Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour-mill, one of the first in Victoria. The falls were later to become known as Dight’s Falls after the owners of the mill. Later, a pumping station was built on the Kew side of the river, which pumped water uphill to a reservoir in Walmer Street that provided water to the Melbourne Botanical Gardens and to Albert Park Lake. The area around Dight’s Falls was and is frequently used for recreational activities.Dated postcard allowing one to analyse the form of the Falls in 1911Colour postcard, of Dight's Falls on the River Yarra between Kew and Fairfield. The photograph is taken looking upstream towards the Falls from the Kew side, from the embankment in the vicinity of the Pumping Station. Obverse: "Dight's falls, Kew" Reverse: "Printed in Great Britain Writing in ink on Reverse: "31/3/1911 / To dear Nell with best wishes for a happy birthday from your old friend Eve / [Addressed to] "Mrs N Dunn, Prahran" Franked Victorian 1d stamp on Reverse top rightdight's falls, dight's falls - kew (vic) - fairfield (vic)

Arthur Henry Miers, pictured back row left in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Modern print copy of an original photograph of a Kew Baseball Club team at Victoria Park, Kew in 1948.Donor notes: BACK ROW: ARTHUR MIERS; ??; FRANK CULLEN, MICK HENLEY; FRED PICKERING; ?? / CENTRE ROW: JACK SIMONTON; MAX ROGERS; CLAUDE BRAY - PITCHER AND GEORGE WAKEFIELD / FRONT ROW NORM LEES AND UMPIRE - AT Victoria Park / TO RIGHT OF TEAM: BETTY MIERS - SCORER / C. LATE 1940Skew baseball club, baseball teams, sports -- kew (vic.), arthur miers

Hay carting at Frank Bennett's Farm Deep Lead. On the right of Photograph workmen are stacking hay.stawell deep lead

This was a diary kept by B. Kirkwood, one of the men employed by Frank Lebbell Frost to assist him in his beekeeping.Daily diary kept by B. Kirkwood from 27 June 1944 to 20 October 1944. Small book with yellow pages and black cover. Top right hand corner of book has been damaged. Predominantly, pencil was used for entries.diary, hand-written, beekeeping, kirkwood, 1944, beechworth honey

Miss Patience Cornell, the leader of the group, is in the centre. Training classes were held for leaders at St Pauls Cathedral and St Johns, concluding with examinations. They then trained their assistants. Holy Trinity was known for implementing new ideas and programs for their 70 children. Far right is Miss Joy Dicker, who was leader from 1930 for 30 years. Identified as: Back LtoR: Doris Wiles, Doris Hearne, Beryl Hearne, …, Mary Chipperfield, Lal Clark, … Centre: Patience Cornell Front: … Wilson, Jessie Collins, Muriel Chipperfield, Una Blakie, Marj Andrews, Myra Lock, Joy Dicker Patience Cornell was the daughter of Frank and Blanche Cornell. Frank Cornell was first listed in Surrey Hills in 1906 at (6) Lorne Parade. In 1908 the listing gives his occupation as a clerk. He was born in 1869 in Richmond, Victoria and died 15 April 1917 in Surrey Hills from a stroke. His wife Blanche Annie Parsons Cornell (nee Bracher) was born in 1869 in Hokitika, New Zealand; she died on 21 January 1940. Children were: Gilbert Frank Cornell (b1894, Hawthorn; d1908, at Frankston beach, an accidental drowning) Ruth Amelia Cornell (b 1899, Kew; d 29 May 1977, Kew) Lorna Amy Cornell (b 1906, Surrey Hills; d unknown) Patience Blanche Cornell (b1907, Surrey Hills; d unknown). Ruth Amelia married David Ellis, c1922 in Surrey Hills. David was a dentist who practised in Surrey Hills for many years. Patience (Pat) Blanche married Norman Henry Brewer (1893–1975) in 1931 in Surrey Hills. A black and white photograph of sixteen girls standing in the doorway of a church.(miss) patience cornell, (miss) joy dicker, (ms) doris wiles, (ms) doris hearne, (ms) beryl hearne, (ms) mary chipperfield, (ms) lal clark, (ms) -, wilson, (ms) jessie collins, (ms) muriel chipperfield, (ms) una blakie, (ms) myra lock, holy trinity church of england, kindergarten teachers, clothing and dress, 1920-1929, (ms) marj andrews

Approximate date.Black and white photo of 43 boys standing and sitting against the exterior of the school building. Their teacher, identified as Mr Ellis, stands to the LH side. The boys are not wearing uniforms although some do wear jackets and ties. Back row is identified as: L to R - Alan Sneddon, Alan Jewell and 2nd from the right, Keith Chenu. 2nd front row - 4th from left is Fred Clow. Front row - 4th from Left is Eric Ward. Others thought to be in the photo but not identified are Duncan McDonald, Colin Duncan, Ham Burne, Rex Lind, Frank Slade.surrey hills state school, education, surrey hills primary school, mr ellis, alan sneddon, alan jewell, keith chenu, fred clow, eric ward, duncan mcdonald, ham burne, rex lind, frank slade

