Item issued to Edward (ted) Kennedy 2nd AIFEnameled mug, grey with black rim. Inscription on base indicates property of Dept. of Defence.On base in black: "D ^ D"military - equipment, domestic items - food & drink consumption

Australian servicemen who served in the Second World War often returned home with souvenirs from battle. Whilst the provenance of this particular flag is not documented, it may be a Good Luck Flag or yosegaki hinomaru; a flag signed by family members and given to Japanese servicemen deployed during the Second World War.Large black frame with gold inner surround. Charcoal fabric mounting. White part of flag is covered with Japanese writing in black ink around red circle in center.Japanese writing in black ink on front. flag, japanese, japanese flag, wwii, world war 2

A digital copy of a black and white postcard of the Black Spur Hotel and Narbethong House in Narbethong.A digital copy of a black and white postcard of the Black Spur Hotel and Narbethong House in Narbethong. A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Narbethong. narbethong, victoria, australia, postcard, rose series postcard, the rose stereograph company, p. 2258, souvenir, black spur hotel, narbethong house

A black and white slide of six boys doing dishes at a boys camp in 1956-57. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys washing dishes in a large metal tub in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' and 'SET-2' in blue pen. Handwritten '13' in black pen. Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house

Black and White photo Company "A" 2/21Rare item of historical value due to the battallion being taken prisoner by Imperial Japanese soldiers at Ambon. The Australians suffered at the hands of their captures.Photograph of members of " A" Company 2/21st Battalion Australian infantry Taken in Melbourne. Vic. Group portrait of A Company, 2/21st Battalion. Left to right: front row: Chafer, Hartley, Bailey, Fisher, Breen, Marsh, Lance Corporal (L Cpl) Billings, Smith, Knuckey, McKenzie, Wilson, Dallagh, Jones, Redwood, Turnbull, Rutley, Minetti, Gravener and Corporal Borr (?). Second row: Winter, Brander, M.F. Osborne, V.F.H. Hubbard, Gladigou, Alison, Davies, Blair, Edney, Tuddenham, B. Tucker, Sergeant (Sgt) Stanbridge, Captain (Capt) Wesley, Lieutenant (Lt) Thomas, Sgt Stayte, Beachley, Hallowell, A. Osborne, Thatcher, Watson, unidentified, Ericson, Hadlow, Tucker, McGregor, C.R. O'Bryan and Bradley. Third row: Walker, R.R. Hubbard, Hutchins, L Cpl Kirwan, Mason, J.M. Francis, Corson (?), Leslie, Dunbar, Arnold, Inkster, Balcombe, Corporal Leary, Beckwirth, Barclay, Blanks, Conway, Bolwell, Rigney, Orange, Taylor, Dihood, Mitchell, Donchi, Howard, Flintoff, Hill, Capon, Lewin, L Cpl Eouid (?), Sgt Jacobs. Fourth row: Sgt Seabrooke, Privates King, Jorgenson, O'Halloran, Simmons, Amesbury, Kofoid, Daff, L Cpl Guest, Cooke, Ordish, Stratton, three cooks named Keel, Tullett and Brown, Privates Turner, Dahlberg, Uren, Ansett, Moran, Fry, Penny, Phillips, Lock, Loch, Perrin, Snodgrass, Argus, Gee, Corp Boyce.Photo and frame A Coy 2/21 with names inscribed there on. Black ans white photo by H.M. Walker, Wentworht House, 203 Collins Street, Melbourne.a coy 2/21 battallion

Text tells the stories of the bravery of Australian women from Gallipoli to Kokoda.Book, soft cover with sepia illustration depicting 4 women. Title in cream lettering. Black & white photographic illustrations & black & white maps. 296 pages with cut edges.Handwritten in black on 1st page: “O'Brien”book, australian women

Grey/black round axe head; single bit, no handle. Metal is pitted and head is blunt.None. Grey/black metal.timber, forestry

Three widows standing in the forecourt of the Shrine of Remembrance and a photo of the elderly lady on her own. Her name is Mrs Winifred Fotheringham who helped launch the 1990 Legacy week as she was the oldest Legacy widow and had reached 101 years of age. Two newspapers used the photos on 4 September 1990. The Age used the three ladies with a caption. The Sun featured Winifred in a large photo on page 3. The article mentions her husband Archie, was shot four times in World War 1 but managed to live to the age of 83. Her son lost his life in World War 2 at the age of 23 while flying a mission over Germany and he was shot down. Legacy helped her after her husband died and she would be alone if it wasn't for Legacy. It mentions that Legacy hoped to raise $1.6 million to help the 23,000 ageing widows in their care. The photo of the three widows was featured in the 1990 Presidents report published with the Annual report. The caption says: 'Three generations of Legacy widows, WWII Mrs Dorothy Latta, 102 year old Mrs Winifred Fotheringham and Vietnam widow Mrs Barbara Leach.' Mrs Fotheringham is also seen at Anzac Commemoration service for students in April 1990 (item 00845) in the same outfit but with her badge on the other lapel. She is also in 01045 and 01553 when she was 101 and being promoted for Legacy Week.A record of a Legacy widow being photographed on on a visit to the Shrine.Black and white photo x 2 of three ladies at the Shrine.Pic 3 in black pen on reverse.widows, legacy promotion

Two Lady's Tickets for Diamond Creek Show, Season 1924, Diamond Creek Horticultural Society stamp on verso; one Member's Ticket for Diamond Creek Horticultural Society, Season 1924. Two Lady's Tickets for Diamond Creek Show, Season 1924: black print on buff card, Diamond Creek Horticultural Society stamp on verso; one Member's Ticket for Diamond Creek Horticultural Society, Season 1924: black print on pink card Signed H. J. Blackdiamond creek

Black and white photograph depicting closed crossing gates at the level crossing at Park Road, Cheltenham. This image is part of a larger collection of images from the Public Transport Corporation displaying train stations and streetscapes in what is now the City of Kingston.Black and white photograph of Cheltenham level crossing at Park Road, Cheltenham. The gates are closed. Stamped in blue ink on reverse: COPYRIGHT / Public Transport Corporation / For re-ordering photographs / Please quote negative No H3052 / Enquiries C/- PTC Photographic Unit / Telephone switchboard 619 111 White paper stuck to reverse of image, with black typed text: Cheltenham Park Road, Cheltenham / 1965 / $50 reproduction fee appliescheltenham, railway crossing, suburbs, public transport

Also known as a epaulette Two Royal Australian Navy rank insignia slides in Disruptive Pattern Camouflage Uniform (DPCU) fabric with black embroidery. Black embroidery text: AUSTRALIA / Black embroidery illustration: Navy emblem and the English Crown rank insignia slides, epaulette, royal australian navy, duff

Four soldiers mounted on horses in the forecourt of the Shrine of Remembrance. Three of the four that are named are Legatee Rex Hall, Billy Kent-Hughes and Legatee Bill Scott. The other rider's name and date unknown. An article in The Herald on 19 April 1975 mentions that Rex Hall, Jim Holland and Bill Scott would wear their Light Horse uniforms and lead the Anzac Day parade to the Shrine mounted on police horses (see 01023). Though the date on the back of the photo is 1967. It is believed these legatees rode in at least 13 Anzac Day marches. Wilfred Kent-Hughes, known as Billy, served in both World Wars, was a prisoner of the Japanese, an Olympic athlete (hurdles, Antwerp 1920) and a State and Federal politician and was awarded a Knighthood. His niece, Jane, is a Legatee in the South Gippsland Group. From another article found Colonel Rex Hall was a member of the 5th Light Horse Brigade in World War 1. The image of the newspaper article and black and white photo is from an album stored separately at 00209 - at that march the men were: Max Armstrong, Legatee Rex Hall, Legatee Harry Burton and Warren Hardy.A record of a Legatees riding horses to the Shrine in Light Horse uniform.Black and white photo of 4 soldiers on horseback at the Shrine.Front of photo has " L/Rex Hall ; Kent-Hughes ; L/Bill Scott" in black pen. The back is stamped Copyright Herald and Weekly Times in blue ink. Handwritten "Property of Melbourne Legacy / Melbourne Shrine of Remembrance / L/tee J. R. Hall / 1967" in black ink.anzac day, horses, light horse, rex hall, bill scott, billy kent-hughes

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Annie Wood, Duncan Black and Evelyn Black (seated).Digital copy of black and white studio photograph.shirley fraser, annie wood, dincan black, evelyn black

