Each MOK Court was required to display this image and their Charter at their meetings. The original painting by John Pettie depicts a squire holding a vigil of prayer during the night before his knighting ceremony. This was a custom during the Middle Ages. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia. E3112.15.1 and E3112.15.2: Black and white modified image of the painting "A Knight's Vigil" by John Pettie, R.A. 1839-1893.THE VIGILmethodist order of knights

This flare pictured is one of three lighting or signal flares. These are pyrotechnic devices used at sea, mainly as a distress signal. However, they have other meanings when used for naval purposes, such as the executive order to start a particular manoeuvre. These are usually packaged as part of a distress pack containing all necessary rockets or flares for immediate use, in any emergency, by ships and off-shore yachts.This set of three flares is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Flare; mushroom coloured cylinder, metal base with wooden top joined to it. Base has removable cap with metal encased wooden fuse attached, which holds seven removeable pegs and rings. String threaded through top holes has a wooden peg attached. Top also has holes drilled on opposing sides through which the peg would fit. Inscriptions stamped in black on base, and impressed into cap. Stamped black: "I" Impressed into cap: ""I", "R↑L" (inside oval).flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, life saving rescue crew, lifesaving rescue crew, rocket rescue method, rocket apparatus rescue, stranded vessel, mortar, life jacket, rocket machine, rocket line, rocket set, schermuly, harbour board, government of victoria, harbour master, armband, l.s.r.c., lsrc, flare, light, safety equipment, distress signal, safety at sea, emergency signal, broad arrow, communication signal, vingage, pyrotechnic flare

Golden Jubilee Programme and invitation and order form to celebrate the 50th anniversary of Eltham High School. The school originally opened in 1928 as the Eltham Higher Elementary School which ran till end of 1949 and commenced 1950 as Eltham High School. The Golden Jubilee celebration had a program of events that ran from Friday, May 5th to Sunday, May 11th, 19781978, eltham high school, eltham higher elementary school, jubilee, order form, program

Not bad for an old'en; a tribute to Hazel Amos, by Bryan Henderson; with Order of Service for her funeral, April 2018. Hazel Amos (24 November 1919 - 17 April 2018) lived in Doris Street Greensborough from 1950 until her death and was a member of the Living Faith Church Greensborough, Diamond Valley Probus Club and worker at the Brotherhood of St Laurence Opportunity Shops.2 p. document with colour photograph; with 4 p. pamphlet with colour photographhazel amos, amos family

This solid, late Victorian era piano is branded Renardi, which is a German name. In the late 19th century thousands of pianos were exported from Germany to Australia. Some, unfortunately, were amongst the cargo of shipwrecks. It seems that the Renardi pianos were not made by a Renardi company but made to order by any of a number of German piano manufacturer and branded for distribution by Australian music stores.This Renardi piano represents an era where musical gatherings were part of domestic entertainment. Pianos were ialso installed in clubs, public halls and hospitality businesses for song nights and concerts were encouraged for community unity.Piano, upright, walnut veneer with floral design on panels. Turned columns, hinged lid and two metal pedals. Branded Renardi, a German name, made c. 1900. "RENARDI"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, musical instrument, upright piano, german, renardi, victorian era, late 19th century, entertainment

Order of presentation of honours and medals at War Memorial Opera House, San Francisco Monday May 7, 1973 at 3pm at the 1973 American Institute of Architects Convention. Patricia Boyd travelled to this conventian to accept the AIA's Architecture Critics Medal on behalf of her late husband Robin Boyd. She gave an acceptance speech at this event. The certificate accompanying the medal is item C07.Two copieswalsh st library

Wreath laying ceremony for widows at the Cenotaph at the Shrine of Remembrance in 2001. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. Photos show three widows with the order of service (L to R Gwen Gunn, Margaret Armstrong and Joan Miller), the crowd gathered around the Cenotaph, the Legacy President J.D. Grierson speaking and the wreath laying.A record of a ceremony at the Shrine in 2001.Colour photo x 7 of a ceremony at the Shrine for Widows' Sunday in 2001.Printing on the back "widows, widows' sunday, wreath laying ceremony, pilgrimage