Both Hazel and Mabel Pye were artists and their father built a studio at the back of the 12 Loch Street home. The family were also associated with the amateur theatre group 'The Benwerrin Players'. Information from Frank Stamford (via Surrey Hills History Facebook page), March 2017: "This photograph was taken around 1918. It is a family occasion. The four people sitting down, from left to right, are Clara (Dolly) Stamford nee Noar (my grandmother), Frank Stamford (my grandfather), Laurence Stamford (my father, who was born in 1904), and Hazel Pye (a cousin of my father). The three people standing, from left to right, are Alice Pye (nee Noar) - mother of Mabel and Hazel, and sister of Clara, Reg Stamford (brother of Laurence, and born in 1900), and Mabel Pye." Dorothy Stamford was a cousin of Hazel and Mabel Pye.Black and white photo including Misses Mabel and Hazel Pye with other family members. The group is seated and standing in front of a verandah of a timber Edwardian style home.loch street, artists, 'tanglewood', mrs clara ellen stamford, miss clara ellen noar, frank stamford, laurence stamford, hazel pye, miss alice elanor noar, mrs alice eleanor pye, reg stamford, mabel pye

"The bonfire at Beckett Park was the culmination of the EMPIRE DAY/CELEBRATIONS in Surrey Hills in 1935 and 1936. In 1937 vandals lit the fire prematurely but residents hastily rebuilt it - about / 100 tons including old tyres. A volunteer fire-watcher had his caravan close by until lights-up time on Saturday night. / Courtesy Ian Barkla. / see 180 (handwritten on backing board)." / "BONFIRE BUILDING at BECKETT PARK/EMPIRE DAY CELEBRATIONS IN 1930s/ The celebrations were centred on the/ shopping centres in Surrey Hills and/Mont Albert to boost local business (and/ the spirits of residents) after the Depression./ - from a glass negative - Mr Ian Barkla."Image depicting the building of a large bonfire made primarily from rubber tyres, supported by a wooden frame c1937/8. There is a significant crowd of people watching the erection of the pyre from ground level. Several members of the crowd are seated or holding bicycles. There are multiple persons situated on the pyre or on a ladder propped up against the mound of tyres. The area containing the pyre has been fenced off with rope (?). A white coloured caravan in situated to the right (facing) of the bonfire in close proximity to a dark coloured car. Two stone towers and a park bench are also visible in the image.Black and white, W 25.3 cm x H 20.3 cm, landscapeparks and reserves, beckett park, balwyn, bicycles, crowds, empire day, depression 1929-1939, economic depression, frank leslie barkla, bonfires

Portrait of a middle aged man with dark hair wearing a pink shirt and black tie in a rainforest setting. Signed and dated lower right 'Clifton March 63'.clifton pugh, painting, portrait, frank hodgkinson, landscape

The donor's husband's grandmother was Bertha Michaelis who lived at 'Linden', St Kilda. She married David Jacob Baruch (known as Dalbert) in Hamburg on 9 November 1881. Bertha was born in Melbourne. The couple lived in Germany. Bertha returned to Melbourne with their two children, Ernest and May, after Dalbert died in 1893. May married Rabbi Jacob Danglow in 1909 and they had one son, Frank, who was the donor's husband.Cream satin princess line wedding dress with dark cream lace trim. Fastens centre front with 17 satin covered buttons. Nine extant bones are placed on the interior seams and darts. Three-quarter length fitted sleeves. Bodice backed with cream cotton. The back trained panels of the skirt have been cut to extend into a pleated swathe of satin that wraps around the hips to the centre front. A square padded bustle pad is attached to the interior back of the skirt. The hem of the skirt is decorated with kilted and swathed satin and lace. Label, interior waist tape, woven silk stamped in dark green: H. L. HEYNEMANN / Hannover / Seilwinderstr. 6a., Bose; In monogrammed ("HLH") circles either side: (Left) BAARZAHLUNGS SYSTEM; (Right) ERSTE PREISE. Stitched in thick cotton thread on interior waist tape: *9097wedding dress, germany, hannover, linden, st kilda, bertha michaelis, david jacob baruch

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Frank and Esma Barr had an orchard on the south (uphill) side of Gatters Road and the Colellas had an orchard on the other side of Gatters Road Frank Barr is sixth from right in back row in photo Esma Barr is fifth from right in front row in photo Sue Couper is fourth from right in front row in photo

Frank and Esma Barr had an orchard on the south (uphill) side of Gatters Road and the Colellas had an orchard on the other side of Gatters Road

Mr. Evans is CEO of Royal District Nursing Service (RDNS), and he is sitting in his office at RDNS Headquarters, 452 St. Kilda Road, Melbourne.Mr. Evans was CEO of Royal District Nursing Service for many years and introduced computers to improve the Payroll system and the Records Department. In his years at RDNS the Service expanded into many suburbs with Centres being built, more cars required, more nurses employed and a rise in patient numbers. He was CEO when RDNS underwent its initial 'Accreditation for 3 years' in 1985. A coloured photograph of Mr. Frank Evans, who has receding dark hair, and is wearing a pale blue long sleeve shirt and a brown patterned tie. He is looking at the camera as he sits on a grey chair behind his desk, and has a pen in his right hand poised over a white sheet of paper. Other sheets of white papers cover the desk., To the left rear is a small two shelf table, with papers and a blue cellotape dispenser on the top shelf, and books and cards on the bottom shelf. On the wall above it, part of a large map can be seen. Behind Mr. Evans, and to the right of the table, is a grey multi draw cabinet with some draws partly open, and one fully open with white papers in it. Multi coloured books and folders stand vertically on the top of it, and to there right are two rows of stacked open shelving with files and papers in the individual shelves. royal district nursing service, rdns, rdns ceo, mr frank evans

