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Ringwood and District Historical Society
Painting, "Wantirna" - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4851) -
Ringwood and District Historical Society
Pencil sketch, Winifred Miles, "Family dog - Mick" - Graphite on paper by Winifred Miles, 1922
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame. -
Ringwood and District Historical Society
Painting, Winifred Miles, "Creek Bed" - Oil on canvas by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. -
Ringwood and District Historical Society
Painting, Winifred Miles, "Tree - East Ringwood Golf Links" - Oil on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Unframed painting with cardboard border. -
Ringwood and District Historical Society
Painting, Winifred Miles, "Mullum Road" (Ringwood) - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Mullum Road" (Ringwood) - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "First Post Office 1883" (Ringwood) - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Wantirna" - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Orchards" - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Ringwood and District Historical Society
Painting, Winifred Miles, "Lilypond at Quambee" - Oil on paper by Winifred Miles (1884-1944), 1912
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Handwritten notation on back of frame - "Lilypond at Quambee Nth Ringwood 1912, and sticker - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930" -
Warrnambool and District Historical Society Inc.
Book, Kirkham's Find Mary Grant, 1988
This book is a 1988 reprint of an 1897 novel by Mary Gaunt (1861-1942). She was an Australian writer of more than 20 novels and many travel books, short stories and magazine articles and achieved international recognition. The wife of Dr H.L. Miller, she lived in Warrnambool from 1894 to 1900. ‘Kirkham’s Find’ was written while she was in Warrnambool and is of particular local interest as it is partly set in an area that can be identified as Allansford. The novel outlines the difficulties faced by a woman in the 19th century if she wished to pursue a career and gives us a good description of 19th century rural Australia. Although it is only a reprint this novel is of some interest as it was written by Mary Gaunt, an Australian writer of considerable importance. As a one-time resident of Warrnambool and a writer using local places and situations in her stories, she has a place in Warrnambool’s history. This is a soft cover book of 340 pages. It has a purple cover with a reproduction of a 19th century painting on the front cover and material about the contents of the book on the back cover. The spine is an orange colour with black and white printing. The book has an introduction by Kylie Tennant, an afterword by Dale Spender and 29 chapters of a novel. mary gaunt, history of warrnambool, women in literature -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Welcome Butterfly, Roundabout, Main Road and Luck Street, Eltham, 7 November 2016
Plans by the Federal Government to temporarily settle 120 Christian Syrian refugees at the St Vincents facility in Diamond Street (Judge Book Village) brought out national protest by far right groups, many travelling intersate to demonstarte in Eltham against the settlement. Many locals stood up against these protesters, forming Welcome to Eltham, symbolised by the (Eltham Copper) butterfly. The planned demonstartion by the far right was deflated by over 200 locals turning up and peacefully supporting the refugees with butterflies placed throughout parks, paths and roadways. This butterfly was later relocated to the Judge Book Village fay bridge collection, 2016-11-07, diamond street, judge book village, luck street, main road, protests, syrian refugees, welcome to eltham -
Cheese World Museum
DVD, Heywood Cheese; an oral history on film
