Pure wool, fawn in colour, men’s cardigan. Five button, V neck front. One pocket on either side of front. Front band is 3.5cms wide and lined with cotton fabric, from the V opening to the hem to support buttons and button holes. Overlocked seams. A fine rib pattern, one cm wide is separated by a narrow one stitch gap. A finer rib, two stitches wide forms the cuffs, and lower band. Set-in sleeves.QUALITY KNITWEAR BY HANRO PURE WOOL 38costume, male, cardigan

Purchased in 1968 by Phyl Johnson at Myers. Worn twice by her and then, in 1990, by her mother, Mrs M. Gray at her grand daughter's wedding at Box Hill, St Andrews Presbyterian Church1968 Pale pink pure wool, short sleeved dress. Round neck with zip from neckline to waist. Fully lined in pink polyester fabric. Detail stitching from bustline to waist and continuing across waist line at back. Fitted pink jacket has waist length long sleeve, trimmed with a collar of faux fur. Fastened with three buttons and loops, and has two pockets with detailed stitching. Jacket is fully lined with pink polyester.Merco Dabroncostume, female

Believed to be used by Chief Petty Officer Navy Police Craig Duff whilst on duty in Mogadishu Somalia United Nation light blue go fast cap with UN cloth badge sewn above the peak; blue plastic adjusting slide at the back; cloth covered metal button permanently fixed at the centre top of the cap; there is opening at the back measuring 60 x 50 mm, cap is made of five segments that are stitched together to made up the crown of the cap and there is a stitched pattern of six parallel lines. the band on the rim has a plastic backing The UN embroidered badge is sewn centrally on the front and has the words UNITED NATIONS NATIONS UNIES cap, united nations baseball cap, cap un blue

This saw is used for cutting curved edges of timber. It could have been used in the home or for commercial building purposes. The hand-held saw has largely now been replaced by electrically-operated machines. This item has no known local provenance but it is an interesting example of a hand-held tool of the past.This is a hand saw with a thin serrated metal blade. The blade is affixed to the bottom end of a wooden frame with two upright pieces and a cross piece affixed to the upper part of the frame. The top part of the frame has a piece of plaited rope stretched across. The top part of the frame has two wooden handles. The blade is somewhat rusted and the wooden parts and the rope are stained. vintage tools, history of warrnambool

The Kiewa Valley has promoted itself as a tourist hot spot since the Kiewa Hydro Electric Scheme concluded. Mt Beauty began as a construction town and was to be sold off but tourism became promising so the SECV handed the town over to the Bright Shire, houses were sold and businesses commenced. From the early 1960s the town promoted itself and Falls Creek as a tourist destination. The Kiewa Valley Accommodation group combined with the local advertisers to publish this brochure.This brochure promotes tourism all year round promoting the local businesses enabling them to succeed. As tourism is the main industry in Mt Beauty and Falls Creek since the Kiewa Hydro Electric Scheme finished, this advertising is important. It is interesting to note the businesses - their type, their location and the comparison with those in the area now.19 black and white pages including maps and advertisements. Cover is a 'washed' color of a hut in the bush. The title is in black across the top and at the bottom right hand corner. The front cover is in 'landscape' format but the rest of the book is 'portrait'.mt beauty; falls creek; kiewa valley; tourism; north east victoria

Photograph shows a cable tram set in Gisborne St passing St Patricks Cathedral, during the 1920s. Possibly tram 121 There is a horse drawn cart on the left hand side. Photo during the 1920s prior to the construction of the cathedral spire. The Collins St line closed and was converted to electric trams in 1929.Yields information about St Patricks Cathedral and cable trams in Gisborne St.Black and white photograph with notes on the rear.On rear in pencil "Cable tram Melbourne.", Norm Boxhall stamp with number 56-32B and Ken Magor stamp No. 14 Has the number "55" in pencil in top right-hand corner. tramways, cable trams, st patrick's cathedral, tram 121

