Yields information about Wendouree Parade at the depot loop and the Begonia Festival tram of 1969 and a special tram service.Colour slide, Kodak white cardboard mount, developed Mar 1969 of No. 26 eastbound crossing Begonia Festival Showboat tram No. 21 at the Barrett Ave or Depot Loop. No. 26 is running a Special. One of a series of tour photos - see Reg item 7667, 7668, 7683 and 7701.ballarat, tramways, trams, wendouree parade, decorated trams, begonia festival, depot loop, barrett ave, tram 26, tram 21

Newspaper clipping, The Courier Ballarat 15/2/2020 related to the delivery of tram 407. Story by Greg Gliddon, photo Lachlan Bence. .1 - actual newspaper clipping (full page), includes details of the tram, interview with Tony Smith of the MTPA and comments from Alastair Reither. Notes the tram to be used in the forthcoming Begonia festival .2 - Digital copy of the newspaper entry - printed on A4 sheets. The digital entry included a video of the tram rolling off the truck. This could not be downloaded at the time. Also includes a photo of tram 661 as the floral tram. Only the relevant pages printed.mtpa, btm, w2 class, begonia festival

Yields information about the type of public transport used in Ballarat in the late 1800's - a Hansom Cab.Negative and Digital images of the Wal Jack Ballarat Negative file of horse drawn cab outside the Ballarat Town Hall with a dais set up on front of the doors. Note the lamp post alongside and the flags on the door. In the building windows are signs for "The Commercial Bank of Australasia Limited - Ballarat Branch". Most likely for the 1954 Begonia Festival. Photographed at the time of the event. trams, tramways, town hall, begonia festival, cabs, horse cabs

The tramcar was subsequently re-painted for the 1969 Begonia Festival Yields information about Ballarat tram No. 21 decorated for Myer, 1968 ChristmasBlack and White photograph of SEC Ballarat tram 21 decorated as Santa's showboat for Myer, Christmas 1968. Photo by Keith Kings, 30-11-1968.On rear has the photographers file number 54-18ballarat, christmas, myer, depot, tram 21, trams, tramways

Poster advertising "Music for the People" Sunday, March 5 (1953?) featuring images of Margaret Nisbett, Soprano, Hector Crawford Conductor of the Australian Symphony Orchestra and Gordon Boyd Baritone. Part of the Music for the People event during the Begonia Festival. Would have been displayed in an internal tramcar advert rack. Has been recycled by the SEC Ballarat depot to display a dyeline print of a1969 tram fare schedule glued to the rear with possibly another earlier version underneath. See Reg Item 7471 for a 1955? version. Demonstrates how posters to advertise Begonia Festival events were printed and then recycled by the SEC depot Ballarat for other purposes.Poster printed on cardboard "Music for the People" during a Ballarat Begonia Festival. The poster has been trimmed on the right hand side and a 1969 tram fare schedule glued to the rear. Cut to fit in a tramcar internal advertisement rack.fares, trams, tramways, secv, ballarat, begonia festival, hector crawford, gordon boyd, margaret nisbett, music for the people

Article about the launch of W3 661 as the Floral Tram on Sunday 3/3/2019. Features a photo of the tram at the depot with a note that Richard Gilbert was driving. Article and photo by Alistair Finlay. Provides the story and background.Yields information about the 2019 Floral TramNewspaper cutting from The Courier, Ballarat, 4/3/2019 titled "Picture perfect public transport"trams, tramways, tram 661, floral tram, w3 class, btm, begonia festival

Features 8 Melbourne Art trams of Oct. 2013. This was the reinvention of the Transport Art programme of 1978 to 1993. Image 2 gives the sponsors details - Arts Victoria, Transport Victoria, Melbourne Festival and Yarra Trams. Artists featured are - SW6 925 - Jon Campbell, Z3 183 Freya Pitt, Z3 209 - Luke Cornish (ELK), Z3 151 - Rose Nolan, Z3 259 Joining Forces, D1 3509 - Brook Andrew, B2 2002 - David Wadelton, C3008 - Bindi Cole.Provides a framed set of photos of Art Trams that were presented to the public in 2013 - 2014.Wood frame, containing 8 photographic prints, label, text regarding the trams, framed with perspex card backing, paper, tape and fitted on the rear with a hanging cord.transporting art, art trams, decorated trams, melbourne, trams, tramways, tram 925, tram 183, tram 209, tram 151, tram 3509, tram259, tram 2002, tram 3008, sw6 class, z3 class, c1 class, d1 class, b2 class, jon campbell, freya pitt, luke cornish (elk), rose nolan, joining forces, brook andrew, david wadelton, bindi cole

Photographs show the Motorised cable tram set built by Newton Williams and Darryl Hawksworth operating in Wendouree Parade during the 1988 Begonia Festival. The set operated in the 1987 Festival as well. See Reg Item 771 for further details. Grip car 593 and trailer 171.Yields information about the operation of the cable tram set in Wendouree Parade by the BTPS during the 1988 Begonia FestivalSet of four colour prints placed in an album sheet with date label.trams, ballarat, cable trams, grip car, trailers, begonia festival, btps

Photo with Ballarat tram No. 38 in background, floral clock in foreground, Ballarat Town Hall with Begonia Festival sign on Sturt Street face, Myers building and a horse drawn cart about to cross Sturt St. Tram fitted with large triangles, dash canopy lights and small white stripe. 23/2/1963'SEC Ballarat, No. 38, Floral clock and Sturt St. 23/2/63' in blue inktramways, trams, sturt st, floral clock, town hall, tram 38

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. From its beginnings, the Society has mounted exhibitions and/or displays, in early days in shop windows and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. A born digital photograph of members and guests at the exhibition opening. Photo 1: L-R Terryl de Lacey, Janet Walker, Don Garden Photo 2: Les Littlechild, Sue Littlechild, Ian Job, ..., ... Photo 3: John Torpey, Slavka Jelovac kew historical society - exhibitions, exhibition - aerial photographs - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola, sitting on a rustic seat in what is probably her garden at her home D'Estaville, in 1950. She is nursing her pet pekingese 'Rebecca'. The photo was included in her personal photo album. "Rebecca and Alma, 1950"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola in the garden of what is probably her home D'Estaville, with her pet pekingese 'Rebecca'. The photo is from her personal photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. Rayment played the role of Therese in the production.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jeanette Rayment, Botanical Gardens, promoting Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew recreation hall

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria