Showing 473 items
matching central blue
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Bendigo Military Museum
Badge - BADGES, RAS AND RSL, post 1945
items issued to John Raymond Bruns VX88627, refer Cat No 5592 for his service history. The RSL badge has a clip over a top crown with the numbers "88" meaning a financial member for 1998.1) Badge, Returned from Active Service, brass depicts a Rising Sun, crown, wings, anchor and boomerang, rear has two lugs and stamped. .2) Badge RSL Membership, shows three central figures on a plaque style shape, white, gold, red & blue colours, rear has one lug with a pin through, rear is stamped..1) On rear, "A 32763" .2) On rear, "48617", "Badge remains property of the league"badges, rsl, ras, 2nd 38th -
Bendigo Military Museum
Book - BOOK, INFANTRY TRAINING 1914, Critchley Parner, Statesman & Mining Standard, 1915
In 1914, Bendigo and Northern Victoria Citizens Force Unit was the 67th (Bendigo) Inf. Castlemaine and Central Vic had the 66th (Mt Alexander) Inf. The book was written by Lt.Col A. H. Sandford R.A.G.A.Cardboard cover booklet. The printing on front cover is black ink. Inside are 128 pages of drill movements. Illustrations. Semaphore, morse code signals and the magnetic variations for Aust and NE Capital Cities. Inside, Page 1 has the embossed stamp of "Bendigo Book Sellers & W. Hampton, Stationery. It has pages of pay for Commonwealth Citizen Forces.Inside written in blue pencil "Simon Auladell"passchendaele barracks trust, 738-i-t 73b, booklet, drill manual -
Bendigo Military Museum
Book - BOOK - facsimile, The Australian Newspaper - with Assistance of the "Staff of Central Army Records", "THE BATTLE OF ALAMEIN.", c1992
The Battle of Alamein - The Australian Casualties. The Australian`, The Weekend Australian - 50th Anniversary Special Edition. Honour Roll and Newspaper Articles.SOFT COVER BOOK - FOLIO FACSIMILE - Cloth tape binding. Cover - thin cardboard, front cover - black print on blue background, illustrated in black print three photographs - top/troops in a vehicle, bottom/ tanks and soldiers advamcing. Pages - paper, cut, plain white. Illustrated black and white copies of photographs. Owners stamp - inside front cover.Inside front cover - owner's stamp black ink "Mr W.J. HAMMILL, A.A.I.M./ PO Box 76, KANGAROO FLAT/ VICTORIA, 3505, AUSTRALIA"books, history, ww2 -
Bendigo Military Museum
Badge - BADGES, ASSOCIATION, Post WW2
Items in the collection re Ron Bollard VX14150, refer Cat No 5919P for his service details..1) Badge cloth, crown at top followed by a yellow "T" on black background, over is two scrolls in metalic gold, central is a depiction of a "Rat", colours are red, blue, green, yellow, white, black and gold. .2) Badge cloth basically same as .1) but has "Victoria" at the bottom."Rats of Tobruk Association Victoria"badges, tobruk, association -
Bendigo Military Museum
Accessory - COLOUR PATCH, C.1941
The patch is “2nd/8th Australian Field Regiment” The “T” shape is for Tobruk Colour patch “T” shape with grey outer, central “T” shape, red over purple with red circle centre, centre piece is sewn onto outer grey.On rear in blue pen, “AIF 9th Div 39 - 45”accessory, uniform, colour patch -
Bendigo Military Museum
Banner - WELCOME HOME BANNER
It is not ascertained if this relates to the First or Second World War.Banner, rectangular shape, white background, decorative green edging, top L H corner is an Australian Red Ensign, top R H corner is the Union Jack, central is main lettering.In red and blue printed, “WELCOME HOME”.banners, welcome home -
Bendigo Military Museum
Flag - SALVATION ARMY FLAG, Carroll and Richardson, 2020
This flag was donated to SMIMM to HONOR the service and assistance that the Salvation Army has rendered the Australian Forces over many decades.Salvation Army flag, rectangular shape, colours are outer rim blue all around, centre magenta, middle an 8 pointed gold star with Magenta wording, a white cord and loop at one endCentral, “BLOOD & FIRE”flags, salvation army -
Bendigo Military Museum
Accessory - IDENTIFICATION, CATHOLIC, C.1940 - 45
