Black and white photograph Joyce Chenery, Shirley Stephenson, Elaine Lay, Merle Sanderson, Joe Chenery, Phyl Andrews two others of the Senior Citizens Club on stage dressed in bizarre costumes as the Roumattics entertaining with amusing songs Lakes Entrance Victoriasenior citizens, entertainment

Black & white photograph, Bert Graham Collection, Jack Tully at the Microphone, is presenting a young lad with a metal fruit bowl trophy, while Allan Masters and Bert Graham look on, as one more person in the background looks.Name on back with in red ink 56-57 Graham.bendigo, clubs, bendigo east swimming club

This baby bonnet is made from fine crochet cotton, satin and cotton material with a very fine tulle on the outer rim. Could possibly fit up to a two year old child. It is creme in colour with a very prominent crocheted design which has been hand made.Nil

A Difficult Case by Jong Ah Siug, an autobiography of a Chinese miner on the Central Victorian Goldfields, 148 pages with black & white plus some coloured photographs and maps, translated, annotated and historical introduction by Ruth Moore and John Tully, published and printed by Jim Crow Press Daylesford.Jong Ah Siugbooks, biography, jong ah siug

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This garment was created by Margeaux (Melbourne) which specialised in the production of "high-class cocktail and evening wear" (The Age, 17 March 1956).Knee length short sleeved grey silk and grey tulle cocktail dress with an attached outer covering of patterned lace of a lighter grey colour. The garment has the label of ‘Margeaux Regd. Imported fabric’. There is a zip at the back. There is some discoloration (due to sun damage?) to the lace at the shoulders. australian fashion - 1950s, margaux of melbourne, cocktail dresses, women's clothing

The capelet was owned by Bridget Fitzgerald (nee Shannon) who emigrated to Australia from Ireland and subsequently lived in the Victorian country town of Tilden. Bridget died in about 1906 and is buried in the Kyneton cemetery. The capelet was passed on by descent to her granddaughter.Well-provenanced evening cape, worn by Bridget Fitzgerald in the Central Victorian Goldfields district.A black satin shoulder capelet covered with fine silk tulle, embroidered with jet passementerie and black sequins. The capelet which when open is circular is joined at the front by eyelets and hooks. The second photo includes a photo of the donor, Mrs Joan Carr, with the cape at the time of its donation.bridget fitzgerald, bridget shannon, women's clothing, australian fashion - 1890s, capelets, capes

Evolution captures Australian surfing at a pivotal moment in 1969 when the shortboard revolution was in full swing. The old long board era was to be consigned to history as Wayne Lynch, Nat Young and Ted Spencer re-wrote the surfing rule book on a 1969 world tour. Music soundtrack by Taman Shud and Tully.This film had a significant influence on world surfing when it as released. The surfing images of Lynch, Young and Spencer had a profound influence on the way that surfers rode waves and the surfing equipment they used. The film remains a true reflection on a pivitol moment in surfing history.Black and white photograph on cover of Wayne Lynch cutback.Classification (G), movie title and synopsisnat young, wayne lynch, evolution, paul witzig, ted spencer, taman shud, tully

Bendigo Advertiser '' The way we were'' from 2002. Field trip: girl guides at Somers Hill in 1938. From left: Lois Bush, Lorna Court, Elaine Emmerson, Merle Bush, Audrey Young, Elva Gooding, Lurline Stiles and Norma Young. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Fabric orange blossom flowers, and one green fabric leaf wired onto a lapel charm. "Wire stems" covered with green paper. A memento of Alice and Charlie Geuer's wedding in the 1880's. Tiny stamens complete the flowers. Alice and Charlie were Merle Houlden's Grandparents.costume accessories, female, decorative lapel charm

Assorted correspondence to/from Merle Bush. A. To Dad from MB; b: To MB from Board for Protection of Aborigines (15/4/1947); c: From MB to Peg?/Reg? (6/12/1957); d: From Peg?/Reg? to MB with envelope (30/6/1947)person, individual, bush collection - personal

University related material of Merle Bush; a. Handbook for Janet Clarke Hall (Trinity College) University of Melbourne, Year 1924. (7 pages); b. Booklet ''Wilson HLL - Centre and Symbol of the University'' by R M Crawford (MUP, 1952) - published post fire of Jan 1952)education, tertiary, university

Parry Collection ‘Sunbeams’ and ‘Corinella’ were two of the few ways an Australian kid could get some acknowledgement and a pat on the back from the big wide world from the 1930s through to the 1950s. The Corinella columns ran in the Sun Newspaper with puzzles, jokes and colouring competitions. Kath Farmer played the role of ‘Corinella’ for yonks and hosted annual ‘Corinella’ Parties for boys and girls aged 5 to 13 years for decades. Sunbeam Certificates were awarded to young readers for good puzzles, riddles, drawings or original stories or verses. The Sun Newspaper Sunbeams Club Envelopes and Awards, envelopes with Ginger Meggs effigy and warning for the postman to take care with the delivery; various certificates received in return for colouring competitions and puzzles submitted back to the Sun Newspaper. Letters were sent to Merle Symons, Orville, Murphys Creek.history, bendigo, sunbeam club sun newspaper, merle lummis collection

