Colour photo of Webb's Flour mill, Williamson Street, Bendigo. C 1980 ( J. Lerk 28.2.2000 ) Red brick 4 storey building, next to Limerick Hotel with cast iron lace verandah trims. Chaplins coffee shop. All Sports Centre on sign under building.buildings, commercial, webb's flour mill

Document. Greeting Cards. Single white card with some green shading & pattern cut edges and cutouts. Across the top is a garland of green ivy & white flowers. To the left of centre the cutouts resemble two pieces laced together. A hapy New Year to you From (written on the front.)Raphael Tuck & Sonperson, greeting cards, malone collection, malone collection, greeting cards

Photograph. This is a photo-copy of 11400.751. A black and white photo mounted on cream card. It is from the Wedding of Mrs James Mitchell (nee Ella Nicholls, Bendigo). A floral head-dress holds a long veil, fingerless gloves, and a large round bouquet complement this beautiful silk and lace dress.photograph, person, copy wedding photo of mrs james mitchell, refer research notes included in clothing box 136

A unique example of ”'making do” with materials available. Dated c1890..This remarkable device was skilfully made from wire - no soldering at all. The rat crawled up the ramp which tilted and tipped it into the bottom of the trap. When it tried to reach the bait in the hanging container a bell rang to inform the owner that a rat was caught.Rat Trap c1890. Hand Made plain wire construction jointed by wire lacing of wire hoops to frames. Semi circular section with flat base. Tapered entry one end leading to tilting trap, access hatch at opposite end. Includes food dish and warning bells. None#homemade, #rattrap, #vermin, #pestcontrol, #ingenuity

Sepia toned photograph of Celia Neal nee Carstairs with baby son William shows her wearing long sleeved dress, white high necked lace collar, straw boater hat with large bow in front of crown, baby in light coloured dress and jacket, lacy bonnet.armed forces, genealogy

Fine white linen bedspread embroidered at one end, which would fold back over the pillow of a single bed. Top of bedspread has a lace border 10 cm deep on three sides. Embroidery and cut work decorates this fold-back section. Hemmed on remaining sides.linen, bedspread, favaloro collection

Published by Semco Art Needlework Pty.Ltd> Semco Park Cheltenham Road Black Rock S.9. Farrow Falcon Press Pty. Ltd. 226 Lonsdale Place, Melbourne. For Girls learning embroidery- home/schoolSemco Embroidery Text Book. White outline around Black cover. Large red circle with girl siting in front doing embroidery wearing Victorian style short puffed sleeved dress polka dot pattern and pantaloons red stockings and lace up ballerina style shoes1st Edition Semco Embroidery Text Book 3D Free sampler transfer inside. Booklet contains illustrations and instructions for each stich. Pages 2 and 3 have pencil squiggles across the top.: Stem stitch, Snail Trail, Back Stitch, Lazy Daisy Stitch, Thousand Flower Stitch, Buttonhole Stitch, Long and short buttonhole stitch, Chain Stitch Seed Stitch, Arrow stitch, Feather Stitch, Herringbone Stitch, Cross Stitch, French Knots, Lattice Stitch. Illustrations of designs with stiches referred to on previous pages. stawell

This swimsuit belonged to Jessie Aldred (nee Dell, 1903-1995). Jessie was a dressmaker who married Frederick Ashley Aldred (1902-1974) in 1928. They lived at 34 Thomas Street, Sandringham from the late 1920s until at least the late 1970s. BHS also has a photo of Jessie on Hampton Beach in the 1920s. Seagull swimsuits were designed by Peter O'Sullivan (who also designed Black Lance swimwear) and manufactured by Botany Knitting Mills Pty Ltd in Melbourne.One piece black wool lastex swimsuit with mini-shorts and a modesty skirt to cover the tops of the thighs. White straps and white lacing down centre bodice. Seagull logo on left thigh. Low back; straps fasten with buttons at back waist. Hidden drawstring at back waist.Label: "This Seagull Swimsuit is protected by the patent and designs reg. nos. 22340/35, 13277, 16028/34".jessie aldred, jessie dell, swimwear, seagull, 1930s, melbourne designers

Pair of ladies green leather shoes, laced over tongue, Decorative punched pattern over toe, Narrow pointed toe with toe V shaped stud on sole. Stamped resin sole, heel made of built up leather, nailed on. White leather sole with makers stampStamped on sole at instep 5B. Made by 'SHOE MFG. CO. P/L. MODUE ALL RESIN SOLES' (circle stamp) White leather inner sole in gold lettering 'Parroquet by VOGUE. 5B Inner sole