This piece of fabric in the design of the Republic of Vietnam’s flag was cut from a roll carried by Military Assistance Command Vietnam operatives when they went around the villages, compounds and outposts. As part of the ‘Hearts and Minds’ program, they would cut off sections and hand them out to anyone who wanted a bit. Some pieces became flags, some head scarves, some were even used to wrap babies. Pieces showed up everywhere. Collected by Sub-Lieutenant A C Perry, Royal Australian Navy Helicopter Flight Vietnam (RAN HFV) 1969 -1970. RAN HFV ) served with the 135th Assault Helicopter Company of the US Army. The Americans named this combined unit the 'experimental military unit' (EMU). Framed fabric piece, yellow with three red stripes, representing the South Vietnam flag plus 3 helicopter unit patches mounted on right hand side SOUTH VIETNAM FLAG/ HELICOPTER UNIT/ SHOULDER PATCHES/ FROM VIETNAM WAR/ KINDLEY ON LOAN FROM/ ANDY PERRY (SS US)/ ROYAL AUSTRALIAN NAVYsouth vietnam flag, helicopter patches, arvn, perry, 135th, 135thahc, emu, ranhfv, navy helicopter, andy perry, hearts and minds

Page 12 of Ray Pearson's Photo Album. Brown card page with three photographs (landscape format) placed on page using metallic look and brown card decorative photo corners. All photographs depict trams. Hand written inscriptions are located the top photograph and under the bottom left photograph. Hand written incription in white-out or white pen beneath photograph on - Top left: ELWOOD. DEPOT. NOTE DESTINATION SIGNS Bottom left: CAR No 5 St KILDA. STN.victorian railways, melbourne tramways, elwood depot, st kilda trams, st kilda station

This patchwork quilt or bedspread is a modern creation along the lines of the traditional 1800s handmade English paper piecing patchwork quilting craft. It is made from reproduction fabric and quilt designs and represents the bed linen typical of a late 19th-century bedroom. Years ago, patchwork was a form of recycling, where leftover or previously used pieces of fabric were used to create other useful item such as quilts, rugs, cushion covers and jackets. Special projects were sometimes made with fabrics representing special memories, such as pieces from baby clothes, wedding gowns, and school uniforms. The maker would use a cardboard template shaped like a hexagon, place it onto the fabric and trace around it. Often the cardboard was cut from a box such as a cereal box. Women would gather to work on their patchwork while enjoying their social time together. As in the case of this quilt, members of the South Western Branch of the Embroiderers Guild in Warrnambool worked on the project, designing and quilting as a group to achieve their aim, of presenting the quilt to the recently opened Flagstaff Hill Maritime Museum. It was the first Group Project of the Branch which was formed in 1974. In 1975 the members decided to make a Quilt as a project to promote the formation of friendship and togetherness. Under the foundation Treasurer, Rita Williams, members sourced their own fabrics for the 'flowers' which were then stitched into the calico borders. Provision was made for the quilt to be hung for display, with the addition of loops along one edge. The local disability services employees and members cut out octagonal paper batches and used their own fabrics to piece them together. The Branch's first exhibition raised funds for buying fabric and equipment to assemble the patchwork. The quilt was perfectly suited to dress the bed in the Lighthouse Keeper's Cottage. This carefully created and designed, recently made patchwork bedspread typifies bedding and handcraft of the late 19th century. The English paper patchwork technique was used. The quilt was the first community project of the South Western Branch of the Embroiderers' Guild of Victoria, and presented as an addition to the Lighthouse Keeper's Cottage tat Flagstaff Hill. Patchwork quilt or bedspread, double bed size, made from hundreds of hexagonal-shaped fabric of various colours and patterns, carefully stitched onto a white background. It was made using the English paper patchwork technique. One edge of the quilt has loops dispersed at regular intervals. This would allow the quit to be used as a wall hanging. It was handmade by the South Western Branch of The Embroiders Guild, Victoria, and presented to Flagstaff Hill Maritime Museum and Village in 1976. An inscription is embroidered in blue on a patch of the quilt. "Made and Presented by The Embroiderers Guild, Victoria (S.W. Branch) 1976"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bedspread, patchwork quilt, quilt, embroiderers guild, bedding, bed linen, 1800's handcraft, quilting, south west branch, warrnambool embroiders guild, recycled fabric, 19th century, household textiles, english paper patchwork, paper patchwork technique