Mary Tolhurst M&DHS - March 29th Dunvegan Willows Park Melton 1992 Ladies Oral History Day Graham Minns President Ray Radford MC Sound recording transfer to CD 2011 by Tom Wood Edited typescript by Wendy Barrie 2013 I was born in Rockbank, and when I was five years old moved to Toolern Vale and started and finished school there. Toolern Vale only consisted of the Store, Post Office and shop, where you could buy your fodder, and pollard supplies, the Hall, the little Church and the bluestone School. The School changed shape three times from the 1800s[1869] til the time I went there. There was four generations of my family that went there and it was destroyed by fire in 1965. Marjorie nee Myers Butler. Yes, I remember along with it your lovely Ronisch piano. Mary, quite true! Marj what you say about the Ronisch piano. When I came the age to learn music my mum and dad couldn’t really afford it, but still what parents do for their children. They had Marj go along with them and pick this lovely Ronisch piano. It was known round the district. Everyone commented about the loss that lovely piano. After leaving school it was war time, 1939, then it was work, When I was 7 year old I was put out into the cow yard. In 1940 when the soldiers were going away our milk was confiscated it had to go to Bacchus Marsh. It used to go the Sunbury to be brine cooled and then go to Melbourne. Then they took it then to the Lifeguard Milk Factory at Bacchus Marsh. It had to go as condensed milk to the soldiers. This year is 50 years of the Land Army. I was an unofficial Land Army but they still kept check on me. I went onto married life and I followed the cows right through [howls of laughter] and we went on until the 1965 fire. That’s when we got out of the cows. Marjorie asks, was Granny Watts your grandmother or great grandmother? Mary: She was my great grandmother, the midwife of Melton. The 1965 fire started ¾ of a mile above our place, Frank Ryan’s sheds were burnt and his house was saved, then it wiped the School out, the Hall, the Church the Post Office and Store and little house that was Charlie Charlton’s in the early days. Mrs Wilson’s place was saved by the Fire Brigade by pulling boards off the side, and from there it went over the hill and it was stopped at the Rockbank Railway Station. If it had of got over the railway they said it would have gone into Werribee. A lot was burnt out in that strip. Mary nee Nixon Collins: 18 houses burnt that day. Audience question, did Melton get burnt that day? Ray: No. It came down through the Toolern Vale road and cut across about a mile and a half from the cross roads at Toolern Vale from north westerly to the south east and cut through over the Keilor road. Mary: It came in across the creek at Funstons in Toolern, then through Jim Minns. Dorothy was it your place then [nee Knox Beaty] to Ken Beatty’s and from there it went through to Doug McIntosh’s and to Cockbills and the wind changed and it came across to the railway line, and that is where they stopped it. [the cause of the fire was controversial, they had been burning off the night before and there was some talk of someone starting it. It was very hot and very strong wind, it was a terrible day] Ray: When the fire went through McIntosh’s they had a haystack on the north side of their house and the haystack got caught and the fire burnt a hole through the side of the house and the boys pyjamas on the bed. The house was saved. It came through like and express train roaring at you, I was at McIntosh’s when it went roaring past. You couldn’t see, dust and ash and tremendous heat. The fire started about 12 o’clock Jack [husband] said to me, fire, I said where, where? Just up the road, what have I got to do? and he went out and he had gone to the fire and left me. I tried to get the animals and I put out buckets of water, putting the buckets of water out saved my life. Chas Jones and another friend of his came in and they picked up the buckets of water, I thought I had better get out because the fire was on the haystack up the paddock and when I went to go out through the north side of the house and couldn’t get out, I’ll go through the front gate so I went around the other side of the house. I got caught there and Chassy Jones and his friend came round carrying the bucket of water and I panicked. He threw the bucket of water over me. Well that is what saved my life because I was damp, whenever we tried to leave the ball of fire came over me and over my shoulder and my hair was scorched. Chassy Jones lost his truck and Keith Watt his big truck because he had the water tank on it and they couldn’t get out of the yard. Granny Watt’s house, the first private hospital had condemned and Jack and I pulled it down and had it moved up to Toolern and had it in the yard a fortnight and it was all burnt and we didn’t get the shed we wanted. Every 13 years right up until Ash Wednesday fires, there has always been fire close at hand. The 1952 fire went down the back of the house, the 1965 fire took the house, and the house that I live in now, it is the third house that has been on that spot. When the Hunters owned it, Mrs Hunter was nearly burnt in her bed. They had a 13 roomed house. In 1924 the house burnt down, and there was another house was built there and that was the one that burnt down. Edna: So Mary built a brick veneer house. Marjorie: like the three little pigs [laughter] Collins - Mary M &DHS - March 29th 1992 Ladies oral history day at Dunvegan, Willows Park Melton. Graham Minns President Ray Radford MC Sound recording transferred to CD 2011 Edited typescript by Wendy Barrie 2013 Mary Collins nee Nixon born in Terang 1907 down in the Western District and we shifted to Melton when I was 5 and a half then I started school here in Melton, and spent all my school life at Melton State School, next to the Church of England, it’s called the Primary School now. I got my Qualifying and Merit Certificate then I left School because there wasn’t a High School. When I was 16 I got and job in the Melton Post Office and I worked there, I was the first girl in Melton to deliver the mail, and worked on the telephone and the Bank business. Mrs Ross and myself behind the counter, there were about 500 – 600 people in the Shire at that time and now when I go into the new Post Office there is 36,000 here there’s still 2 people behind the counter [laughter from the audience] and wait in a queue right out to the door. Times haven’t changed much have they! There was a manual telephone and you had to ring the handle, and there were eight subscribers when I went there and when I left there were 46 I had coaxed that number to join the telephone, even the police station didn’t have the phone on. The two Hotels and the two Chaff mills and Mr Ernie Barrie, Parkers the butcher, the Shire Office was No 8, and the Police house was next to the Courthouse on the corner. They were number 9. I can remember a lot of the numbers still. The Post Office was the Agency for the Commonwealth Bank [comment from audience member] I used to do the Bank business too, I left after four years there, mother wasn’t very well. The Inspector who used to come up to the Post Office asked me if I would take up casual Post Mistress and to go around the different districts but I refused and when Mrs Ross’s holidays were due I was the replacement. I wasn’t 21. I loved my work meeting everybody and most people had horse and jinkers and when the elderly would come in there would be Mr Tom Morrow, he only had one arm and Mrs Dunn came from Bulman’s road in their horse and jinker. They were elderly I would see them pull up out the front and quickly get their mail and run out to them because they didn’t have to get out of the jinker to tie up their horse. If someone had a baby in arms I would tear out and hold the baby while they got down. Mrs Ross was very very strict. I had to sweep the Post Office, she had a couple of mats and there would be a threepence or a sixpence under the mats show she knew whether I lifted the mat, I was whether I was honest or not. Graham: How much were your wages? I got 27/7 pence a week for a 52 hour week. I had to work every holiday except Good Friday and Christmas Day and even when it was Monday holiday I always had to go to work from 9am - !0 am, the Post Office was always open. In the winter I had to wait until twenty past six in case there were any telegrams to deliver. I delivered them on a push bike. One time Tom Barrie told me this years afterwards. I used to go home for lunch. We lived on the Keilor road and I used to ride my bike home. On the hot days the boys used to go and swim in the swimming pool down near a turn in the creek there was a hole where the boys would swim in the nude, they didn’t have any bathers and they didn’t have any watches in those days. Tom Barrie said they always used to watched for me as I was always about 3 minutes past 1, my lunch hour was from 1-2. One particular day they missed seeing me and swam on, and of course they were all late for school when they got back and were all kept in a night. I did get a fortnight holiday. I loved my work and I knew everyone in the district right from Toolern Vale to the Marsh and everybody at Melton South. Did you listen into conversations on the Switchboard? Oh no. [laughter] Melton did not have electricity then. I had to fill the lamps everyday with kerosene. The Staughton Memorial was outside the Post Office. It had four posts with the chain looped around it, and that’s where the people used to tie up their horses. Marjorie nee Myers Butler comments about sitting and swinging on the chains. Mr Fred Coburn lit the acetylene gas light in the Memorial. It was the only streetlight in Melton. There was no electricity until 1939. Ray Radford comments about another gas street light which was on the corner of Station road. [later] Mary passes around her school photos. Mary mentions the names of those who have passed away, Maisie McDonald, ,Marian Wraith, Hilda McCreey, and Valda McDonald. I have written the names on the back. Marjorie comments about Marie Jongebloed and Greta are the only two girls left out of big family of ten I think there were [hesitates] 4 or 5 girls and the rest were boys. Mary. Flora Woodley, Dorrie Flynn and Margaret McDonald are still alive. They are my age we were all born about 1907. Marjorie points out herself in a later photo [1921 and 1922 School ] Mary mentions the name Walsh and identyfies following names, the Parker boys, Ken Beaty, Malc and Linda Cameron, Maisie Mc Donald, Ted Radford, George Nixon, Norman Minns, he was later the Shire Secretary of Werribee. One of the Woodley girls. [Maisie Arthur] Marjorie: Rosie Shearwood, June Whiting Mary. Lily Mc Donald, she has passed away. Isabel Harrison nee Tinkler, she lives at Werribee, Doreen Rogers, Marjorie Walker, Jess McIntosh, Mary Gillespie. Mr Malone was the Junior teacher Mr Roe and Miss Cooke. Fred Myers, my sister [Elizabeth] and the year was 1921. Myers (Barrie) School Photo Collection. Many of the names were identified at the 1970 Centenary of Melton State School No. 430. Edna Barrie organised, compiled and typed the lists to accompany these photos for the year 1921. The 1922 photo shows the higher grades. Ladies Oral History Day event held by Melton and District Historical Society, article featured in the Telegraphlocal identities, local special interest groups