Clothing. High lace-edged round neckline - lace 1.3 cm deep. Long sleeves-gathered at the shoulder, and edged at the wrist with a 4.5 cm deep, gathered broderie anglais, featuring a shamrock, and flower design. The bodice has a centre front panel of lace. 9 cm wide at the neckline, tapering to 4 cm wide at the high waistline. This panel is edged with a 4 cm wide scalloped edge at the broiderie anglais trim. Three rows of pintucks, give a finish to the filigree braid, and the gathered broiderie frill. The long skirt is gathered at the lower bodice, and is 70 cms long. The lower 20.5 cms at the hemline has alternate bands of three pintucks, a 4 cm panel of flowers and cutwork broiderie, three pintucks, 4 cm panel panel of broiderie, three pintucks and a 4 cms deep machine stitched hem. Bodice has a back opening, with only one 1 cm diameter covered button evident, a cotton tape passes through a casing, and ties at the back waistline.costume, female, infants nightdress.

Fine white cotton, with a drawstring in a 1.5xcm deep casing around the waistline. Completely opened at centre front, through crotch, and up the centre back to within 14cm of the waistline. One dart on either side of front, and two darts on either side of back. Machine stitched. A 2.5cm wide cotton lace is inset into a zig zag pattern around each leg. In each V shape a 1.5cm lace insert in a fan,under the V shapes are inserted needle woven bows, shape is inserted. Seven extremely fine pin tucks border the edge of the legs, which have a three cm wide lace edging. Split drawers were worn in the era when women wore corsets. The split front and back allowed women to go to the toilet, as the corsets could not be removed to allow for an act of nature.Accompanying note - No date. The bloomers belonged to Miss Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket (11400.930) would be about the same age.costume, female, fine white cotton split drawers

This dress was typical of those worn on special 'after 5 pm' occasions eg. dinner dances, weddings, balls. There were many such functions at Mt Beauty and in the Kiewa Valley eg. the Hospital BallThis dress was worn (and possibly made) by Margaret Mc Kendrick (nee Vyner) who lived in Tawonga when growing up. She married Ian Mc Kendrick and they lived in Mt Beauty. She worked as a nurse at the Tawonga & District hospital. Ian worked at the Mt Beauty Post Office. They had 3 children.Pink satin ladies cocktail 'after 5' dress. Sleeveless fitted bodice. Pleated skirt with straight front and back panels. Zip at back is full length. It's jacket has a matching lace, long sleeved, scalloped edge, with 5 covered buttons at the back and 6 press studs.'after 5' dress; ladies clothing; margaret mckendrick; tawonga

This item has np known provenance but is a beautiful example of a woman's evening cape dating from the second half of the 19th century. The original owner would have been a lady of considerable means who attended social functions requiring an item such as this.This item is retained as a fine example of 19th century woman's clothing.This is woman's cape made of black lace and patterned satin with satin rouches and black beaded rosettes around the shoulders and the front. The beading has long tassels. The cape is knee length. It has grey lining around the inside of the shoulders. At the front there are two hooks and eyes to allow the cape to be fastened.at the neck.woman's vintage clothing, lady's vintage cape

Made for Mr & Mrs William Moore, 7 Pitt Street, Bendigo by the mother of Charlie, one of 3 American Soldiers billeted during WWII.Dark brown wooden frame with glass front & white cardboard backing. Red top & gold bottom silk background with white woven lace border. Embroidery consists of Union Jack & Australian flags with souvenir of Egypt at top, Commonwealth Forces badge in centre & a floral arrangement under the badge.Embroidered at bottom: "To Lou & Will with love from Charlie"passchendaele barracks trust, embroidery, silk, eygpt, souvenir

Sepia image mounted on board: 16 men, back row standing, two front rows seated. Men are wearing suits, cravats, bow ties, ties, bowler type hats. Unknown group, no markings. Group are in front of building, small paned window, lace curtains, visible behind.person, group, group male portrait, bendigo, male portrait, group portrait

