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Eltham District Historical Society Inc
Slide, Belmont Crescent, Montmorency, c. Mar. 1981
One of a series of images of road infrastructure focussed on Belmont Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS35 mm colour positive transparency (1 of 8) Mount - Kodak Kodachrome CardProcessed Mar 1981infrastructure, montmorency, roads, belmont crescent, aanensen court reserve -
Eltham District Historical Society Inc
Slide, Belmont Crescent, Montmorency, c. Mar. 1981
One of a series of images of road infrastructure focussed on Belmont Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS35 mm colour positive transparency (1 of 8) Mount - Kodak Kodachrome CardProcessed Mar 1981infrastructure, montmorency, roads, belmont crescent, aanensen court reserve -
Eltham District Historical Society Inc
Slide, Belmont Crescent, Montmorency, c. Mar. 1981
One of a series of images of road infrastructure focussed on Belmont Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS35 mm colour positive transparency (1 of 8) Mount - Kodak Kodachrome CardProcessed Mar 1981infrastructure, montmorency, roads, belmont crescent -
Eltham District Historical Society Inc
Slide, Belmont Crescent, Montmorency, c. Mar. 1981
One of a series of images of road infrastructure focussed on Belmont Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS35 mm colour positive transparency (1 of 8) Mount - Kodak Kodachrome CardProcessed Mar 1981infrastructure, montmorency, roads, belmont crescent -
Eltham District Historical Society Inc
Slide, Belmont Crescent, Montmorency, c. Mar. 1981
One of a series of images of road infrastructure focussed on Belmont Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS35 mm colour positive transparency (1 of 8) Mount - Kodak Kodachrome CardProcessed Mar 1981infrastructure, montmorency, roads, belmont crescent, grand boulevard -
Shepparton RSL Sub Branch
Uniform, Cape, C. 1950s
This cape may have belonged to RAN Telegraphist Norma Ashton Kilfoyle, however the date of her service is not consistent with the style of the article (which has buttons which suggest this cape was issued post 1952 during the reign of Queen Elizabeth II). It is possible, though not confirmed, that this cape was worn by Norma Kilfoyle in a later role after the Second World War.Black thigh-length nurses cape with red satin lining. Fastened along centre with four gold buttons and one press stud at chin (second button from the top is missing). Two slits at waist height on both left and right allow arms through from the interior to the front. Embroidered manufacturer’s label on interior at base of neck, below which there is an ink inscription. Sewn in fabric swatch on interior right.Handwritten inscription reads “KILFOYLE”. Manufacturer’s label reads “[Australian coat of arms]/A Quality Garment/BY/Australian Government Clothing Factory”. Interior sewn in label reads “33643/Kilfoyle/Cloak F Bara/[indiscernible characters]”. Buttons read “[Queen Elizabeth crown over the Navy anchor]/AUSTRALIA” and on interior “STOKES/MELB”cape, second world war, world war two, world war ii, navy, royal australian navy, ran, women, telegraph, communications -
Mission to Seafarers Victoria
Photograph - Photograph, Colour, 1988
The photograph taken in 1988 before it was demolished shows the Art Deco style building also known as the King George V memorial Building, commissioned by merchant and philanthropist, Alfred Michael Nicholas (1881-1937) and designed by prolific Melbourne-based architect Harry A. Norris (1888-1966) in 1937 best known for his commercial work in Melbourne city centre. Architect Harry A Norris, one of Melbourne's early designers in the Moderne style had a strong relationship with the wealthy Nicholas family who made their fortune on the production of Aspro, a replacement for the German Aspirin when it was made unavailable during WWI. After the Nicholas Building on Swanson Street (1926), the Nicholas Factory in South Melbourne, and the mansion 'Burnham Beeches' in the Dandenongs (1931), the former Missions to Seamen building in Port Melbourne (1937) was a gift from Alfred Nicholas to the Church of England. “The new Institute will be a modern two story building in brick, with a high clock-tower, a memorial chapel, a hall for talking pictures, lounges, and