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Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, c.November 1962, 1962
The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Hymettus Cottage & Garden
Book, Shakespeare's Stories
This Book was presented for fancy work to Miss Annie Wilson in 1882 with A. Bain as School Principal. It has a premium plate with presentation details on the verso of the front cover. It together with an earlier book from the same school helps trace the history of the school from its origins as Alex Bain's Camp St School in the 1870s through to its renaming as the High School Ballarat pre-dating the later Education Department's Ballarat Agricutural High School re-named Ballarat High School in the early twentieth century.Identifies personalities and principles of excellence in education in nineteenth century Ballarat. -
City of Greater Bendigo - Civic Collection
Memorabilia - Event Program, City of Bendigo, Mayor Dinner, 1902
John Robert Hoskins was a Councillor with the City of Bendigo from1888 - 1902 and Mayor from 1901 - 1902. Hoskins' interests in the region included the mining company Hoskins & Co, which distinguished itself on the late Derwent Reef United Company's leased ground in 1868 by achieving a yield of over an ounce to the ton. In the late 1870s John R. Hoskins formed a estate agency in partnership with Frederick Illingworth. He was also manager of the New Nil Desperandum, formed to work the shaft of the old Raywood mine, from 1906 to 1908. Event program for the Mayoral Dinner July 25, 1902. Gold, green and brown ink on cream card. Half fold with menu printed inside and Toast List on back cover. Scalloped edges.Front cover: (Picture) Bendigo Coat of Arms / Mayoral Dinner / Given by / The Mayor / (Cr .J. R. Hoskins) / July 25, 1902 / Town Hall / Bendigo bendigo town hall, making a nation exhibition, c roberts caterer, mayor j. r. hoskins, councillor j. r hoskins, mayoral ball, city of greater bendigo events, city of greater bendigo ceremonial item -
Churchill Island Heritage Farm
Clothing - Lace Piece
This piece is a style of machine embroidered lace which can be found in haberdashery stores today. It is known as Broderie Anglaise Cambric Eyelet lace. It was made to be sewn either into or on fabric, and the sweet daisy design and ribbon insertion points would have been highly desirable for a child's or baby's dress, or for delicate undergarments. Broderie anglaise was extremely popular in England between 1840 and 1880 for children’s clothing and women’s undergarments. There was a resurgence of popularity in the 1950s. Beginning in the 1870s it was made using the Swiss hand embroidery machine.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine embroidered (Lace Group Embroiderers Guild 1/3/12) See photos (2)janet amess lace collection, lace, churchill island, amess, machine, embroidery -
Glen Eira Historical Society
Letter - Hart Family
Handwritten letter from Rodney Hart to Mr Ballantyne, Secretary of the Caulfield Historical Society donating a photograph of his grandfather John Hart and family in from of their Bambra Road house, letter dated 07/03/1984. Includes a black and white photograph with verso description “ John Hart’s home Bambra/Neerim Road, Caulfield 1858 L-R John Hart, wife Mary, mother Susannah. [Date incorrect: John married Mary in 1864, Susannah died in 1875 so it is most likely dated 1870s]hart rodney, hart john, hart mary, hart susannah, ballantyne r, caulfield historical society, bambra, neerim road, caulfield, brick houses, architectural styles -
Kew Historical Society Inc
Photograph, Kew Congregational Church members at South Esk, circa 1900, c.1900
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.This is the earliest known photograph of Ordsall / South Esk, a significant mansion in Kew, built for John Halfey and now demolishedMembers of the Kew Congregational Church in front of one of the verandas of Southesk, circa 1900.congregational church - kew (vic), south esk - south esk - ordsall - kew (vic) -
Kew Historical Society Inc
Painting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co. -
Kew Historical Society Inc
Painting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk -
Kew Historical Society Inc
Painting - Section of mural from the Drawingroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.A fragment of the painted domed ceiling of the drawingroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This rectangular fragment of painted plaster is a small section of the rectangular frieze of neo-gothic scenes that were a feature of the drawingroom ceiling. The fragment differs from those remaining from the ballroom in that it includes a section of gold leaf.Label: 'This is from "Southesk" drawing room'ordsall, southesk, cullis hill & co., halfey, john -
Eltham District Historical Society Inc
Photograph, Possibly Sarah Shillinglaw, c.1870
No photographer details. The fashion dates this photo to the early 1870s. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, unknown, 1870, sarah aldous (nee shillinglaw 1854-1925) -
Whittlesea Historical Society Inc.
