These betting tickets belonged to Tom Egan, a Warrnambool bookmaker operating in the district before World War Two. He had his own betting tickets printed locally.These cards are of interest as mementoes of horse racing in Warrnambool over 70 years ago. T.Egan Warrnambool Modern Print Warrnamboolwarrnambool racing club, warrnambool bookmakers

These sleeve links were used by men to keep the shirt sleeves from protruding on to the hand. They are still used today. These sleeve links are a fine example of a man's accessory 70 years ago..1 This is a circular expandable, brass chain. There are thirteen links .2 Same as .1vintage accessories, warrnambool history

The Ballarat College of Advanced Education was formed by the merging of the State College of Victoria at Ballarat (SCVB) and the Ballarat Institute of Advanced Education (BIAE). The parent body of BIAE was the Ballarat School of Mines, founded in 1870 to train personnel for mining activities. The first awards at diploma level were made in 1896 in the branches of English, Metallurgy and Geology. Over the years the range of courses broadened to include Art, Physics, Business Studies, Humanities and Librarianship. The tertiary division of the School of Mines was relocated to Mount Helen in 1970. The SCVB was established in 1925 by the Education Department as the Ballarat Teachers' College. It was one of two provincial teachers' colleges to be established. The first courses were concerned with primary teaching and manual arts but later the subject areas of Physical Education, Environmental Sciences, Music, Art and Craft became major strengths. The merger took place in 1976 and by 1980 all staff were located at the Mount Helen Campus. In 1988 Student accomdation included: * Mount Helen - 290 individual furnished study/bedrooms arranged in units of ten to fourten rooms. $64.05 including 4 evening meals * Gillies Street - 56 individaul study/bedrooms in two blocks each containing kitchen/dining room areas, a common room, as well as bathroom areas. Does not include meals. $37.80 per week. * Beaufort House - Managed by the Education Department, with BCAE playing a coordinating role in the placement of students. 75 single and shared accomodation with full board (14 meals per week) $73.80 per week * Nurses' Home - Ballarat Base Hospital authorities made approximately 100 individual study/bedrooms availabel to female students. (36.40 per week)White soft covered book with grey, blue, orange and green detail. It is the Ballarat College of Advanced Education Prospectus for 1988. It inclues admisson and application details, student services and facilities, open day, and undergraduate course information. ballarat college of advanced education, bcae, prospectus, vtac, international students, student accomodation, computer centre, library, childcare centre, campus shop, bean inn, applied science, arts, business, engineering, humanities, social sciences, librarianship, nursing, physical education, primary teaching, educaion, graduate diploma, sanyo micro-computers, apple iie computers, hewlett-packard 3000 model 70, hewlett-packard 9000/550 computer, cyber 180-835 at rmit, student union, gym, teacher resource centre

This teacher's aid publication targets the creative and imaginative areas of primary school children's development. It is in a time period at the beginning of television(home intrusion) broadcasts and concentrates on the mental and physical tasks that produce tangible(physical) outcomes. The book concentrates on furthering the students abstract regions of their imagination. This was in a period where physical not electronic flexibility were the target of development. The increase in visual communications both at home and outside the home through social media means has intruded into the fundamentals that is presented in this teacher's aid publication.This publication is significant to both the Alpine and the Kiewa Valley regions because it demonstrates the Victorian State's Educational objectives of this period in time (1960's - 70's). The primary school's educational objectives were to enhance the development of school children's abstract mental abilities. These abilities prompted the mental processes to "think outside of the square" and is one of the major factors behind the development of "new inventions". This ability has produced many "Australian" inventions that have had worldwide applications. This book has a hard cover with photographs of "school" children constructing various "simple" items.Inside cover has a sticker "HALL'S BOOK STORE" and underneath in smaller print "New, Used and Rare Books" underneath this "371 Bourke Street, Melbourne' underneath "262 Chapel Street, Prahran". On the fly leaf is stamped "STATE SCHOOL 4590 BOGONG Vic" and written below "1769" 680 DIM"book, school, mental and physical stimulation, school activities