A detailed diary of the commitments of the President in 1971. He lists the events in date order showing the high number of events attended. The President in 1971 was AG (Robbie) Robertson. The presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the duties of the President in the 1970s.White foolscap paper x 7 pages with black type about the President's commitments in 1971.presidents, robbie robertson

Dr Paul Hemming joined the university council in 2007 and was appointed Chancellor in 2012, when he was also appointed chair of the Federation University Australia Foundation. He retired as Chancellor in October 2018. Dr Hemming, a GP, was appointed an Officer of the Order of Australia (AO) in the 2018 Australia Day Awards for distinguished service to higher education administration and leadership in medicine and general practice.Framed academic portrait of Dr Paul Hemming, AO, Chancellor of Federation University Australia.paul hemming, ron penrose, academic portrait, academic regalia, chancellor, federation university

Funeral procession of Francis Thomas Le Page leaving Church of Christ, Chesterville Road, Cheltenham. Minister of church lead procession followed by members of the Star of Moorabbin Order of the Sons of Temperance Friendly Society wearing broad collars. F.T. Le Page was a councillor for 25 years and served as president of the Shire of Moorabbin in 1902/3. He died on 12 December 1927.Nicholas and Rachel (nee Addy) Le Page migrated from Geurnsey to Australia in 1852 with their young son Francis, who was less than a year old. They first lived in Prahran, setting up their own business and after about two years decided to move to Cheltenham and take up market gardening. The Le Page family has been associated with region ever since and have taken on many roles of prominence including local politics. Black and white image of a group of men, standing in two lines, all with hats off. They are standing in front of a line of cars. The first car in the line appears to have flowers on the roof which possibly indicates it is carrying the coffin in this funeral procession.

Photocopy of the Geelong Timetable, No. 46, c1951 giving details of the fares, transfers, luggage or parcels, lost property, times of each tram on the Newtown, West Geelong, East Geelong, Chilwell, Eastern Park, Belmont and North lines. Note: Sheets may not be in the same order as the printed versions due to the photocopying method. See items 5357 and 5629 and 8552 for other versions. Yields information about the operation of the Geelong tramway system.Photocopy - 17 A4 sheets of the "Official Time Table Geelong No. 46" on heat sensitive paper.tramways, trams, geelong, timetable, operations

The house depicted in this image was constructed in 1865 for James Young a prominent local businessman and participant in community affairs. James Young left Bacchus Marsh in 1869. In 1870 Stone Villa was purchased by local solicitor Francis Gell. In 1872 it was bought by William Collyer. For a time before 1883 it was used as a school operated by Mr Thomas Kissock and his wife. From 1883 until 1922 it was used as a parsonage by the Church of England. In 1922 it was sold to Frederick Slack as a private residence. Since Slack's ownership there have been other owners. As of April 2024 it remains as a private residence and is listed as a heritage property in the Moorabool Shire planning scheme. The identity of the two women and young girl in the foreground of the image has not been established. One of the women, and the child are possibly the wife and daughter of the Rev A.C. McCausland who was the Church of England Vicar in Bacchus Marsh from 1872 until 1885 and would have resided in this house in 1883 when this picture was produced.An early visual record of one of the most culturally and architecturally significant nineteenth century stone houses in Bacchus Marsh.Small sepia 'carte de visite' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll', the Jeremeas Family Album. The photo is of a stone dwelling with an ornate gable above the inset front door which is flanked by two double windows, one of which is a bay window. The gable roof line bears ornate woodwork. A weatherboard extension with verandah has been added to the rear of the house, running north-south. A picket fence lines the block to the side of the dwelling. Two elegantly dressed women, both holding a furled umbrella, stand at the front, one holding the hand of a little girl.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. Hand written on the reverse: 'Stone Villa built by James Young 1860 (sic) as his private residence, later as a school (Mr and Mrs Kissock proprietors) bought by CofE for Vicarage 1883-1922. Courtesy of Mrs J Jeremeas, Photo 1883' james young 1816-1871, houses, stone villa bacchus marsh, clergy residences, bacchus marsh vic. history, schools bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Black and white reproductive photograph of earlier image. People standing in front of Post Office building - double storey bluestone with decorative stone balcony.Front: Post Office, Portland (on photograph original). Portland Post Office Cnr Bentinck & Cliff Streets c1900 (built 1991) (typed label, lower centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).portland post office