Domestic object - Plate, dinner plate, bread and butter plate, c 1920s
The plates were used by the Turner family at C. Turner, Baker of Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored. The plates are significant to their links with the historical 19th century Turner Brothers Bakery at MerndaCeramic plates from the Turner Bakery collection. One dinner plate and one bread and butter plate from a matching set, glazed pattern, 'J & G. Meakin England', scalloped edges, blue and gold pattern on face of plate, gold on rim.Maker J & G Meakin England, Design 'The Garrick', Regd SOL 391413 j & g meakin, turners bakery, mernda, charles turner, stephenson turner, plate, cermaic plate, dinner plate, bread and butter plate, c turner baker, yan yean -
Warrnambool and District Historical Society Inc.
Functional object - Packaging, Photo Wallet McKinney, 1940s or 1950s
This folder came from the photographic studio of Alex Wilkins. For over 35 years in the 20th century he was one of the best-known commercial photographers in Warrnambool. In 1938 he purchased the building known as Jordan Studios (94 Liebig Street) and worked there until the 1960s. In the 1940s he became interested in producing movie films documenting local news and scenes. The name ‘McKinney’ on this folder indicates that the contents belonged to someone in the Warrnambool area as William McKinney had a general store in Lava Street in the 1870s and 80s and there are still McKinney residents in Warrnambool today. This folder is of some interest as it comes from the studio of Alex Wilkins, one of Warrnambool’s most important photographers in the 20th century. This is buff-coloured paper folded in three places to make a folder with sleeves at each end to insert photographs or photograph negatives. The folder is stitched with cotton at the top and the bottom and some of the stitching is coming undone. The inside sleeves have black printed advertising material on them and the front cover has a red and black image of two little girls. The back cover has a red and black advertisement for Kodak Verichrome film.Back Cover: ‘McKinney’ Front Cover: ‘Alex Wilkins, Photographer, 94 Liebig St., Warrnanmbool’ (stamp) alex wilkins, mckinney family, warrnambool -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the Buxton Hotel in Buxton. The Buxton Hotel was built by William Burchall, probably in the late 1870s. The first owner, who also had land locally, was Frederick Nichols (1833-1904). The Buxton Hotel is located directly opposite the General Store. It was fronted with two huge oak trees and bordered and backed by large pine trees. It was a weatherboard structure with a painted corrugated iron roof. Old split wood shingles were covered by corrugated iron, which overlaid the shingles to make the roof watertight. The wooden shingles date back to the 1850s.A colour photograph of the Buxton Hotel in Buxton.buxton, victoria, australia, buxton hotel, william burchall, frederick nichols, accommodation, carlton draught, photograph -
Bendigo Historical Society Inc.