For many years the Heywood Cheese Factory was an important part of life for Heywood and district farming and a vital place of employment for up to 40 men and 10 women. The factory opened in 1939 as a subsidiary of the Portland Butter Factory before becoming a world renowned cheese making enterprise. It was felt important to document its history from the surviving factory workers, including dairy suppliers and milk truck drivers. We hear their stories of the long hours and hard work without penalty rates, travelling unsealed roads and mixed with their humour of the bygone days is an important acknowledgement of that era. [blurb on back cover]This oral history provides significant material relating to the dairy industry in south west Victoria during the mid 20th century. The interviews give first-hand recollections of the interviewees involvement in the industry from a point of view of factory workers, milk pick-up drivers and farmers.Full colour DVD cover has photograph of Heywood Cheese factory and photographs of girls with calves, milk cans on a truck and workers in the cheese room, superimposed on a photograph of dairy cows grazing in a paddock. The DVD has the photograph of the cows grazing in the paddock.Heywood Cheese/An oral history on film (front) For many years Heywood Cheese Factory was ... [see historical information] Edited by Garry Kerr for the Heywood Pioneer Wagon Shed/ Museum History Group who wish to gratefully acknowledge the/ support of the Victorian Government and Public Records Office/ Victoria for making this project possible. Duration: 70 minutesallansford, heywood, cheese factories, cheese manufacturing, dairying, cheese -
Tatura Irrigation & Wartime Camps Museum
Folio, Kiessling Collection, 1939-1946
German National, Walter Kiessling snr. an employee of a German firm was interned in Camp 1, Tatura. His wife remained in Melbourne where there son Walter was born. The father was immediately taken to Melbourne under escort to see his wife and baby son. Subsequently his wife would travel to Murchison by train and ride her bicycle, with the baby in a basket, out to the camp to visit her husband. Later visits were with a friend in their DKW car. Young Walter was christened by a Lutheran Pastor in the camp, under the supervision of Major Schrader, the Garrison Commandant. The photos tell the story.The humane treatment given to enemy aliens by the Australian Army during World War 2.Black two ring folder containing photos and documents in plastic sleeves.C4529 Kiessling Collection.internment camp 1 tatura, -
Robin Boyd Foundation
Audio - Recording, Columbia Records. EMI Records Limited
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera. As Penleigh Boyd wrote in his obituary to his mother: "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the Board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a Life Member and former President of the National Gallery of Victoria Women's Association." Maria Callas sings great arias from French operas. LP 33RPM vinyl, Catalogue Number: SAXO-2410, Record cover, Plastic sleeve, 1 vinyl disk. Cover notes, Andrew Porter. Cover photo: Luc Fournol, Jours de France. Maria Callas. Conductor: Georges Petre, Orchestra National de la RTFlp, sound recording, opera, ohm2022, ohm2022_9 -
Melbourne Legacy
Postcard, Correspondence from travelling Legatees, 1995
A postcard to the Comradeship Committee when a Legatee was travelling in Jerusalem (May 1995). The post card was addressed to the President of Melbourne Legacy. It said: Dear David - Greetings from Jerusalem. I had the honour, a few days ago, as part of the 50th year Commemoration Services ending the European War, to lay a wreath on behalf of VAJEX (together with the Australian Ambassador to Israel) joined by the Military Attaches from many allied countries - the Ceremony was held at the Holocaust Centre, and it was a most memorable occasion. The Ambassador laid a wreath on behalf of "the Australian People". Kind regards to all! John CohenA record of a Legatee travelling and relating experiences back to his comrades in Melbourne. Especially notable was that he was invited to lay a wreath at the Holocaust Centre in Israel.Colour postcard from Israel.Printed "Jerusalem route march annual pilgrimage to Jerusalem". Israeli postage stamp and airmail sticker. Handwritten text in blue pen.comradeship, legatee -
Brighton Historical Society
Shawl, c.1928
