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Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Allan Charles Quinn, Rouen Centre, Amiens, Paris, 6 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris -
Mission to Seafarers Victoria
Photograph, Allan Charles Quinn, Mostly from the time of Joan of Arch - Rouen, 05 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a narrow laneway in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, Allan Charles Quinn, Port of Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the port at Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: PORT OF ROUEN / 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, port-of-rouen, france -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, Allan Charles Quinn, Rue du Gros-Horloge, Rouen, 05 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph, taken on the 5th of June, 1949, shows one of Rouen's main sight: "Le Gros-Horloge" (Great-Clock), a fourteenth-century astronomical clock in central Rouen, Normandy, France. Rouen had been heavily damaged during World War II. Buildings of different styles and ages can be seen, as well as people walking. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, rouen, france -
Mission to Seafarers Victoria
Photograph, Allan Charles Quinn, Rouen City Council, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the facade of the City Council in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan-quinn, photograph, rouen, france -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, "Downtown" - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the down town area of Rouen, in France, taken on the 5th of June, 1949. A car is shown in the middle of the foreground, with people to the right and a road to the left. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, parapluies, umbrellas, chaussures, shoes, car -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Allan Charles Quinn, Main entrance to the Cathedral - Rouen, 5 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Cathedral in Rouen, taken on the 5th of June, 1949. It shows three large arched doors, and a few people walking on the street in front of it.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, cathedral, door -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Allan Charles Quinn, Door of an old inn - Rouen, 5 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of an inn door, in Rouen, France, taken on the 5th of June, 1949. Two small wooden monks are have carved into either side of the eaves.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses -
Mission to Seafarers Victoria
Photograph, Inside of a house from the Middle Ages - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a house "from the Middle Ages". The framework of the walls are exposed, and there are two pot visible at the bottom of the photograph. There is a narrow boarder of white around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses -
Mission to Seafarers Victoria
Photograph, Allan Charles Quinn, Old residential district - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of buildings in Rouen, France, taken on the 5th of June, 1949. The building in the foreground is intact, but most of the buildings behind it have been damaged by bombing.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "It" in pencil.allan-quinn, photograph, rouen, france -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, Fontaine du Gros-Horloge (Great-Clock Fountain) - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Great-Clock fountain (corner of Rue du Gros-Horloge and Rue des Vergetiers) in Rouen, Normandy, France, taken on the 5th of June, 1949.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, fountain, gros-horloge, great-clock -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Arab warrior with his horse, 1917_
Photograph of an Arab man with horse.Digital copy of black and white photographcharles marshall, world war 1, cairo -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Artists polish up war tributes, 31/08/2016
New sculptures honouring returned service man and women will be created for Greensborough's War Memorial Park.News clipping, black text and colour image.leigh conkie, greensborough war memorial park -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland War Memorial, Victoria, n.d
Black and white photo. Anzac Day floral display at Portland War Memorial, Old Town Hall in background. Man and woman looking at floral display. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Colonel (RTD) Sydney Patterson, M.C., M.I.D, c. 1950
