Pair of Brass Vases made from ammunition shells stawell

Donna MARCUS Featuring instantly recognisable post war kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context.Annodised alumnium cookware made into a sculptural wall hanging. art, artwork, anodised aluminium, sculpture, donna marcus

Bought in Fiji in 1912. The anklets were a means of saving money.Indian ankle ornaments made from Silver coins.anklets

Cobra sculpture made from a single piece of wood

Hand carved by pocket knife by Mr. Ott of Wandin and presented to Mr. Coghlan - Station Master on his transfer from Wandin in 1914.Hand carved with pocket knife, made from wood.walking-sticks

A decorative architectural element made of iron that is badly corroded historic building, former royal mint, architecture

A decorative architectural element made of iron that is badly corroded historic building, former royal mint, architecture

Photo shows Flinders St Railway Station with a W class tram heading north, a G class on the east side of Swanston St and a four wheel car waiting on the west side. Very busy view with many pedestrians. Photographed at 1215, possibly a Saturday. See item 7218 for a enlarged version of the G class tram.Yields information about Flinders Station, mid to late 1920sBlack & White Photograph of a postcard made by the TMSV Sales.trams, tramways, flinders st, swanston st, w class, flinders st station, g class

Originally published by Carboni in 1856 following the Eureka Stockade at Ballarat this second edition was not published until 1942 almost ninety years later. One of the major productions of the Australian private press movement of the 1920s this second edition was produced in 1942 by Ernest Shea's Sunnybrook Press Sydney, in a limited edition of 150 copies. The book is illustrated with lino-cuts by W.E.Pidgeon and introduced by H.V.Evatt. It has a dustjacket and slip case and is signed by Shea, Evatt and Pidgeon. Only 150 produced on a handpress, rare example of Australian fine printing especially in wartime and only the second edition of Carboni's "Eureka Stockade".Book made with rag paper, dust jacket and slipcase.Numbered 128 of 150, signed by printer and artist. eureka stockade, private press, ballarat, ernest shea, sunnybrook press, sydney, carboni, second edition., evatt, pidgeon.

From the collection of the A'Vard Family.Carlton Ware - Australian Design, made in United Kingdomcarlton ware

Footprint Tools is a hand tool manufacturer based in Sheffield, England. In 2014 most of their hand tools are still made in Sheffield at the Footprint factory. Footprint Tools can trace its manufacturing history as far back as the 1760s when Alfrid Ridge & Sons was established as a manufacturer of wood working tools. Ridge was bought by the current owning family in 1932. The Footprint brand originates from 1875 when Thomas R Ellin, a member of a cutlery manufacturing family, started a tool manufacturing business under the brand “Footprint”. This subsequently became known as Thomas R Ellin (Footprint Works). This company was bought by the current owning family in 1948 and began to manufacture a range of tools under the Footprint, Domino, Climax, John Bull and Clinker brands. During World War 2 the divisions of the business were engaged in manufacturing hand tools for British and Commonwealth forces. After the war Footprint continued to grow, manufacture and expand its range hand tools for the professional tradesman. In 2004, Footprint cooperated with the University of Sheffield in a study of modern manufacturing techniques. In 2008 Footprint moved to a larger factory and invested in new forging equipment, but this process was interrupted by a global recession, and Footprint was unable to generate enough business to cover the cost of the upgrades. In early 2009 the company was forced to liquidate and lay off its staff in order to pay creditors. The Jewitt family retained the brand and intellectual property, and later that year revived the company under the name Footprint Sheffield, and began producing a smaller range of products at first. With the same family of owner managers, now run by the fourth generation, in 2015 Footprint continues to manufacture most products in Sheffield, England and exports worldwide.A tool that was made by a UK company in the 1950s that has a long history of tool manufacture and after many changes in company ownership is still producing tools today in Sheffield England.Screw driver wooden handle turned and steel blade. Made in Sheffield by Alfrid Ridge and Son. London patternNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, screw driver, alfrid ridge & son, footprint tools, tools

