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matching australian art.
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Ballarat Heritage ServicesCeramic, Lidded Container, c1988
Sweenies Creek Pottery was located at 1507 Strathfieldsaye Rd, Axe Creek. Owned and run by Graham Masters, he specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. Graham Masters graduated from Bendigo Institute of Technology in 197 with a Diploma of Art and Design in Ceramics. He operated a pottery for a year in Bendigo, before working at Maldon Pottery, Maldon, Victoria, with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984 and has been there ever since. Pierced lidded container by Sweeney Creek Potteryceramics, sweenies creek pottery, australian studio pottery -
Ballarat Heritage ServicesPhotograph - Photograph - Colour, Gravestone of Melanie Eileen Harrison at Vaughan Cemetery, 2017, 16/07/2017
Vaughan Cemetery in Central VictoriaHand forged iron fence around a grave in Vaughan Cemetery.vaughan, vaughan cemetery, forged ironwork, cemetery art -
Ringwood RSL Sub-BranchTrench Art Dog Tag, C WW2
Dog tag made to be worn as a bracelet. Oblong tag on 2 pieces of chain.VX12588 A.M. Griffin 2 / 2 AFW to Doreen ( 2nd / 2nd Australian Field Workshop ) -
Ringwood RSL Sub-BranchTrench Art - Ammunition, Chrome plated shell casing
Chrome plated shell casingCoat of arm, Australia. S8/17. -
Unions BallaratThe Right Hon W.E. Gladstone (Don Woodward Collection), Reid, Stuart J, 1923
WE Gladstone was a Liberal Party Prime Minister in Britain from 1868 and ending in 1894. He introduced many pivotal changes including the secret ballot, equality of opportunity, free trade, and laissez-faire economics.Political, historical and biographical interest - Victorian England.Book; 289 pages. Cover: red background; gold lettering; author's name and title.Inside: stamp "Gilbert N Cassidy, 42 Minchinbury Tce, Marion, South Australia, 5043". Inside: typewritten pasted note - "If thou art borrowed by a friend, Right welcome shall be to read, to study not to lend, but to return to me. Not that imparted knowledge doth dimish learning's store, but books I find when once they're lent, return to me no more."btlc, ballarat trades and labour council, ballarat trades hall, gladstone, we, prime ministers - united kingdom, politics and government, biography, history - united kingdom -
Unions Ballarat
Our inheritance: Speeches and addresses (Don Woodward Collection), Baldwin, Stanley, 1928
A selection of speeches and addresses on social, political and other topics. Contents (copied from the Victorian State Library website): Harrow School War Memorial: Address delivered at the unveiling ceremony at Harrow, 3rd June 1926 -- Freedom: Speech delivered at Kingsway Hall at the 30th anniversary of the Junior Imperial League, 19th June 1926 -- The British Merchant Service: Speech delivered at the dinner of the Chamber of Shipping of the United Kingdom, 16th February 1927 -- Westminster Abbey: Appeal for funds, 1st July 1927 -- Democracy and its task: Speech delivered at the dinner of the Cambridge University Conservative Association, 4th March 1927 -- Scotland: Address delivered on the occasion of receiving the Freedom of Edinburgh, 7th June 1926 -- The romance of Edinburgh: Speech delivered at the luncheon given on the occasion of receiving the Freedom of Edinburgh, 7th June 1926 -- Wales: Speech delivered at the St. David's Day Banquet at Cardiff, 1st March 1927 -- The Earl of Oxford and Asquith: Speech delivered in the House of Commons, 16th February 1928 -- Earl Haig of Bemersyde: Speech delivered in the House of Commons, 8th February 1928 -- Among sculptors: Speech delivered at the Dinner of the Royal Society of British Sculptors, 25th February 1926 -- Among historians: Address of welcome delivered to the members of the Anglo-American Conference of Historians, 13th July 1926 -- Among archaeologists: Speech delivered at the Annual Meeting of the British School at Athens, in London, 2nd November 1926 -- Among doctors: Speech delivered at the annual dinner of the Royal Society of Medicine, 18th November 1926 -- Lister: Speech delivered on the occasion of the Lister Centenary Celebrations, 5th April 1927 -- Among scientists: Speech delivered at the dinner of the Royal Society, 30th November 1947 -- Worcestershire: Speech delivered at the inaugural banquet of the Worcestershire Association, 22nd February 1927 -- Books: Speech delivered at the dinner of the English Association, 28th October 1927 -- Cricket: Speech delivered at the luncheon given to the Australian Cricket Team, 20th April 1926 -- Lord's: The Eton and Harrow match: Introduction to Sir Home Gordon's book, "Eton v. Harrow at Lord's" -- Fly fishing : Speech delivered at the annual dinner of the Fly Fishers' Club, 24th February 1927 -- The loneliest job: Speech delivered at Worcester, 8th January 1927.Historical, political and social - United Kingdom.Book; 309 pages. Cover: blue background; white lettering; author's name and title.In black ink: To dear papa with love Doreen. Christmas 1929.politics and government, social commentary, art and history, sporting life, btlc, ballarat trades hall, ballarat trades and labour council, political speeches, speeches - various -
