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Magnet Galleries Melbourne Inc
Seymour Army Camp, les chandler_a00137.tif
A contemplative Les Chandler on a peak overlooking the Seymour Army Camp, 1915. The Goulburn River can be seen to the right of frame. seymour army camp, australia, soldier, goulburn river, 1915, ww1, world war 1 -
Moorabbin Air Museum
Document (Item) - Two copies of Kevin Kerle's Thesis Relating to Interpretation of Aircraft at Museums, Kevin Kerle, Thesis for Graduation in Diploma in Museum Studies by Kevin Kerle (1987), 1987
The thesis aims to show museums how they can create a more interactive and interpretive experience, connecting their audience with the aircraft on display.This thesis was written by an important donor to the museum, and contains useful advice for all aviation museums. -
Kew Historical Society Inc
Functional object, Straight Razor & Part Case, 20th Century
A straight razor is a razor with a blade that can fold into its handle. They are also called open razors and cut-throat razors. Steel cut straight razor with ebonised wooden handle in a leather part casepersonal effects, razors, shaving equipment -
Sunbury Family History and Heritage Society Inc.
Photograph, c1920s - 1930s
In the 1920s a few Californian style homes were built in the township of Sunbury and some of them can still be seen in the town.A black and white photograph of the rear view of a weatherboard Californian style bungalow built in an open paddock. The house also has a smaller building on the RHS and an outdoor toilet as well as a double clothes line are in the yard. sunbury township. -
Friends of Ballarat Botanical Gardens History Group
Photograph - Photograph of Thomas Stoddart's Grave, Old Ballarat Cemetery, Thomas Stoddart grave, March, 2007
Thomas Stoddart was greatly respected and remembered by Ballarat people as can be seen in the commissioning of a bust and marble tablet in his memory.Thomas Stoddart was the first great benefactor of the Ballarat Botanical Gardens.1 coloured photographLabel on back, printed in blue biro, "Thomas Stoddart, Grave BOC, March 2007."john garner, doctor, thomas stoddart's grave, old ballarat cemetery, ballarat botanical gardens, benefactor, stoddart collection of classical statues, john garner collection, gardene, ballarat, stoddart -
Port Melbourne Historical & Preservation Society
Audio - Oral History, Mrs. Florence STARK, 07 Sep 1980
Interviewed by Wendy MORRIS, City Librarian, Port Melbourne. Interview used in contributions to the book "They Can Carry Me Out". Mrs. Florence STARK recalling her memories of growing up in Port Melbourne.Duration 01:20:24florence stark -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, postcard "Boiling the Billy" c1900, Early 1900's "Boiling the Billy", c1900
Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers, -
Forests Commission Retired Personnel Association (FCRPA)
Broad Axe, double bevelled edge
There are two categories of cutting edge on broad axes and both are used for shaping logs by hewing. 1. Single bevel axe - one side is flat and the other side bevelled, also called a side axe. The handle may curve away from the flat side to allow an optimal stance. The flat blade but can only be worked from one direction and is right-handed or left-handed. 2. Double bevel axe - both sides are bevelled and produces a scalloped cut. The axe has a straight handle and can be swung with either side against the wood. A double-bevelled broad axe can be used for chopping or notching as well as hewing. Broad Axe - Double bevelled edge Straight wooden handlesmall lettering and government crows foot -
Flagstaff Hill Maritime Museum and Village
Container - Ink Jug, Second half of 19th Century or first half of the 20th Century
This metal ink jug or can, was used to dispense portions of ink to individual inkwells contained on the top of each pupil's desk. The jug is not unlike a small indoor watering can. The ink would be supplied to schools in large glass or stoneware bottles, and these would have been too unwieldy and difficult to use to pour ink into the small inkwells. Therefore it was decanted into the metal ink jugs and then poured into the inkwells. After a child was deemed old enough to progress from just using slate and board, he/she would have been supplied with a pen shaft made of wood and with a very basic metal nib. The ink jug would be used to fill up the individual inkwells. This operation would have been conducted by the teacher him/herself, or by an older pupil under the close eye of the teacher.Ink jug, metal, black, with long spout & metal handleNone.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, jug -
Flagstaff Hill Maritime Museum and Village
Container - Ink Jug, Second half of 19th Century or first half of the 20th Century
This metal ink jug or can, was used to dispense portions of ink to individual inkwells contained on the top of each pupil's desk. The jug is not unlike a small indoor watering can. The ink would be supplied to schools in large glass or stoneware bottles, and these would have been too unwieldy and difficult to use to pour ink into the small inkwells. Therefore it was decanted into the metal ink jugs and then poured into the inkwells.After a child was deemed old enough to progress from just using slate and board, he/she would have been supplied with a pen shaft made of wood and with a very basic metal nib. The ink jug would be used to fill up the individual inkwells. This operation would have been conducted by the teacher him/herself, or by an older pupil under the close eye of the teacher.Ink jug metal black with long spout & metal handle.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, jug -