Document - Harvey Town Eaglehawk, Bendigo, Victoria, 1958
Harvey Town was once a large mining area with its own shops, churches and hotels. The four remaining stone cottages were built by the Harvey Family between the 1850s and the 1870s. They were obviously the most substantial buildings in the area at the time. Three of the cottages have been classified as a group by the National Trust and the citation describes them as follows: A group of three simple sandstone cottages built by the Harvey Family of Cornish stonemasons in about 1875. The cottages are all of a very simple design with small windows and no ornamentation. They are in good condition and inhabited at the present time.Numerous photo copies of stone cottages with notes on the location and history.history, national trust bendigo collection, bendigo, harvey town, eaglehawk -
Kew Historical Society Inc
Photograph - Demolishing the Zig-Zag Bridge, 1929
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Rare photograph of the demolition of the Zig-Zag Bridge linking the two asylums on either side of the Yarra River.Digital copy of a photograph from page 16 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The Zig-Zag Bridge linked the grounds of the Yarra Bend and Kew Asylums. The wooden bridge was constructed in the 1870s and lasted through numerous floods until its destruction in 1929. A horizontal structure, the walkway was reached via a wooden staircase on the Kew bank of the river. The steps were required due to the different levels of the banks on this stretch of the river. This is a photo of the bridge showing the level of destruction caused by the initial damage from the flood and subsequent dismantling of the horizontal struts and walkway, prior to to its destruction by fire."Demolishing Zig-Zag / 6. 1929"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, zig-zag bridge -
Kew Historical Society Inc
Photograph - Demolishing the Zig-Zag Bridge, 1929
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Rare photograph of the demolition of the Zig-Zag Bridge linking the two asylums on either side of the Yarra River.Digital copy of a photograph from page 16 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The Zig-Zag Bridge linked the grounds of the Yarra Bend and Kew Asylums. The wooden bridge was constructed in the 1870s and lasted through numerous floods until its destruction in 1929. A horizontal structure, the walkway was reached via a wooden staircase on the Kew bank of the river. The steps were required due to the different levels of the banks on this stretch of the river. This is a closeup view of the bridge showing the level of destruction caused by the initial damage from the flood and subsequent dismantling of the horizontal struts and walkway, prior to to its destruction by fire."Demolishing Zig-Zag / 6. 1929"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, zig-zag bridge -
Kew Historical Society Inc
Photograph - Demolishing the Zig-Zag Bridge, 1929
Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Rare photograph of the demolition of the Zig-Zag Bridge linking the two asylums on either side of the Yarra River.Digital copy of a photograph from page 16 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The Zig-Zag Bridge linked the grounds of the Yarra Bend and Kew Asylums. The wooden bridge was constructed in the 1870s and lasted through numerous floods until its destruction in 1929. A horizontal structure, the walkway was reached via a wooden staircase on the Kew bank of the river. The steps were required due to the different levels of the banks on this stretch of the river. This is a view of the bridge showing the level of destruction caused by the initial damage from the flood, the subsequent dismantling of the horizontal struts and walkway, and the setting on fire of the remaining structure."Demolishing Zig-Zag / 6. 1929"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, zig-zag bridge -
Warrnambool and District Historical Society Inc.
Booklet, Samuel Baulch and the Original Rose Park
This booklet contains the first draft of an article on Samuel Baulch’s acquisition of his property, Rose Park which was in the Macarthur/Hawkesdale district. Samuel Baulch’s parents, Francis and Ann Baulch were pioneer settlers in the Kirkstall area and Samuel worked at the Dunmore Station in the Macarthur area before purchasing the property he named Rose Park in the early 1870s. In the 1890s he acquired property in the Dunmore Estate. Samuel’s son, Stan Baulch, acquired sections of the Dunmore property after his father’s death and he named his section, Rose Park, a property to the west of the original Rose Park. This article is of historical interest and will be useful to researchers of local and family history. This is a booklet of 18 pages. It has a paper cover and the pages were originally stapled together but now have a plastic clip. The booklet has been home-produced and the material typed on a computer. Some of the pages are a little stained. samuel baulch, rose park, western victoria, history of warrnambool -
Uniting Church Archives - Synod of Victoria
Photograph
Matthew Burnett (1839 - 1896). Wesleyan temperance evangelist. Born in Yorkshire, came to Australia in 1857 with his wife Sarah Gibson. He spent the years 1864 to 1867 on the goldfields evangelising against drink and securing temperance pledges. Sarah Burnett died in 1871 and Matthew returned to England in 1873, meeting leading temperance reformers. He returned to Australia in the mid-1870s. He went to South Australia, Western Australia, Tasmania and New Zealand as a temperance campaigner, and claimed to have received pledges from 140,000 people. He returned to England in 1890 and died at Scarborough in 1896.Sepia toned head and shoulders studio portrait of Matthew Burnett in three quarter profile."Yours faithfully Matthew Burnett"matthew burnett, sarah gibson, temperance, evangelist, wesleyan -
Eltham District Historical Society Inc
Photograph, Barnes Railway Station, Moama, NSW, November 1962
Barnes station building photographed in November 1962. The railway reached Echuca in 1864 and transformed the town into a major river port, with a famous wharf and substantial urban growth in the 1870s. In 1876 the Deniliquin and Moama Railway Company opened its 71 km (44 mi) private railway northwards to Barnes and Deniliquin, and the line at Echuca was extended across the Murray River into Moama to join the railway. This section was taken over by Victorian Railways in 1923, as part of the 1922 Border Railways Act. Barnes station was closed in 1979. Deniliquin railway line https://en.wikipedia.org/wiki/Deniliquin_railway_lineDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybarnes railway station, echuca, george coop collection, moama -
Whittlesea Historical Society Inc.