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Sarah spent six months in New Zealand in 1910. William and Sarah's family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Hand-coloured postcard in which the picture is framed by a border of a leaf and vine pattern. The picture is of the lower arms of a woman from the left hand side of the card and a man from the right hand side of the card shaking hands in the middle. Behind and below the hands is a small map of New Zealand in a golden circle. New Zealand fern is positioned from the circle up behind the arms to the top of the card on both sides and above the hands is a depiction of a ship sailing on the sea.The postcard contains a message to Frank Wright from his mother who is visiting New Zealand.frank wright, sarah wright, new zealand, postcard

Clothing. Grey silk boned bodice, grey silk '' off the shoulder '' scooped neckline. Short cap sleeves finished with 5 tucks- middle tuck of a grey satin fabric. Sleeves set into bodice with a fine piping. Deep V shaping at front and back waist. Metal hook and hand stitched eyelets down front opening. Laced with silk ribbon at centre back. V shaped decorative yoke - 6 cms to peak, at neckline. Bodice fully lined with calico.costume, female, grey silk boned bodice

Women's long fawn silk skirt with train. Fawn silk lined, 3 panels in front, 4 panels in back. Plackett in front seam with 5 hook & eye fasteners. 1inverted pleat at centre back, 2 V shaped inserts at lower back giving fullness. Much fuller at back, with a flat front. Two hooks at rear waist to attach a bodice. Matching velvet ribbon - 1 cm wide lining the hemline. Machine & hand stitching.costume, female, long fawn silk skirt with train

Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. One corner is turned down to represent at purse flap to form a 17 cm opening. Bag has a 4 cm frilled lace edge (cream coloured) on three sides plus around the turned down flaps. 2 cm pink ribbon bows on three corners plus on turned down flap. Hand made.textiles, domestic, handkerchief bag

Clothing. Men's pure wool trousers with a full length stripe - waist to ankle, 3cm wide (red) 1.3 cm gold metallic ribbon (stitched on top of red). Fob pocket at waistline. Side pockets on either side. Two pleats on either side of front. Metal zip fly 29 cms ;long. Adjustable waistband lined with cream coloured cotton buttons on inside to accomodate braces. One bound pocket with button closure, on back right hand side.No brand names visible. ''Andrews'' written in pencil on inside of back pocket- possibly the wearer.costume, male ceremonial, band trousers

Wide square neckline, and square yoke of crochet extending into short crocheted sleeves. A seven cm deep peplum has a cotton casing and cotton tape drawstring. The front opening has three hand-stitched button holes, and two pearl shell buttons( third is missing). Rows of 1.5cm cotton lace run horizontally at top and bottom of yoke, with three rows - one at each edge, and one in centre of sleeves. Neckline is then edged with crochet in a scalloped pattern with provision for a ribbon insert.costume, female, cotton camisole with crochet lace trim

Object. eight ribbed parasol. Black silk satin, and black cotton lace in a floral design. Eight peaks around the perimeter of the umbrella, attached to the double layer of fabric in the main body of the umbrella-an outer layer of silk, satin, and an inner layer of cotton. This lining is hand stitched. Frame, including handle of lacquered wood. Handle is graciously curved and carved like a feather. Top is finished with lace and a decorative satin ribbon-(5cms wide) bow with five loops, and nine cm tails.costume accessories, female, victorian black silk and lace umbrella

