer in 2011. Steve Bracks was the 44th Premier of Victoria from 1999-2007. He served in the shadow ministry as Shadow Treasurer. Steve Bracks was born in Ballarat. Photographbtlc, ballarat trades hall, ballarat trades and labour council, alp, australian labor party, bracks, steve, overington, karen, elections, election campaigning, politicians, premier - victoria -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - sepia photograph, Johnstone O'Shannessy & Co. Falk, Councillor T. Wilson, Mayor of Brighton 1905-06, c. 1906
Thomas Wilson (1838-1923) was a local councillor in Brighton (in its three phases as Borough, Town and City) representing the central ward over a 57-year period, firstly in 1866-79 and again in 1894-1923. He was elected as mayor seven times, as Borough of Brighton in 1869, Town of Brighton in 1895-96, 1905 and 1912-13, and was the second Mayor of the City of Brighton in 1919. He was also a land speculator and both Wilson and his father William Wilson owned considerable land in the area. William Wilson sold land on the corner of Wilson and Carpenter Streets to the Council for its Town Hall. Wilson also represented the council on the Melbourne and Metropolitan Board of Works, of which he had been a member for 22 years.portrait, councillor, mayor, brighton, metropolitan board of works, borough of brighton, town of brighton, city of brighton, central ward, municipality, land speculator, william wilson, thomas wilson, cr. t wilson -
Kew Historical Society Inc
Photograph, J F C Farquhar, The Post Office, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A panoramic photograph of the junction of High Street and Cotham Road. The photographer centres the point-of-view on the Kew Post Office and adjacent Court House. These were designed in the Queen Anne style by the Public Works Department's architect J Harvey and completed in 1888. The complex is important because it demonstrates a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. The earlier Jubilee Fountain in front of the Post Office was erected by the Kew Borough Council to commemorate the Golden Jubilee of Queen Victoria in 1887. It was created to a design of the architects Reed, Henderson and Smart. The fountain was later relocated to the Alexandra Gardens to make way for the Kew War Memorial. The tram tracks in High Street were used by the horse tram, which ran from the Victoria Street Bridge to the Boroondara General Cemetery. The tram was replaced by an electrified service in 1915.The Post Officekew post office, kew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, High Street, Kew, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In 1891, High Street was the centre of commercial activity in the Borough of Kew. It was unpaved and edged with deep bluestone gutters, which were designed to channel the significant flow of storm water down the hill to and beyond the Junction. On either side of the entrance to the shopping strip are two cast iron gas lamps that provided the only public street lighting before the Post Office was reached. Most shops, including the Nicholas Brothers’ Junction Store featured cast iron verandas. Further up the hill, Dougherty’s Greyhound Hotel was by this stage a local institution. Apart from the horse-drawn tram, the main form of personal and commercial transport in this period remained the horse, horse and cart, or buggy.The panoramic view predates the widening of High Street in the 20th century, and thus includes the original alignment of buildings on the south side. These included Henry Kellett’s shop.High Street, Kewkew illustrated, kew where we live, photographic books, henry kellett, high street - kew (vic) -
Kew Historical Society Inc
Photograph, J F C Farquhar, Bird's Eye View Looking West, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street -
Kew Historical Society Inc
Photograph, J F C Farquhar, Bird's Eye View Looking North, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, Wellington Street From High Street, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, Studley Park Road, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett -
Kew Historical Society Inc
Photograph, J F C Farquhar, A View in Studley Park Road, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands -
Kew Historical Society Inc
Photograph, J F C Farquhar, Railway Bridge Over the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic) -
Kew Historical Society Inc
