J.Campbell started a Draper , Outfitter and Milliner store in the Pioneer house on Percy Street in Portland Victoria in 1896. Advertisements found on Trove from November 20 1899 shows the store selling Spring goods, Millinery, Dress goods, prints, piques and muslins. Another advertisement on Trove from September 27 1907 shows the store showing their Spring and Summer Goods, including Choice Millinery, Latest Dress Fabrics, Laces and Silks, Blouses and Skirts.Paper account from J. Campbell, wholesaler and family draper to Mrs Cummings, in the sum of 4/6 for a blouse. Printed form, details handwritten in black ink top right hand corner is missing, and top left hand corner has two holes in the paper. Paper is cream and has darker brownish patches at the top. PIONEER HOUSE PERCY STR / Portland, Mar / Mrs Cummings / BOUGHT OF J. CAMPBELL, / (LATE A. MARRIOTT.) / Wholesale and Family Draper, Outfitter and Milliner. / DRESSMAKING IN ALL ITS BRANCHES. / Accounts rendered monthly to avoid errors / Jan ** 1 Blouse 4/6 4.6draper, portland trade, accounts, womens clothing, city of portland, betty vivian, betty vivian collection

Event, Bendigo Y.M.C.A., Y's Workbox, Sunday, October 26th,1986, at the Y.M.C.A. Stadium, Mundy Street, Bendigo, 10am - 5pm. Admission: Adults $2.50, Children 50c, Devonshire Teas $1.20. Crafts include; Fantasy Figures, Woodcarving, Bread Dough Jewellery, Various Embroidery Techniques, Sand Pictures, Irish Crochet, Slipcast Ceramics, Herbal Products, Lead Lighting, Tatting, Ribbon Flowers, Porcelain Dolls, Applique, Polished Natural Timbers, Dried Floral Art, Knitted Lace, Natural Material Baskets, Marzipan Fruits, Bobbin Lace, Christmas Novelties, Papermaking, Embroidery Thru the Ages, Childen's Display & Parade, Display of Knitted & Crochet Rugs. C.MarroneC.Marrone.event, exhibition, bendigo y.m.c.a.

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending o the importance of the photographic atelier.Real estate photographs of a classic double-fronted late Victorian brick villa. It central location in Cotham Road, Kew enabled the selling agent to note its proximity to the tram. With seven rooms, all ‘modern conveniences’, and land of 66×167, the house was to be sold for £1100. The villa has a number of interesting features including a pattern within the slate roof as well as the use of polychrome brickwork under the eaves and on the façade. The intricacy of the cast iron lace is emphasised by the line of projecting wooden blocks above it. The picket gate is painted a different colour to the pickets of the fence. The house has a name (illegible) that is attached to the inset cast iron lace of the central projecting gable in the veranda. Stamped on mount: "Kew. Central. Close tram. / Comfortable Brick Villa. / Containing 7 rooms / Modern conveniences: / Land 66 x 167. Sold 1100 pounds:"houses - kew, victorian villas, real estate photographs, cotham road - kew

Worn by the grandmother of Marjorie Burton (nee Whiteman) in England early 19th century. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. When she was admitted to Waratah Lodge, Orbost, following a stroke, her daughter Ann Quaadgras donated a number of her mother's personal belongings to the Orbost & District Historical Society. Marjorie died in 2015.These items are examples of the needlework skills of women in the 19th century. They are items which are no longer commonly worn.Two night caps. 2483.1 is a pink lady's night cap, hand sewn and cotton edged in lace. It has been embroidered with pink flowers. the straps are red. 2483.2 is a hand sewn man's night cap of pale striped cotton. It is brown, and grey stripes on a white background with white tapes for tying. night-cap sleepwear burton-marjorie

RAAF Publication No 95 for use in air training schools. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Hard, light blue cover with blue cloth on edge. Pages have 4 punched holes to allow cover & pages to be secured with black shoe lace. 191 ceam coloured pages with cut edges. Illustrated with black / white diagrams. Chapters are separated with grey / blue card featuring chapter headings.Handwritten inside back cover: Numbers & mathematical calculations.manuals, training, raaf

Cream coloured flannelette baby nightie with long sleeves. Yolk at front and back. Edges of sleeves and neckline edged with nylon lace. Back opening with two buttons. Row of three pintucks above hemline.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, cotton flannelette baby nightie

Clothing. Infant's cream coloured brushed cotton bonnet. Bonnet embroidered with trailing vines and leaves, flowers and scallop pattern. Edges of bonnet are scalloped with embroidered edges and pleated lace trim (2 cm) silk ribbon rosettes on each corner with silk ribbon ties. Fully lined with silk fabric.costume, children's, infant's cream coloured baby bonnet