These types of folding postcards, showing scenes and buildings in Australian towns, were mass produced for tourists in the 1930s, 40s and 50s and later. Many similar cards of Warrnambool views have survived today. These commercial photographs are of minor interest as there are many other copies available. They show what tourists were buying 60 or 70 years ago and give us some idea of what Warrnambool streets and tourist spots looked like at that time. This is a series of 15 black and white postcards of views of Warrnambool folded into a packet originally designed to be sent by mail but the cover is missing. The photographs have a white background. The word ‘Warrnambool’ is on the front card. Each card has a title eg. ‘The Cliffs at Shelley Point’, ‘Hopkins Falls’. warrnambool, tourism

Red hard covered book of 1030 pages, with 423 illustrations and maps.world war, world war one, charles bean, aif, anzac, lagnicourt, messines, ypres, menin road, polygon wood, broodseinde ridge, passchendale, hill 60, hill 70, benafay wood, hindenburg line, hooge dump, butte, bapaume, bullecourt

non-fictionThe detailed history of the No.8 Independent Commando Company during World War II. Plastic protective cover over the book. The 2/8th Independent Company was formed at Wilson’s Promontory, Victoria, in July 1942 and travelled to Yandina, in Queensland, in September. While the other seven independent companies saw action in the islands off Australian and in New Guinea, the 2/8th spent most of the next two years based at Adelaide River, in the Northern Territory. While it was in the Territory, the independent companies underwent a series of reorganisations and the name of the 2/8th was changed from the 2/8th Independent Company to the 2/8th Cavalry (Commando) Squadron. This name was later simplified to just commando squadron. In July 1944, after years of waiting, the squadron left the Territory and sailed from Townsville to Lae, via Milne Bay. While at Lae, the squadron received an intake of 70 men from the 2/8th from the 2/3rd, 2/5th and 2/6th Cavalry (Commando) Squadrons, many of whom were veterans of the earlier New Guinea campaigns. Their experience was no doubt a useful reserve that would have been called upon during the 2/8th’s subsequent campaign in Bougainville. Others though, were able to implement some of their commando training when a small group from the 2/8th they made a secret landing on New Britain. Towards the end of the 1944 the 5th Division was preparing to make a landing at Jacquinot Bay in New Britain. Part of these preparations included landing a small group of officers from the division at Jacquinot Bay to make a secret reconnaissance of the potential landing site. As Jacquinot Bay was still in Japanese controlled territory, ‘C’ Troop from the 2/8th provided the protection for the reconnaissance party by establishing a position on the beach and by patrolling the surrounding country. Everything went well and the 5th Division later landed at Jacquinot Bay in November. The squadron too was on the move, and in October it sailed to Torokina, the main Australian base on Bougainville, where it joined the II Australian Corps. The campaign on Bougainville was dived into three areas, the Central, Northern and Southern Sectors. The 2/8th served in the latter two areas. The 2/8th made the first move of the Australian campaign in the Northern Sector, by patrolling from Torokina to Kuraio Mission and Amun once a week. The squadron did this from the second week of November unit the second week of December. The 2/8th was then transferred to the Southern Sector. The main battle for Bougainville was fought in the Southern Sector, as the 3rd Division advanced towards Buin – the main Japanese base on the island. As the division’s infantry brigades advanced along the coast, the 2/8th’s task was to protect their flank by conducting forward reconnaissance patrols, harassing the Japanese with raids and ambushes and conducting a form of guerrilla warfare. The squadron had a long campaign. For nine months, from the end of December until August 1945, the troopers were in action the whole time. After securing the Jaba River, they moved inland, first to Sovele Mission, then the villages of Opai, Nihero and Morokaimoro. They had reached Kilipaijino by the end of the war. Each village taken became a patrol base. Patrols were usually limited to two sections, although up to six sections could be operating at a time. Patrols generally lasted four to six days, but nine-day patrols were not unknown. The squadron collected and collated track information, terrain reports and located the enemy. Once patrols had gathered information, they were free to make a ‘strike’ against the Japanese by setting an ambush or taking a prisoner. These raids were very effective, as they forced the Japanese to deploy troops to their rear areas, removing men from the front created by the infantry. Following Japan’s surrender and the end of the war, the ranks of the squadron thinned quickly as men were discharged or were transferred to other units. For those who were left, the squadron returned to Australia at the end of December. In mid January 1946, at Liverpool, the 2/8th Commando Squadron was disbanded.