H.V.Rooke. Refer Cat No 4906.2 for service details..1) Cloth folding wallet light brown colours, inside has small crucifix, badge and oval created edge piece sewn in, has central flower with black writing, other half has open piece with clear plastic sleeve for ID card. .2)Catholic Identification card black print 4 pages, front has space for owners details, written in blue ink..1) “Thy Kingdom Come”. .2) hand written, “VX47141 Pte H.V. Rooke 2/29th Battalion 31 creek St Bendigo, wife 31 Creek St Bendigo”accessory, id, identification, catholic -
Bendigo Military Museum
Plaque - PLAQUE, RATS OF TOBRUK, Townsend productions, C.1991
Part of the Doug Dean collection, refer Cat No 4575P.Plaque, 50th Anniversary, wood shield backing, moulded main section, colours, gold, white, blue, yellow, red colours, Scrolls top & bottom, central “T”, crown over, Rat depiction centre.“1941 - 50th Anniversary - 1991”, followed by, “The Rats of Tobruk Association”, then, “10.4.41 - 7.12.41, Seige of Tobruk”plaques, tobruk, seige 1941 -
Queenscliffe Maritime Museum
Domestic object - China Plates
... with blue edge design and central logo.... and back. 2. White Star Line china plate with blue edge design ...Recovered from Portsea Channel circa mid 1980s by captain Doug Knight, Two Commando Company, when conducting shallow water dive training in the 1980s whilst based out of Officer Cadet School, Portsea.Two plates recovered from the Portsea Channel circa 1980s1. Orient Line of Royal Mail Steamers white china plate with logo on front and back. 2. White Star Line china plate with blue edge design and central logo.passenger liners, table wear, captain doug knight, portsea -
Eltham District Historical Society Inc
Slide, Construction of Eltham Town Park, 22 Feb 1974
Construction of Eltham Town Park, later renamed Alistair Knox Park. View looking towards the Eltham Trestle Bridge through to Central Park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)alistair knox park, eltham town park, eltham trestle bridge, central park -
Eltham District Historical Society Inc
Slide, New kerb and channeling, Eltham Central Park from Panther Place, c.1972, 1972
... - Agfacolor Service (Blue) eltham central park, eltham shire council ...35 mm colour positive transparency Mount - Agfacolor Service (Blue)eltham central park, eltham shire council, football pavillion, infrastructure, panther place, road construction -
Ararat Gallery TAMA
Mixed media, Irusaq Presenter at Arm's Robe, 1986-1989
“All Irusagi robes of office are highly symbolic. Generally black or dark blue, they are richly jewelled and embroidered; each one individually designed for its owner, as he, or she, takes office at the central court. The miniature is a record of this office. This, the Armourer’s Robe is typical of the richly decorated formal styles of the 10” to 12" Centuries Post Imperium. The symbolism is obvious: oversleeves of silver, to indicate one of the metals used in the making of weapons; decorative daggers, indicative of the famous throwing and fighting knives; studs, symbolising protective armour; and touches of red alongside the predominating metal, to represent the shedding of blood, (a minor theme, because bloodshed is undesirable). The Void, the centre of Irusaqu worship is always shown on this Robe, because all fighting men or women have a deep religious responsibility to obey the Voidic code. Lastly, the jewel, with its elongated triangle, forms the ancient symbol of Man, at the base of the Void, but not subordinate to it.” -Inga Hunter -
Cockatoo History & Heritage Group
Medal, Royal Humane Society of Australasia - Bronze Medal for Bravery 1983
Bronze Medal. Ribbon navy blue edged with silver & gold central strip. Observe (face or main design) the female figure represents Australasia placing a wreath on the head of a kneeling figure, under the Southern Cross. The Latin motto translates as "Bravery Rewarded". Reverse: the name of the awardee is inscribed inside a wreath of laurel and eucalyptus.Awarded to DJ Griffin 16-2-1983bravery awards, ash wednesday, bushfires, cockatoo victoria, dorothy joan griffin, -
Geoffrey Kaye Museum of Anaesthetic History
Vase, Bessie Biggs, 1981c