On display in History House.Black and white photograph of man in military uniform, with peaked hat. Badges are pinned to hat and left lapel. ¾ turn to right. Below image is text stating man's identity and positions.Front: Colonel (RTD) Sydney Patterson M.C., M.I.D., War Service World War 1. Served from 1914-1919 New Guinea (Naval Force) 1914. Egypt, France, Belgium 1915-1919, 20th Batalion A.I.F.M.I.D. 1916, M.C. 1917. Commissioned on the Field. Twice wounded. World War 2. Served from 1939-1945 Australia (Darwin) New Guinea, New Britain, etc. Captain 1939, Adj. No. 7 Aust Int. Training Centre, 1941. G.S.O. 3 (O) G. Branch A.H.Q. 1942. Major R.A.E. (Docks) 1942. L.L. Colonel R.A.E. C.R.E 3rd Aust. Dock Group. CIVIC SERVICE Councillor, Portland 1931-1940 (Resigned for War Service) 1945-1957. Mayor of Portland 1935, 1938, 1939-40, 1949-50, 1953-54. Harbour Trust Commissioner, appointed March 1950 (1950-1957). Back: Mr. Stevenson (pencil, centre) -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, man's razor blade in box, 20thC
Safety razors had been developed in the mid-19th century, but still used a forged blade that dulled and rusted. In the 1870s, the Kampfe Brothers ( Germany) introduced a type of safety razor. Gillette improved these earlier safety-razor designs, and introduced the high-profit-margin stamped razor blade steel blade. Gillette's innovation was the thin, inexpensive, disposable blade of stamped steel. King Camp Gillette observed in 1902 that as existing, relatively expensive, razor blades dulled quickly and needed continuous sharpening, a razor whose blade could be thrown away when it dulled would meet a real need and likely be profitable. In 1918, when the U.S. entered World War I, the Gillette company provided all American soldiers with a field razor set, paid for by the government, and as they were allowed to take them at discharge they continued their use of this product thus ensuring future sales. An unused, wrapped, man's razor blade in a box. 7 O'clock brand '7 O'CLOCK / REGD. TRADE MARK / BLADES / DOUBLE EDGED shaving equipment. razorblades, safety razors, cheltenham, moorabbin, bentleigh, pioneers, early settlers -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Glass, jar of Mustard Ointment 'Rawleigh's;, mid 20thC
WT Rawleigh (1870-1952) Freeport USA began in 1889 the direct selling method to sell his products, travelling around on horse and cart in the early days from house to house selling his medicines and other lines. Rawleigh's wide range of products includes: Medicinal, Nutritional, Gourmet, Homecare, Personal Care, Animal & Plant Care Since 1889, millions of families around the world have learned to rely upon and keep Rawleigh's reliable medicines and other products on hand ready for emergencies to relieve sickness, pains, injuries and for their daily needs. By 1920, young Rawleigh had built the biggest manufacturing organisation in the world. Mr Floyd George Rawleigh who was the son of David Rawleigh, W.T.Rawleigh's brother, came to Australia, with Mr Jackson, in 1931 and set up the Rawleighs Company Business . Generations of Australians, Canadians and Americans grew up waiting for The Rawleigh Man to arrive at their front door with his sample case of goodies to add spice to their life and to heal their ailments. In World War II, most Australian soldiers posted overseas carried a tin of Rawleigh Antiseptic Salve in their kits to treat wounds and ward off infection The Rawleigh Man brought to family front doors the best materials money could buy from around the world: spices from Sumatra, Java, China, India, Africa, the West Indies; black pepper from the island of Ponapai; lemon and orange oils from California and Sicily and Vanilla from Madagascar and Java; high grade coffee beans from the Andes. Most of the herbs, roots, barks and buds used in making cough medicines and tonics came from Europe, India, Ceylon, China, North America, the West Indies, Jamaica, Honduras and Asia. From Japan came camphor and menthol for making medicines. From Tavenui, the Garden Island of Fiji, came the food grade coconut oil for Rawleigh's gold medal winning Coconut Oil Soap. Rawleigh products are still only available from Rawleigh men and women who carry on the time-honoured tradition of the Rawleigh company to give individuals a go at developing their own business supplying products to people in their homes. Only now they are also doing it in cyberspace. A clear glass jar with a metal screw lid containing Mustard Ointment made by W.T. Rawleigh Co. Ltd. .Melbourne Lid ; Rawleigh’s Front ; Rawleigh’s / Net WT. / 1 ½ oz / COMPOUND / MUSTARD OINTMENT / WILL NOT BLISTER /preferable to Mustard Plaster / MNUFACTURED BY / The W, T. Rawleigh Co Ltd / MELBOURNE. / Left side ; DIRECTIONS …….. , / Right side ; Useful pharmacy, medicines, mustard ointment, w.t. rawleigh company ltd., hospitals, nursing, containers, moorabbin, bentleigh, cheltenham, melbourne, respiratory diseases -
Geelong RSL Sub Branch
Medals 293 Hughie McLean, Early 21st century