Historically this item would have been used by gold miners, rabbit shooters, mobile "Rag and Bone" traders and other mobile(in caravans and/or horse drawn cart) traders of various small goods and haberdashery. Although marked as not to be used as trade, the isolation and sometimes difficult terrain rules out using larger and more delicate scales. In the early 1900s rough roads and severe weather conditions forced traders to be more flexible in trading with weights and measures. The "close enough is good enough" doctrine was the Australian outback rule of thumb. The significance of this item in the Kiewa Valley during this period demonstrates the slower acceptance of accurate trading measure using the country side principle "my hand shake is my bond". In the Kiewa Valley small quantity commercial undertakings e.g. gold mining, fur pelts and rabbit meat trade did not require bulk weight type scales. Commerce in rural production e.g. fruit and vegetables involved more farmers and their staff in a barter and/or "in kind" payments. This was more so in the depression years 1929 to late 1930s. Self sufficiency was to a large extent more attainable in this region than in the city/ large country town environment. The Australian "fair go" ethical approach to life and commerce was very much ingrained in those living in country regions, like Kiewa Valley as is demonstrated by the not so accurate hand balance, spring loaded scales. Portable Pocket Balance with front plate made from brass. Spring mechanism enclosed by black painted medium gauge steel cover( three quarters cylindrical). Front scale face and rear spring casing fastened by three rivets. Spring loaded marker blade is located in the centre of the front plate. See item KVHS 0224 for a similar scales.Front plate marked: at top "Not legal for use in trade", below this in larger print "Pocket Balance", under and to the right in smaller print "lbs" under this graded marks, first marked with a Zero, then every second mark in ascending order up to 25. At the bottom of the front plate is marked "Made in Germany"antique pocket balance, scales, mobile weights, vintage appliances

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

Black and white print of bogie tram No. 22 and another single trucker at the City terminus, Sturt St, with the Town Hall in the background. A large number of passengers board and leaving the trams. Has a bus in the distance crossing Sturt St.. Tram has the destination of Sturt St. West. In the photograph are Anderson Paper Merchants, Terminus Cafe and Penfolds Wine shop. In the bottom right hand corner is an ESCo/SEC cable termination/switch box. 3217.1 - original photo ex SEC? 3217.2 - different crop - added 21/3/2021 - has more of the original image on the right side. On rear of photograph is a white dot with "5" in red ink, and in pencil "Car 22, renumbered as 37 in 1951 in order to consolidate the bogies cars from No. 34 onwards. This was the first bogie car to run in Ballarat and ran from 1945. The car was withdrawn in 1955, following severe accident damage SECV"tramways, trams, sturt st, city terminus, bogie trams, esco, tram 22

Margaret Olley (24 June 1923 – 26 July 2011) Born Lismore, New South Wales In 1941 Margaret commenced classes at Brisbane Central Technical College. In 1943 Olley moved to Sydney and enrolled in an art Diploma course at East Sydney Technical College graduating in 1945 with A-class honours. She is known as a still-life and interior painters Margaret who drew inspiration from her home and studio, and the beauty of the everyday objects she gathered around her. Her paintings often feature arrangements of fruits and flowers, set amid domestic ware art and souvenirs of her travels. For her service as an artist and to the promotion of art, she was awarded the Order of Australia in 1991 and made a Companion of the Order of Australia in 1996. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of an apple on a table with red gingham cloth. art, artwork, margaret olley, olley, apple, fruit, still life

