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Kew Historical Society IncAudio, Songs I Love To Sing / by Robin Kelly
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Audio recording of performances of classics by Robin Kelly including tracks recorded at the Melbourne Town Hall.robin kelly, performing arts - victoria - australia -
Kew Historical Society IncAudio, Egyptian Follies, 1999
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Audio recording of performances Egyptian Follies at the Melbourne Jazz Club, including the singer Robin Kellyl.robin kelly, performing arts - victoria - australia, melbourne jazz club -
Ringwood and District Historical SocietyPhotograph, Open Day, Ringwood Technical School, 31st May, 1961, Mayor Horman speaking, with audience
Open Day, Ringwood Technical School, 31st May, 1961. Mayor Horman speaking, with audience. All material is from Gwen Horman’s three albums that she owned. Some photos have been taken by Peter Payens of Ringwood Studios, 36 Whitehorse Road, Ringwood, WU-7609, probably for the Ringwood mail newspaper. From The Ringwood Mail, 8 June 1961 - "Part of the Commonwealth Technical Training Week, the Mayor, Cr Robert Horman, performed the official opening of a display at the Ringwood Technical School. Present in the official party were Mayoress, Hon. WER Garrett, MLC, and Mrs Garrett, the Town Clerk, Mr Fred Dwerryhouse, and the President of the School Council, Major-General LE Beavis, CBE, DSO, and Mrs Beavis." -
Bendigo Historical Society Inc.Document - MERLE HALL COLLECTION: CORRESPONDENCE AND DOCUMENTS RE REGIONAL ARTS VICTORIA
Correspondence and Documents re Regional Arts Victoria; a. Correspondence In re 2002 Schools Program ''Arts 2 Go'' from Project Officer - Schools; b. Production Questionnaire for Presenters - this form has been filled in for Regional Arts Victoria with regard to an un-named production/no date; c. Appendix E - Acquittal Information - one page filled in re the Production ''100 - An Australian Journey (Touring Exhibition) 2001; d. Tax Invoice to Regional Arts Victoria fee ''Balance due on 100-000 Exhibition on closing of Exhibition (with photocopy of cheque) - perhaps relating to item 8350.34.c??; e. Marketing and Audience Development Questionnaire September 2001 - one page only with basic information about AB and the note that as AB is disbanding ''it would seem irrelevant for us to complete this survey''. -
Phillip Island Conservation Society Inc.Work on paper - Photocopy of newspaper cutting, Herald and Weekly times, "MIRANDA TELLS OF A HOLIDAY ON/ PHILLIP ISLAND"
Miranda was a very popular journalist of this era, whose homely style appealed to many readers, especially women, her main audience in her writing. Here she talks about renting a new demonstration holiday home (probably a Coldon Home), which, although small, had a 'dream kitchen'. She describes the birds and walk through the wattle to the beach, but also the many blocks for sale and wonders what the island will be like in 10 years time from their visit. Her son drove them to Pyramid Rock where they almost got bogged on the road. They visit the usual spots, which she describes with a combination of curiosity and enjoyment. She also mentions another block fenced off on the main road which was a gift from the ratepayers of Phillip Island, and which the Young Farmers were to plant out for koala trees.This article is significant because thousands of Weekly Times newspaper readers read Miranda’s letter article without fail each edition. She describes renting a house for a holiday, which indicates the move away from family holidays in guest houses. She also describes some of the rough roads in parts of the island at the time. She concentrates on the island’s natural attractions rather than man- made tourist attractions, which is also significant in letting us see why people would visit Phillip Island in that era. Miranda also predicts the explosion of the holiday home owner market which took place soon after, and continues today though in a more controlled way.Photocopy of newspaper article cut out from full page. Cutting has three columns of text, no images. Black text on white paper. Dark areas due to poor photocopyingWEEKLY TIMES / 2/9/65phillip island, miranda, weekly times newspaper, holiday home, phillip island flora and fauna, pyramid rock, phillip island pengiun parade, young farmers, phillip island beaches, cuddly koala bears, phillip island housing estate land sales -
Melbourne LegacyPhotograph - Photo, Anzac Day 1936, 1936
The photo shows Legatees Pat Hanna (left) and Frank Doolan (right) with a wreath at a war memorial on Anzac Day in 1936. The wreath was an interesting design with a torch to resemble the Legacy logo. From the pencil note on the reverse it was thought it might be the cenotaph in Whitehall, London. Pat Hanna lived in London for a number of years. It might also be the cenotaph that was in Spring St, near Parliament house, until the Shrine of Remembrance was dedicated in 1937. (see photo at 01371). The two were very similar in design as the Victorian one was a half size replica of the London one. Pat Hanna (born George Patrick Hanna; 18 March 1888 in Whitianga, New Zealand) was a New Zealand-born film producer ; he was a soldier of the First World War who entertained postwar audiences with the stage show 'Diggers', that was adapted to a film of the same title in 1931.An early Anzac day ceremony with a Legacy laying a wreath. Frank Doolan and Pat Hanna were founding members of Legacy. Frank Doolan was one of the archive committee that attempted to record the history of Legacy.Black and white photo of two Legatees laying a wreath.Hand-written on reverse: 'Pat Hanna and self with Legacy wreath / Anzac Day 1936' in navy ink. 'Legatee Frank Doolan' written in pencil near the word 'self'. 'London ?' written in pencil. Stamped 'W2259' in black ink.anzac day, wreath laying ceremony, founding legatee, hanna, frank doolan -
Bendigo Historical Society Inc.