293 Hughie McLean was a Victorian born in Tamagulla, Victoria. Hughie McLean was living in Adelaide when he enlisted on 30 June 1915 and joined 'K' Group Base Infantry. 293 Hughie McLean was subsequently posted to 32 Australian Infantry Battalion and Killed in Action in France on the 19 July 1916. 32 Australian Intantry Battalion was raised as part of the 8th Brigade at Mitcham, South Australia.293 Hughie McLean was a Victorian man who was living in Adelaide at the time of his enlistment 30 June 1915. He was Killed in Action on 19 July 1916 in France. 293 Hughie McLean's original Medals were forwarded to his brother Mr J W McLean on 22 July 1922.3 x Medals - 1914-1915 Star, British War Medal 1914-1918, Victory Medal 1914-1919 ReproductionsThe Medals are reproductions, there are no markings or names293 hughie mclean, 32 aust inf battalion, kia, france -
Geelong RSL Sub Branch
Photograph, VX27255 Pte Michael Doherty, Cira 1940s
VX27255 Kevin M Doherty enlisted in the Australian Army on 15 June 1940 and became o Prisoner of War. The items in this collection I believe would have been collected during this mans enlistment.The Items are original and provide a service history of VX27255 K M Doherty5 reproduction photographs, 2 silk scarves, 1 mother of pearl necklace1 Photograph - Kevin Michael Doherty Private VX27255 1 silk scarf with the Rising Sun embriodered on one corner 1 mother of pearl necklace, hand made?vx27255 k m doherty, silk scarfs, photographs, prisoner of war -
Greensborough Historical Society
Book, The Mick Evans Story, 1941_
Mick Evans (E.H.) Evans, VX10125, 9th Division, 2nd/1st Field Workshop. This story was transcribed from 9 x 90 minute audio tapes recorded by Mick Evans several years before his death. The book was completed in 2000 just before Mick's death.One man's story of life during World War II, in particular as a "Rat of Tobruk".Spiral bound book, 95 p., illus. (some col.). Clear plastic outer cover. Printed cover has title, Rats of Tobruk Association logo and Australian flag.Inside front cover: "From Betty, Shirley, June and Mary Evans"mick evans, june hall, tobruk, australian army, world war ii. -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet, LHQ Press, Flame Warfare Pamphlet No 1 Parts I & II 1945, 1945
Soft covered booklet dealing with various aspects of the man-pack and AFV mounted flame throwersflame throwers, world war 2 -
Horsham RSL Sub Branch
Insignia, Dead Mans Penny, 1922 (exact)
Dead Mans Penny manufactured from gunmetal (Bronze Colour) Depicts Britiania British Lion. Dolfin depicting Naval Forces Bottom British Lion destroying German Eagle British War Medal (Gun Metal) Horse & Rider Ribbon Blue White Gold Victory Medal (Bronze)Angel figure Ribbon Dk Blue Green Yellow Mounted on timber board."HE DIED FOR FREEDOM AND HONOVR" Inscribed around top edge,/ NORMAN EDWARD JOHNSON SCHMIDT Story 2253 Trooper Norman Edward Johnson Schmidtworld war one, 1917, wwi, beersheba 2253 trooper, norman edward johnson schmidt dead, mans, penny 31, october -
Kiewa Valley Historical Society
Container Postage Stamps, circa early 1900's
This unique postage stamp container, fashioned as a postal letter is from an era 1800 to early 1900, when items with no real bravado of wealth, were produced to satisfy the basic needs of their owners. A small yet "simple" postage stamp container made from silver would stand out but yet not that "vulgar". This was a period that flouting wealth was not done. This attitude changed when "old" wealth of property and titles moved to industrial and merchant "new" wealth merged.This item was introduced to the Kiewa Valley by a "genteel" woman who had come from "old" wealth in the "mother" country. In rural Australia such flashing of wealth or even "one up man ship" is frowned upon. The Kiewa Valley residents, in this time frame, would have reacted in a "true blue" manner. The significance of this item is that it highlights a time when the "Australian" heart was closely aligned to "mother Great Britain". These national bindings and self identity were only to last until World War II. The realisation of untying the national umbilical chord between Great Britain and Australia came when the United States of America provided its support and a closer bond developed. This container for postal stamps is fashioned as a letter. The lid(flap) is hinged to the main letter frame, allowing access to the contents (stamps). It is made of thin silver (sterling) with the silver markings on the inside of the flap. The folds on the opening flap side mirror the early dated letter envelope (glued on two sides, folded and glued on the third). The markings on the inside, clearly visible when the flap is open has the Assay Office Birmingham "anchor" stamped before the sterling silver "lion" mark. Stamped on inside flap "92" and "M" .Inside the letter facing the opener is the "Anchor" symbol and next to that the "Lion" symbolpostal stamp container, stamps, envelopes -
Kiewa Valley Historical Society
Box Starch, circa 1914 to late 1900's