billiard-rooms. It will stand in about an acre of ground between the two piers at Port Melbourne. The building of the mission has been made possible by a bequest of about£15,000 by the late Mr. A. M. Nicholas.” – The Argus 19th May, 1937. The building had a cruciform floor plan which contains a chapel, a large hall, other recreation rooms, sleeping accommodation on the first floor and a sundeck and living quarters for the chaplain and the caretaker. After being left derelict for years, it was demolished in 1994 to Colour photograph of Port Melbourne Missions to Seamen demolished in 1995.harry a. norris, alfred m. nicholas, art deco, 1937, missions to seamen, brick, king george v memorial building, 1988, zeitgeist, arts centre -
Kiewa Valley Historical Society
Apron - Child's
Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This apron is very similar in style to the other children's clothing which indicates it could have been made in the early - mid 1900's. It is preventative of aprons which little girls wore over their dresses at the time. This items has good historical significance because it shows the style of aprons which little girls wore over their dresses in the Kiewa Valley during the early to mid 1900's. This is part of the children's clothes in the KVHS collections which gives this item more interpretive capacity. Natural coloured linen with red binding around the edges. 2 white buttons. Would fit a small child.clothing. children. apron. -
Cheese World Museum
Cheese press, Perfect Cheese company
Perfect Cheese Company was founded in 1930 by newly-arrived Italian migrant Natale Paquale Italiano. The company specialised in traditional Italian-style cheese but also produced Greek, Cypriot and Maltese origin cheeses. The cheeses were sold in Australia and Italy with all products being matured and non-processed. The company remained in operation until the early 2000s.This cheese press is significant as it represents the machinery used by an early cheese production company.Stainless cheese press machine with three steel supports and two threaded rods will spring tension wheels to screw down to pressurise the hoops containing cheese.J & T YOUNG AYR UKallansford, perfect cheese company, avery, cheese manufacturing, dairy industry -
Cheese World Museum
Milk weighing machine, Perfect Cheese company weighing machine
Perfect Cheese Company was founded in 1930 by newly-arrived Italian migrant Natale Paquale Italiano. The company specialised in traditional Italian-style cheese but also produced Greek, Cypriot and Maltese origin cheeses. The cheeses were sold in Australia and Italy with all products being matured and non-processed. The company remained in operation until the early 2000s.This weighing machine is significant as it represents the machinery used by an early cheese production company.Large metal machine with cast iron with a cast iron frame and a stainless steel rectangular bowl in a cradle. The round weighing scale at the top shows a weight scale up to 1100 pounds. A mesh stainless steel baffle strains the milk.Made in England Birmingham - AVERY SOLE AGENTSallansford, perfect cheese company, avery, cheese manufacturing, dairy industry -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Education, 3 ink wells, c1800 -1900
a) 1 common, clear glass ink bottle with 'burst-off' straight finished neck and a groove on two sides upon which a pen would rest. There are variations of this largely English-made style glass inkwell made in cup base moulds. Cursory grinding smoothed out the sharpness of the rim. b) 2 cylindrical, plain, pottery inkwells These three inkwells were commonly used in homes, schools and Churches by pioneer settlers in Moorabbin Shire c1880 -1900 2 cylindrical pottery inkwells and 1 square, clear glass inkwell with a distinctive groove on 2 sides to rest a pen c 1800 - 1900education, inkwells, pottery, glasswork, craftwork, moorabbin, brighton, early settlers, pioneers -
Churchill Island Heritage Farm
Clothing - Lace Trim