Document - TOWN HALL BENDIGO, THE MUSIC ADVANCEMENT SOCIETY OF BENDIGO, c1954
Town Hall Bendigo, The Music Advancement Society of Bendigo, Victoria Chambers Players. Director: Basil Jones. Soloist: Nancy Weir. Saturday, 31st July, 1954 at 8.15pm. Hon. Secretaries: Madge Edgar, Mary Stanistreet. Programme. Special Announcement At the High School Hall next Monday, Tuesday and Wednesday, August 2nd, 3rd, and 4th, the High School is presenting Benjamin Britten's 'Let's Make an Opera' This contemporary work designed for use by schools with considerable success both on the English-speaking world. It illustrates clearly the technique of opera and applies the principles to the making and the performing of an opera based on the working day life of a chimney sweep. The audience participates in an ingenious way in the performance being 'taught' their choruses by the conductor during the stage intervals. Booking is at Every's. The Hall will be centrally heated if necessary. This space by courtesy of Edgars'. Advertisements: Allan's. Frank J Every & Sons.Bolton Bros. Pty. Ltd., Printers. Bendigoprogram, theatre, music advancement society of bendig, town hall bendigo, the music advancement society of bendigo, victoria chambers players. director: basil jones. soloist: nancy weir. saturday, 31st july, 1954 at 8.15pm. hon. secretaries: madge edgar, mary stanistreet. programme. special announcement at the high school hall next monday, tuesday and wednesday, august 2nd, 3rd, and 4th, the high school is presenting benjamin britten's 'let's make an opera' this contemporary work designed for use by schools with considerable success. . . the audience participates in an ingenious way . . . booking is at every's. the hall will be centrally heated if necessary. edgars'. advertisements: allan's. frank j every & sons. -
Melbourne LegacyFilm, Lord Somers Camp - Nov 1972, 1972
16mm colour film with no sound - the second B&W workprint not digitised. 13 min 24 sec. Begins with the flag raising ceremony at Somers Camp and then moves to Westernport Airfield where the boys are seen going for flights in Cessnas whilst others learn archery and play volleyball. Moves on to beach activities and dinghy sailing supervised by Legatees. Back at Somers there is a comic performance of Goldilocks in front of a large audience of younger Junior Legatees and the supervising Legatees, which ends with a bearded Goldilocks being taken away in a police car. A service in the bush chapel is then shown before we see the older boys throwing one of their number off a jetty. A volleyball game completes the film. There is no indication of date, but the clothes seem to be 1960s/70s. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Depicts the work done by Legacy volunteers in helping Legacy families of the time. Volunteer groups such as Legacy supported those in need at a time when government assistance was much less than it is today.Two 16mm black and white films. One film is wrapped in brown paper. Under the wrapping the film is enclosed in a plasic wrap.Canister - patterned Agfa _ Gefaert Fine Grain. / Key No. 170627_02 'Not to be screened under any circumstances! Only to be handled by an expert with the approprate facilities for handling this type of film' on the brown wrapping paper, probably to keep a good copy.somers camp, camp -
Melbourne LegacyPhotograph, Anzac commemoration for students 1994, 1994
A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. 00577.1 shows a school girl kneeling by the wreath inside the Shrine. 00577.2 is the choir on the steps of the Shrine. 00577.3 is President George Woodward at the podium. 00577.4 is the official party including the Governor of Victoria, The Hon Richard McGarvie and his wife. 00577.5 is the audience seated facing the Shrine. 00577.6 is the Governor and President Woodward leading the wreath layers up the steps of the Shrine. 00577.7 shows school students with wreaths and a bag pipe player walking up the steps. The proof sheet contains more images of the service, the choir, other speakers, and students holding wreaths. Believed to be 1994 the year George Woodward was president and the same as 00576.A record of a ceremony for school students at the Shrine.Black and white photo x 7 and proof sheet of the schools commemoration service, in 1994 and an article in The Answer.Photos have following on backs, A 1AA, B4, B6, B14, B17, B17, B21, in blue ink, which are their frame numbers from the proof sheet.anzac commemoration for students, wreath laying ceremony, answer -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 2, No. 5, Oct-Nov 1997, 1997
Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, thornton mccamish, bill moseley, eritrea, darebin festival, christine durham, michele lonsdale, ray liversidge, ona henderson, syd tunn, eltham festival, artists open studios program, nillumbik artists' open studios, david armfield, janet boddy, jules christian burns, wendy donald, jill forest, annie keil-taggart, ming bellamy mackay, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, maureen runge, herman pekel, austin and repatriation medical centre, carolyn pickett, sherry clarke, manningham artspace, alan marshall short story award, eltham arts council inc., eltham library community gallery, harriot dance, chapman & bailey artists' stretchers and furniture, eltham high school -
Emerging Writers' Festival2004 Festival Program, The Melbourne Emerging Writers' Festival 2004 Program
The first Emerging Writers’ Festival was held at the Victoria Hotel in Little Collins Street in January, 2004. The inaugural festival developed out of Express Media's Make It Up zine fair. It brought together the offerings of 68 writers from across Australia in a two-day series of panels, readings, performances and workshops. Express Media ‘s Artistic Director Richard Watts was the driving force behind the ground breaking initiative that was to become the Emerging Writers’ Festival. It was clear to him through the success and the demand of the Make It Up zine fair, which had its origins in 2000, that writing and writers were in the process of radical change and needed a new environment to grow. In response, Express Media formed a partnership with the Victorian Writers’ Centre and held the first Emerging Writers’ Festival with the tagline, the best Australian writers you haven’t heard of yet. The beginnings were humble but the foundations strong. In those early years the festival found its feet, its independence and a loyal and passionate audience.An eight page, stapled program for the 2004 Emerging Writers' Festival printed in black, white and three shades of orange."Featuring the best Australian writers / you haven't heard of (yet) including new, young and / emerging poets, zinesters, short story / writers, spoken word performers, novelists, / screenplay writers / and playwrights, and a range of panels, / readings, workshops as well as an / independent publishers' trade fair."2004 emerging writers' festival, richard watts, express media, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne -
Vision AustraliaPhotograph - Image, Illawarra Troupers Visually Impaired Drama Group