This brand of starch was first manufactured in 1914, during the First World War, and continued to cover the other wars and military conflicts that followed. It was a time when Australian made was important due to the limited supplies coming from England and Europe. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity not by the "Buy Australian" campaign (of later years) which was the major factor for the demand of goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. The important social more of "clothes make the person" was in vogue.This box which once contained starch powder is very significant to a rural semi isolated region because it clearly demonstrates that the social mores of the city were also entrenched into the rural population. The fashion of the day, even in remote areas, especially rural, were still a requirement to be maintained on certain special occasions. Cleanliness and stiff "upper lip" persona were just as important in the rural sector as in city and Government circles. Institutions such as hospitals, Government Offices and the legal personnel were bound by the fashion of the starch appearance (no dirt sticks to a personage with the "starch" look). Appearances, especially the first ones, were the judgmental image that remained in the uppermost regions of the viewer. This box with white writing and a "formally clad" man on a navy blue background held Australian grown maize based starch powder(1 LB gross). The package is made from 200 gsm thick cardboard. As production was made during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize.The same cover both front and back, "DANDY" below this a figure outlined in white on a navy blue background "hat and tails" outfit. Next to the sketch in smaller lettering" STRONGER THAN OTHER STARCHES. LESS REQUIRED". Below the figure "GLOSS" and below this in larger print "STARCH". Below this and in smaller print "CONTENTS. NETT WEIGHT 14 1/2 ozs" Below this and in smaller print "MANUFACTURED BY MAIZE PRODUCTS PTY LTD FOOTSCRAY VICTORIA" On one side of the box and in large white print on royal blue background"PURITY, STRENGTH AND UNIFORMITY." On the other side are the manufacturers directions. On the left side "FOR RAW STARCH" Underneath and in smaller print,"Dissolve in warm water a quantity to give the required thickness. Add bluing if required Stir before each using. On the right side "FOR BOILING STARCH" underneath this in small print"Mix well in small quantity of cold water to creamy consistency. Add boiling water, and stir constantly while cooking. Allow to cool, and add blueing if required. Underneath these two sets of instructions is "Make your consistency thinner than if using another kind of Starch"household starch, household cleaning, domestic laundering. -
Kiewa Valley Historical Society
Box Starch, Pre decimal currency date(14th February 1966)
This brand of starch was first manufactured before 1966 and covered the period when Australian made was the preferred clothing due to limited imports from England. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity and ease of supply and not by the "Buy Australian" campaign (of later years), was the major factor for the demand of these type of laundry goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. This product was in the era and importantly the social more of "clothes make the person" in which starched shirts and dresses was the fashion vogue. Formality of dress was a strictly British "class" up-man-ship which from the 1950's onwards became less and less visible. The Australian "Ocker" or fair "dink'm" bloke became more entrenched after World War II. The national identity was slowly developing.This box of starch is very relevant to the Kiewa Valley because this box highlights the differences ,in this period, between city and rural social standards. Rural areas were deeply entrenched into colonial and the pioneer family structure viz- a-vie social and dress fashion standards. British values and norms lingered on well beyond the changes happening in city fashion. Tradition and English "ties" were the backbone of early colonies and it was only after World War II that these "ties" were becoming irrelevant. Early traditions lingered well past the independence sought by Federation, colony to statehood and trade with other nations eg. USA and Asia. The idea that a change in "status" would automatically change the social mores of Australians, especially in rural ares, was not fully grasped by the "law makers" and those wanting change.This box (capacity 12 ozs) has white(aged into cream) and blue printing and a "white star" on five sides, the sixth side has a laundry scene with two ladies, in early 1900's fashion. The package is made from 200 gsm thick cardboard. As manufacture was made before and during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize. One side of the box has instructions of use and all the other sides are promotional, detailing "the best in the world and won't stick to the iron""SILVER STAR", "THE BEST IN THE WORLD", "WON'T STICK TO THE IRON", "REQUIRES NO BOILING", INSTRUCTIONS FOR USE", "ROBERT HARPER AND COMPANY LIMITED", "INCORPORATED IN VICTORIA, AUSTRALIA", "NET WEIGHT 12 OUNCES", "LARGE BOX 12 OZS"domestic laundry essentials, cotton clothing preparations, household starch "crisp and neat appearances. -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Book, Robin W. F. Droogleever, That Ragged Mob, 2009