This bonnet was made to be worn by Patricia Kathleen Grant. She was born in1925, the daughter of Dr Frank John Audas Grant and Kathleen Josephine Dixon. Dr Frank Grant gave many years of service to the Wodonga community both as its doctor and on several community organisations and committees. He was born in South Yarra, Victoria in 1897 and after finishing school he began Medical Studies at Melbourne University. In 1915 he enlisted in the Australian Army and was assigned to the Hospital Transport Corps and later with the 8th Field Artillery Brigade aboard HMAT Medic. He was wounded in action with gunshot wounds to the arm and back. After time in hospital in England, Frank was returned to Melbourne where he was discharged as medically unfit on 24th October 1917. During World War II Dr Frank Grant served as an Honorary Captain in the Australian Army Medical Corps. His records show that he was accidentally “Mustard Gassed” at Bandiana. Dr Frank Grant commenced practice in Wodonga in 1923, entering into a partnership with Dr Rudolph Schlink. This marked the beginning of a long career dedicated to the Wodonga community. By 11 August 1926 he held the role of Public Vaccinator with the Commission of Public Health in Wodonga. Apart from long years of dedication to health in Wodonga, Dr Grant also took on numerous roles within Wodonga. This included being a Commissioner of the Wodonga Waterworks Trust from 6 April 1932 until 29 July 1963. He was a strong advocate for the development of the Wodonga Base Hospital which opened in 1954. Doctor Grant passed away on 14 January 1964.This item is significant because it is representative of crocheted handcraftsA small hand crocheted baby's bonnet made of silk cotton thread and lined with silk. A silk ribbon is attached.crocheted items, dr frank grant, handcraft

Souvenir Queen Elizabeth 2 plate. Transfer printed head of monarch in centre of plate (sepia tone). Royal blue border with gold floral design on top. Some scratch marks - evidence of use.Back: Made Specially / By / Crown Ducal / Made in / England / to / Commemorate / Royal Tour Australia 1954 / Made in / England / A.G.R.queen elizabeth 2, royal tour australia 1954, crown ducal

Portable blood pressure machine with case. Device consists of an arm cuff with a tube, rubber pressure bulb and gauge. The arm cuff is made of a khaki green material, with attached velcro and an attached label that reads 'KATCH/KUFF'. Tubing and pressure bulb are made of green rubber. The pressure gauge indicates that this device is made in Germany. Case is made of black leather and the inside of thh case is reinforced with cream plastic.

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized checked blanket, pink, grey and lemonThe Celebrated Waverley Blanket/100% Pure Wool/"The Best for Rest"/Made in Australiawool, blanket, blanket fever, waverley

Common soap was made from mixing animal fat with potash a form of the potassium based alkali present in plant and wood material. Early settlers, made their own soap from the waste fats and ashes they saved from their daily work. They did not then have to rely on waiting for soap to be shipped from England and waste their goods or money in trade for soap. In making soap the first ingredient required was a liquid solution of potash commonly called lye. Animal fat, when removed from the animals during butchering, must be rendered to remove all meat tissues and cooking residue before soap of any satisfactory quality can be made from it. To render, fats and waste cooking grease were placed in a large kettle with an equal amount of water. Then the kettle was placed over the open fire outdoors, because the smell from rendering the fats was too strong to wish in anyone's house. The mixture of fats and water were boiled until all the fats had melted. After a longer period of boiling to insure completion of melting the fats, the fire was stopped and into the kettle was placed another amount of water about equal to the first amount of water. The solution was allowed to cool down and left over night. By the next day the fats had solidified and floated to the top forming a layer of clean fat. All the impurities being not as light as the fat remained in water underneath the fat. In another large kettle or pot the fat was placed with an amount of lye solution ( known by experience ). This mixture was boiled until the soap was formed - 6-8 hours - a thick frothy mass, and a small amount placed on the tongue caused no noticeable "bite". The next day a brown jelly like slippery substance was in the kettle and this was 'soft soap' . To make hard soap, common salt was thrown in at the end of the boiling and a hard cake of soap formed in a layer at the top of the pot. But as salt was expensive most settlers used 'soft soap',. The soap could be scented with oils such as lavender for personal use. These 3 cakes of home-made soap are examples of the self sufficiency of the early settlers as they had to be self reliant ,growing food and making and mending their own farm equipment, tools and clothes while establishing their market gardens in Moorabbin Shire3 cakes of home-made, white hard household soap. 1 cake of soap eaten by a brush tailed possum when he entered the Cottage via the chimney 27/4/2014soap making, market gardeners, pioneers, early settlers, moorabbin, brighton, dendy's special survey 1841. kitchen equipment, laundry equipment, bentleigh