Supported by volunteers and friends, and with some members accompanied by their guide dogs, the Illawarra Troopers was a drama group for visually impaired people. Their first concert was held in 1977, and the group continued to entertain local audiences for many years. Illawarra Troopers: a visually impaired drama group (inauguarated 1977) Members Roll: Geoff Cortous, Dulcie David, Les Littleton, Gladys Downs, Hester Whiteside, Eileen McDonald, Peg Clark, Ralph Chamberlain, Albert Smith, Nora Cooper, Arthur Williams, Pat Baum, Ivy Mallet, Mary Chettle, Ethel Jardine, Peter Tapp, Jack Lambert, John Philipson, Len Hoyle, Rob Archibald, Daisy Stepnell, Neville King, Alice Sloan, Ada de Medici, Eric de Medici, Patricia Harrison, Llona Smith. Guide Dogs: Inga, Yvette, Igor, Rene, Leonardo. Producer: Jo Kirtley. Assistants: Judy Phillips, Val Anderson, Maisie Littleton, Dorothy Nicholls, Florence Mlodawski. Troopers Theme Song: Words by Olive FoleyPicture of wooden board with engraved names of the Illawarra Troopersassociation for the blind, nameplates -
Melbourne LegacyPhotograph - Widows function, Widows Christmas Concert at Melbourne Town Hall 1991, 1991
A regular event for the widows was a Christmas concert at the Melbourne Town Hall. The performers were the RAAF Central Band. Held in December each year. These photos were from a proof sheets 911202A and 911202B. The photos from 1991 show President Sullivan presenting flowers to Inez Bruce, Vera Lang and Joan Redmond. Usually the concert was the time the Widows Clubs presented Legacy with funds raised through their fundraising each year - in this case $14,000 - and the president acknowledges with flowers. The article mentions that over 2000 widow attended the 29th Annual Widows' Club Christmas Concert. The concert is a welcome highlight of the year, widows from Melbourne and country Victoria join together to sing carols and enjoy the music of the RAAF Central Band conducted by Squadron Leader Graham Lloyd. Special guest artist included Ivor Jones (a POW in Changi Prison). Proof sheet also shows Legatee Eddie Jowett singing and dancing with an audience member, he was a regular performer at singalong functions.A record of regular events for widows to attend and enjoy together.Black and white photo x 2 of a Christmas concert at the Melbourne Town Hall in 1991, 2 x proof sheet and an article in the Answer.Proof sheet is marked 911202Bwidows, concert, christmas, activities, answer, raaf central band -
Flagstaff Hill Maritime Museum and VillageEquipment - Juggling Club, late 19th to early 20th century
This wooden juggling club or exercise club may also be referred to as a juggling pin. It is very similar in shape to a bowling pin or an Indian club. It dates approximately to the early 20th century. It may have been used as one of a pair for gymnastics or exercise, or part of a larger set used by a juggler for entertainment in a circus or carnival. At some time it may have been used with a ball or disc as part of a Skittles or bowling game set. The historical collection of Federation University Australia, Victoria, includes a very similar but slightly shorter club, labelled ‘timber skittle”, as can be seen in their photograph. Another example of very similar-shaped, same-sized clubs can be seen in the collection of Nobelius Heritage Park and Emerald Museum, Emerald, Victoria. JUGGLING Jugglers entertain audiences with their tricks and routines at events such as circuses, amusement parks, parties, shows on television or theatre, schools and parties. Juggles also compete at International Championships to obtain world records, performing as individuals or in groups or teams. Contemporary champion juggler David Cain performs a Juggling History Show that both entertains and educates his audience. His routines date from the early 1600s to the 20th century. He uses a wide variety of equipment in his acts including juggling clubs. EXERCISE Exercise clubs or Indian clubs were used in 19th century Victorian times as part of exercise or strengthening programs when they were swung in certain patterns and movements. Even in the early 20th century workplace a few minutes of Indian club swinging was common practice for the relief of tension. A video clip of an American school room in 1904 shows a group of boys and girls skilfully wielding clubs in an exercise sequence (see ‘Links” section). The 1904 and 1932 Olympic Games had an event called Club Swinging. Rhythmic gymnastics was added to the Olympic Program at the L.A. Games in 1984 where competitors use apparatus such as rope, hoop, ball, ribbon and clubs. The clubs come in a variety of weights and heights and have been used from the mid-1800s until around the 1930s in schools and military institutions. They are decorated in a variety of patterns and colours and some have feature lines or scored rings on them. This juggling club is significant for its association with education, entertainment and sport in the late 19th and early 20th century.Wooden juggling club (or pin, skittle or Indian club). Vintage, bottle-shaped club with a flat, slightly concave, base. Its turned, solid timber body tapers out from the base then in again to a very narrow handle with a round knob joined onto the top. Two concentric feature lines are scored into the wider part of club. It was possibly used in exercise, gymnastics or as a skittle. Sections of the club have two brown painted stripes; paint on the lower strip has been worn off at the base . There are remnants of white paint in two areas, possibly the remains of a maker’s name or decoration. There also appears to be an inscription stamped into the wooden handle but this is illegible. Late 19th to early 20th century.Remnants of what appears to be stamped lettering and painted labelling.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, wooden skittle, entertainment, bowling skittle, wooden juggling pin, wooden juggling club, wooden exercise club, indian club, exercise club, club swinging, rhythmic gymnastics, sport equipment, juggling equipment, wooden club -
RMIT Design ArchivesMixed media - Magazines, Fast Forward, number 4, April 1981
Fast Forward was an audio-cassette based music magazine conceived and edited by Bruce Milne and Andrew Maine. Both had music programs on radio station 3RRR and Milne ran the successful independent record label Au Go Go Records. Michael Trudgeon joined them as the designer for the magazine. Each issue comprised a cassette tape interspersed with music and was packaged with printed artwork. The magazine was distributed in record shops for $3.50. Thirteen issues were produced between November 1980 and October 1982. Regular contributors included Jeff Holland, who created elaborate sound collages which were combined with elaborate illustrations in the booklet that accompanied the audio cassette. Many ground breaking Australian bands were first published on Fast Forward tapes including Hunters and Collectors. An international audience was first exposed to music from Australian bands including Laughing Clowns, the Go-Betweens, Rowland Howard’s ‘Shivers’ as performed by The Young Charlatans, The Scientists, the M Squared label, Dead Can Dance and Pel Mel’s ‘No Word from China’ recorded as a ‘demo’. Fast Forward was the world’s first audio-cassette music magazine. As the magazine’s presence and reputation grew, international acts began to submit material for publication including The Cure. Interview subjects included Nick Cave, The Cure’s, Robert Smith, Mark E Smith of The Fall, and the manager of The Clash.Cassette magazine in vinyl cover. Contents includes one magazine, one audio cassette, one crossword, one subscription pamphlet, and one pamphlet titled 'The Kmart Herald'.music, design, magazines -
Bendigo Historical Society Inc.