The Service Record of the 3rd and 4th Victorian Bushmen Contingents in the Boer War with a brief biographical sketch of each man who served. The modern day 4th/19th Prince of Wales's Light Horse Regiment is the custodian of the theatre Battle Honour "SOUTH AFRICA 1899-1902" awarded to the 9th and 11th Light Horse Regiments. This Battle Honour was awarded to all extant Light Horse units in Australia under Military Order 123 of 1908, in recognition of all states' contribution to the forces who represented Australia against the Boers. Hard covered book.Signed by the author: "With the compliments of the author Robin Droogleever 104/10" ISBN 978-0-646-5186-9boer war, victoria army victorian contingent 3rd, victoria army victorian contingent 4th, south african war 1899 1902, robin drooglever, biography, boer war, victoria army victorian contingent 3rd, victoria army victorian contingent 4th, south african war 1899 1902, robin drooglever, biography -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Book, Cox, John, The Miraculous Lives of a Man Called Jack, Reprinted 10/2002
No 85, Trooper Jack Cox served for four years in the 4th Australian Light Horse Regiment during World War 1, He was in most of their campaigns in Gallipoli and Palestine. He was awarded a DCM for his actions at the charge at Beersheba in capturing a Turkish machine gun and its 11 man crew.Biography of Arthur John Cox, 1879-1959Signed by author, John Cox, 20/5/2007. ISBN 0 9579556 6 9 biography, a j cox -
Kiewa Valley Historical Society
Framed Photo - Soldiers: Bert Roper and Stewart Hollonds
When Australia joined World War I men were encouraged to enlist to help Australia aid their 'mother country' Britain in the war against Germany. Many men volunteered often joining at the same time as their friends from the same district, all over Australia.Bert Roper and Stewart Hollonds came from families living in the Kiewa Valley. Details of their service records are kept in the KVHS collection.Thick wooden dark frame with decoration on each corner. Two separate portraits of Soldiers Bert in oval shape and Stewart in rectangular shape. At the centre of the bottom are two coloured small flags - the Union Jack and another.On the back, behind each man, their names are written: "Bert Roper" and "Stewart Hollonds"bert roper, stewart hollonds, ww1 soldier, portraits of wwi soldiers -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Badge, Silver War Badge, abt 1918
The Silver War Badge was instituted in 1916 and awarded to men who were honourably discharged under certain regulations which are shown below. It was also awarded in retrospect: that is, to men discharged in 1914 or 1915 who otherwise met the criteria. During the Great War, patriotic British ladies would give white feathers to men not in uniform. Discharged soldiers were unimpressed. The badge served as a white feather deflector. The Silver War Badge, sometimes wrongly referred to as the Silver Wound Badge, was instituted from 12 September 1916 under Army Order 316. The badge was awarded to all of those military personnel who had served at home or overseas during the war, and who had been discharged from the army under King’s Regulations. Expiry of a normal term of engagement did not count and the most commonly seen reason for discharge and issue of the badge is KR is 392(xvi), meaning the soldier had been released on account of being permanently physically unfit. It was possible to be awarded a badge if the man had not served overseas – and if his service record is now lost this may be the only remaining evidence of service for such a soldier.It is a circular badge with the legend “For King and Empire – Services Rendered” surrounding the King George V cypher. The badge had a pin for wear as a brooch. A19225 -
Kiewa Valley Historical Society
Hair Locks - Memento Personal, 20th century
This photo was a loving memento of a young man, possibly kept by his girl friend or even his mother. Perhaps he was leaving home to go to work or even to war. The locks of blonde hair tied with apricot coloured ribbons probably belonged to a young lady or a child.This is of social significance. It is pre digital cameras, pre colour photos. Keeping locks of hair was, popular, especially in Victorian times. Wooden, possibly pine, cigar box with hinged lid. Inside lid is a photo, [male], in a red velvet frame. Base of box contains hair locks tied with apricot coloured ribbon x 3, covered with plastic.Top of box has tape covering the cigar label. memento, photo, personal, love token, cigar box, hair clippings, hair locks