Mary Tolhurst M&DHS - March 29th Dunvegan Willows Park Melton 1992 Ladies Oral History Day Graham Minns President Ray Radford MC Sound recording transfer to CD 2011 by Tom Wood Edited typescript by Wendy Barrie 2013 I was born in Rockbank, and when I was five years old moved to Toolern Vale and started and finished school there. Toolern Vale only consisted of the Store, Post Office and shop, where you could buy your fodder, and pollard supplies, the Hall, the little Church and the bluestone School. The School changed shape three times from the 1800s[1869] til the time I went there. There was four generations of my family that went there and it was destroyed by fire in 1965. Marjorie nee Myers Butler. Yes, I remember along with it your lovely Ronisch piano. Mary, quite true! Marj what you say about the Ronisch piano. When I came the age to learn music my mum and dad couldn’t really afford it, but still what parents do for their children. They had Marj go along with them and pick this lovely Ronisch piano. It was known round the district. Everyone commented about the loss that lovely piano. After leaving school it was war time, 1939, then it was work, When I was 7 year old I was put out into the cow yard. In 1940 when the soldiers were going away our milk was confiscated it had to go to Bacchus Marsh. It used to go the Sunbury to be brine cooled and then go to Melbourne. Then they took it then to the Lifeguard Milk Factory at Bacchus Marsh. It had to go as condensed milk to the soldiers. This year is 50 years of the Land Army. I was an unofficial Land Army but they still kept check on me. I went onto married life and I followed the cows right through [howls of laughter] and we went on until the 1965 fire. That’s when we got out of the cows. Marjorie asks, was Granny Watts your grandmother or great grandmother? Mary: She was my great grandmother, the midwife of Melton. The 1965 fire started ¾ of a mile above our place, Frank Ryan’s sheds were burnt and his house was saved, then it wiped the School out, the Hall, the Church the Post Office and Store and little house that was Charlie Charlton’s in the early days. Mrs Wilson’s place was saved by the Fire Brigade by pulling boards off the side, and from there it went over the hill and it was stopped at the Rockbank Railway Station. If it had of got over the railway they said it would have gone into Werribee. A lot was burnt out in that strip. Mary nee Nixon Collins: 18 houses burnt that day. Audience question, did Melton get burnt that day? Ray: No. It came down through the Toolern Vale road and cut across about a mile and a half from the cross roads at Toolern Vale from north westerly to the south east and cut through over the Keilor road. Mary: It came in across the creek at Funstons in Toolern, then through Jim Minns. Dorothy was it your place then [nee Knox Beaty] to Ken Beatty’s and from there it went through to Doug McIntosh’s and to Cockbills and the wind changed and it came across to the railway line, and that is where they stopped it. [the cause of the fire was controversial, they had been burning off the night before and there was some talk of someone starting it. It was very hot and very strong wind, it was a terrible day] Ray: When the fire went through McIntosh’s they had a haystack on the north side of their house and the haystack got caught and the fire burnt a hole through the side of the house and the boys pyjamas on the bed. The house was saved. It came through like and express train roaring at you, I was at McIntosh’s when it went roaring past. You couldn’t see, dust and ash and tremendous heat. The fire started about 12 o’clock Jack [husband] said to me, fire, I said where, where? Just up the road, what have I got to do? and he went out and he had gone to the fire and left me. I tried to get the animals and I put out buckets of water, putting the buckets of water out saved my life. Chas Jones and another friend of his came in and they picked up the buckets of water, I thought I had better get out because the fire was on the haystack up the paddock and when I went to go out through the north side of the house and couldn’t get out, I’ll go through the front gate so I went around the other side of the house. I got caught there and Chassy Jones and his friend came round carrying the bucket of water and I panicked. He threw the bucket of water over me. Well that is what saved my life because I was damp, whenever we tried to leave the ball of fire came over me and over my shoulder and my hair was scorched. Chassy Jones lost his truck and Keith Watt his big truck because he had the water tank on it and they couldn’t get out of the yard. Granny Watt’s house, the first private hospital had condemned and Jack and I pulled it down and had it moved up to Toolern and had it in the yard a fortnight and it was all burnt and we didn’t get the shed we wanted. Every 13 years right up until Ash Wednesday fires, there has always been fire close at hand. The 1952 fire went down the back of the house, the 1965 fire took the house, and the house that I live in now, it is the third house that has been on that spot. When the Hunters owned it, Mrs Hunter was nearly burnt in her bed. They had a 13 roomed house. In 1924 the house burnt down, and there was another house was built there and that was the one that burnt down. Edna: So Mary built a brick veneer house. Marjorie: like the three little pigs [laughter] Mary Tolhurst member of the Melton & District Historical Society in the Melton and Moorabool Leader local identities, local special interest groups