This vase was gifted to the Faculty by Dr Walter Wyndham Biggs upon his retirement from the Faculty Board in 1981. Dr Biggs was the first flying anaesthetist of the Flying Surgeon Service based at Longreach in central Queensland. The vase is hand painted by Dr Biggs mother, Bessie Biggs. The manufacturer of the vase, Furstenberg, is one of oldest and most renowned porcelain makers in Europe since 1747. Made in West Germany, the makers mark is found at the base of the vase marked with a blue under glaze symbol of a crown, script F and a number 9. Porcelain vase of bulbous form and narrow neck with gold trim on lip. Black and white hand painted scene of flying geese above a body of water surrounded by reeds.[hand written on base in black ink] Handpainted / by / Bessie Biggs / 1981 [embossed on base] 7405/30 [Blue under-glaze on base] symbol of crown / cursive script F / 9 / FURSTENBERG / SEIT 1747 / WEST GERMANY [Artist signature on painted surface] B BIGGSdr walter biggs, furstenberg, porcelain -
Geoffrey Kaye Museum of Anaesthetic History
Decorative object - Plate, Royal Selangor, c.2017
Gifted to ANZCA during the ANZCA ASM 2017, held in Brisbane.Pewter plate of medium size, with embossed central image of modern day Malaysia city landscape. Presented in manufacturer blue cardboard boxFront: [MALAYSIA] Reverse: [ROYAL / SELANGOR / PEWTER]asm, brisbane, royal selangor -
Geoffrey Kaye Museum of Anaesthetic History
Plate, Swatkins, c.2017
Presented to the ANZCA president David A Scott during the ANZCA ASM held in Brisbane, May 2017 by the College of Anaesthetists of Ireland. Silver plated, medium size plate with central inscription. Displayed on a wooden stand and presented in a blue wooden box[Presented to the / Australia and New Zealand College of Anaesthetists / on the occasion of their Silver Jubilee / from the / College of Anaesthetists of Ireland / May 2017]college of anaesthetists of ireland, asm, swatkins -
Dutch Australian Heritage Centre Victoria
Beaded Purse (Kralen beursje)
A small oblong beaded and lined purse with engraved silver clasp and fine chain. The backgrond beads are black. A central flower image in red, blue, pink, white and green is bordered by running patterns in gold. The lower edge has small loops of black and gold beads.None. -
Dutch Australian Heritage Centre Victoria
Vase in Delft blue (vaasje in Delfts blauw), Bavaria
Cylindrical but slightly bulging in middle; white with blue flowers - mainly roses; not usual Delft pattern. Above central crown Delft 1103, crown has letters KRONACH inside crown, under crown Bavaria 309/0, at right angles Echt Kobalt Unterglasur -
Dutch Australian Heritage Centre Victoria
Container - Cabin Trunk (Hutkoffer)
Multiple labels suggest it was used many times for travel to and from Netherlands and Dutch East Indies.Black timber trunk clad with metal, metal strap on edge of lid, wooden slats on lid,, one missing; metal hinges, locks padlock type. Inside lined with with ticking pattern cotton cloth, remains of black strap. Remains of four stickers on lid.Stencilled name in white O. COERPER, repeated in larger letters painted on. On middle wooden slat Buissink, remains of previous name. Lower salt, Melbourne painted in light blue letters. Stickers: left side of lid, white sticker with red ring and red B inside. On lower left side of lid, remains of sticker with Stoomvaart Maatschappij. Sticker on top right hand corner of lid, Black and white square cargo sticker,Javakade. Niet voor de reis, Not wanted; Passiegiersgoed. Name, port of discharge, Melbourne schip possibly Johan van Oldenbarneveld. Final destination. 49, remainder blurred. Remains of sticker central lower lid. Locks with D.R.P. stamped. Coerper painted on front, Remains of white sticker on left side of front. -
Dutch Australian Heritage Centre Victoria
Commemorative Plate, 1948
The item was created by Bouwens and van Kampen, a ceramics business founded in Bussum by Greta Klaar. Greta married her pupil Johannes Bouwens in Amsterdam during the war. The couple then moved to Soest where the business became known as "De vlieg-uut". It went from strength to strength until a fatal accident in 1970 after which it was permanently closed. The designers and ceramicists specialised in small plates such as this commemorative one for Queen Juliana's accession to the throne following the abdication of her mother, Queen Wilhelmina.The item recalls the joyful celebrations that took place in Septermber 1948 when Juliana accepted the throne from her mother Queen Wilhelmina. The Queen had reigned for 50 years including the period of 1940-45 (WWII) during which she carried out her duties from London. Juliana and her family resided in Ottawa, Canada during those years. To some extent this event was the final celebration of liberation from the