Made by and used by mother-in-law of the donor during her time in Asia and Australia, c1930s.Navy blue cloth roll with stitched pockets to hold knitting needles. Roll contains approx 110 different knitting needles or various sizes, make and colour. Some are bamboo/timber, some are plastic or metal. Cloth roll was made by mother-in-law of donor and is designed to fold up to cover the needles prior to rolling. Once rolled, cloth can be secured with two small push buttons.plastic, bamboo, knitting needle

This wood is made from Red River Gum tree wood, these trees live for between 500 to 1,000 years of age. The wood in this bowl has been carbon dated in the USA to be 4,500 years old.This bowl is significant because of the age of the wood it is made from. 000016 Wooden Fruit Bowl The timber this fruit bowl was made from was a red gum tree taken from the Ovens river at Tarrawingee (12 km from Wangaratta)where it had been submerged for years. It was made on a lathe by Ken Hill. The bowl warped and cracked shortly after being turned. A piece of the wood was taken to the USA by a visitor where it was carbon dated to be 4500 years old Measurements: Diameter: 22cm Height: 6cm Colour: Dark red brown Photographed beside a piece of natural red gum Tarrawingee is 12 Km North East of Wangaratta on the Great Alpine Road Significance: 4500 year old red gum wood is rare in this area. red river gum wooden bowl wangaratta historical society

The NQRs were the standard Medium open goods wagon. Generally the sides and ends were removable thus providing a totally flat truck. Three long drop-down doors formed the sides thus allowing easy loading and unloading. 218 of these goods vehicles were built between 1898 and 1914 ? numbered 1 - 218​. Originally, these wagons carried the code letter R​ as they were built with sides and ends. They later had the R removed. Unlike the Broad Gauge, VR's 2 ft 6 in (762 mm) narrow gauge network never had four-wheeled wagons (aside from a handful of trolleys). Because of this, a single design of open wagon emerged and this was the only type of wagon ever used on these lines. This was the NQR class, a wagon with the same length and loading capacity as a Broad Gauge four-wheeled open wagon to make transferring freight between the gauges easier. The wagons, numbered 1 through 218, were built between 1898 and 1914. The wagons used the same underframe as most other non-locomotives on the VR Narrow Gauge. Letters and numbers were originally painted only on the end bulkheads and doors, both of which could be removed as traffic dictated, and this made wagon identification difficult until the decals were transferred to the underframes of each wagon In the 1910s some NQRs were provided with removable wood and steel frameworks with canvas roof canopies and side curtains, and internal seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy has re-created these for emergency capacity. Five more NQRs, numbered 219-223​, were built between 1990 and 1992 initially for passenger use so were fitted with the removable frames Vehicle Length 25 feet 2 inches ( 7671 mm) Coupled Length 27 feet 4 inches (8330 mm) Width 6 feet 3 inches (1905 mm) Weight 5 tons Capacity 11 tons Built 1898 - 1915 (1992) Number Built 218 (223) In use 14 To be restored 6 29 NQR - Open Medium Truck with drop ends VR Service History 15/12/1898 NWS Built new *NQR 29.VA - 15/12/1898 NWS Built new - / /1926 - To NQ 29.VA - NQ 29.VA - /10/1954 - Sold (to) - Puffing Billy Service History or Notes July 2016 - LiftedHistoric - Victorian Railways - Narrow Gauge Rolling Stock - NQR Open Medium Truck with drop ends29 NQR narrow gauge Open Medium Truck with drop ends made of Steel and metal 29NQRpuffing billy railway, pbr, rolling stock , 29 nqr, narrow gauge rolling stock, victorian railways, nqr wagon