Worn by Rose Caplan who was the donor, Ida Gouttman's mother. Immigration records show that Morris and Rose (Rosa) Caplan emigrated to Australia from England in 1910 on the Orsova. Rose died from a sudden illness in 1928 while she and her husband were travelling in Europe and had just visited her father in Latvia. Rose was buried in Berlin. Rose and Morris' daughter Ida, who had kept the shawl, married Leon Gouttman in Sydney in 1938. Ida was an active member of the Brighton Historical Society when she moved back to Melbourne later in life. Large blue silk shawl with reversible woven metallic thread floral pattern and deep fringing. shawl, 1920s fashion, metallic thread, weaving, rose caplan -
Federation University Art Collection
Painting - Acrylic on canvas, Marcus Wills, 'Really?' by Marcus Wills, 31/08/1989
Marcus WILLS (1972 - ) Born Kaniva, Victoria Marcus Wills is a figurative realist painter who completed an Advanced Certificate of Art and Design between 1989 and 1991 at the Wimmera Community College of TAFE (now Federation University Australia's Horsham Campus). He graduated from the Victorian College of the Arts in 1995, winning the second Brett Whiteley Travelling Art Scholarship in 1999. In 2006 Marcus Wills won the Archibald Prize for his painting of 'The Paul Juraszek Monolith', based on an engraving by Marcus Gheeraerts the Elder. In 2015 and 2016 Marcus Wills has been a finalist in the Archibald Prize. Abstract painting with figuresart, artwork, marcus wills, horsham campus, archibald pize winner, alumni, wimmera community college of tafe, horsham campus art collection -
Federation University Art Collection
Drawing - Artwork, Marcus Wills, 'Winston' by Marcus Wills, 1989
Marcus WILLS (1972 - ) Born Kaniva, Victoria Marcus Wills is a figurative realist painter who completed an Advanced Certificate of Art and Design between 1989 and 1991 at the Wimmera Community College of TAFE (now Federation University Australia's Horsham Campus). He graduated from the Victorian College of the Arts in 1995. he won the second Brett Whiteley Travelling Art Scholarship in 1999. In 2006 Marcus Wills won the Archibald Prize for his painting of 'The Paul Juraszek Monolith', based on an engraving by Marcus Gheeraerts the Elder. In 2015 and 2016 Marcus Wills has been a finalist in the Archibald Prize. Framed drawing of Winston Churchill.art, artwork, marcus wills, winston churchill, horsham, horsham campus art collection, archibald prize winner, alumni, distinguished alumni -
Vision Australia
Administrative record - Text, Tenth Annual Report of the Association for the Advancement of the Blind 1905, 1905
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including membership of 166, the death of B.W. Holgate who was a most active worker, another order of goods has arrived from England, due to the large increase of work an office has been opened at Oxford Chambers, the Tea Agency has been reorganised, decision to establish an Australian Braille Correspondence club, asking for help in identifying anyone needing the services of the Association and efforts being made to remove the Immigration Restriction Act thus removing the bond required when travelling between states.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Ballarat Tramway Museum
Ephemera - Tour Notes, Victorian Railways, Apr. 1974
Victorian Railways "S" circular, number S.839/74 advising of a BTPS excursion from Morwell to Mirboo North on Thursday 25/4/1974 (Anzac Day). Noted that a BW carriage to be attached to the Mirboo North goods at Traralgon at the rear in front of the brake van, pick up passengers at Morwell, the train to Mirboo North would have an altered schedule, passengers would travel to Morwell by the 7.20am passenger ex Melbourne and return by the Gippslander ex Morwell, that passengers would have specially printed tickets (See Reg. Item 1817) and signed by J. C. Crute as Chief Traffic Manager. Issued on 10/4/1974. Printed on foolscap size paper. See Reg Item 4676 for a group photo.btps, tours, morwell - mirboo north, special trains -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, 21/11/1962 12:00:00 AM
Colour print of Bendigo SECV Bendigo tram 3 travelling High St Eaglehawk towards the Eaglehawk Terminus. Photo taken after the tram has passed the photographer. On Kodacolor paper with a Kodak red ink stamp on rear. Tram has dash canopy lights, but no large white strip under the drivers windows. Photo not dated but appears to be at about the same time as 977, 21.11.1962. Has Eaglehawk Town Hall and Post office in background and shops along the south side of High St. Tram showing destination of "Eaglehawk". Tram has White Horse Whiskey ad and another on front dash panel and two roof ads. In photo are advertisements for "Hutton's Bacon" and "Sennett's Ice Cream" on shop roof advertisements.On rear top left hand corner "3"eaglehawk, bendigo, town hall., high st, tram 3 -