Digital image of a set of 8 different MMTB depot tramcar fleet lists in various formats. .1 - 1923 - at 1/2/1923 - "Stock sheet" - two pages - see image files htd1923p1 and htd1923p2. .2 - 1938 - at 30/6/1938 - "MMTB Car Allocation list" - 5 pages - see htd1938p1 to htd1938p5. .3 - 1952 - at 27/12/1952 - "Allocation of cars at end of period" - 2 pages - see htd1952p1 and htd1952p2. .4 - 1958 - at 30/8/1958 - "Allocation of cars at end of period" - 2 pages - see htd1958p1 and htd1958p2. .5 - 1971 - at January 1971 - "Allocation of tramcars" - 2 pages - see htd1971p1 and htd1971p2. .6 - 1972 - at 1/1/1972 - "Allocation of tramcars" - 2 pages - see htd1972p1 and htd1972p2. .7 - 1974 - at 1/1/1974 - "Allocation of tramcars" - 2 pages - see htd1974p1 and htd1974p2. .8 - 1981 - at 1/7/1981 - "Allocation of tramcars - both in numerical order and depot allocation" - 9 pages - see htd1981p1 to htd1981p9. .9 - Actual copy of the .6 - 1/1/1972 - "Allocation of tramcars - both in numerical order and depot allocation" - see image htd824i9.pdf Added 17/1/2019. .10 - Actual copy of .5 - 1/1/1971 - Added 17/1/2019. .11 - Actual copy of .7 - 1/1/1974 - added 13/5/2019 .12 - "Allocation of tramcars in Numerical Order as at 1/1/74" added 13/5/2019 as images htd1974a.pdftrams, tramways, tramcars, mmtb, lists, depots, depot allocation

This book belonged to Lottie Johnson (nee Mehlert) who owned Leatham & Mehlert’s . ( now boarded up, Wilson St cnr ) Leatham & Mehlert's possibly took over Robinson & Hayes. This item is representative of an early Orbost business.A carbon copy pad of unused dockets branded for Robinson and Hayes, Butchers of Nicholson Street, Orbost. There is space for the details of the order including the description, price and total. There are two copies of each receipt joined together, one copy for the office the other for the customer. The paper is yellowing and has blackto print.. Each docket is numbered in red print - this pad begin with number 11 - and a carbon page is located at the front of the book. It also has cardboard backing.Robinson and Hayes, Butchers, Orbost, Nicholson streetdocket-book butchers-orbost robinson-hayes

Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of; objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers.Possibly a pamphlet printed for VIP guests and families attending the ceremony.Two page Anzac Day memorial service pamphlet/leaflet. Smooth/shiny paper, two ink colours (magenta and bluish green), picture of slouch hat at top right corner, and the insignia of each Australian armed force (navy, army, airforce) along the bottom of the pamphlet. The order of ceremony is printed in red ink on the two inner pages. The back features a photo of the Brisbane Shrine of Remembrance and the poem 'The Glory of the Soldier' by Joyce Kilmer.1967, anzac day, brisbane, shrine of remembrance, brisbane, joyce kilmer, poetry, war memorials, william hastie, nicholas garlick, father brady

8 page document 'Project on the Bendigo Easter Fair' handwritten, photocopy of original. Document details early anecdotes relating to the running of the Fair. Includes reference to Favaloro's Vienna Café; popular girl competition; railway transport to the Fair; Morley Johnson's; humorous entries including a horse dressed as a bride. Written by Violee Davey ( Myers) August 22nd 1989. In 1993, Violee (Victoria) Davey received an Order of Australia for services to the communityViolee Daveybendigo, bendigo easter fair, violee davey

'Rolleston' the home of the Mrs. Ella Vicars-Foote's Collection Palmerston Street, Bendigo. Order of Sale. In Conjunction: E. J. Ainger Pty. Ltd. John Ainger, Auctioneer, Valentine's Antique Gallery (formerly Cliff's Antiques) Allan Valentine Auctioneer. Home originally built by Crawford Family in the 1880's - Gold Speculators and owners of the City Family Hotel. March 1985. Printed by J. J. & D. V. Mulqueen, Kangaroo Flat.place, building, residential, rolleston, mrs ella vicars-foote, e j ainger pty ltd, john ainger, valentines antique gallery, cliff's antiques, allan valentine, crawford family, city family hotel, j j & d v mulqueen

Typewritten loose-leaf Paper re: history of St. Liborius, Eaglehawk (no title page, no author, incidental ref to date on page 8 ie 1982). Detailed history incl ref to: Design and erection; Sisters of Mercy; Franciscan Order of Friars Minor; chalice; weddings, baptism and font; school; convent; the ''relic of St Liborius''; current personnel and church population. Footnotes (36) and possibly a separate non-stapled.''Select Bibliography?church, history, st liborius church eaglehawk, sisters of mercy, franciscan order of friars minor, history and relic of st liborius. dr backhaus. st kilian's.bishop reville. w. e. brown. eaglehawk. bishop cane. st. marys college. sistewrs of st. joseph.