Clothing. Cream coloured unfinished collar or yoke. Triangular shaped piece with fabric borders and filled with strips of fabric (1cm wide). Stitched into a diagonal lattice pattern. The spaces between the lattice are filled with pink embroidered web patterns. The two short edges are trimmed with 3 cm lace with scalloped edge.costume, male, triangular collar/yoke

Marion Anne McKellar, the daughter of William Gilbert McKellar and Maria Jones was born in 1838. She married Henry Henty in 1859 and they had 9 children. She died in June 1919. Henry Henty and his wife Marion had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Full length, sepia toned studio portrait of Mrs Marion Henty (b.1838-d.1919). Mrs Henty is standing, hold holds a book in front of her while looking to her left. She is wearing a lace cap on her head and has a cameo broach around her neck.marion henty, henry henty, tarring, selbourne road, marion mckellar, ruyton girls' school, kew (vic), woman, book, cameo, studio portrait, 1890s

Belonged to Margaret Ord. She grew up at 31 Drummond Street, Blackburn, in 1946Porcelain head, hands, & half leg. Doll, shoes & socks painted, also painted face.Cotton stuffed body to knees. Long nylon hair. Dressed in black floral cotton dress, lace trimmed with long sleeves. Matching bonnet & cream calico apron. Probably a copy of a much earlier doll.?theatre (use performing arts), toys, dolls

Black silk satin vest with centre front opening. Fishnet fabric sides/sleeves. Mandarin collar. The vest is lined with cotton fabric with stiffened interfacing. There are two black lace extensions at centre front. The front and back are covered with intricate embroidery with black and gold beading. There are hook and eye fasteners at the front.vest, beading

WWII Battle Dress and accoutrements comprising: Jacket Service Dress with 'Australia' shoulder slides (2), 'Rising Sun' collar/lapel badges (2) brass buttons (7) trousers, boots (pair) with leather laces, we belt and brass, gaiters (2) water bottle, haversack and ammunition bags (2)

Framed black and white photograph of Tilly Aston. Tilly sits with one hand resting against a table, and the other in her lap. She is wearing a black collared dress with a white lace neck ruff held with an opal pin. Two medals (the Jubilee medal and Coronation medal) are pinned to the chest (one a red bowtie, the other is a brass medallion). At the base is a handwritten inscription: Miss Tilly Aston/ Founder of Assocation for Advancement of the Blind / in 1895 and Leader until 1947.B/W photograph in black frametilly aston, coronation medal

Tilly Aston wearing a dark coloured plain dress with lace cuffs and a hat adored with flowers and ribbon on the side. She stands with her arm holding the back of a chair, and in her hand she holds a purse. Around her neck rests a multi-swirled scarf and around her neck lays a necklace with a single bead. Unknown date, however this portrait was taken at the Gainsborough studio, which was also used for another portrait shoot. Various tones and sizes have been made.B/W photograph in various tonesGainsborough ... embossed upon lower left cornertilly aston, gainsborough studio

This apron was made in 1915 by Irene Broughton, nee Long. She was born in Warrnambool in 1894 and married Arthur Broughton in 1913. She re married in 1924 Reuben Donnithorne and he died in 1931. Irene died in 1982 and is buried in the Warrnambool cemetery. The apron was left to Irene's niece, Helen Thomson who had the apron framed to preserve it. The apron would not have been in everyday use but a special garment worn when entertaining visitors for afternoon tea.This apron is a fine example of a home made house hold article from the early 20th century. The maker was born in Warrnambool.The apron is made of fine black cotton and edged with a broad lace flounce featuring a flower pattern. It is decorated with two sprays of delicately hand-painted motifs featuring Australian native flowers. The apron is in a wooden frame with a silver metal edging with scrolls on the front edge. The glass is clear and the mount is buff coloured card.vintage accessory, irene broughton warrnambool

Items belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat 1959 for his service history. .1) Titled "Lecture notes for Pupil Pilots" Air publication 1723. Brown Covers loose leaf with laces. .2) Exam questions sheet. Foolscap double sided. Re piloting A/C .3) RAAF message form. blank. May 1942. .4) RAAF message form. blank. May 1942..1) "180" M Matheson Robinvale, Vic” The rear of the book holds a RAAF supplement dated 1941.lecture notes, pupils, raaf

Camisole. Ivory coloured fine cotton with cut out embroidery lace edge along hem with inverted Vshape. Front opening with three buttons with patterned edges. Cap sleeves. Round neckline has scalloped, embroidered edge, and insertion for a ribbon to drain the neckline. Identical inserrtion and scalloped edge on the short sleeves.costume, female, underwear

Black and white image mounted on buff board Man is dressed in formal suit, white wing collar, white bow tie. Woman dressed in dark dress, lace sleeves, jet necklace. Man wearing glasses, woman horn rimmed glasses. Written on bottom on board ' Vincent Kelly, Bendigo' in handwriting.cottage, miners, man and woman portrait. photographer vincent kelly bendigo.