This item is a cheap Penny Whistle made in Thailand Circa 1955. The item was one of the first wave of imports from the growing Asian steel producers. This was an era where cheaper Asia based steel companies did not compete against the stronger, and well established Australian ones. This Penny Whistle was "roughly" made and possibly purchased by the Victorian Education Department for use in school bands and music classes. Schools within the Kiewa Valley would have used them to integrate students the fundamentals of reading music and playing basic musical scores. Later conversion from steel to plastics would have been more conducive to multiple users in a classroom environment (more hygienic and rust proof.This item shows how the "cheaper" invasion of all types of manufactured goods from the Asian regions have altered the purchasing patterns of rural Australians(the more traditional consumer). The cost imbalance of purchasing from "The Mother Country (England)" or European supply versus the Asian manufacturers was due to not only the financial pressures post World War II but also in the elimination of Tariff restrictions placed on non favoured suppliers.This tin Penny Whistle is made from rolled tin(steel), cylindrical in shape, with a wooden Fipple plug at the mouth end and six note holes starting half way down the front side evenly spaced and ending 35mm from the bottom. This whistle is in the key of D"G steel & Co. D"music, wind instruments, whistle, celtic music

Worldwide, more than 100 million lambs are castrated, and their tails are docked each year. Numnuts is a technological innovation to improve animal welfare. It combines traditions with innovation. In the mid-1990s it was scientifically shown that the immense pain felt during castration and tail docking could be significantly reduced with the use of anaesthetic. For the next 15 years, the industry said the cost the welfare devices and development were too high. But todays ethical consumer has demanded that sheep have no more pain. Initiated in Glasgow in 2009, Numnuts took nearly a decade to develop. Here you can see five stages of development, from an early prototype to the Numnuts device farmers use today. Each phase of development took years of on-farm trails to achieve the final product. Today there is even NumOcaine, an approved local anaesthetic used by Numnuts. Using the simple elastrator ring and adding an anaesthetic injector, Numnuts delivers pain relief during tail docking and castration. In the world’s first rubber ring applicator with a pain relief delivery mechanism. Through innovation and consumer pressure the wool industry is going through a moment of rapid change.Four prototype numnuts tools made from white plastic and stainless steel, each in varying stages of production. FInalised version made with black, orange and clear plastics.8097.2 - Mk4 8097.3 - Numnuts Tool V7; 20 10 0 8097.4 - On label - Numnuts NumOcaine 100ml 65 proceeduressheep, tools, castration, innovation, docking

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A man a dog standing on a verandah. The house is made of brick with a roof of corrugated iron.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families

This badge was issued to supporters of the 1980s campaign called ‘Citizens Against Ferguson Street Extension’. Ferguson Street is in East Warrnambool and at the time the road was formed but there were no houses on the north side. The proposal was to extend the street at the north east end so that access could be made to east Warrnambool and Deakin University. The local residents opposed the proposal because it would increase traffic in the quiet suburban areas. The scheme did not go ahead. This badge is of minor interest as an example of a local campaign against an unpopular City Council proposal. This is a green circular-shaped badge made of plastic. It has black printing with a sketch of three Norfolk Island pine trees on the front and a metal clip at the back for attachment to a person’s clothing. The back has an image of a map of Australia.‘C.A.F.E. Citizens Against Ferguson St. Extension’ ferguson street, history of warrnambool