A box containing a pair of womens' brown leather high heeled shoes. Each contains four eyelets but not laces. They are stuffed with newspaper. One end of the box has the words 'Kumfit Shoe for Women.' Inside each shoe are the words 'R.O. Henderson. The Beehive Pall Mall Bendigo. (Paragon Shoes.')costume accessories, footwear accessories, shoes, lydia chancellor, collection, shoes, fashion, costume, costume accessories, foot wear, foot wear accessories

Sepia oval photograph on brown board. Portrait of a young woman (head and torso) - dress has heavy appliquéd lace, woman wearing necklace and small brooch. Embossed frame to photo on board. Inscription: Front: 'The/Talma/Studios'. Back: RHSV Stamp. In Black Lead on Back, 'Edith Lansell?'.The Talma Studiosperson, individual, portrait of young woman

Women's clothing: pink boned corset. Garment is patterned with flower motif. Suspenders attached to bottom of corset. Corset is laced up the back through eyelets. Item donated by Mrs. J. Mannix, 54 Bannister Street, Bendigo. On inside of garment 'Beauty's Contour, 148, Type ABD U.B.'female, corset, women's clothing, corset

Clothing. Pink nylon woman's panties with straight legs trimmed with 3 cm coffee coloured lace. Front of each leg has three inverted V inserts (9cm deep). Back of waistband is elasticized. Front waistband (4cm) dips to V shape on either side of centre front.costume, female underwear, woman's pink nylon panties

Cream Linen Calico Baby’s Night Gown. Made in Magar Style. Lace trimmed neckline with a chain stitched edge. Drawn up with a tape. Edge of sleeve button holed in cream silk. Place for Ribbon button holed. A spray worked in cream silk on front. Mrs Thelma Clark. stawell clothing material

Wedding dress worn by donor in 1963. In Supplementary File, photocopy of house at 3 Buxton Road, Mitcham where bride and groom lived after wedding. Photos, invitation and marriage certificate also in Supplementary File1963 Wedding dress of cream satin; floor length, short sleeves, round neckline, fitted at waist. Cream Giupure lace motifs down down front of skirt, on bodice and sleeves. A detached triangular organdie and satin train held with bow to attach to waist of dress. See Veil NA3473costume, female ceremonial

Also enlargement 20 x 25 cmBlack and white photograph of Gainsborough House, Jemmys Point, showing guests on the veranda of an attractive guest house, iron roof, single brick chimney centre rear of roof ridge. Building is of concrete construction. White painted rail fence, wire lace single gate. Lakes Entrance Victoriaguesthouses, architecture, tourism, people

Studio photograph from Yeoman & Co. Royal Arcade, Melbourne. Portrait shows Emma Dorey (nee Biggin), grandmother of Iris Woolrich (nee Dorey) and mother to her father Edwin Charles Dorey. Emma is wearing a very intricate lace collar in the photograph. The photograph is framed in thick cardboard.Handwritten on back: Emma Biggin Pitts. Dad's Mother. Granma Dorey.emma dorey, emma biggins, iris dorey, iris woolrich, iris woolrich, edwin dorey

Total of seven pairs of gloves. 1 pair black leather men's gloves. 5 pairs of leather women's gloves - 1 x navy, 1 x cream, 2 x brown, 1 long peach with pearl buttons. 1 pair of black lace women's evening gloves.gloves

These ribbons were worn on the Clarendon Ladies College (CLC) uniform summer and winter hat. The CLC accessories were worn in the 1900 - 1910 era. After 1920 the school changed its name to Clarendon Presbyterian Ladies College and the crest reflected ths change. Prior to the early 1900s students wore dark skirts and white blouses and ribbon ties. Formal photographs taken at Speech Night saw the girls in frilled and lace white dresses. Fragment of navy blue ribbon with white border and fine gold line between white and navy; Clarendon ladies College crest embroidered; the fragment is accompanied by a roll of the same ribbonCLC crestclarendon-ladies-college, hat-band, 1900s, 1910s, uniform, hat

Ghost Blanket IV won the 'Award for Excellence' at Ozquilt Network's biennial juried exhibition Art Quilt Australia for 2021. The quilt presented with the Award for Excellence is acquired into the National Wool Museum's Collection dating back to 2000 with the art quilt "Earth Blanket". Artist statement: In "Ghost Blanket IV", woven checked blankets are deconstructed and reimagined to create an appliquéd work with the feel of lace. It celebrates the natural colours of alpaca fleece and the qualities of felted, woven fabric.Woven black white and grey checked design appliqued onto silk organza.ozquilt, quilt, art quilt, wool