Document - MUSIC ADVANCMENT SOCIETY OF BENDIGO, SECOND CONCERT 1956, TOWN HALL, 11 March, 1959
a/ Music Advancement Society of Bendigo, Second Concert 1956, Town Hall, Bendigo. The Pascal String Quartet. (Official String Quartet of the French National Radio). Violin: Jacques Dumont, Maurice Crut, Walter Gerhardt. 'Cello: Robert Salles. Monday, 23rd April, 1956. 8.15pm. Hon. Secs. Madge Edgar, Mary Stanistreet. Programme. Advertisments: Allan's, Allan's Walk, Bendigo. Frank J. Every & Sons, Hargreaves Street, Bendigo. Phone 874. Edgars', 293 Hargreaves St., Bendigo. Phone 238. b/ Music Advancement Society of Bendigo, Wednesday, 10th April, 1957. Darrenin String Quartet. Hon Secs.: Madge Edgar, Mary Stanistreet. Programme. Advertisements: Frank J Every & Sons. Hargreaves St., Bendigo, Ph. 874. A C Hampton, Mitchell St., Bendigo, Ph. 241. Edgars Autorised Newsagency. 293 Hargreaves St. Bendigo, Ph. 238. c/ Music Advancement Society of Bendigo, Presents the Third Concert 1957 series. Brian Hansford, Baritone, Graeme Buchanan, Piano. Town Hall, Bendigo. Wednesday, 25th September, 1957, 8.15 pm. Hon. Secs.: Madge Edgar, Mary Stanistreet. Advertising Phillips and Deutsche Recordings available at Allan's, Allan's Walk, Bendigo. A C Hampton, Newsagent stationer, Mitchell Street, Bendigo. Ph 241. Edgars' Authorised Newsagency. 293 Hargreaves St., Bendigo. Telephone 238. d/ Music Advancement Society of Bendigo Presents the First Concert 1959. Presenting Nancy Weir, Pianist. City Hall, Bendigo. Wednesday, 11th March, 1959. Hon. Secs. : Madge Edgar, Mary Stanistreet. Advertisements: Allan's A C Hampton, Edgars'. Pinned inside newspaper article titled 'Pianist Held Audience. Nancy Weir enthralled her bendigo Audience in the City Hall when she opened the 1959 concert series for the Music Advancement Society. Miss Weirs' 7th visit to Bendigo, 5 of them under the auspices of the MASB. Her unaffected style, her great reserves of strength for one so diminutive . . . Name of newspaper not included.Bolton Bros. Pty Ltd., Printers, Bendigoprogram, theatre, music advancement society of bendig, a/ music advancement society of bendigo, second concert 1956, town hall, bendigo. the pascal string quartet. (official string quartet of the french national radio). violin: jacques dumont, maurice crut, walter gerhardt. 'cello: robert salles. april, 1956. stanistreet. programme. advertisments: allan's. frank j. every & sons. b/ 1957. darrenin string quartet. advertisements: a c hampton. edgars autorised newsagency. c/ presents the third concert 1957 series. brian hansford, baritone, graeme buchanan, piano. 1957. advertising: phillips and deutsche recordings available. a c hampton, newsagent stationer. d/ first concert 1959. nancy weir, pianist. 11th march, 1959.. advertisements: edgars'. pinned inside newspaper article titled 'pianist held audience. nancy weir enthralled her bendigo audience in the city hall when she opened the 1959 concert series for the music advancement society. miss weirs' 7th visit to bendigo, 5 of them under the auspices of the masb -
Mission to Seafarers VictoriaPhotograph - Digital photograph, colour, 28 December 2019
Myrniong in Hamilton was built in 1906-07 as a country residence for wealthy Melbourne businessman Leslie Jenner. Mrs Jenner, Gulielina Bertha (Gulie) (1874–1972) was a daughter of Frederick Sargood, of Ripponlea. "Recently Mr. and Mrs. Leslie Jenner threw open their beautiful drawing-room at Mvrniong, Hamilton, for the purpose below. Mr. Leslie Jenner presided, and gave the chaplain from Melbourne, Rev. A. G. Goldsmith, a cordial welcome. The Rev. A. Barber offered prayer, and was followed by Mr. Goldsmith, who, with the aid of limelight views (well managed in the darkened drawing-room), succeeded in giving his audience an idea of the work of the Missions to Seamen in the 93 ports of the world in which its operations are carried on. The Ven. Archdeacon Harris added his personal testimony to the value of the work. A branch of the Ladies' Harbour Lights Guild (the ladies' organisation of the Victoria Missions to Seamen) was then formed, and the Misses Laidlaw and Eva Brougliton were appointed joint hon. secretaries for Hamilton. This makes the twentieth branch formed in Victoria. Miss Ethel Godfrey and Miss Tracy, Graylings, St. Kilda, are general secretaries of the guild, which numbers between 500 and 600 members."myrniong, hamilton, lhlg, drawing room meeting, leslie jenner, ethel augusta godfrey 1861-1935, alice sibthorpe tracy, miss laidlaw, eva broughton, frederick sargood, gulielina bertha jenner nee sargood, supporters -
Federation University Historical CollectionBook, The work of Charles A. Platt, 1913
Charles Platt was born in New York in 1861 and died in 1933. He studied art at the National Academy of Design. In 1880, Charles went to Paris to study landscape painting and, while there, he travelled to Italy with his brother. Though he was influenced by Italian detailing, his designs were not copies of Italian gardens He was known as an architect and illustrator not as a garden designer. In 1880, he trained as an etcher with Stephen Parrish in Gloucester, Massachusetts. He also trained at the National Academy of Design and the Art Students League in New York and later in Paris with Gustave Boulanger and Jules Joseph Lefebvre at the Académie Julian. Charles exhibited his paintings and etchings and gained his first audience in Paris Salon of 1885. Betweem 1880 – 1890 , he made hundreds of etchings of architecture and landscapes. In 1900, Charles received a bronze medal at the Paris Exposition Universelle. In 1907 he designed a townhouse for Sara Delano Roosevelt on East 65th Street in New York. Eleanor Roosevelt called Charles A. Platt "an architect of great taste" who with the townhouse had "made the most of every inch of space." and in 1918, he designed the Freer Art Gallery in Washington. Book, Hard brown Cover. Title on the spine "The work of Charles A. Platt". Manufactural details on spine. Page no. 181. Black & white plates and plans. Stamped on page 43, 93, 123, 135, 161, 171"Picton Hopkins & Sons PTY.LTD"architecture design, domestic architecture, designs and plans, landscape gardening -