Photograph, J F C Farquhar, Kew Asylum & Grounds, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.When the Kew Lunatic Asylum was opened in 1871, its extensive 340 acres of grounds were intended for farming, agriculture and recreation for the inmates. The point-of-view chosen by Farquhar for this panoramic photograph focuses on the ordered open fields, haystacks and remnant trees that extended from the foreground to the rear of the Asylum. The inmates are the absent players in this pastoral idyll. In 1891, The Argus reported on the Annual Asylum Picnic: “Wednesday saw the Kew picnic, the yearly festival of the mad folks and their keepers. Once a year the public subscribes for cakes and ale for all these mad folks, and their keepers, from superintendent to lowest wardsman, turn out, and use their best endeavours to make one day in the year sanely merry.” Regardless of such merriment, the Asylum’s development and ongoing status were frequently a source of disquiet to the residents of Kew, who regularly petitioned the State Government for its removal. Despite these views, the Asylum was to remain a functioning institution from 1871 to 1988. Kew Asylum & Groundskew illustrated, kew where we live, photographic books, henry kellett, kew lunatic asylum -
Kew Historical Society Inc
Photograph, J F C Farquhar, Ratting on the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Photograph, J F C Farquhar, Dight's Falls, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour mill, one of the earliest industrial sites in Melbourne. The falls were later to be named after the owner of this mill. In 1888, William Guilfoyle, Director of the Melbourne Botanical Gardens had called for fresh water to be piped from above the weir to the Botanical Gardens, using a pumping station on the Kew side of the Falls, a holding reservoir in Walmer Street and a series of pipes from there to the Gardens. This system was opened in May 1891. Farquhar’s photograph of the man-made weir obscures the industrial activity on both sides of the Falls and focusses solely on the river and the surrounding natural vegetation. The photograph probably predates the disastrous flooding of the Yarra River in July 1891, the greatest to have occurred in the Colony since the foundation of Melbourne.Dight's Fallskew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Photograph, J F C Farquhar, The Yarra in Hyde Park, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Hyde Park is now a small recreation reserve bordered by Willsmere and Kilby Roads and White Avenue. In 1982, Hyde Park was cut off from the Yarra River by the construction of the Eastern Freeway. The building of the latter was to transform the natural landscape, including the Yarra, as well as Hyde Park. The construction of the Freeway makes it difficult to view the scene with the photographer’s eye. Today’s Hyde Park is located on land purchased in 1847 by John Cowell, and in 1851 Catherine Cowell, yet the scene selected by the photographer may well have been located on farmland owned by the Wills family. Farquhar’s point-of-view emphasises both the pastoral and recreational elements of the scene: the grazing cows, three boys, and in the distance two figures, seated on the bank with a parasol. By 1891, an environmental consequence of human activity, including farming, was deforestation, leading to the erosion of the south bank of the Yarra. In contrast, the land on the Alphington side of the river in 1891 included remnant bushland.The Yarra in Hyde Parkkew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Kew Historical Society Inc
Book, Henry de Castres Kellett BT, Kew Where We Live : Kew Illustrated, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A unique Illustrated book, comprising a series of twelve plates of panoramic and landscape photographs of Kew, commissioned from the Melbourne (and Kew) photographer JFC Farquhar, by the Kew stationer Henry Kellett. The book was published in 1891, so it is presumed that the photographs provided by Farquhar were taken in 1891 or in the previous year. Photographs from the cloth bound book were offered by Kellett for sale separately; hence a number are in public collections. The book is in very poor condition, the leaves having separated from the spine. The cover is suffering from red rot while the mounts of each book plate are dirty and frequently suffering from foxing. The actual silver albumen plates variably suffer from foxing and iridescence caused by the deterioration resulting from the photographic process. Each part of the book can be viewed in this record in sequential format.KEW WHERE WE LIVE / KEW ILLUSTRATED / THE ACCOMPANYING ILLUSTRATIONS ARE PHOTOGRAPHIC VIEWS OF KEW AND ITS SURROUNDINGS, EXECUTED BY THE "ARGENTIC BROMIDE PROCESS", WHICH ENSURES ABSOLUTE PERMANENCY OF THE PHOTOGRAPH. IN A FEW YEARS HENCE WHEN MOST OF THE OLD LANDMARKS WILL HAVE DISAPPEARED THESE VIEWS WILL BE A VALUABLE MEMENTO OF KEW AS IT WAS IN 1891. ANY OF THESE ILLUSTRATIONS GAN BE OBTAINED FROM MR. H. KELLETT, HIGH STREET, KEW, IN SINGLE COPIES, IN THE SAME SIZE AS THOSE HEREIN AT 2s PER COPY. THEY MAY ALSO BE OBTAINED IN THE FOLLOWING SIZES FOR FRAMING:- / ACTUAL SIZE OF PHOTOGRAPH 15 INCHES X 12 INCHES @ 8. 6d EACH / 22 INCHES X 16 INCHES @ 15s EACH / PRIVATE RESIDENCES AND ESTATES / SPECIAL ARRANGEMENTS CAN BE MADE FOR TAKING VIEWS OF PRIVATE RESIDENCES - INTERIOR AND EXTERIOR - AND FOR GROUPS, &C., IN ANY SIZE UP TO 40 INCHES BY 30 INCHES BY THE "ARGENTIC BROMIDE" PROCESS UPON APPLICATION TO / MR H. KELLETT / HIGH STREET, KEW.kew illustrated, kew where we live, photographic books, henry kellett, jfc farquhar - photographer