Ballarat Tramway Museum
Postcard, John Phillips, Sturt St. Ballarat at Grenville St
B&W print and scanned images of a coloured postcard lent to the BTM by Mr. Norm DePomeroy, Dec. 1997. Image is of a horse tram leave the Grenville St. terminus, to travel west bound along the north side of Sturt St. Has many pedestrians in photo and some horse drawn vehicles. Shows the position of the horse tram track in Sturt St., north side, was not up against the south side kerb. Postcard has a Christmas message on the base of it. Also shows telegraph poles along the north side of Sturt St. 1 copy held at 8/98. Postcard dated 22 Dec. 1904 See Reg Item 2437.1, 2437.2 for original postcards held within the collection. See 836i3. In bottom of image are the words "Sturt Street, Ballarat, Vic" and "Wishing you a Merry Christmas and a Happy New Year. E.L."trams, tramways, horse trams, sturt st, postcards, grenville st. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 1905
Black and white photograph mounted onto heavy cardboard. Image is an ESCo tram near the intersection of Doveton St. and Sturt St. travelling west along the south side of Sturt Street. Photo appears to be taken soon after opening of the electric trams, as the tramway is well paved compared to the rest of the street which shows vehicle tracks etc. Small horse drawn vehicle crossing in front of the photograph. Shows buildings along the north side of Sturt St. and the building at the SE corner of Doveton St. ESCo tram has destination board on the front dash of the tram. Has title printed on photograph of "Sturt St. Ballarat". See Reg. No. 834 and btm834i for image scanned from postcard for this photograph.trams, tramways, esco, sturt st, doveton st -
Kew Historical Society Inc
Plan - Subdivision Plan, Jas R Mathers Son & McMillan, The Dale Estate, Deepdene, 1918
Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The Dale Estate in Deepdene was made possible by the death of Robert Sparrow Smythe, Australian journalist, newspaper editor/owner and theatrical manager. Smythe lived in his residence ‘Highate’, Deepdene until his death in 1917. In the subdivision proposed one year later, before the end of the First World War, 18 allotments were to be created. The very fragmentary plan in the Society’s collection notes that a large weatherboard [house] will need to be removed. This may be Smythe’s own home. The proposed subdivision included allotments facing Burke and Whitehorse Roads and Dale Street. Bordering the subdivision is the Deepdene Station and the Outer Circle Railway Line. The clear directions on the plan indicate that in 1918 it was possible to travel by train from Deepdene to East Camberwell and Ashburtonsubdivision plans - deepdene, the dale estate -
Falls Creek Historical Society
Journal - Ski-Horizon Vol. 2 No 8, April 1951
Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this publication include:- Page 2: Toni St Elmo sent a list of Bogong Ski Club members who had passed N.Z. tests during their tour of New Zealand in 1950. Page 10 - 12 An extensive article (Falls Creek", written by Pauline McLean who had spent several holidays there. It includes travel requirements and restrictions and the need to acquire provisions. Reference is made to lodges including the "Skyline" and to Bill Hymans and Ron Roberts' refreshment kiosk at the foot of the tow. Page 13 Toni St Elmo is planning to have a ski tow installed for the coming season. A detailed description of the tow is included.ski history victoria, federation of victorian ski clubs, nedsa events, victorian skiing 1949 -
Melbourne Tram Museum
Ephemera - Timetable, Melbourne & Metropolitan Tramways Board (MMTB), "Timetable of first and last trams and buses also All-night and Sunday morning services", Jan. 1946