This is a length of machine made lace trim (7.6 x 293cm). The body of the lace having no outline on the floral part is Valenciennes in style but with the hexagonal net and outline on the square pattern is Mechlin in nature. It is a fine example of a machine made lace which was very popular and sought after in the late 19th century as a preferred summer lace at the royal courts of Europe.The Amess family owned Churchill Island from 1872 to 1929Length of lace trim with two straight selvage edges, floral pattern interspersed with squares. Machine madechurchill island, lace, janet amess lace collection, trim, amess -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This is a length of Leavers machine made lace trim (7.6 x 42cm). The body of the lace having no outline on the floral part is Valenciennes in style but with the hexagonal net and outline on the square pattern is Mechlin in nature. It is a fine example of a machine made lace which was very popular and sought after in the late 19th century as a preferred summer lace at the royal courts of Europe.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Length of lace trim, with repeating floral and geometric designs. Shorter section, appears to have been cut from a longer length.lace, janet amess lace collection, trim, amess, churchill island -
Clunes Museum
document
INFORMATION ABOUT A STAMP SHOE FROM A CORNISH STYLE SQUARE-HEAD STAMP BATTERY POSSIBLY USED BY PORT PHILLIP MINE, CLUNES, FROM MATTHEW CHURCHWARD, SENIOR CURATOR, ENGINEERING & TRANSPORT, MUSEUM OF VICTORIA LETTER DATED 15 OCTOBER, 1997. THE GOLDFIELDS AND MINERAL DISTRICTS OF VICTORIA. GOLD ITS OCCURRENCE AND EXTRACTION, PLAN OF GOLD MINING COMPANIESINFORMATION RECEIVED REGARDING THE PORT PHILLIP MINE; Including .1 COPY OF ARTICLE 12TH MAY, 1858 FROM "THE ARGUS." MELBOURNE. .2 LETTER FROM "SCIENCEWORKS" TO MR. ALAN KEEBLE DATED 15/10/1997 (3 Pages) .3 SECTION OF MERCURY, TROUGHS, STAKES & STAMPS (Extract taken from publication, The Gold Fields, Mineral Districts of Victoria, by R. Brough Smyth F.G.S, published by Queensberry Hill Press 1979) .4 GOLD. ITS OCCURRENCE AND EXTRACTION (Extract taken from publication, Gold: Its Occurrence and Extraction by Alfred G. Lock F.R.G.S published by E. & F. N. Spon 16 Charing Cross London 1882) .5 PLAN OF GOLD MINING CO'S. CLUNES (Extract taken from Dicker's Mining Record 26/3/1867, page 173. https://trove.nla.gov.au/work/32734386?q&versionId=39944948) local history, mining, company exploration -
Ballarat Tramway Museum
Document - Instruction, Westinghouse Electric & Manufacturing Co, "Parts of Westinghouse Canopy Switch for Tramway Equipments", 10/1906
Westinghouse part catalogue B6008 for the "Parts of Westinghouse Canopy Switch for Tramway Equipments" - used for Westinghouse T1F controllers - style Nos. 5437 and 5409, manufactured by Westinghouse Electric & Manufacturing Co. of London and Manchester. Dated Oct. 1906. Lists parts with images and prices. It was used to turn on or off the power to a tram. It is not a circuit breaker of the type that are fitted to the Museum's trams.Yields information about the Westinghouse UK products.Manual or document 8 printed pages centre stapled within card covers.tramways, tramcars, equipment, westinghouse, switches -
Kew Historical Society Inc
Clothing, Embroidered Silk & Cotton Apron, 1950s
The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration -
Kew Historical Society Inc
Print - Framed Fashion Plate, The Fashions … for the Englishwoman's Domestic Magazine, 1860
The Englishwoman's Domestic Magazine was issued monthly in the following years: 1852–1874; 1877; 1880–1890. Initially, it contained only nondescript black and white images. Aware of the growing interest in fashion, style and manners from the new middle classes, Samuel Beeton began to import tinted fashion plates directly from Jules David in Paris from 1860. Primary source for fashion design in the 1860sFramed fashion plate -'The Fashions … for the Englishwoman's Domestic Magazine'. Framed print of two women in 1860 costume. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, englishwoman's domestic magazine -
Vision Australia
Machine - Object, Clarke & Smith Brailink, c. 1982
Created to meet the growing need for Braille users to access computers, and the creation of talking terminals, Clarke and Smith released the Brailink in 1982. Fitting the unit into a briefcase style for portability, it allowed Braille users to read the screen via the refreshable Braille display located above the QWERTY keyboard as well as record data on to either of the cassette recorders for use with other computers.CPU with keyboard, Braille display and two miniature cassette recorders inside a vinyl caseCS Brailinkbraille equipment, clarke and smith -