tyranny of occupation and the welcoming back of the Royal family to Dutch soil. Decorative plate to commemorate Queen Juliana's ascension of the Dutch throne in 1948. The plate is meant to be hung and has a piece of string for this purpose inserted through the rim on the back of the plate. The inscription reads: "Juliana Koningin 6 Sept.1948". On the back are the marks: "290KR." "BVK Soest" and "P.H.". It is gaily painted in red, blue and green on an off-white background. The central scene is recognisably Amsterdam with church tower, stepped gables and Dutch flags. The border consists of a circle of red, white and blue flowers; leaves are green. -
Dutch Australian Heritage Centre Victoria
Commemorative Plate (Gedenkbord), Royal Sphinx Regout, 1923
Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate. -
Dutch Australian Heritage Centre Victoria
Boch Delfts Wall Plate, Boch
A fully decorated Boch Delfts wall plate depicting a scene with water, sailing boats, a small dinghy, distant land with village and a glimpse of shore in the foreground. The whole is encircled by a ribbon of blue. The broad outer edge is decorated with leaf and flower patterns.The marks "Boch" and "Delfts" encircled by flower patterns cover a small central area on the back. -
Chinese Museum
processional cap
This hat was probably used in both China and Australia during the 1940s as a procession garment. It is linked to the Young Chinese League.This hat is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A red, purple and blue silk, six paneled hat embroidered with gold braid and adorned with mirrors. Tip of hat has red, silk bobble sewn into place. Each panel is embroidered with gold and orange thread. Among the threads are eight circles of metal around one central, circle. There is a blue band around the bottom and a ribbon tie attached to one panel and it is lined with pale blue cotton fabric.There is a black stamp of a Chinese character on the inside of the hat.young chinese league, processions, melbourne, victoria, china -
Stanley Athenaeum & Public Room
Equipment - Bell jar base
... base - worn condition. Dark blue in the central area; light.... Dark blue in the central area; light tones outward edge ...Circular wood base with 1 cm groove. Internal raised velvet base - worn condition. Dark blue in the central area; light tones outward edge Lacquered timber of light wood. Victorian origin. -
Charlton Golden Grains Museum Inc
Photograph, North Central Panel Beaters 1987
North Central Panel Beaters 1987, formerly Charlton Motors Pty Ltd Service StationColour photograph showing North Central Panel Beaters building on the corner of High and Armstrong Sts. Red car in front of shop on High St, blue & white vehicle on LH side on Armstrong St. Sign attached to verandah showing St Arnaud 42. Signage on front window says Mechanical Repairs, Automotive Service Centre, Ph S?. 1389. Safety tape around tree on LH side of photo and barricades on the High St kerb at the end of the verandah. Telstra tower visible in background.north central panel beaters, charlton motors -
Charlton Golden Grains Museum Inc
Photograph, Charlton Gentlemen's Club c. 1987
The Charlton Gentlemen's Club was established in 1900 by solicitor Ben Green. The original building had a narrow entrance off High St, between Egan & Spains Grocery Shop and the Central Café. After fire damaged the buildings in the 1970s, the club was extended to its present size. The vacant block next door was formerly Clark's butcher's shop. Part of a series of streetscapes taken for the Charlton Shire in 1987.Colour photograph of a single storey, glass fronted building with a white-framed front door. There is a large light pole and a white panel van and a white car are in front of the building. There is a blue awning over a yellow seat to the right of the building. Next to the seat is yellow metal fencing. On the far right of the photo is the side of an old brick building. charlton gentlemen's club, ben green, clark's butcher -
Clunes Museum
Memorabilia - CALENDAR
C. L. Britten GarageCalendar for 1954 - Cream cardboard back, 1954 calendar printed in blue on bottom half, picture of garage (Corner of Fraser and Service Streets) on top halfStamp on back "M.J. Forster, 12 Balmoral Crescent, North Geelong"calendar 1954, advertising, central garage clunes, britten -
Melbourne Legacy