Federation University Historical CollectionPhotograph (black & White), Lieutenant-Colonel Herbert Charles Onslow Plumer - South Africa
His military career led him to become appointed as assistant military secretary to the General Officer Commanding Cape Colony in 1895. He went to Southern Rhodesia in 1896 to disarm the local police force following the Jameson Raid and then later to command the Matabele Relief Force during the Second Matabele War. In 1899 he returned to Southern Rhodesia as Lieutenant-Colonel where he led the Siege of Mafeking during the Second Boer War. Plumer returned to the United kingdom in 1904 and received an audience with King Edward VI. Lord Kitchener, Commander-in-Chief in South Africa stated "invariable displayed military qualifications of a very high order.Few officers have rendered better service." Plumer received many honours - British and foreign. Knight Grand Cross of the Order of the Bath (1918; Knight Grand Cross of the Order of St Michael and St George (1916); Knight Grand Cross of the Royal Victorian Order (1917); Knight Grand Cross of the Order of the British Empire (1924); Knight of Grace of the Venerable Order Of St John (1925); Legion of Honour (France-!917); Croix de Guerre (Belgium-1918); Croix de Guerre with Palm ( France-1919); Distinguished Service Medal (United States-1919); Grand Cordon, Order of the Rising Sun (1921) Individual image from photographed poster of tobacco and cigarette cards.cape colony, southern rhodesia, jameson raid, matabele rrelief force, second matabele war, siege of mafeking, second boer war, lord kitchener, knight grand cross of the order of st michael and st george, knight grand cross of the order of the bath, knight grand crossof the royal victorian order, knight grand cross of the order of the british empire, knight of grace of the venerable order of st john, legion of honour, croix de guerra, croix de guerra with palm, distinguished service medal, grand cordon, order of the rising sun -
Wodonga & District Historical Society IncPhotograph - Codling Collection 01 - Melba Theatre Wodonga and its Demolition, c1970s
Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. MELBA THEATRE, WODONGA operated in the Shire Hall building on the corner of High Street and Melbourne Road (Elgin Street), Wodonga. The Shire Hall was built in 1890. The date on the facade of the building represents the date of the formation of the Shire in 1876. In December 1929, Enterprise Pictures were screening films in the open air theatre adjacent to the Shire Hall or sometimes in the hall itself. In 1943 “Melba Theatre, Shire Hall” was advertised with that name for the first time. In 1948 Mr K Bounader, a picture proprietor from Holbrook with 39 years in pictures behind him assumed control of the Melba Theatre, Wodonga. The Bounader family continued to run the theatre well into the 1960s. The hall was also used for functions such as school socials and concerts. Competition from drive-in theatres and television had an impact on theatre audiences. Finally, the Melba Theatre screened its last film in 1968. A school speech night in 1969 is the last known event in the Melba Theatre. It was demolished along with the Shire Hall in 1971 and replaced with a supermarket and car park.These images are significant as they document an historic buildings in Wodonga which played an important part in the social life of the community.2 black and white photos of the Melba Theatre in Wodonga and its demolition Over doorway: "MELBA THEATRE"high st wodonga, melba theatre, wodonga buildings -
Mission to Seafarers VictoriaProgramme, Violet Teague, Mother and Lover of Men the Sea, 1910
On the 19th and 20th September 1910, the Mission organised a fundraising evening at the Masonic Hall on Collins Street. The "Tableaux vivants", called "Tennison's Dream of Fair Women" were arranged by artist Violet Teague. She arranged and painted the decors for the "tableaux vivants" in the Siddeley Mission. It's likely she also created the cover of this programme. "Mother and Lover of Men the Sea" is a verse form the poem: The Triumph of Time by Algernon Charles Swinburne While she was working, seamen from the Carnarvon Bay shipwreck were welcomed to the institute and subsequently invited to the evening. "They went through a large room, where a lady was standing on a scaffolding pointing a scene for the enter" tainment which is to take place this evening in the Masonic-hall. The lady was Miss Violet Teague, but she took her mind and her brush off the effects in marine blue sufficiently long to learn the main outlines of the story. " (Argus 19 September 1910). "During the evening the Rev W F Haire, acting chaplain to the mission announced that among those present were the shipwrecked survivors of the Carnarvon Bay, which was wrecked at King Island on Thursday last The men, who bore no traces of the hardships they endured took their places on the platform, whilst the large audience cheered itself hoarse and sang "For They Are Jolly Good relics". (Argus 20 September 1910) In 1935, Violet Teague was on the passengers on the C.B. Pedersen, one of the last windjammers. She Drew and painted during her voyage and exhibited the artworks in 1938.This rare programme is the last remaining testimony of the relationship between the Mission and famous artists of the time who provided illustrations for quotation calendars (Daryl Lyndsay, John Shirlow).12 pages programme. The cover is light blue paper with the design of the Greek ship printed in black ink.violet teague, tableaux vivants, 1910, fundraising, theatre, play, algernon charles swinburne, sponsors, advertising, carnarvon bay, shipwreck, una le souef, masonic hall, lady gibson-carmichael, willsmere certified milk and co, fry's cocoa, remington typewriter, hypol, lhlg, ladies harbour lights guild -