Souvenired by WO Albert Corrie VX47191, refer Cat No 4847 for service.1) Currency note United Arab Emirates 5 Dirhams, front has a sketch of a building, colours red, brown, yellow, pink. .2) .3) Currency note United Arab Emirates 10 Dirhams, Arabic writing with image of a dagger, colours greens and black. All have “United Arab Emirates central Bank in large print”.1) In black, “156769584” .3) In black, “065418412”currency, notes, arabic

Alexander Black was a painter and decorator who operated a business in Timor St below Swinton’s. Some of the customers in this book are town council baths, Mr Fritz Landmann, St John’s Church, Thomas Redford, Thomas Robinson, Public Works Department, J W Crawley, Jas McLeod, W J Jackman among many more.Listing many local people and being associated with a local business, it has social and historical significance.Large rectangular hard card cover. Maroon, blue and cream patterned card cover with dark green spine binding. Hand written entries listing details of work completed at front and tenders for work at the back of the book. Paper label pasted to front cover “Working account book from 5th December 1899 to August 1918 Tenders at back of book 1900.” Purple oval stamp Alexr Black Painter Importer of paper hangings Warrnambool. Handwritten inside front cover: Mr Alex Black Timor Street Warrnambool. warrnambool, alexander black, alex black painter, black painterwarrnambool,

The first Seafarers Service was held on 23 October 1905 in the St Paul's Cathedral in London to celebrate the Centenary of the Battle of Trafalgar and the death of Vice-Admiral Horatio Nelson on 21 October 1805. Reverend Alfred Gurney Goldsmith launched the first Seafarers Service two years later and the first service was held on Sunday 10 November 1907. National and house flags are used during the annual Seafarers Service. Eastern and Australian Steam Ship Company, a small line which played a strong part in Australian maritime history, providing links from Australia (in particular Queensland) and New Zealand to South-east Asia from 1873 to 1983.The service continue to reflect the full range of the maritime activities in Australia. Representatives come from the Royal and Merchant Navies, the commercial world, shipping companies, mission and philanthropic societies, veterans’ associations, labour unions, youth and leisure organisations, but anyone is welcome to attend.Large green flag with crest of a gold lion rampant holding a black fouled anchor on a red stripe.E & A written in black penflag, seafarers service, shipping company, e&a, eastern and australian, house flag

This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Two black and white slides of boys in a dining room at a boys camp in 1956-57. Some are wearing paper hats. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys in a dining room in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' in blue pen. Handwritten on one 'SET-2' in blue pen and '12' in black pen. Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house

Letter on back to Miss Evans of Lima East via BenallaHand coloured postcard showing view of Black Hills Deddick VictoriaThe Black Hills Deddick near Buchantopography, correspondence

Illustrated book, with three black and white photographs of Wilma Oram Young (as student nurse, in army uniform and in older age). There is a mid-brown band above this photo on which the title is printed in black and white, below the photos there is a black band on which the author's name is printed in light brown. Spine has mid brown background with title printed in black, author's name in light brown, and publisher's mark in white. The back cover has a summary of the book printed in black ink on a light brown background.non-fictionThis is the story of one of Australia's most remarkable women. As a prisoner of war for three and a half years during World War II, Wilma Oram, a young Australian nurse experienced the very worst of human brutality: starvation, deprivation and degradation. Yet, through the comradeship of her fellow prisoners, she also experienced humankind at its best. Following her return to Australia, Wilma was inspired to help her fellow ex-POWs and war veterans through her tireless work with the RSL.wilma oram young, nurses-australia-biography, world ward 1939-1945-prisoners and prisons-japaneses

Niel Black was an early settler in the Western District of Victoria who held large tracts of land including Glenormiston and The Sisters estates. Black was responsible for bringing many employees to the area. The employees' names, birthplace, arrival date, marriage partner/s, other employers are tabulated. An overview of Black's properties and conditions of the time is also included.This booklet documents those who came to the Western District to work for Niel Black prior to the goldfishes of the 1850s.In-house booklet with plastic sleeve outer cover, with black & white images of sheep shears, wool and a map of the Black property. All text is in black.emigration, employment, family history, early victorian squatters

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This single sheet of paper with the black printed header of The National Band Festival, is a typed letter of reference for Frank Wright. It is signed by Founder and Director J Henry Iles.Signature in black penfrank wright, j henry iles, the national band festival, crystal palace, brass band