Unions Ballarat
Strange Birds in Paradise : A West Papuan Story, Nicolai, Jamie, 2009
Blurb from the back: While the Indonesian army continues to dominate the indigenous inhabitants of West Papua, Hill-Smith records the fate of West Papuans trying to maintain village life against a backdrop of covert military violence. In the West Papuan highlands, Hill-Smith - an Australian writer, cartoonist and comedian - hears stories of escape, oppression and exile and listens to the defiant songs of murdered musician and independence hero Arnold Ap. Together with friends Donny Roem, a recent exile, and Jacob Rumbiak, a child soldier in the West Papuan resistance movement, Hill-Smith returns to Melbourne to record outlawed folk songs with renowned Australian rock musicologist David Bridie. An extraordinary story of an imaginative, adaptable culture confronting tyranny with the joyful power of art, music and self-expression.Relevant to the history of West Papua and the Indonesian military presence and violence. Use of music to draw attention to the issues faced by West Papua.DVDFront cover: Title, rating (M), picture of winged West Papuan Man with guitar, "Winner Best Doco SBS IF award 2010". Back cover: Precis of content, website for producer company, names of contributors, directors, editors, etc.btlc, ballarat trades and labour council, ballarat trades hall, west papua, indonesia, war, songs, animations, military violence -
Ballarat Heritage ServicesPhotograph - Photograph - Colour, Clare Gervasoni, Stephen Henwood Grave at Sandon Cemetery, 2017, 16/07/2017
Sandon is a locality in central Victoria, split between the Shire of Mount Alexander and the Shire of Hepburn.A gravestone in the Sandon Cemetery.Sacred to the memory of Stephen Henwood beloved husband of Mary Keast who died at Strangways June 27th 1901 aged 69 years.sandon, sandon cemetery, cemetery art, draped urn, stephen henwood, mary keast, strangways -
Ballarat Heritage ServicesPhotograph - Photograph - Colour, Annie Gervasoni Headstone in Sandon Cemetery, 2017, 16/07/2017
Carlo Gervasoni was from San Gallo, Bergamo, Lombardy, Italy, and arrived in Australia in 1863. He died of appendicitus while visiting Italy, which may be why the grave features an anchor and rope. Colour photograph of a memorial in the Sandon Catholic Cemetery to Annie Gervasoni. In loving memory of Annie Gervasoni Died 10th Sep. 1920 aged 63 years Also her beloved husband Carlo Died in Italy 10th June 1901 And their loved children Mary 1889-1901 George 1895-1896 R.I.P.sandon, sandon cemetery, yandoit creek, carlo gervasoni, annie gervasoni, mary gervasoni, george gervasoni, anchor, fern leaf, cemetery art -
Ballarat Heritage Services
Ceramic - Photograph - Colour, Ceramic Plate by Graham Masters of Sweenies Creek Pottery
Graham MASTERS Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria. He specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Maldon, Victoria, with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1983 and has been there over 20 years. In 2000 Graham Masters started working at Bendigo pottery, and is one of five in the business, specialising in large works such as vases, platters and wine barrels, all handmade on the pottery wheel. graham masters, sweenies creek pottery, ceramics -
![Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7dfe2521ea6712f82ed3c6/item-media/5d7dfe7f21ea6712f82f5636/item-fit-380x285.jpg)
Ballarat Heritage ServicesPainting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape, artist -
![Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7dff9521ea6712f830d8aa/item-media/5d7dffad21ea6712f8310586/item-fit-380x285.jpg)
Ballarat Heritage ServicesArtwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
![Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7dffef21ea6712f8317a81/item-media/5d7dfffc21ea6712f8319834/item-fit-380x285.jpg)
Ballarat Heritage ServicesArtwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
![[Landscape] by Arthur Lindsay](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7e003a21ea6712f832027f/item-media/5d7e005621ea6712f8323020/item-fit-380x285.jpg)
Ballarat Heritage ServicesWork on paper - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Pencil landscapearthur lindsay, landscape, drawing -
Ballarat Heritage ServicesDrawing - Artwork - Painting, Portrait by Jean Appletom