Timetable printed on off white paper, folded into 9, titled "Timetable of first and last trams and buses also All-night and Sunday morning services", setting out services, fares, city concession fares, all night fares, fare sections, and that strips of 2d and 3d tickets could be bought from conductors. Has a "advertisement" for shoppers travelling in comfort between 930 and 430, dinner and afternoon tea at the Wattle Park Chalet and Family excursion tickets to the Beaches and Wattle Park - 2/6. Dated January 1946. Printed by Sands and McDougall - has their logo printed on the middle section of the outside fold. See Reg Item 1751 for an April 1951 version and 2140 for a 1935 version.trams, tramways, timetables, first tram, wattle park, fares, all night services -
Melbourne Tram Museum
Ephemera - Ticket/s, Municipal Tramways Trust, Adelaide, "Tramway Pass", 1955, 1957 and 1959
Set of three MTT Adelaide Tramway Passes used by Ron Wearne of the Victorian Tramways Social Cricket Association when visiting Adelaide. Each have a cloth cover, covering two pieces of heavy card, with a metal eyelet in the bottom left hand corner, numbers, name of person available to, date of available to and signed by the "Secretary" printed on a separate sheets and glued to the inside. The conditions of travel also printed on a separate sheet and glue to the inside. All four edges have been founded .1 - 1955 - blue cloth cover, No. 157, available to 19/3/1955. .2 - 1957 - green cloth cover, No. 182, 28/2/1957 .3 - 1959 - grey cloth cover, No. 220, 28/2/1959.trams, tramways, cricket, sports, social club, passes, tickets -
Melbourne Tram Museum
Document - Instruction, Melbourne & Metropolitan Tramways Board (MMTB), "Memo to: Conductors, Malvern Depot, commencing on Sunday 3rd August 1980", Aug. 1980
Duplicated foolscap 3 sheets, has been stapled in the top left hand corner, titled "Memo to: Conductors, Malvern Depot, commencing on Sunday 3rd August 1980". Page 1 details the revised fares for City Concession and City Plus One, Day Tripper, Monthly Permit, Prepaid Section, ticket issuing and "End of Section" charging for stops at Major intersections. Includes notes on Ansett-Pioneer day tripper tickets. Page 2 - details the fare increase to apply 3/8/1980 and tickets to be issued to make up the appropriate fares for Malvern routes for Adults and children. Page 3 - details the fare to be charge for passengers travelling beyond Victoria St on Web Coburg and Domain Road services.trams, tramways, tickets, mmtb, concession fares, city, ansett pioneer -
Royal Australasian College of Surgeons Museum and Archives
Diplomatic gift, St Mark's Mallet
The mallet was given to the College by the staff of St Mark’s Hospital, London to celebrate the inauguration of the Proctological (later Colonic and Rectal) Section, on 28 May 1963. It was presented by J.C. Stewart to Alan Lendon, then Vice-President and Chairman of the Court of Examiners. Although it is usually described as a gavel, the form of the piece is in fact that of an ancient stonemason’s mallet. The action required to use it is a straight up-and-down motion, unlike that of a normal gavel, which is handled like a hammer. Made of black bean, 22.5cm high and 12cm in diameter, the mallet rests in a wooden stand made of Queensland walnut, with a square base of English oak. The mallet and stand are housed in a travelling case covered in red leather and lined in red velvet and white satin. On the front of the stand are four crests, those of St Mark’s Hospital, the Royal College of Surgeons of England, the Royal Society of Medicine, and the Royal Australasian College of Surgeons. St Mark’s was founded in 1835 as a specialist hospital for the treatment of fistula in ano, a common condition in the days of travelling on horseback, and other anorectal disorders. Over the years the hospital developed into a centre for gastroenterology, colonic and rectal surgery, and many Australians went to further their training there. Some noted Fellows of the College, including Robert Officer, James Guest, Reg Magee, Brian Collopy and Adrian Polglase, and three Presidents, Mervyn Smith, Sir Edward Hughes and Russell Stitz, are alumni of St Mark’s. This mallet is a reminder of the establishment of a significant surgical section within the College, and is a fitting gift from an institution with which so many eminent Australian surgeons formed close ties.GAVEL ON STAND WITH PAINTED COATS-OF-ARMS IN RED LEATHER PRESENTATION BOXPLAQUE ON GAVEL: "PRESENTED BY THE STAFF OF ST. MARK'S HOSPITAL TO COMMEMORATE THE FOUNDING OF THE PATHOLOGICAL SECTION OF THE RACS 28TH MAY 1963"