Australian Rules football had been played in the Bacchus Marsh area from at least the 1870s. The first meeting to form a club was held in Bacchus Marsh in 1874 but it was not until the 1880s that regular matches were played in the district. In 1912 it was decided by representatives from a number of football clubs in the district to form a football association to better organize and promote the development of the game in the district. Hence by 25 May 1912 the Bacchus Marsh District Football Association was formed comprising the following clubs: Bacchus Marsh, Deer Park, Melton, Parwan, and Maddingley. This image shows the delegates from the various clubs to the newly formed association. The individual people in the image have been specifically identified but the clubs they represented have not. The unnamed umpires in the image have been identified by the honorary historian and statistician of the Australian Football League Umpires Association, David Flegg. Left, Fred Lucas (Goal Umpire), centre, Evan James (Field Umpire), and right, James Smith (Goal Umpire). The date of this image is 9th August 1913. Newspaper reports in the Bacchus Marsh Express on 9th August confirm the participation of these umpires in a Bacchus Marsh versus Melton match on this date. The match took place at Maddingley Park, which appears to be the location where the picture was taken.This item has historic and social significance as an image of one of the early sporting administrators of Bacchus Marsh and District. It is a typical example of group photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It reflects the pride local districts invested in their local sporting clubs. A sepia photograph mounted on a cardboard mat, showing a group of sixteen men arranged in three rows in a park setting. Twelve men are dressed in suits, collars and ties, a thirteenth man is wearing a uniform coat with epaulettes. Several of the men are wearing ribbons which may indicate their membership of the Association, and/or their status as delegates. In the front row, three men are crouched, two wearing white coats over their suits, and holding white flags, denoting their role as goal umpires. The middle man, the field umpire, is wearing long-sleeved top, shorts, socks and laced-up athletic shoes. On the front, under the photo, hand-written, the words: Delegates 1913. Bacchus Marsh District Football Association. Beneath the title: Top Frank Winderlich. H Connors (s deleted). G.Coburn. P. McDonald. McKenzie? Grant Morton. Edgar Smith. Mid: Roy Edwards. J.J.Barry Snr. Ross. Robert Dugdale. Cunningham. J.B. Doherty. Bottom Row. Not inscribed but have been identified as VFL accredited umpires. Left, Goal Umpire Fred Lucas, centre Field Umpire Evan James, right Goal Umpire James Smith. On the back: Hand-written: Executive members of the First Football League (formed 1912). Given by E.Kight. E. Kight Grant Street Bacchus Marsh. On a white label: Miss Gwynne Moore. australian rules football, bacchus marsh district football association