Federation University Historical CollectionPhotograph (black & White), General Sir Thomas Kelly-Kenny - South Africa Forces
As well as his army positions, Kelly-Kenny was very interested in politics in his native County Clare. In the Second Anglo-Boer War he was , as a Lieutenant-General, General Officer Commanding the 6th Division of the South African field forces. He was twice mentioned in dispatches and received the Queen's South African Medal with four clasps. He was involved in the relief of Kimberley, the battles of Paardeberg, Poplar Grove and Driefontein. Lieutenant-General Kitchener was appointed commander and over-ruled Kelly-Kenny's plan to besiege Cronji and bombard his force from a safe distance. Kitchener ordered an assault on the Boer trenches. The result was "Bloody Sunday" - an unnecessary sacrifice of hundreds of lives on the British side. Kelly-Kenny was involved in the engagements at Poplar Grove and Driefontein where the 6th Division distinguished itself. These were viewed as key to destroying the Boer morale and winning the war. General Kelly-Kenny was a close friend of King Edward VII. Appointments made, at the insistence of the King, were often challenged. Due to his loyalty and abilities Kelly-Kenny was appointed Knight Commander of the Order of the Bath and received a knighthood in a private audience. Once again others tried to have him moved from the War Office but the King intervened again and he remained in his position. He was conferred with the Knight Grand Cross of the Order of the Bath (1904), Grand Cross of the Red Eagle (1905 - Germany), Grand Cross of the Rising Sun (1906 - Japan) and on his return to Britain he received the Knight Grand Cross of the Royal Victorian Order (1906) Individual image taken from photographed poster of tobacco and cigarette cards.kell-kenny, county clare, lieutenant-general, kimberley, queen's south african medal, paardeberg, poplar grove, driefontein, kitchener, bloody sunday, cronji, boer war, trenches, knight commander of the order of the bath, war office, king, king edward vii, knight grand cross of the order of the bath, grand cross of the red eagle, grand cross of the rising sun, knight grand cross of the royal victorian order -
Stawell Historical Society IncPhotograph, Magdala Decline Opening 1981, October 1981
7081, WMC Manager Keith Parry addressing audience, Seated from L. Mine manager Brian Micke, unknown, unknown, Don Webb Seated far right Jean Earle Standing Pat Krause (bearded), John Van Leeuwin (hat and glasses) 7081a: Crowd Scene at the opening of the Magdala decline Front: L to R Eric and Hazel Lewis, Keith and Elwyn Haymes, Joan and Keith Hallam second row: unknown , unknown, Cynthia and Glynn Cashin, unknown , unknown third row: none known fourth row: Peter Ruthven, unknown, Jack Jones, Ken Dadswell at end, behind him Ian McCann Standing behind Mr and Mrs Kinsella on L. 5th from R. Terry Monaghan 7081b: Male Breaking ground with a Gold Pick (Mr David White, Minister for Minerals and Energy) 7081c: Catapillar Dozer digging the decline. 7081d: Conveyor belt moving soil with two workers 7081e: Underground Photo, a worker looking at drill placement. 7081f: The entrance to Magdala Delcine 1981. 7081g: A large dumper in the decline underground. 7081h: A Vehicle at the entrance to the Magdala Decline. 7081i: A Large group of miners around a vehicle at the entrance to the Magdala decline. 7081j: B/W showing a large rock with the dedication Plaque 7081K: Outside machinery for the drive. 7081l: Tanks containing liquid, one with the shell logo, and a red container. 7081m: Yellow tray truck emerging from the Magdala Decline. 14 Photographs showing crowd scenes at the Magdala Deline Opening in 1981 First shows CEO of WMC Keith Parry addressing the crowd Manager Brian Micke seated on far left Mayor Don Webb seated second from right7081k: On Reverse Stawell Gold MInes: Neg 26: 257 7081l: On Reverse Stawell Gold MInes: Neg 24: 257 7081m: On Reverse Stawell Gold Mines: Neg 25: 257 mining -
Ruyton Girls' SchoolNewsletter, Ruyton Reports, 1987
The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Black and white newsletter printed on paper with staple binding. 8 pages.Front Page: Vol. 2 No. 2 / Vol. 2 No. 4 December, 1987 / Registered by Australia Post / Publication No. VBH8187 / R / RECTE ET FIDE LITER / RUYTON / GIRLS' SCHOOL / Reports / From Ruyton Girls' School / 12 Selbourne Road, Kew. 3101 / Telephone (03) 819 2422 / Sir Arvi Parbo's Challenge / to Young Australians / (Left to Right) Libby Dobbin, Louise Adamson, Mrs. Johnston, Sir Arvi Parbo, Alex Davis, Caroline Leigh / In a challenging address at Assembly this term, Sir Arvi Parvo reminded his young audience of a future "full of challenges which offers / no soft option for Australia and Australians." "It is a future", he said which will "need realism and willingness to deal with the world as / it is, not as we would like it to be." / There have been a number of eminent Victorians at Ruyton's Assemblies and the Year 12 General Studies sessions this year including / Sir Arvi Parbo, Dr. Jean Battersby, Dr. Judith Paphazy and Mr. Bob Ansett all of whom have provided stimulating thought and provocative / comment. /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school -
Southern Sherbrooke Historical Society Inc.