This commemorative framed print was a gift presented by Freemason, Worship Brother J. Wishart Junior, who also had the title of Worshipful Master of the Masonic Lodge from 1983-1954. This print was possibly presented by Wor. Bro. J. Wishart to the Masonic Lodge in Warrnambool the year following the coronation of Queen Elizabeth II, just after Wishart completed his term as the Worshipful Master of the Lodge. It is likely that the portrait was also part of the furnishings when one of Flagstaff Hill's village buildings was set up as a 19th century style Masonic Lodge, as shown in the map of the village in 1994 and was activated by a member of the Masonic Lodge. (Before this time the building was a Reference Library, and some time afterwards it was a Reading Library, and is now a Mechanics' Institute.) Australia is part of the British Commonwealth. Respect for the reigning monarchy of the colony of Australia has been shown here since colonisation and continued after Federation. Portraits of the reigning sovereignty have been displayed in public organisations, government departments and clubs over the years. Children in schools have been taught to 'Honour the flag, serve the Queen" (or King) etc. In February 1952 King George VI of England passed away. His daughter was proclaimed Queen, and crowned as H.M. Queen Elizabeth II on June 2nd, 1953, at Westminster Abbey, London. It is interesting to note that on 12th April, 1997, Warrnambool's Masonic Centre in Kepler Street held a 150 years celebration of the settlement of Warrnambool and District. A time capsule was inserted in the 'foundation stone' and one of the items inside it was a Flagstaff Hill Heritage Centre leaflet. The portrait of the coronation of H.M. Queen Elizabeth II and her continued reign of 70 years is significant, as it marks a very special occasion in the history of Britain and its Commonwealth. This portrait is similar to many other portraits of the Queen's coronation and is familiar to Australian citizens of the current generation and the ongoing link to Britain's colonasit6ion of Australia.Print, coloured, framed behind glass. Portrait of H.M. Queen Elizabeth II at her Coronation on June 2nd, 1953. The Queen is seated and wearing a white gown and white-trimmed blue cape. She is wearing a jewelled crown and holds the ceremonial Orb and Sceptre. In the background is Westminster Abbey. The decorative frame is cast composite or plaster. A card provided with the print advises that the print was presented by J. Wishart - it is attached to the reverse.Handwritten in ink on card "H.M.QUEEN ELIZABETH II / PRESENTED BY / WOR. BRO. J. WISHART JNR. / WOR. MASTER 1953-1954."flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, 2-06-1953, westminster abbey, scepter, orb, royal crown, coronation, queen elizabeth ii, hm queen elizabeth ii, royal portrait, h.m. queen elizabeth ii, worshipful brother, worshipful master, time capsule, 19th century style masonic lodge, warrnambool 150 years celebration, coronation of queen elizabeth ii, freemasons, j. wishart, flagstaff hill masonic lodge building, portrait

Invitation to Mr & Mrs A Richardson - Cohns Industries Pty Ltd sponsor of Explorers70 - visit to Bendigo of 60 Young Explorers Discovering Australia (in conjunction with Coca Cola Export Corporation). Held at Brolga Hotel/Motel 27/11/1970.business, cohn brothers, luncheon invitation, young explorers discovering australia, explorers'70, coca cola export corporation

Index, ill, maps, p.256.A history of air warfare over the past 70 yearsair warfare - history, air warfare - encyclopedias

Naive painting of the Creswick Post Office painted on site, "en plein air", part of his recording of the town. Litherland was born in Odessa in 1897 and arrived in Creswick in 1938, where he lived until his death in 1978. This painting and 65 others were bequeathed to the town by him.This painting records the life of the town of Creswick at a moment of time, in the naive style. Litherland became a character about town and a noted artist. He is represented in the National Gallery of Victoria, the Art Gallery of Ballarat, the National Gallery of Australia and other regional galleries.Gouache painting on paper of Creswick Post Office in the naive style. Framed by artist. Named on the back by the artist.Signed lower middle "Victor Litherland" and dated 1963. On the back the name "Creswick Post Office" is written by the artist.victor litherland, creswick, naive art, gouache