A very damaged, stained red antique hardcover book for girls with the title printed in gold lettering in the middle of the front cover. There is a gold outlined drawing of a girl sitting looking out of a window. There are red flowers and green leaves decorating the cover. The spine has the title printed in gold letters with red flowers and green leaves.On the front right side end paper is an inscription for a Sabbath School award dated 1882. The frontispiece balck and white illustration is of a girl sitting at a table at a fair. Tissue paper protects it. The title page has the title, author Howe Benning as well as publisher details. 296Pp. Throughout are black and white illustrations. There are four pages at the back are lists of Recent Gift Books published by the Religious Tract Society. The spine is broken from the pages.fictionThe book is an example of a story dealing with a girl's (Margaret) life in America which is readable, pleasing and instructive, without the ordinary excitement of a love story. It has strong religious themes. It hopes that in many 'quiet corners" of our native land it may help to develop the spirit of self-sacrifice and true Christian thought for others.religious stories, family life fiction, stories for girls

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Alice Duggan, Eva Newton, Mary Darling (or M. Emerson), Iris Heraud, Vida Cottle, Phyllis Cottle, Sadie Taylor (or M. Radnell), May Lamprell, Mavis Comrie, Nell Alexander, Madge Whimpey, Kath Duggan. 3rd row: Headmaster/teacher A. "Boss" Alison, Dulcie Goltz, Annie Grey, Enid Stobie, Ettie Jenkins, Lil Comrie, Mary Riordan, Clara Radnell, Ena Bock, Edith Gedling, Rose Heraud. 2nd row: Olive Jenkins, Winnie Duggan, Pearl Lamprell, Betty Radnell, Edna Jenkins, Dora Goltz, Murray Comrie, Ron Heraud, Theo Riordan, Syd Goltz, Tom Comrie, B. Radnell, Stan Whimpey, Andy Heraud. Front/1st row: Bill Gedling, Jim Duggan, Frank (or Stan) McNamee, Andy Graham, Angus Comrie, Jack Grey, Bill Graham, Alan Alexander, Roy Alexander, Bill Riordan. tarnagulla, school, education, children, alexander, alison, bock, comrie, cottle, duggan, darling, emerson, gedling, goltz, grey, heraud, jenkins, lamprell, graham, mcnamee, newton, radnell, riordan, stobie, taylor, whimpey

Murray Comrie Collection. This photograph shows business on the north end of Commercial Road, Tarnagulla. From right: the brick Baptist Church (now private residence), Stafford's Blacksmith Coachbuilders and funeral/undertakers (since demolished), & Norwood's Tarnagulla Hotel. Information collated by Murray Comrie: Stafford's premises were built on land previously occupied by the stables of the George Hotel. The Stafford's building was later taken over and run by Frank McNamee. This photograph is a dark copy created from an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting the north end of Commercial Road, Tarnagulla. A large wagon with team of horses is standing in the road. Three girls are walking down footpath at left side of image.Written on the original: 'Specially produced for Renshaw & Co' and 'Commercial Road (North End) Tarnagulla'. Written on this copy: 'Baptist Church Staffords Blacksmith Coachbuilders and funeral/undertakers, & Norwood's Tarnagulla Hotel'.tarnagulla, commerce, industry, blacksmithing, smithing, coachbuilding, businesses, stafford, norwood, mcnamee, buildings, hotels, churches, commercial road, main street

Murray Comrie Collection. This photograph shows the blacksmiths premises on the north end of Commercial Road, Tarnagulla. Information collated by Murray Comrie: This building was demolished in the 1970s. The first use of the site was as the George Hotel licensed to an A.B. Clay in 1858, then Waller and Robinson. Charles Waller operated his Excelsior Line of coaches from the George Hotel stables. John Ousley took over the stables for use as a blacksmith's shop. He sold out to Stafford & Sons in 1908. Staffords found the existing premises at the George Hotel too small and built this building. Frank McNamee later took over the premises and operated it for many years. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a large run-down weatherboard building at the north end of Commercial Road, Tarnagulla. Written in a sign on right side of building: 'Blacksmiths'.tarnagulla, commerce, industry, blacksmithing, smithing, coachbuilding, businesses, stafford & sons, norwood, mcnamee, buildings, hotels, horses, stables, commercial road, main street

Murray Comrie Collection. This photograph shows the blacksmiths premises on the north end of Commercial Road, Tarnagulla. Information collated by Murray Comrie: This building was demolished in the 1970s. The first use of the site was as the George Hotel licensed to an A.B. Clay in 1858, then Waller and Robinson. Charles Waller operated his Excelsior Line of coaches from the George Hotel stables. John Ousley took over the stables for use as a blacksmith's shop. He sold out to Stafford & Sons in 1908. Staffords found the existing premises at the George Hotel too small and built this building. Frank McNamee later took over the premises and operated it for many years. This photograph is a reasonable copy created from an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a large run-down weatherboard building at the north end of Commercial Road, Tarnagulla. Written in a sign on right side of building: 'Blacksmiths'. Same as image THA-2019.0053tarnagulla, commerce, industry, blacksmithing, smithing, coachbuilding, businesses, stafford & sons, norwood, mcnamee, buildings, hotels, horses, stables, commercial road, main street

Wedding photo of Whitehouse and Zarb. Left to Right: Pat, Aileen (Bride), Frank Whitehouse and Marcie.local identities

