Betty Collier was a student of the Ballarat Technical Art School in 1959 and later became a long term teacher at the SMB Arts Academy until 2005. Her work covers many areas of art - painting, drawing, sculpture using various materials and techniques. Examples of her large sculptures are exhibited in the Library at SMB Campus. Betty has also exhibited her work overseas.women of note, betty collier, artist, ballarat technical art school, student, teacher, arts academy, painting, drawing, sculpture, overseas

Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics

Souvenir Catalogue. RHS Art Show. Held at the showrooms of Bill Patterson Motors, Whitehorse Road, Ringwood for Ringwood High School.|Opened by Eric Westbrook Director of the National Gallery of Victoria. Sponsored by Bill Patterson and Mr Ormondy. Arranged by Mr R. Harman and Mr H. Hudson.Souvenir Catalogue. RHS Art Show. Brown bifold heavy paper with dark terracotta coloured design and black printing. +Additional Keywords: Patterson, Bill / Ormondy, G. S. / Westbrook, Eric / Harman, R. / Hudson, H.Souvenir Catalogue. RHS Art Show. Ringwood High School.

Sheetmetal was introduced to the Ballarat School of Mines in this year, as was the Ballarat Junior Technical School - a division of the Ballarat School of Mines. Assay and Chemical Laboratories remodelled. It was decided that the new Ballarat Technical Art School would be built on the site of the former Circuit Courthouse, which for many years served as a Museum for the School. It was noted that demolishing this building would remove one of the very oldest landmarks of Ballarat. Swinger operated between 1972 and 1975 at Ballarat Civic Hall. The Ballarat Observatory was transferred to the Ballarat East Council. Thomas S. Hart resigned to fulfil the position of Head Master of the School of Forestry at Creswick. B. Whitington resigned to fill the position of Directorr of the School of Mines at Queenstown, Tasmania. Two printed copies of the Ballarat School of Mines Annual Report for the year 1913. ballarat school of mines annual report, ladies' art association, sheetmetaltrades, albert steane, ballarat observatory, ballarat technical art school, former circuit courthouse, thomas hart, creswick school of forestry, queenstown, b. whittington, ralph williams, charles fenner, university of melbourne, donald clark, w.h. middleton, swinger

Martha Pinkerton and her brother Frank Pinkerton were longstanding supporters of the Ballarat School of Mines and its students. Following their deaths in the 1930s, the School became the recipient of two important bequests that were to lead to the establishment in perpetuity of the following student scholarships: firstly, the Frank Pinkerton scholarship valued at £30 per annum for three years and free tuition in architecture, metallurgy, applied chemistry, mining, electrical, mechanical or civil engineering-and secondly, the Martha K. Pinkerton art scholarship of the same value, 'for talented and deserving students from the City and District of Ballarat'. In the early 1930's Martha, who was a past student at the SMB Art and Technical School, began to give a succession of practical donations to the institution which commenced during the Depression years. Thereafter, for approximately a decade until her early death, she continued to donate £50 annually to assist with the payment of the fees of students at the Technical Art School who were experiencing financial difficulties.women of note, ballarat school of mines, martha pinkerton, bequests, frank pinkerton, scholarships, technical art school, art student, bequests in perpetuity, 1930s, depression years, payment of fees financial difficulties