Information Folder - Germans Gully & Church of Freedom
Information folder containing items pertaining to the history of Germans Gully & Church of Freedom. Contents: -2 photos, gates of Church of Freedom -photocopy, sketch by Barbara Smith dated 29 October 02 of stone huts formerly on the property -article, "Fool around with scarlett!", Australian Post, 6 July 1972, re. John Wilson (colour copies in A3 folio #1 marked VSSH 71) -letter, Mother Superior Anne Beatrice, Church of Freedom LTD to Cr. M. Douglas, dated October 1983, requesting an audience with the council of the Shire of Sherbrooke. Attatched are biographical notes on John Wilson and his family -Memorandum of Association, Church of Freedom -Property report, 141 Mt Morton Rd, Belgrave Heights, from Victorian Government website -plan of survey, Crown Allotment 70, Parish of Narree Worran, showing Mt Morton Rd -Letter, dated 3 October 2005, from Gore Historical Museum & Hokonui Heritage Research Centre, Gore, New Zealand, to Mrs Eva Evans, Milton, New Zealand, re. John Charles Wilson, and covering the next three items -Funeral notice for John Wilson -Biographical entry for John Wilson from "Southern People - A Dictionary of Otago Southland Biography", 2 sheets -Biographical details from "Waitaki & Districts - A History", 1 sheetjohn wilson, church of freedom, germans gully, international bio colour naturopathic centre, wilson family -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: SPECIAL ENTERTAINMENT FOR THE BENEFIT OF THE BENDIGO EASTER FAIR, 24 April 1914
Royal Princess Theatre - Special Entertainment for the benefit of the Bendigo Easter Fair. Friday, April 24, 1914. Stage Manageress: Miss M Eadie. Mistress of the Ballet: Miss G Mackay. Secretary: Mr H M Marks. Programme written by Miss Calma Boyd. Theatre kindly lent by Wm. Crowley, Esq. PART 1. Selected Pictures including BENDIGO ON EASTER MONDAY: THE PROCESSION AND THE FAIR. PART II. The Pierettes and Pierots Present for the first time their entire Company, introducing Miss Marjorie Eadie, Emperess of Ragtime. Miss Girlie Mackay, Genee's Revival. Miss Francie Moore, Miss Calma Boyd and Miss Jean Mackay, Shining Stars. Miss Winifred Dunstan, Dainty Balladist. Miss Dorothy Dunstan, Madame Butt's Protégé. Miss Claire Connell, Front Stall Favorite. Miss Beryl Leggo, Pianiste of Perfection. Press and other comments-'The Herald'-'Come over here?' Sir Ian Hamilton-'Spare my days!!' Madame Melba-'I never heard anything like it.' Mark Hambourg-'Miss Beryl Leggo's playing is Potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] Opening Chorus-The Pierettes and Pierots. 'How do you Do, Miss Ragtime?' The Company. Chesapeake Bay, Sung by miss Eadie, with effects by Company. 'Mandy', Misses D Dunstan and C Connell, augmented by Misses Moore and Boyd. 'Here's to Love!' Miss D Dunstan (a solo of primary interest). Alabam, The Pierettes and Pierots, an effort of alleged humour. The Pierot's Wooing, Misses G Mackay and Meadie. The Dance is a result of an amicable attangement with the Pianist, Miss Beryl Leggo. Piano Solo, Miss Beryl Leggo [See Press Opinions.] 'My Sumurum Maid', The Pierettes and Pierots, [Presented with the idea of breaking up the prevailing gloom.] Interval of Ten Minutes. [If the audience can tolerate any more, they may retain their seats without extra charge.] Diamonds, Motor Cars, Confectionery, Sweets, Flowers: Gentlemen must have their name of donor attached. When you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. Part III. The Pierot Ballet, The Company. [Please do not throw anything harder than a brick.] Duet: 'Pretty Poll', Misses Moore and Boyd will sing to each other. 'Poor wandering One' Claimed by Miss M Eadie, with acquiescing chorus. 'Hush-a-Bye!' Part song, The Company [This item is introduced to soothe the infuriated audience.] 'Blue-eyed Baby', Miss M Eadie is associated with this number. Danse de Pierot, Miss Girlie Mackay. Leap Year!, The Pierittes- A distinctly Personal Chorus. [Gentlemen are warned that all exits will be barred]. Finale by the Pierettes. God Save The King. ___We Did It! - Cambridge Press, Bendigo.Cambridge Press, Bendigo.program, theatre, royal princess theatre, royal princess theatre - special entertainment for the benefit of the bendigo easter fair. friday, april 24, 1914. stage manageress: miss m eadie. mistress of the ballet: miss g mackay. secretary: mr h m marks. programme written by miss calma boyd. theatre lent by wm. crowley, esq. part 1. selected pictures including bendigo on easter monday: the procession and the fair. part ii. the pierettes and pierots present entire company, miss marjorie eadie, emperess of ragtime. miss girlie mackay, genee's revival. miss francie moore, miss calma boyd and miss jean mackay, shining stars. miss winifred dunstan, dainty balladist. miss dorothy dunstan, madame butt's protégé. miss claire connell, front stall favorite. miss beryl leggo, pianiste of perfection. press and other comments-'the herald'-'come over here?' sir ian hamilton-'spare my days!!' madame melba-'i never heard anything like it.' mark hambourg-'miss beryl leggo's playing is potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] opening chorus-the pierettes and pierots. 'how do you do, miss ragtime?' the company. chesapeake bay, sung by miss eadie, with effects by company. 'mandy', misses d dunstan and c connell, augmented by misses moore and boyd. 'here's to love!' miss d dunstan (solo of primary interest). alabam, the pierettes and pierots, an effort of alleged humour. the pierot's wooing, misses g mackay and meadie. the dance is a result of an amicable attangement with the pianist, miss beryl leggo. piano solo, miss beryl leggo [see press opinions.] 'my sumurum maid', the pierettes and pierots, [presented with the idea of breaking up the prevailing gloom.] interval of ten minutes. [if the audience can tolerate any more, they may retain their seats without extra charge.] diamonds, motor cars, confectionery, sweets, flowers: gentlemen must have their name of donor attached. when you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. part iii. the pierot ballet, the company. [please do not throw anything harder than a brick.] duet: 'pretty poll', misses moore and boyd will sing to each other. 'poor wandering one' claimed by miss m eadie, with acquiescing chorus. 'hush-a-bye!' part song, the company [this item is introduced to soothe the infuriated audience.] 'blue-eyed baby', miss m eadie is associated with this number. danse de pierot, miss girlie mackay. leap year!, the pierittes- a distinctly personal chorus. [gentlemen are warned that all exits will be barred]. finale by the pierettes. god save the king. _we did it! - cambridge press, bendigo. -