Melbourne Tram Museum
Photograph - Cable tram - Northcote terminus, 1930s
Photo of a cable tram set that has arrived at the Northcote line terminus in High St, prior to shunting. Another two cable sets are in the background. The gripman and conductor can be seen to be preparing to shunt the tram. The photo caption says the trailer is No. 235. A Bundy clock can been seen on the pavement on the left side of the photograph. A hairdresser and tobacconist shop are in the view. Photographer and date unknown.Yields information about Northcote cable tram terminus in High St at Dundas St.Black and white print with a hand written note on rear.In pencil "Car 235 at Dundas St"trams, tramways, northcote, high st, cable trams, tram 235, bundy clock -
Kiewa Valley Historical Society
Bottle - Poison
Fly killer liquid was used in manually operated sprays to kill insects in the home. This was used prior to aerosol cans being available.Common household item used before availability of aerosol cans.Insecticide. Brown straight sided glass bottle with tin screw lid. Base is rectangular in shape. Two thirds of the way up the sides taper to a round opening. The front and two sides are covered with a yellow paper label which is covered with mostly black writing. The title of the label is Rawleigh's Pyrethro Fly Killer Back of bottle at base - embossed: '2' Base - embossed: 5/F1837/Minsecticide; bottle; household item -
Eltham District Historical Society Inc
Photograph - Colour Print, Lewis Tulk, Eltham District Scout Camp, Eltham Town Park, c.1982
A Tait 'Red Rattler' train can be seen in the background. Donated by Lewis Tulk, former Scout Area Training Commisioner for Leaders.scouts victoria, scout leader training, lewis tulk collection, yarra batman area, alistair knox park, eltham district scout camp, eltham town park, red rattler, tait train -
Greensborough Historical Society
Domestic object - Rolling Pin, Glass rolling pin, 1930c
Glass rolling pin can be filled with warm or ice water, cork stoppers missing. Used in baking for rolling out pastry.Glass rolling pin, molded lass, cork stoppers missingrolling pins, cooking, baking utensils -
Greensborough Historical Society
Photograph - Digital image, View from Greensborough Lower Oval, 1935c
Photograph of the Greensborough Lower Oval in Main Street Greensborough opposite St Helena Road. The village of Greensborough can be seen In the background.An early view of Greensborough.Digital copy of black and white photograph.greensborough, lower oval greensborough -
Greensborough Historical Society
Photograph - Digital image, Eddie Smith at Sutherland Homes, 1956c
Black and white photograph or Eddie (Edmond) Smith at Sutherland Homes in Diamond Creek. Eddie's story can be read in "The Silver Poplar".Black and white digital photographedmond smith, sutherland homes for children -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Programs give families a 'toolbox' to cope with drug addiction, 27/07/2016
Families struggling with a loved-one's drug addiction can get help through "Family Drug Help" at Banyule Community Health. News clipping, black text and colour image.banyule community health, drug addiction, family drug help -
Flagstaff Hill Maritime Museum and Village
Tool - Inside Shave Plane, Prior to 1950
A plane used by a cooper to smooth the inside of barrels can also be used for smoothing other curved surfaces like chairs etc.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Inside Shave Plane for curved surfacesNoneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, curved smoothing plane, coopers tools -
Moorabbin Air Museum
Booklet (item) - Handbook of advice for civilians in war time
A handbook, most likely from the Second World War that outlines what civilians should expect and how they can be ready for war.second world war, ww2, civilians, home front -
Clunes Museum
Photograph
MORGAN WILLIAMS' WIFE WAS SUSIE WHO WAS A MIDWIFE. THEY LIVED AT THE END OF FRASER ST. SOUTH. THE GARAGE AND SHED CAN STILL BE SEEN.PHOTOCOPY OF MORGAN WILLIAMS AND BETTY HAY OF COLAC . TAKEN IN 1946local history, photography, photographs -
City of Ballarat Libraries
Photograph - Card Box Photographs, Ballarat Town Hall & Sturt Street circa 1936
You can see the Town Hall and both sides of Sturt Street looking east. Some of the business include Crockers and Tunbridges.ballarat town hall, sturt street, streetscape, electric tram, garden, crockers, tunbridges, vehicle, building, public building, commerical -
Kew Historical Society Inc
Clothing - Fur Collars, Two Full Body Marten Fur Collars, 1920-1930
The collars can be dated to the 1920s, evidenced by a photograph of Gwen Steele (nee Kelly) wearing them on a trip in New Zealand in 1930. Items of fur clothing with provenance allowing a creation date of the 1920sTwo fur collars made of European marten fur. One collar is of Stone (Beech) Marten fur; the other of Baum (Pine) Marten.Handwritten Note on reverse of photo Photo taken in 1930 in NZ. Mrs Gwen Kelly, now Gwen Steele, wearing Stone Marten fur. Also Baum Marten fur about same date. (Weasel type animal with valuable fur - Oxford Dic.)fur collars, full body furs, stone marten fur collar, baum marten fur collar, furs - 1920s -