Vision Australia
Award - Object, RVIB Donald Auxiliary 60th Anniversary 1989 vase
This cut-glass vase was presented to the Donald Auxiliary in recognition of their 60th Anniversary. It has lattice style cut glass around the body of the vase and 'shell' cuts around the neck and top. Just below the neck is engraved: Presented to Donald Auxiliary 60th Anniversary 1989. Many auxiliaries received vases such as this, however only one has been retained for representation.1 cut glass vase with inscription upon bulb of basePresented to RVIB Donald Auxiliary 60th Anniversary 1989royal victorian institute for the blind, auxiliaries, awards -
Bacchus Marsh & District Historical Society
Photograph, Football Match at Maddingley Park Bacchus Marsh 1900s
This photo is a very early example of an action image from an Australian Rules football match in a rural area in Victoria. The identity of the two teams is not confirmed. The team with the dark colored uniform is probably the Bacchus Marsh football team. The other team is possibly Parwan. The style of uniforms suggest the date of the photo is from around 1910 or possibly a few years earlier. This item has particular historic and social significance as an action image of two of the early sporting teams of Bacchus Marsh and district. These type of images are very rare for teams outside of the major metropolitan competitions such as the Victorian Football League of Victorian Football Association. It therefore provides a rare and fascinating depiction of an early football game as it was played and the ground conditions in which footballers played in the early 1900s.A black and white photograph produced from a digitized glass negative held by the State Library of Victoria titled, ‘Men and boys playing football on an oval set among trees and fields’ ca. 1910, Pictures Collection, State Library Victoria, H92.433/20. The description for the image held by the State Library of Victoria does not identify the location where the image was taken. By close comparison with other images of Maddingley Park held by the Bacchus Marsh and District Historical Society the location has been identified as Maddingley Park, Bacchus Marsh. A significant identifier for this image is the presence of the Evans Pavilion in the background which was built in 1896. Trees and statues in the background on the left side of the image also match other images of Maddingley Park from this time.australian rules football, bacchus marsh football club, australian rules football action images -
Hymettus Cottage & Garden
Boot Jack
Typical of the mass produced small items manufactured in the late nineteenth and early twentieth century for domestic use along with clothes irons, boot scrapers and griddle irons, these beetle-style boot jacks were usually located in the vestibule near the door to wedge the booted foot into and pull, removing the boot before stepping into the house with any detritus on the boot. -
Wodonga & District Historical Society Inc
Functional object - Small Personal Corn Razor and box- Arthur Lock collection, 1940s
This item belonged to Arthur Lock. During the late 1800's cutlery firms manufactured these uniquely styled razors. The Corn razor was much smaller than an average razor, and was used to remove corns from the feet. Corn razors came with many different handle designs. The hollow ground process produces a much thinner blade with more flex.This item is part of a collection of items owned by Athur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region. A small corn razor and box showing manufacture detailsOn blade "Kutwell" On Box "Kutwell" /Hollow Ground/ Corn Razorworld war 11, rats of tobruk, tobruk, corn razor -
Melbourne Tram Museum
Manual, Metropolitan Transit Authority (MTA), "The Met Design Manual", 11/1984
Document - The Met design or style manual details the Corporate Identity to be used on all publications, and documents including logos, logotypes, symbols, standard lettering, and colour. Has a table of contents. The design manual is dated Nov 1984, just over one year after the creation of The Met - see reference. Parts 2, and 4 to 9 are missing insert pages.Demonstrates a Style Guide or Design Manual used by The Met in Melbourne.Document - multi ring binder green plastic covers, with approx 40 sheets, full colour, including table of contents.the met, design, style guide, logos, colour schemes -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, Arthur & Son, photographers, Miss Carmichael, 1878