Probably brought to the area by Chinese miners or shopkeepers. It was used to weigh small items at a time when goods were often paid in gold. In could also be used for weighing opium. In China it was known as a Dotchin. Creswick had a large Chinese population which arrived circa 1855 and established the Chinese Camp (now Calembeen Park) plus other satelite camps in the area. In 1859 there was over 1,000 residents in the area and many operated as shopkeepers. Joined pieces of wood (bamboo), violin shape case joined with brass rivet together. The case features a long section to house the ivory rod with the bulbous section to house metal dish with four holes. Ivory rod. Metal weight is missingIvory rod has markings to indicate weight. Metal dish has four holesscale, goldrush, gold, miners, opium smoking, shopkeeping

Painted "en plein air", as seen by the artist, recording things as they were in 1959. Painted by Victor Litherland who arrived in Creswick in 1938. He became a noted artist represented in major collections. He painted in the naive style and recorded his history of the town.Gouache painting on paper of the old Creswick Fire Station and Town Hall (now the home of the Creswick Museum), done in naive style.signed "Victor Litherland" and dated 1959victor litherland, creswick, naive, gouache, town hall, fire station, 1959

The Railway Hotel in Creswick later became a hostel for Dutch immigrants just after WW2. It is now demolished.Paintings by William Tibbits are relatively rare. They are valuable as a record of life in Creswick (and other towns) in the colonial period.Watercolour painting on paper by William Tibbits depicting the Railway Hotel, Creswick, in about 1870.william tibbits, railway hotel, creswick, colonial art, watercolour

Early self portrait of famous painter Lionel Lindsay. Lionel was one of the famous family of artists, which included Norman Lindsay, Percy Lindsay, Daryl Lindsay and Ruby Lindsay.A rare early self portrait by Lionel Lindsay, showing himself in a "Spanish style", before he followed his dream and went to Spain. Lionel became a famous artist in Australia and Europe, especially noted for his Spanish etchings.Watercolour painting on paper of self portrait by Lionel Lindsay.Signed "Lionel Lindsay 1899"lionel lindsay, creswick, etching, watercolour, spain, norman lindsay

The concertina was owned by Simon McDonald. He gave the concertina to Myrtle Porter in exchanged for town water. Simon McDonald lived in Melbourne Rd., Creswick.Simon McDonald (1906 - 1968) was a noted self taught Australian folk musician whose home was in Creswick. Consider in the industry as the most important.20 Button Anglo Concertina & Case. Hexagon shaped Concertina. Both sides have fretwork and 10 bone buttons making it a 20 plus single button Anglo concertina. The leather straps have at sometime been replaced with white plastic strap. It has 5 bellows in black and white pattern leather. The hexagon wood case is lined, although the lining is showing wear.One side: small disc with Lachenal & Co., Patent Concertina Manufacturers, London. Opposite side: Initials on red card J.W.Gsimon mcdonald, anglo concertina, creswick

Crib Pail owned by John Tom Clifton. His mother Frances Clifton re-married after his death to Thomas Harvey and it was held by the Harvey family It was loaned by Leonard Harvey to the organisers of the Great Australasia Mining Disaster Centenary Committee 1982 but then presented by his family to the museum in his memory.It is the only known article from the New Australasian No.2 Gold Mining Disaster. It was reported that three were removed from the mine at the time of the disaster. The Bellingham Billy rusted when left in a shed. Manley's was believed to have been lostThe round crib pail is made of tin and is badly rusted. A crib pail was used by miners to carry their food down the mines. The lid is missing. This pail was taken down the mine by John Tom Clifton and he wrote a message on it before he died in the New Australasian No.2 Gold Mining Disaster 1882. It was known to have the following inscription "Goodbye dear mother, sisters and brothers: Philippa my dear girl. John Tom Clifton" but is not readable .clifton billy, miner's pail, crib pail, new australasian no.2, gold mining disaster, creswick