Jean APPLETON (1911-2003) Jean Appleton was a painter and craftworker who studied at East Sydney Technical College and at the Westminster School, London. After seeing French sculptor Maillol's work 'The Cyclist' she was inspired to try sculpture and consequently studied under Eric Schilsky in London. With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. Resident in England from 1969 to 1981, she continued to teach intermittently into the late 1970s. After a difficult first marriage to artist Eric Wilson, who died, she married painter Tom Green and they settled in Moss Vale. Though her work is now represented in major state and regional collections, Appleton was like many women artists of her generation in that recognition of her work came late in life: she was in her eighties when a public gallery first presented a retrospective exhibition of her art. (https://www.portrait.gov.au/portraits/2013.92/self-portrait, accessed 15 September 2019) Jean Appleton won the inaugural Portia Geach Memorial Award in 1965 with this work. She dies in 2003.A sketched portrait of a man's head by Jean Apppleton. It may be Jean Appleton's first husband, Eric Wilson. drawing, portrait, jean appleton -
![Painting - Artwork - Painting, Susan Paterson, [Landscape] by Susan Paterson](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7e046b21ea6712f8380cad/item-media/5d7e049421ea6712f838390d/item-fit-380x285.jpg)
Ballarat Heritage ServicesPainting - Artwork - Painting, Susan Paterson, [Landscape] by Susan Paterson
... artistic practice and theory. Susan Peterson has worked as an art... as an art educator in many Australian States, China, England and New ...Susan PATERSON Born Melbourne Dr Susan Paterson is an artist, curator, writer and lecturer. Her research includes artistic practice and theory. Susan Peterson has worked as an art educator in many Australian States, China, England and New Guinea.Framed landscape.portrait, susan paterson, painting, landscape -
![[Landscape] by Susan Paterson](/media/collectors/57a00a4fd0cdd1210422a51e/items/5d7e057f21ea6712f8397a02/item-media/5d7e058e21ea6712f839971b/item-fit-380x285.jpg)
Ballarat Heritage ServicesPainting - Artwork - Painting, Susan Paterson, [Landscape] by Susan Paterson
... artistic practice and theory. Susan Peterson has worked as an art... as an art educator in many Australian States, China, England and New ...Susan PATERSON Born Melbourne Dr Susan Paterson is an artist, curator, writer and lecturer. Her research includes artistic practice and theory. Susan Peterson has worked as an art educator in many Australian States, China, England and New Guinea.Framed landscape.susan paterson, landscape -
Ballarat Heritage ServicesPainting - Artwork - Painting, Hong Kong Faimhouse by Arthur Lindsay, c1950
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a number of builidings, and a person in the foreground.arthur lindsay, watercolour, painting, townscape -
RMIT Design ArchivesTextile - Textile Design Sample
The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives -
RMIT Design ArchivesScarves
Scarf featuring fish designtextile design, textile, australian fashion -
RMIT Design ArchivesRecord sleeve, The Pines of Rome - Respighi
Max Robinson (1934-2018) designed this record sleeve for the World Record Club in 1961. Robinson studied for a year at the Melbourne Technical College (RMIT University), and in his early career worked for Peter Clemenger and the graphic designer, Max Forbes. He produced a number of striking record covers for the World Record Club in the late 1950s and early 1960s. Robinson’s work is familiar to many Australians – he designed the new $10 note in 1993, which featured Banjo Paterson and Dame Mary Gilmore. The World Record Club’s operated in Melbourne from 1957 until 1976; it was a mail order service, and its art director, Geoff Digby commissioned young designers and artist to design the record sleeves. It is regarded now as one of most representative collection of Australian designers’ work of its period, and highlights the years of transition from ‘commercial art’ to ‘graphic design’. The album cover was donated to the Archive by the World Record Club’s art director, Geoff Digby. Ann Carew, 2020This record sleeve is historically significant for its association with Max Robinson, who was inducted into the Australian Graphic Design Association’s (AGDA) Hall of Fame in recognition for his work as graphic artist, but also his tireless advocacy for graphic design in Australia. It is aesthetically significant as an early example of the design work of Max Robinson. It is historically significant for its association with the World Record Club, an organisation that produced a representative collection of Australian graphic designers’ work from 1957 until 1976. the Pines of Rome . Respighi / Roman Carnival overture . Berlioz / Herbert Von Karajan / the Philharmonia Orchestra / Les Preludes . Lisztworld record club, max robinson, rmit university, rmit design archives, geoff digby, record sleeve design, graphic design -