Stawell Historical Society Inc
Photograph, St. Patrick’s Church Interior before the marble altar presented by Mr Angus McLennan
St. Patrick’s Church Interior before the marble altar presented by Mr Angus McLennan. The Stations of the Cross can be seen on the walls.stawell religion -
Stawell Historical Society Inc
Photograph, Sloane's & Scotchman United Quartz Mining Co Looking East up upper Main Street c1916
Sloane's & Scotchman Mining Co Looking East up upper Main Street The back view of the Ore Bin can be seen. Street view looking uphill towards mine site. Cows grazing at right.stawell mining -
Vision Australia
Leisure object - Object, Black playing card holder, 19
A black curved plastic card holder to assist people holding their cards. It can be placed on either the table or fits into your hand. 1 black plastic playing card holderrecreation, games -
Port Fairy Historical Society Museum and Archives
Photograph, Light Horse- Procession
Light Horse Procession. Corner of Cox and Sackville, you can see old Post Office and Eastside of Sackville Street shops.Black and white Photographdefence, light horse, procession, sackville street -
Port Melbourne Historical & Preservation Society
Audio - Oral History, Sylvia Gleeson, 29 May 1991
Interviewed by Pat Grainger at Sylvia's home at 98 Princes Street. Interview used in contributions to the book "They Can Carry Me Out" .Sylvia Gleeson discussing her life in Port Melbourne, particularly in relation to the operation of the kiosk on the East Wing Pier of Station PierDuration 01:03:07families, domestic life, piers and wharves - station pier, business and traders - kiosk, sylvia gleeson -
Warrnambool and District Historical Society Inc.
Poster - Jordan Studios, 1906
This is a 1906 advertising poster for the photographic business, Jordan Studios, Liebig Street, Warrnambool. This business was established in 1890 by Joseph Jordan, an Englishman who had been in the British Army in India. He erected the Jordan Studios building (94 Liebig Street) in 1901. Joseph’s son, Arthur, was also a photographer and artist. He photographed and sketched Wilmot (Abraham) several times and used one of these sketches as a basis for this advertising poster. It was well-known at the time that Wilmot was always willing to pose for photographs or drawings. Wilmot (Corwhorong), called ‘the last of his tribe’, was a member of the Tooram group associated with the Kirrae tribe. He spent the early part of his life at the Allan ‘Tooram’ property and was later at the Murray Warrnambool home, ‘Waikato’. He died in 1916 and is buried in the Warrnambool CemeteryThis advertising poster is of considerable importance as it is an interesting example of advertising by a photographer at the beginning of the 20th century. It is also important because it advertises Jordan Studios, one of the most significant photographic businesses in Warrnambool’s history. It also is an example of Arthur Jordan’s artistic abilityThis is large advertising sheet of paper featuring a black and white sketch of the aborigine, Wilmot and Arthur Jordan, the artist/photographer. Jordan is seated and is sketching Wilmot who is sitting cross-legged. The sketch includes a mug, a billy can, a fire and a humorous caption. The edges of the sheet are somewhat tattered. ‘Notice. Visitors to Warrnambool, go to Jordan’s Studio, Liebig St, next Bank of Victoria, for your Portraits, Groups, Views and Postcards’ ‘Hurry up, old feller, I want to go to Jordan’s before I go to the races. A lady wants my photo very pertickler’ ‘Jordan ‘06’ jordan studios, arthur jordan, wilmot, warrnambool, corwhorong, advertising, liebig street -
Port of Echuca
Black and white photograph, Approx. 1980
Information of construction of Pride of the Murray. Construction: Composite Tonnage: 71 gross 36 net Dimensions: L 82.4 ft B 15.5 ft D 4.4 Date of Registration: Melbourne 1870 no.88, 918 Built: Echuca, Vic. 1865 Owners: Permewan, Wights & co.This photo has Social and historical significance,depicting some of the boats and the wharf in the 1980's. It gives a very clear visual of the Port of Echuca wharf and the Echuca banks of the Murray with some of the beach visible. Black and white satin photograph of the starboard side of the P. S. Canberra sailing upstream on Murray river between the Port of Echuca wharf and the Echuca bridge. The Pride of the Murray (front on) can be seen further behind , on the left, with the Pevensey, which appears to be moored in front of the wharf in the background. On front of photo paddlesteamers are marked Canberra & Pride of the Murray. On back of the photo is marked in pencil: please return to Mrs H.Coulson, Port of Echuca, Box 35, Echuca.echuca wharf, p.s. canberra -
Bendigo Military Museum
Postcard - POSTCARDS OF HMAS AUSTRALIA IN 1920, Royal Australian Navy, c1920's
1. B & W postcard shows scene of foredeck taken from the bridge. One twin gun turret can be observed. The ship is tied up at a wharf. 2. Side view of HMAS AUSTRALIA. The photo shows one gun turret, two funnels and wireless mast.1. On front bottom is handwritten "View from bridge of HMAS AUSTRALIA". 2. On front bottom is written "HMAS AUSTRALIA during Navy days in the 1920's" .photographs, ran, hmas australia