The watch was presented to the Museum by John Stuart Hepburn's Great Great Grandson. Before travelling to Australia he was a seafarer in the Merchant Navy. In 1835 he was an Overlander. Capt. Hepburn returned in 1837 with his family to Victoria and was an early pastoralist and took up land at Smeaton. He died at Smeaton House in 1860 aged 57. Associated with Capt.John HepburnBrass outer case Pocket Watch with ceramic face. 1 to 12 are in Roman numerals. Fusee workings. Cracked face between 1 & 2. Internal Fusee workings with diamond and rubies. Pierced pattern metal case.Inside case T (?) Maddock London AD 1810pocket watch, fusee movement, capt, john hepburn, smeaton

Rev. Thomas Williams was grandfather of the Lindsay children. He is credited with encouraging his grandchildren in their artistic talents. Both Lionel and Normam learnt their model making skills from him. Creswick Hospital was foundation stone was laid in 1863. It operated as a hospital until 1911 when it was sold to the government as part of the School of Forestry (now University of Melbourne). The model shows it as a red brick building. In the 1870s it was painted as a white building. The Museum has b/w photos of the building taken prior to rendering. The people of Creswick collected fund for the project and obtained a government grant. The 1857 survey map of the proposed township shows the area at Eastern Hills reserved for a hospital and Benevolent SocietyThe model's unique association with the Lindsay Artist of Creswick. Model of Creswick Hospital before rendering. Made of paper with painted background and framed.model, creswick hospital, rev t. williams, lindsay family

Uniform used by Major Philip Ketch, Commanding Officer Creswick Volunteers (1883). Was on display for many years at Ballarat Ranger Barracks but at the families request returned to Creswick MuseumOnly known uniform on display of the Creswick (Ballarat) Volunteers.Creswick Volunteers Officer's Dress Tunic. Main body in black wool fabric with rounded red stand up collar and braid. Sleeves end with red wool pointed cuffs with braid. Braiding on main body of uniform. Froged with 5 rows of braid ending with netted button. On sleeve badge with crossed rifles year 1883 and above years 1880, 1881, & 1882. Leather belt across shoulder with whistle attached.volunteer uniform, creswick, philip ketch

Philip Keatch was commanding officer of Creswick Rifle Corp when it was disbanded in 1883. Rare photograph of a member of the Creswick Rifle Corp, a volunteers group.Photograph of Philip Keatch in uniform of Creswick Rifle Corp

Federation of six states of Australia Rare Souvenir Flag from Federation of Australia 1901Silk printed flag. Union Jack as background with 6 stars representing the 6 States of the Federation. Portraits of their H.R.H George, Duke of Cornwall and York and his wife Mary, Duchess of Cornwall and York. A crown above their portraits and a scroll with the words Australian Federation 1901. After conservation the flag has been mounted on a pad and stored in box made to fit the flag.royal tour 1901, federation,

Alexander Peacock and Millie Holden married on January 1st 1901 the day of Australian Federation. The names listed on the illuminated address were all prominent men in the Borough and Shire of Creswick. John English, John Leishman, Jonah Ward, William Thomas, W. Davies, J. Tait, H. Hammon, D. Luttet, L.D. Watson, D. McGarth, G. Maughan, Illuminated address to Hon. A.J. Peacock, Chief Secretary of Victoria. It has cameos of Creswick Town Hall, Peacock's home, Creswick Goldfields Hospital and gold mine. It has portraits of both Alexander Peacock and Millie Holden as printed on the announcement of their engagement. The address is signed by prominent citizens of Creswick.alexander peacock, millie holden, millie peacock, creswick

Sir A.J.Peacock KCMG MLA / Born Creswick June 18 1861 / died Creswick 7th Oct. 1933, Premier of Victoria 1901-02, 1914-17, 1924. The painting was presented to Sir Alexander Peacock by the Trade Council for his work on the Eight Hour Bill in 1901.Oil painting of Alexander Peacock in a John Thallum gilt frame. Has metal plate at lower centre with information on the sitter.On the back of the frame label of John Thallum Frame-maker.