Written during the 1960s when surfing was burgeoning across Australia’s coast and Phillip Island surf beaches had become extremely popular, few management strategies were in place to control interaction of the public with the delicate flora and fauna of the coastal environments. There were few good access tracks, car parks, bins, toilets etc at coastal/surfing hotspots around the Phillip Island coast. A number of management issues occurred with the influx of surfers. These included dune erosion caused by surfers climbing dunes to see the surf before going on the beach; informal parking on wildlife habitat; numerous access paths from wherever cars were parked down to the beach cutting through habitat; illegal camping on foreshores; illegal lighting of fires on beach and in dunes; surfers’ dogs let out of the car while surfers were out on the water. The dogs were uncontrolled. Certainly some surfers behaved responsibly, as is almost invariably the case these days. However, in that era of this article few people understood the delicate nature of the coastal environment and that it need to be protected through public education, infrastructure and enforcement of regulations. As now, most rural Fire services were run by dedicated volunteers who faced many challenges in their roles as Country Fire Authority firefighters. However, it was not uncommon for visitors and locals to also assist with fire-fighting efforts.The article is significant in containing quotes from both sides of the discussion who were directly involved in coastal fire incidents on Phillip Island in the 1960s. It also indicates the large number of surfers visiting Phillip Island beaches, the volunteer nature of the firefighting service and the extra challenges they faced on Phillip Island as a visitor destination. The anonymous university student surfer who is quoted, also describes possible causes of the fires, methods he and his fellow surfers used to extinguish the fires and raise the alarm, and the way they assisted the volunteer firefighters . The reference to him breaking into one of the Summerland housing estate holiday houses is also significant because that housing estate was purchased over 2 decades by successive Victorian governments to remove management issues caused to the wildlife habitat on Summerland Peninsula.Photocopy of newspaper cuttings including 2 related articles. Five columns of black text on white paper with one poorly reproduced photo bottom rightphillip island, cat bay, country fire authority, artie murdoch, alf towns, frank dixon, barry thompson, newhaven-san remo rural fire brigade, penguin parade, cowrie beach, surfers, coastal fires

Patrick Toole was born in Corowa on 7 September 1913. In the early 1930s the family moved to Wodonga. Pat became an apprentice mechanic with Bill Dobbie and became a partner in 1936. Patrick Toole took over business in his own right on 23 August 1939. Toole’s Motors also ran a car and truck agency, a towing and crane depot, as well as a small disposal section. After breaking his leg in 1963, Pat extended the disposals business and by 1965 it was running as Wodonga Disposals and later, Toole’s Disposals. At their peak Toole’s employed 70 people across their various businesses including the garage, wreckers, towing businesses, a storage shed at Bandiana and the Disposal Store. Pat died in Wodonga on 10 November 1976 and the Disposals Store was taken over by his twin sons, Frank and Bill. His other sons, Pat and Jim ran the North Eastern Truck Wreckers. Tooles Disposals acquired most of their stock from Government auctions and also became licensed second hand dealers. They sold a wide range of military and non-military equipment from clothing to footwear and equipment for cooking and camping. They also shipped scrap metal to Japan and sourced uniforms and other items from Japan and East European countries. The business continued on the corner of High Street and Stanley Street for over 70 years, but the Toole family decided to sell the building in 2009. The building was eventually sold to a local business consortium in 2010. Toole’s continued to operate until May 2011. Thee building was demolished in 2013. Bill Toole continued Toole’s Disposals as an online business with numerous Australian and international clients.These images document an important and long standing business in Wodonga.A collection of images and a business card for the company of Tooles Garage and Disposals in Wodonga. Images depict the business at various stages in its development over more than 70 years.Photo 1 Beneath image - 1929 W. DOBBIE MOTOR & GENERAL ENGINEER / Con Lindsay, Alec Padgett, Bill Dobbie, Pat Toole Photo 2 Beneath image - 1940 A. L. TOOLE MOTOR & GENERAL ENGINEER / Fay Fulford, Gerry Nelder, Mick Presnell, Pat Toole Photo 3 On building - TOOLES MOTORS est. 1939/ TOOLES MOTORS PTY. LTD./ DISPOSALS/ DISPOSALS AT CITY PRICESt Photo 4 On sign - TOOLES DISPOSALS Photo 5 Business cardwodonga businesses, toole's disposals, businesses high street wodonga

Francis (Frank) Wilbur Le Page was mayor of Moorabbin between 1980 - 1981, and again in 1984 - 1985. He was a lifelong resident of the region and also a third generation market gardener.In approximately 1854, Nicholas Le Page moved his family from Prahran to Cheltenham. Two years earlier, they had arrived in Melbourne from Guernsey Island. Nicholas Le Page was a tailor and his wife was a dressmaker. They decided to move into market gardening instead. Their son, Everest, married Lynda and Francis Wilbur Le Page was born in 1919. He attended Cheltenham State School where he completed his Merit Certificate in grade eight before studying bookkeeping, shorthand and typing at Bradshaw and Everett Business College in South Melbourne. Both Frank’s grandfather and father were active in local government. Francis Thomas Le Page was a councillor for 25 years and served a term as shire president in 1902. Everest, his son, was a councillor for the City of Moorabbin for 28 years and was mayor on two occasions. Frank also served two terms as mayor, first in 1980 and again in 1984. Frank died on 14 July 2008.Black and white photograph of Frank Le Page stepping down from a tractor, with a bunch of parsnips in his right hand.Pink coloured paper adhered to reverse with black printed text and handwritten text in blue ink: STANDARD NEWS / Paper MOOR / Catchline Garden / Percentage 88% / Date 17-10-84 / Page 23le page, market gardens, tractor, moorabbin