The Beechworth Burke MuseumPhotograph, 1999
This photograph depicts members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert was associated with an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were a part of Beechworth life in the nineteenth and early twentieth centuries. Marching bands, choirs, circus acts, theatrical performances, races, and seasonal activities, such as Mr. Spiller's roller skating rink, founded in the late 1860s, were among the attractions on offer. 'Liedertafel' is a tradition that accompanied German settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. German clubs, complete with marching bands, athletics associations and Liedertafel choirs, were centres of social activity attracting wide audiences not limited to members of their own ethnicity. Alfred Arthur Billson was the youngest son of Mr. George Billson, who served as Beechworth’s mayor between 1869-1871. In 1872, George purchased the Oven’s Brewery in Last Street, which became Billson’s Brewery, one of the oldest continuing beverage manufacturers in Australia. An active member of Beechworth’s cultural, business and political life around the turn of the century, A.A. Billson served on Beechworth Shire Council from 1884 to 1893, and from 1895 to 1910, with three terms as president (1888–89, 1899–1901, 1908–09). He founded the Beechworth Progress Association in 1891 and produced an ‘Illustrated Guide to Beechworth and Vicinity’ to develop tourism potential. This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The image is historically and socially significant for attesting to the enduring appeal of local musical associations, which were a popular means of entertainment that fostered social connections among settlers from diverse ethnic backgrounds. Rectangular colour photograph printed on matte photographic paper. Reverse: 7029 / Label: 7029 / Source / Burke Museum / Beechworth / Band / 1999/2000 /liedertafel, beechworth band, burke museum, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, gold rush, immigration, beechworth's german heritage, london tavern beechworth, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, protestantism, teetotallism, skating carnivals, beechworth german association, yma's, beechworth skating rink, progress societies, billson's brewery, german-australians, beechworth progess association, lodges, freemasonry, colonial australia -
Glenelg Shire Council Cultural CollectionFunctional object - Bottle, n.d
In 1905, Mr. Frank Jarvis and Mr. Tommy Garner formed Conway Stewart & Co. Limited at 13 Paternoster Row EC1, next to St Paul’s Cathedral in London. Today, this area is known as Paternoster Square having been redeveloped after its complete destruction during the Blitz of World War II. Although there is much debate regarding the origins of the Company’s name, it is believed that the name “Conway Stewart” derives from a popular vaudeville act of the day. Conway and Stewart were supposedly a comedy double act who appeared at Collins Music Hall in Islington. The two entrepreneur took a great risk in leaving their secured jobs to start a new enterprise reselling fountain pens made by other manufacturers. They concentrated their energies and invested in importing pens from the United States. After an arduous month of persistent selling of their stock, they reaped the rewards of a rather healthy turnover of more than £13 and 9 shillings. This was a great accomplishment considering that the rent for their business premises was only five shillings a week. Even though this turnover would be pleasing to many new ventures, the strength of De La Rue in the fountain pen market made it impossible for the company to continue selling no-named fountain pens. In the same year, De La Rue reportedly invested £50,000 in a promotion campaign for their new launch, the Onoto. However, Garner and Jarvis soon recognized there was an audience desiring good, reliable writing instruments that were also affordable. This is when Conway Stewart began to capture a market amongst the English. Jarvis and Garner developed a single aim, to produce elegant and beautiful, yet functional writing instruments – a principle that Conway Stewart holds true to this day.Red "Conway Stewart Ink" bottle with black metal lid and red round label. Square bottle with flat edges. One quarter filled with ink.Front: 20 fl. ozs./Conway/Stewart/ink (white letters on red background, label, upper area of bottle)ink, writing, bottle -
Yarra City CouncilArtwork, other - Mural, Ky-ya Nicholson-Ward, Aboriginal Lives Matter, 2021
"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country -
Melton City LibrariesProgramme, Melton Amateurs, c.1970
Mabel nee Abraham Rogers produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skillfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. About “Melton Amateurs” and forerunners….. Melton people have always been Active in giving and enjoying Concerts and Amateur Theatricals presented by local talent. Wile is it not possible to mention everybody; names like George Gardiner, Stan Hardy, Jim Murchison, Rita Summers, Annie Riddell, Ethel MacPherson, Harold Bainbridge, Jack Mcguire, Greta Jongebloed, Mary Coburn, Elsie McCorkell, Linda Cameron, Marjorie Myers, Aggie Ross, Bob Butler, bring happy memories to older residents. Over the years, the names change, but the talent is always there, and freely used to give pleasure to others. the Caledonian Society was active about 1925. The Melton Competitions, 1937-37 were very successful and attracted much local and outside talent. The Melton Social and Dramatic Club was operative during the same years, and gave several shows. The first “Melton Amateurs” production was a Revue, in 1950. This was followed by other Reviews, Pantomimes, One-act and Three-act plays, and Musical Comedy. Do you remember Bessie, bob and Barrie Bardsley, and Shirley and Marie Jongebloed, Shirley Wallace, Bill Abraham, Joan Jenkins, Peg Arandt, Winifred Fraser and many other? "Comedy Tonight" prrogramme by the Melton Amateurslocal identities