Photograph, Sepia, Easter Sports 22 and 23rd April 1867 in aid of Creswick Hospital. Structures in order from gate 1 No. 3 Publican’s Booth- W. Davies. 2 Richardson’s Show 50’ x 25’ inside platform 14’ outside 21’ x 18’ (Braganzro (?) provide poles) 3 Refreshment Booth 50’ x 12 ½ ‘ shingle roof, bazaar and wheel of fortune (J. Hook) 4 No. 1 Publican Booth, T. W. Anthony 40’ x 20'. 5 Storage for donations. Secretary’s office, Steward’s room 60’ x 13’. 6 Dancing Booth 80’ x 30’ floored with such boards; contains 8,000’ of ?? 7 No. 2 Publican’s Booth W. J. Whatman. Sports commenced 1 p.m. 2 large swings at south end of ground; running was 300 yards round platform for dancing in center; skittle alley fenced off near entrance; portion roped off on East side and provided with seats for ladies; entrance 1/- children 6d A. M. Wilson- Aunt Sally; Mr. Rowell- Doodlem Buck ; 3 shils a penny; Bobbly Down; Wheel of Fortune; Sunny’s ? ; skittles, Dancing excellent string band Monster balloon ascends last day, sent by J. Moore at conclusion of sport. Full brass band. Easter Sports Committee; H. Piening treasurer; C. Whiffle; E. Williams; J. Machiman; H. Williams; G. Frazer; B. Trevan; W. Johnson. W. Pobjoy Hon. Sec. Refreshement Booth; Mesdames Geljon, H. Williams, Moore, Sedon (2), Burke, Grigan, Whalley.Lennon Troupe: Lennon, Burrel, & Carroll Taming a Tiger. Photograph taken from Water street about intersection with East side of Roger street. Photo taken by H. Moser Monday 22nd April 1867) Easter Sports 22 and 23rd April 1867 in aid of Creswick Hospital. Photograph, Sepia, 1 No. 3 Publican’s Booth- W. Davies. 2 Richardson’s Show 50’ x 25’ inside platform 14’ outside 21’ x 18’ (Braganzro (?) provide poles) 3 Refreshment Booth 50’ x 12 ½ ‘ shingle roof, bazaar and wheel of fortune (J. Hook) 4 No. 1 Publican Booth, T. W. Anthony 40’ x 20'. 5 Storage for donations. Secretary’s office, Steward’s room 60’ x 13’. 6 Dancing Booth 80’ x 30’ floored with such boards; contains 8,000’ of ?? 7 No. 2 Publican’s Booth W. J. Whatman.photograph, h. moser, easter sports, creswick

Early vase made by Doug Alexander, who started Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase made by Doug Alexander about 1970.Potters impressed mark of "A"doug alexander, springmount pottery, creswick, ceramic, potter

Early vase thrown by Doug Alexander who began Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase, sloped, made by Doug Alexander about 1970.Impressed marker's mark "A".doug alexander, springmount pottery, creswick, ceramic, potter

Daryl Lindsay was born and grew up in Creswick, one of the famous Lindsay family of artists. He had a love of horses and this was his favourite. He often did portraits of horses for famous owners.Daryl Lindsay became a noted international artist and the Director of the National Gallery of Victoria. He had a very considerable influence on Australian art, particularly from the 1940s to the 1970s.Oil painting on canvas by Daryl Lindsay of his favourite horse, "Pompey".Signed Daryl Lindsay on front. On the back is written "Daryl Lindsay painted his favourite horse Pompey c. 1930 at Mulberry Hill, Baxter. Presented to the Creswick Museum by Joan Lindsay May 1977.daryl lindsay, painting, horse, pompey, creswick, ngv

Made by Doug Alexander at his Springmount Pottery. Typical form and glaze for this time, early 1970s. Doug Alexander was one of Australia's greatest studio potters.pottery vase, glazed, brown and whiteDoug Alexander's markdoug alexander, springmount pottery, creswick, ceramic, potter