Domestic object - door handles, 2 door handles
2 door handles used by the Turner family at C. Turner, Baker of Turner Brothers Bakery, 107 Schotters Road, Mernda. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.2 door handles from the Turner Bakery collection. turners bakery, mernda, charles turner, stephenson turner, c turner baker, yan yean, door handle -
Whittlesea Historical Society Inc.
Domestic object - Teapot and lid, c.1870
The teapot came from C. Turner, Baker, also known as Turner Brothers Bakery, at 107 Schotters Road, Mernda, and was used by the Turner family. The bakery is believed to have been constructed by Moses Thomas c.1870s. The Turner brothers, Charles and Stephenson baked bread in a wood fired scotch oven for sixty years. The bread was delivered by cart every Tuesday, Thursday and Saturday to Yan Yean and the Whittlesea area, and alternative days to Mernda and Separation. The business was sold in 1948 after Stephenson's death and eventually closed. In 2007 the bakery and 100 year old oven were restored.Statement of Significance The teapot is significant to it's link with the historical 19th century Turner Brothers Bakery at MerndaBlue enamel tin teapot with lid, decorated blue and white flowers with green leaf pattern on both sides of the teapot Noneteapot, mernda, charles turner, stephenson turner, bakery, enamel teapot, c turner baker, turner brothers bakery, blue teapot, 1870, yan yean -
Warrnambool and District Historical Society Inc.
Administrative record - Warrnambool Waterworks Newspaper Cuttings, 1891 to 1917
This ledger contains newspaper cuttings form The Warrnambool Standard newspaper from May 1891 to October 1917. The cuttings are reports of meetings of the Warrnambool Waterworks Trust. In the early days of Warrnambool domestic water and water for fire suppression was supplied by tanks, wells and springs. In the 1870s various schemes were proposed to find a better supply of water. In 1891 the Warrnambool Waterworks Trust was formed using water from the Merri River. This system lasted until 1939 when the Warrnambool water supply came from the Otway ranges. This system is still the water supply for Warrnambool today. The cuttings in this ledger will be useful for research.This is a ledger with a brown mottled cover and a leather spine and leather corners. The spine is partly detached. The front cover has a label pasted on it. The pages originally had hand written entries (The Minutes of a Warrnambool organisation). Newspaper cuttings have been pasted over the original writing. Warrnambool Waterworks Trust Newspaper Reports From 19th May 1891 To --- warrnambool waterworks trust, warrnambool water supply -
Warrnambool and District Historical Society Inc.
Functional object - Kerosene Lantern, Nier Feuerhand Company, Germany, c. 1930
This lantern was made about 1930 by the Nier Feuerhand Company of Germany. Hermann Nier began making miners' lamps and household lanterns in the 1870s in East Germany and in 1893 he and his brother Ernst founded the Nier Feuerhand Company. By 1930 this company was the world's largest producer of household lanterns and after an interruption in World War Two it was re-established in West Germany and continued until the 1990s with the trade name still in use today. Feuerhand lanterns were used extensively in countries such as Australia because of his strong lighting qualities and its ability to stay alight in external conditions.This lantern has no known local provenance but is retained because it is a fine example of the type of household lighting used in Australian homes, farms and businesses in the 19th and early 20th centuries.This is a kerosene lantern with a metal base and frame holding a plain glass mantle open at the top. A metal handle is attached to loops at the top of the frame. There is a wooden handle at the top to assist in the removal of the glass mantle. The base has an opening with a screw top for the filling with kerosene or other heating liquid and also a rotating wheel on the side for controlling the size of the flame. The glass has printing and a logo etched on to it and the base has printing and a logo. The item is very rusted but appears to have been painted brown.Feuerhand Made in Germany No. 327vintage lighting, feuerhand lanterns