Small, pale photograph of graves. There are three graves in the photo. The one on the left is a large, flat plain one. Behind it is a large one with an iron lace fence with a chain above it around a high tombstone and the third one is a smaller one with a decorative railing around the edge. Behind the graves is a hedge and behind the hedge is a church.? Downes, Bedfordcemetery, photograph of graves, ? downes

From the estate of Jenny LangCream hand made silk petticoat. Silk shoulder straps with hand embroidery on panel across front, back and under arms. Drawn thread around underarm and down bodice as waist. letter 'M' embroidered on left of bodice. Skirt is gathered on both sides of waist. A Maltese lace panel stitched as hem.costume, female underwear

Sepia toned original studio photograph of Percy William Sutherland aged about 9 years, photograph mounted on heavy card shows a young boy, short haircut, white shirt collar, dark vest and jacket with fly away lapels, dark knee length pants and socks, black laced shoesgenealogy

One of a group of unprovenanced photographs donated to the Society by Betty Morgan.While its provenance is unclear, and it has suffered from fading, the photograph is a useful record of children's clothing in the first decade of the Twentieth Century. It is an example of Massingham's commercial photography at his studio in Bendigo. The clothing worn by the boys can be used to deconstruct social values in the period preceding the First World War.Faded sepia studio photograph of three unidentified boys, the oldest boy dressed in a quasi-military uniform; the two younger in berets and lace collars. The photographer is named as G.L. Massingham ( (George Leake, active 1866-1921) of View Street, Bendigo (and Geelong); active in View Street from 1901-c.1921.G. L. MASSINGHAM / VIEW STREET. BENDIGOaustralian photographers - g. l. massingham - view street - bendigo

Uniform service dress (battle dress) and accoutrements comprising: Jacket Service Dress with 'Australia' shoulder slides (2), 'Rising Sun' collar badges (2), brass buttons (7), trousers, boots (pair) with leather laces, web belt and brass, gaiters (2), water bottle, haversack, ammunition bags (2)

Clothing. Woman's black silk brocade bodice. High round neckline with full length front opening fastened with 13 metal hooks and eyes. Bodice fully lined with black cotton fabric and shaped in at waistline. Seven casings for boning - two on each side of front, one on each side seam and one at centre back (18cm X 1.3 cm). Casings reinforced with bright yellow cotton stitching. Cotton tape casing at hemline at waist. Long straight set in sleeves extending to a rounded shape over the back of the hand.Cross over front outer layer fastened with three hooks and eyes at the top and one at the waist. Panels of black lace run from shoulders to waist on either side of a centre insert panel (12 cm X 15cm) with five horizontal strips of velvet ribbon. Below the insert are three 7-9cm wide black lace ruffles with khaki green embroidery (Jabot effect). The back has a deep V shaped insert of vertical pin tucks and black lace, from across the shoulders to centre back. Pin tucks also on either side of front neckline.costume, female, woman's black silk brocade bodice

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

Clothing. Bright green cotton wedding dress with small lined pattern on fabric. Long sleeves. Floor length skirt.Fitted bodice with front opening with eleven hooks and eyes. Front opening on skirt with three hooks and eyes. Gathers at centre back of skirt. Large decorative bow at centre back of skirt. Sleeves and bodice have black velvet ribbon and black lace trim at back and front. Black velvet ribbon trim around hemline. Broiderie lace edge around neckline.Estate of Frieda Kahland, born 1891 died 1988 in Bendigo. Parents --Johann Detlef and Elizabeth Sarah Fly. Johann was a well known wine and cordial maker. See also records: 11400.363, 11400.364, 11400.365, 11400.366.costume, female, dress

Clothing. Rounded neckline at the back, deeply scooped at front. Back fastens with 12 metal hooks and eyes. Back hemline is slightly shirred to nip in the 67 cm waistline, which is peaked at the cntre front. ''Leg-o-mutton'' type sleeves are gathered at the shoulder, and above the elbow, and finished with an 8 cm band of beading and sequin embroidery and a 4.5 cm black silk frill, and a frill of black lace, with an exquisite fruit and floral woven pattern. The neckline is trimmed with a deep lace and sequined silk overlay. Three velvet ''rosettes'' trim the centre front of the overlay. The silk bodice is shirred from just below the shoulders, to give fullness for the bustline sequins, tiny beads, velvet rosettes, silk chiffon frills.costume, female, black silk boned bodice with lace