Miss Eva Carmichael, the subject of the photograph, was one of only two survivors from the wreck of the Loch Ard, wrecked on Mutton Bird Island near Port Campbell, Victoria, on June 1st, 1878..The photograph holds great significance for its connection to Eva Carmichael, one of two survivors from the wreck of the Loch Ard. It is also significant for its connection to the Loch Ard, one of the most tragic shipwrecks in Victoria's coastline and listed on the Historic Shipwreck Register.Photographic portrait mounted on brown cardboard of Miss Eva Carmichael. Miss Carmichael is standing near an upholstered chair and rests wth both hands upon a masonry pillar. Behind her is a balustrade in the classic style common to that period. The background consists of a large tree giving the impression of a garden setting. It was produced at the studio of Arthur & Son, Mount Gambier, 1878. Inscriptions handwritten below the photograph. Handwritten in white "Miss Carmichael" Stamped "Arthur & Son / MOUNT GAMBIER"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, shipwreck loch ard, eva carmichael, portrait, arthur & son, mount gambier, loch ard, shipwreck, mutton bird island -
Bendigo Military Museum
Uniform - JACKET, SERVICE DRESS, ARMY, Australian Defence Industries, 1971
Jacket, khaki colour, wool/polyester fabric. Service dress style. No belt or buttons. Collar, shoulder epaulettes, four front pockets - top two with buttonhole and two metal press studs on flap, lower with flap. Rank Insignia on top sleeve - crown and stripes for Staff Sergeant. Lining - khaki polyester fabric with manufacturers label inside left. Label white cotton fabric.Manufacturers information on label - black ink print. "E.W. P/LTD/ SOUTH AUSTRALIA/ 1971/ ^/ SIZE 39 SHORT/ CLASS 8405/ 66-019-8482/ ARMY NO./ NAME/.DRY CLEAN ONLY/.REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/. CREASE UPPER HALF OF/ LAPELS ONLY"uniform, army, service dress -
Bendigo Military Museum
Memorabilia - MEDALLION & CASE, C.1991
John Eric Wiles VX16067, refer Cat No 5410P for his service details..1) Medallion round, one side has a Greek style building depiction with date under, enscription around outside, opposite side depiction of Greece & Crete islands with flag depiction. .2) case with folding lid blue felt outer covering, inside white felt for medallion, lid has typed stuck on note. .3) Note folded over with hand writing on..1) On medallion, “Commemorate 50th anniversary of Battle of Mainland Greece & Crete 1941 - 1991” .3) Hand written, “Presented to J. E. Wiles 2/7th INF BTN, We were there”medallions, greece crete, wiles -
Montmorency/Eltham RSL Sub Branch
Equipment - Canteen, Water, Circa 1960s
Used by Australian Army circa 1960s.Used by Australian Army circa 1960sUnpainted US style aluminium canteen formed by two seam welded halves (front and back sides) with an aluminium threaded top for attaching a top to the water canteen. The water canteen has a black plastic screw top lid attached to the neck by a metal link chain. The front of the water canteen is bowed outwards with the back being flat with a curved top doorway shaped indentation.australian army, water canteen, aluminium -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 1952-53
An historical visual record of some of the members of the Ladies Harbour Lights Guild, circa 1950. Many events run by the LHLG founded in 1906, were initially held in venues across Melbourne. In later years the main hall of the building opened in 1917 became a main venue for entertainment, meals and dancing. The LHLG organisation eventually amalgamated with the Flying Angels at the Mission circa 1962 and many LHLG members such as Dora Simpson, later elected as FA President went on to officiate.The Ladies Harbour Lights Guild (LHLG) a Melbourne and statewide network initially raised funds and held events for the Mission to Seafarers. Originally founded in 1906 the LHLG were responsible in 1917 for raising the funding for the Chapel and Dome at the Mission. The group and network developed a structure promoted to