Badge, R.S.S.I.L.A. Member Badges
Two member badges from the The Returned Sailors, Soldiers Imperial League of Australia (RSSILA). The number 68 on the front could be 1968 as it is detachable and could be updated each year. The badge with 1921 could be the year of membership. The member number is engraved on the rear. The shield design is symbolic of the protection provided to those who wear it. Within the badge, red represents the blood ties of war that exist between comrades; white stands for the purity of the motives in joining the league – to render service without personal gain or ambition; and blue indicates a willingness to serve a comrade anywhere under the blue sky. The wattle represents Australia, with the leek, the rose, the thistle and the shamrock standing for Wales, England, Scotland and Ireland respectively. The RSSILA was the precursor to the Returned Services League (RSL) and provided support for returned servicemen after World War One. Worn by members of the Returned Sailors, Soldiers Imperial League of Australia, those eligible being members of all services, both wars, including nurses, who have returned from active service outside Australia. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).The RSSILA was an important organisation for ex-servicemen and many Legatees would have been members.Enamel badges from the R.S.S.I.L.A. The centre of the badge shows a sailor and a soldier in raised detail. A blue enamel circle surrounds the central detail and has 'RETURNED SAILORS & SOLDIERS / IMPERIAL LEAGUE' in gilt lettering. The outer edges of the badge are white enamel with a floral spray to the top left and right of the blue circle. At the bottom of the badge is a red enamelled scroll with 'AUSTRALIA' written in gilt lettering. On the reverse of the badge are soldered two brass lugs with a split pin attached for securing the badge to clothing. 01124.1 Front has '68' and 'Returned Sailors and Soldiers Imperial League of Australia'. On the reverse 'V92210 Badge remains the property of League'. 01124.2 Front has '1921' and 'Returned Sailors and Soldiers Imperial League of Australia'. On the reverse 'R 3871' and 'C.C Roeszler and Son Pty Ltd Melb.'world war one, rssila -
Melbourne Legacy
Document - Speech, The Origin and Growth of the Legacy Movement in Australia. (H51), 1967
A photocopy of an article in the 'Victorian Historical Magazine', 149th Issue August 1967. It was an account of a speech by Legatee Ian Anderson to the Historical Society on 23 May 1967. Legatee Anderson was president of Melbourne Legacy Club in 1964. This is a very good quality account of details of Legacy up to the 1960s. The article outlines the key figures and events in the creation of Legacy in 1923. He mentions 8 of the members at the founding meeting in September 1923 were from the 24th Battalion. The name 'Legacy' was suggested by L/ Frank Selleck. Also the first two years of Legacy focused on the rehabilitation of returned servicemen and finding them work. It was L/ Frank Doolan that proposed the 'real field for the movement's work lay in the care, guidance and encouragement of the families of those comrades who, through death, were themselves no longer there to give those benefits, and that as the children of deceased ex-servicemen were growing up, the cases were increasing in which some deputy was needed to take up among them the work for their deceased fathers, and to act virtually as a guardian or sponsor with the help and advice our dead comrade would have given.' It mentions the Central Liaison Committee, the Co-ordinating Council, the dates of the formation of other clubs, the Code of Legacy, the residences, the annual demonstrations, also the camps and classes provided for children. He quotes L/ Stan Savige in a speech to the Annual Conference in 1950 and also part of the speech given to farewell L/ Savige after his death. The notation H51 in blue pen shows that it was part of the archive project that was trying to capture the history of Legacy. A highly detailed account of the formation and evolution of Legacy between 1923 and 1967.White A4 photocopy of an article about Legacy published in the Victorian Historical Magazine x 6 pages.Handwritten H51 in blue pen. Typed 'Extract from Victorian Historical Magazine, 149th Issue - August 1967' on top of first page.history, speech, founding legatee