One page foolscap size typed (carbon copy) instruction sheet titled "Applicants for Senior Inspector", Dated 1966. Asks 8 questions of a varied nature, typed in a Question and Answer style. Has initials LJD/JMc in top right hand corner. Asks questions re ATMOEA award, Rule 10 or crews affected by alcohol, duties, traffic rosters, rerailing a tram, track obstructions, passenger complaints, ticket checking.In black ink in top right hand area of instruction "BTPS 324.", "1966" and in question 6, the word "moved" written in for the word "used". trams, tramways, sec, instructions, traffic staff, inspectors, accidents

Storybook/fairytale themed promotion of student work on completion of the two-year Advanced Diploma of Arts (Graphic Design) course at University of Ballarat, 2008. Page one features student names and photographs, plus "character" names. Pages 2-3 fairytale map. Subsequent pages include folio examples, one student per double page spread. Inside back cover notes sponsors, Sovereign Press and The Image Company. Teaching staff for duration of the two-year course listed as: James Baker, Peter Lambert, Jill Hyatt, Ben Sanders, Travis Price, Sam Harmer, Trevor Tagliabue, Alister Heighway, Sarah Lloyd. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Arts (Graphic Design). 32-page + 4-page cover saddle-stitched booklet. Full colour offset throughout.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

This petticoat was donated along with other well kept items of women's clothing. the pin tucks and lace trim could have been made to give flexibility to the length. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Petticoat, ladies size, cotton, waist to floor, drawstring waist closure, bottom lace trim is lined, pin tucks in lower skirt. Machine made lace, machine stitched. C. 1900.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, petticoat c 1900, ladies' clothing, ladies' fashion, underwear, petticoat

DCPU is a five colour camouflage pattern developed by the Australian Defence Force and tested during Auscamthe late 1970s. DCPU has been replaced in the Australian Army by Australian Multicam Camouflage Uniform (AMCU) Soft round 'giggle' hat with 6 cm stitched brim. Fabric loops for inserting Camouflage materials. Fabric is Disruptive Pattern Camouflage Uniform (DCPU) nicknamed Auscam or Jelly Bean Camo. JOHN STAR P/L NSW 02 9669 1066 SIZE: 60CM 100% COTTONauscam cammo, uniform, australian armed forces

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, square shape, crocheted with diamond design incorporated in pattern, points around edged, Rectangle of cotton fabric inserted in the centre with cross stitch pattern. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, cross stitch

Owner of tools Jim Gillespie Clayton VictoriaCaulking iron or making Iron. This thin edged iron was used to stitch or make the oakum or caulking cotton into the seam before setting it down hard with the set irons. Iron has a chipped edge.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Owner of tools Jim Gillespie Clayton VictoriaCaulking iron busting iron used to force or bust open a wooden cauking seam which was to narrow for threading or stitching the oakum into the seam in the normal manner. Sometimes a hammer was used as the driving force.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Machine knitted and stitched baby mittens. Salmon pink wool. Knitted woollen ties at wrist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby mittens

Pink ladies’ singlet. Neckline, armholes and hem finished with an overlocked hem and a row of decorative stitching, giving a scalloped, shell shaped edge. Sleeveless, with a scooped neckline, higher at the back and lower at the front.Hanro W. 80% Wool/Nylon.costume, female underwear, singlet

Stitched heavy leather case with two hair brushes (oval shaped). Case has leather strap and leather-covered metal buckle. Brushes are ebony wood with natural bristles (animal - pig??)personal effects, travel goods, brushes

Textiles, brown linen tapestry fabric table mat. Lined with cream coloured cotton fabric. Blanket stitch around all sides. Decorative red and green embroidered patterns in all corners.textiles, domestic, table mat

Clothing. Blue silk full silk petticoat.U shaped neckline at front and back. 1.5 cm fabric shoulders straps. Unshaped at bustline. Raw edge at hem finished with zig zag stitching.costume, female underwear, blue silk full petticoat

Nurse's red , pure wool flannel cape. Peaked collar. Stitched down, peaked tab at each shoulder line. Circular in shape, with one centre back seam. Worn by Merryn Ellison.Tape inside cape with name' Merryn Ellison.costume, female, nurse's red cape