RMIT Design ArchivesAdvertising signs, Ajax Pumps
One of Australia’s most acclaimed printmakers, Grahame King originally trained as a commercial artist in the mid-1930s. The Design Archives holds a collection of embossed advertising showcards designed by King in the 1950s which reveal examples of graphic design and typography in post-war Melbourne. The showcards were used by iconic companies for advertising and promotion on shop counters and in window displays and were produced by Firestone Embossed Showcards. Megan Atkins, 2017 Sign shows centrifugal pumps, close coupled centrifugal pumps and self-oiling piston pumps.Printed text bottom left on verso, Firestone embossed showcards PTY. LTDshowcards, advertising, graphic design, commercial art, artist -
RMIT Design ArchivesPosters, Post Christmas Mail Now For Overseas
In the days before television advertising and the WWW, commercial artists such as John Whittenbury designed posters, railway billboards and trade exhibitions advertising products and services to the masses. Whittenbury’s series of quirky Christmas mail posters for the Post Masters General Office, now known as Australia Post, were displayed in post offices across Australia. He had a wealth of experience in the field, having worked as an illustrator, graphic designer, cartoonist, and mechanical draftsman for the RAAF in Laverton and then Victoria Barracks, and also taking out a qualification in Advertising Art from RMIT in 1961, prior to joining the PMG. Ann Carew, 2017 australia post, christmas, rmit design archives -
Numurkah & District Historical SocietyEquipment - Chalk pastels (packet)
Cardboard box containing different coloured chalk pastels for drawingReeves Greyhound Pastels Set L12 Made in Australia non injuriouseducation, school, pastels, drawing, art -
Robin Boyd FoundationAudio - Recording, Decca, released in Australia exclusively by World Record Club
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The Art of Michelangeli. LP 33RPM vinyl, Catalogue Number: World Record Club W.R.C. S/4831, Record cover, plastic sleeve, 1 vinyl disc, cover notes (no author listed). Beethoven, Galuppi, Scarlatti.lp, sound recording -
Robin Boyd FoundationDocument, Mark Strizic, Application to the Commonwealth Art Advisory Board for a Grant to Assist in the Publication of Art Books, c. 1970
A proposal letter written by Mark Strizic for a grant from the Commonwealth Art Advisory Board to fund a series of art books. Strizic proposes a series of books illustrated by Strizic's own photography, under the series title Expressions. Strizic seeks a grant of $4900 from the board for the publication of two books, one of furniture maker Schulim Krimper, another on John Perceval's Cherubs. Budgets for these books are included, proposing to use the profit from sales to fund subsequent books, including one on the Centre 5 group of sculptors and one with Australian poets with graphics by artist Stan Ostoja-Kotkowski.Typewritten, carbon copy, foolscap, 4 pagesRobin Boyd pencil noterobin boyd, meriel wilmot-wright, myer foundation, mark strizic, schulim krimper, brian lewis, margaret garlick, inge king, clifford last, lenton parr, teisutis zikaras, julius kane, centre 5, time riders, john perceval, vincas jomantas, stan ostoja kotkowski, judith wright, roland robinson, kenneth slessor, max harris, claude wischik, commonwealth art advisory board, andrew grimwade, national gallery of victoria, joseph brown, brian stonier -
Robin Boyd FoundationLetter, Australian War Memorial, Australian War Memorial to Patricia Boyd, 30.05.1983
... A letter from Anne Gray, Curator of pre-1939 art... melbourne A letter from Anne Gray, Curator of pre-1939 art ...A letter from Anne Gray, Curator of pre-1939 art for Director of Australian War Memorial to Patricia Boyd, regarding 'Salvage' by Penleigh Boyd, Robin Boyd's father. Regarding republishing the book and also drafting an introduction using Penleigh Boyd letter provided by Patricia Boyd. -
Robin Boyd FoundationSlide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Orion Ship at Aden, Yemen. It is the ship on which Robin and Patricia returned from Europe in 1951.Made in Australia / Orion (Handwritten) / AT Aden (Handwritten)haddon travelling scholarship, haddon, robin boyd, slide -
Robin Boyd FoundationSlide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Sculpture garden Museum of Modern Art, New YorkMade in Australia / 19 / JUL 69M2slide, robin boyd -
Robin Boyd FoundationSlide, Robin Boyd, 1969
Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Sculpture garden Museum of Modern Art, New YorkMade in Australia / 18 / JUL 69M2slide, robin boyd