and adopted in one form or another by other similar auxiliary groups supporting Missions around the world. Black and white photograph. Image shows a number of women sitting in front of the stage in the main hall of the Mission to Seafarers Melbourne. In the background there is a three-piece band situated on the stage. Depicts the MtSV stage decorated with flowers, and lengths of material woven through an arch.The ladies seated in two rows in front of the stage all wearing summer dresses and have short hair styles typical of the 1950s Printed title and donor information printed across the top of the mount. See also historical informationpiano, drums, band, floorboards, stage, 1950s, dresses, main-hall, curtain, celebrations, lhlg, ladies harbour lights guild, mission to seafarers, seamen mission, mission to seamen, flying angel, melbourne, flinders street, prue leggoe, music, dance, entertainment, events, sailors, seafarers, seamen, lynette reynolds (nee madson), king george vi -
Kiewa Valley Historical Society
Pot Coffee, Circa 1950
This coffee pot was made for flat heating surfaces and not the open fire. The enamel coating was used as a thermal barrier to keep the contents hot. This could have been used as an all day coffee source for busy farm workers or breakfast and lunch times. When this pot was used at dinner time, it was a time period when dinner was more formal, with the whole family sitting at the dinner table. The white enamel would have been sufficient for the majority of households. When this pot was in use the dinner period was when the whole family was together and communication within the family was considered very important as a cohesive force. This was a time before television intruded into the atmosphere of relaying the day's activities to the whole family.In small rural communities within the Kiewa Valley a good cup of tea or coffee was a time for relaxation from the hard work of the day. This relaxation period was beneficial for not only the mind but also the body. This was particularly for the house bound mother with domestic chores that had, at this time in history not many "time saving" pieces of domestic equipment. A good pot of tea or coffee at "smoko" was a god sent. Although regarded by well groomed city folk that a coffee pot was for coffee only the less social etiquette standards of country folk permitted its use for tea. Versatility even within the household was of great benefit to the folk in the Kiewa Valley. This was even so for the immigrants that joined in and were warmly welcomed within this rural sector of Australia.This coffee pot is in the French style with a goose neck. It is fully coated in white enamel and has a concave bottom. It has a hinged lid and the main body has been rolled fastened to the bottom plate. The sandwiched steel body is approximately 1mm thick. The two piece neck has been welded together similarly the hinged lid and handle. Rivets are installed to the both bases of the handle. country kitchens, well heated coffee, coffee break in rural regions -
Victoria Police Museum
Photograph (Victoria Police), Police Officers group photo on sporting event, 1934
Black and white photograph mounted on grey frame. 24 men posing for photograph in 4row structure - on the background, arena style sitting area. On extreme left and right, 2 Police officers stand on their uniforms. On the middle and sitting, middle age man in suit. The other, are younger men (police officers?) in sporting outfits. [information of event on newspaper cutting stuck on the back - as described on Inscriptions]Handwritten in the front of the frame, bellow photograph: back row W.Parker. J.Power. B.Barker. A.Condie A. // P.V.Callahan (see)E.Brewis T.Robertson. E.White V.Burns R.Farrell S.Cannon // W.Brady J.Purdon R.Boyle E.Denham.Pres. W.Hudd. R.Priestley. J.Brody // W.Poulter F. F.Elliott J.Thompson // Premiers V.P.F.A. 1934 Stamp: H.M. WALKER // PHOTOGRAPHER // 117 COLLINS ST. // MELBOURNEvictoria police museum, police officers, police academy, police force, football, sports, vpfa, poulter, william arthur; h. m. walker parker; w. power; j. barker; b. condie; a. callahan; p. v. brewis; e. robertson; t. white; e. burns; v. farrell; r. cannon; s. brady; w. purdon; j. boyle; r. denham; e. hudd; w. priestley; r. brody; j. poulter; w. elliott; f. thompson;