A variety of photos from a Comradeship album. The Comradeship committee gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through. 01033.1 A photo of legatees seated around tables. The caption said: L/Donovan Joynt, V.C. at an Anzac party. 01033.2 A page of photos including "Meet the Pres." party in 1971. The photos of Legatees in fancy dress have 23 April 1970 stamped on the back. Also a party at Legatee Norman Lofts' house in London in 1974 and on the back it says Norman was preparing for Ascot June 1974. A legatee at lower right is Howard Hider. 01033.3 A post card of a first world war memorial in Albany WA. 01033.4 A photo of soldiers from the first world war made into a postcard. The names on the photo are L. Liddell, Sgt Harvey Etchins (?), W Brown of the 24th Battalion P__. On the back, handwritten in blue pen, "Yesterday to Day. To Frank from Wal Brown". L Liddell may be David Leslie Liddell, service no 680A (source AWM). Wal Brown may be Walter Charles Brown, Service no 3278 (source AWM). 01033.5-6 Two colour photos of "Meet the Pres. L'tee Bradie Healesville 1974. 01033.7 A black and white photo of Legatees at a table and labelled Anzac Parade 1974. 01033.8 A black and white photo of three Legatees, possibly in fancy dress (cowboy hat, fez). 01033.9-10 Two colour photos of Legatees on the overland train to Perth for the National Conference in 1977, including L/ Frank Doolan, L/ Louis and Amorel Lothian. The other photo is L/s Frank Doolan and Rex Hall sitting together. 01033.11 A colour photo of L/ Rex Hall being awarded first prize for a rendition of Maurice Chevellier "Leetle girls were make to love and kees", in July 1976 - event and venue not known. 01033.12 L/ Rex Hall sitting with Mrs Pat Cahill on the SS Oriana on 10 March 1974. Mrs Cahill was the daughter of David H Dureau whose associate donated funds that enabled the purchase of Legacy House in his memory. 01033.13 L/ Escott in Tewantin Qld in 1986 found an aged care home with his name. The handwriting on the back of the photo pointed out he was not a resident. 01033.14 L/ Escott with Sir Walter Campbell, Governor of Queensland on 11 April 1986 at Government House Qld. 01033.15 The governor of Queensland presenting Legatee Escott with the B.E.M. on 11 April 1986. The items were part of a photo album of Comradeship activities (from 1930 to 1977) see items 01027 to 01036.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Colour photo x 20 from a Comradeship committee photo album.Various labels for the photos.anzac day, comradeship

A note that Legatee Frank Doolan wrote to capture an encounter with a widow. "Mrs Nora Sennett, a cousin of the late Sir Stanley Savige recently wrote to enquire of the whereabouts of the oil painting which had been presented by her late husband to Legacy on the occasion when Stan Savige had opened an exhibition of his work in the Athenaeum Gallery. Mrs Sennett was visited at her new domicile in the MECWA block of single units in Warner St Malvern, and was assured that the painting was well cared for and was hung in a prominent place in Melbourne Legacy Comradeship Corner. She is one of our senior widows now aged 87, and was one of a family of five girls, all of whom are still living and who were one of the early families of Korumburra. Mrs Sennett explained how her late husband, who served with the 39th Battalion (EGGS ARE COOKED) was with General McNicoll on the site of the painting at Passchendaele. and the General remarked that he should paint the scene some day. It certainly captures the atmosphere of devastation caused by artillery barrage, and emphasises the duck boards which were initiated by the AIF to help communication over the blasted terrain of mud, and shell holes of Flanders Fields. FJD' Was with other memorabilia that has come from Frank Doolan from both his war service and his time with Legacy. He was on the archive committee and made attempts to collate the history of Legacy. This note shows that there was a painting of Passchedale painted by Stan Savige's cousin and donated to Legacy. Plus Legatees were still visiting the widow of the painter in 1974.A note x 2 pages written by Frank Doolan about a visit to a widow.Report is handwritten. In top right corner 'Report from L/tee F. Doolan Feb 1974' is in red type.world war one, legatee

A letter dated 25 September 1978, that Legatee Frank Doolan wrote to a Perth Legatee before the 1978 Conference in Geelong. In the letter he mentions that he is trying to ascertain details about the Agenda for the forthcoming Conference in Geelong in November 1978. In particular that a Pensions paper that is to be presented by Eddie Cohen, Chairman of the Melbourne Pensions Committee. Frank mentions that he is the sole survivor of the dinner held for the Geelong Club's inauguration. He says that they have lost 3 octagenarian Legatees in the past fortnight and this has prompted Frank to clear out some of his papers. He also mentions a carbon copy of a diary he had kept on a trip to Perth on the SS Kangaroo and how he appreciated Ivan's hospitality and comradeship on that visit. (see item 01132). The 1978 Geelong Conference had more than 550 Legatees registered at that stage and were planning to seat 600 at a Formal Dinner on the Saturday night. The Conference was to be opened by the Governor General on Thursday and close with a barbeque at the Military School at Queenscliff on the Sunday. Was with other memorabilia that has come from Frank Doolan from both is war service and his time with Legacy.The letter shows the type of correspondence used in the 1970s between Legatees and that strong friendships were maintained between Legatees from different regions of Australia.A letter x 2 pages, written by Frank Doolan to Ivan Davies, a Perth Legatee.Letter is handwritten. In top right corner '77' and '78' is in red type from the notebook it was taken from.conference, frank doolan, comradeship