This is a photograph of students at Orbost State School in 1915. Included in the photograph, as identified by Mary Gilbert' are Brian Harrison; ?; ? Whillance; Rupert Perry; ; Dolly Nixxon; Dot Stagg; Ella Cowell; Annie Macalaster; ? ?; ? Winchester; Rupert Bird; Mac Kerr; :; Clarrie Reynolds; D. Daly; Marion Watt; Audrey Cameron; Teen Dixon; Ethel Morris; ?; Toby Nixon; Charlie Winchester Miss Marie Haynes; Doris Smith; Alison Cameron; Ruby Morgan; Thida(?) Guy; Elsa Wehner; Gladys Boucher; Gloria Swanson; ? Lay; ? Rodwell Wally Simpson; ? Morgan; Reece Harrison; P. Summers; ?; Les Morgan; W. Lawless; ? Craker; A. Nish; P. Hocking Zenie Irvine; Essie Nixxon; Violet Gibbs; Adelaide Hardy; Verna Perry; Mary Gilbert; Margaret Irvine; Marge Henderson; Nellie Draffin; Roy Cameron The 19th of March 1886 proved an important day in the lives of many early settlers in the Orbost area, because on this day the Orbost State School opened. The fact that the school had first operated tem­porarily in a leased building, and on a half-time basis with SS2745 Jarrahmond, did not dampen the enthusiasm of the local inhabitants as they saw their offspring commence their education under the guidance of HT Campbell Mackay. However he remained in charge only until 12th of May 1886. The second HT, John Rowe, served until 1908. On 30th of June 1887, a portable room was provided; it being brought to the area by schooner. The school now had accommodation for 30 pupils; the teacher's welfare was considered because quarters of two rooms were attached. As the population increased so did the needs of the school. This was reflected in the provision of a larger classroom in 1898.This photograph is associated with the history of education in Orbost.A black / white photograph of a group of children and one female teacher in front of an open doorway of a wooden school building. agirl seated in the front row is holding a board with "Grades V V1 Orbost" hand-written in what appears to be white chalk on a blackboard. .A list of those in photograph is attached.on back - "Grades V V1 Teacher Miss Merle Haynes who is now married, graduated at Monash, Maisie Ross holding board. Mary Gilbert on her right in picture"education-orbost-state-school

Long sleeveless beaded evening dress with V-front and back neckline. Black tulle base embellished with black, grey and purple beads and sequins with a design of a purple sunburst radiating from the right proper hip and mirrored on the back. Bodice sides split to waist and skirt sides split to hip. 1920s fashion, evening dress, beading, flapper dress

Heidelberg Golf Club: Ladies' Christmas celebrations 1990. Standing: Joy Gliddon, Nell Jenkins, Merle Johnston, Shirley Heron, Jean Hunter, Es Crampton, Alison Roseby; seated: Mary Russell, Doris MArsland, Neva Jobbins, Rae Horsnell. 1 Colour photograph and captionladies' golf, hgc women's golf, ladies' christmas dinner

Group of members on veranda at Opening Day 23 February1998: John Smyth, John Stubbings, Norm Fella, Keith Eacott (manager), Bruce Harding (President), Vic McGavin, Nora Gozales, Max Guille, Merle Johnston, John Gonzales (Captain), Athyl Brazenor.Colour photograph.heidelberg golf club, hgc clubhouse 1998, club house opening 1998

Within collection of Merle Bush Ephemera. Handwritten (Girl Guide?) notes written on back of a flyer relating to the Baden Powell Memorial Concert, Friday Oct 1st, 1943. Held at the Capital Theatre, Bendigo. Details of the concert program and cast members. Price 3d. Printer: Bolton Bros.person, individual, bush collection - personal

Merle Hall Collection - Bendigo Performance of The Royal Commission into the Australian Economy. 1991. with Gerry Connolly, Magda Szubanski, Marg Downey, Tracy Harvey, Craig Ashley, Sue Ingleton. Media release; Memo; B&W photo of Gerry Connolly; B&W photo of Tracy Harvey.

Entry into Maffra Agricultural Society (Show) - Class Q Art Section 15 No. 3. A 'Victorian Drawing Book' entered by Merle Bush ( M. I.?. B in pencil on cover) - 12 pages of school drawing. Under 16 years. Agricultural Society entry card is inside front cover.person, individual, bush collection - personal

Two copies of 'Birth' - A Little Journal of Australian Poetry. Vol 6, No. 63, Feb. 1922 and Vol 6, No. 72, FNov. 1922. Both have front cover with illustration by Christian Yandell. Printer: The Argonaut Press, Brunswick. Issue 63 has inscription 'Don't return Merle JMB'books, fiction, poetry

The Lowen family were one of the first to settle in East Burwood. They were orchardists.Black and white photograph of the Lowen family of East Burwood taken outside near their orchard in about 1931. Both parents are seated on cane chairs. Standing: (left to right) Cedric Jnr.,Thelma, Florence. Seated: Cedric Lowen, Merle, Joy and Lucy Lowen (nee Tainton) In front: Shirleyorchardists, lowen, shirley, lowen family, cedric, thelma, florence, merle, lowen lucy (nee tainton), joy

Promotional - ''An Explanation of some of Arts Bendigo's Functions'' 1988 One page to clarify some of the impressions which I think have been held, that we either make enormous profits at some shows, or are funded totally from the Vic. Arts Council. From Merle Hall June 1988.

Doreen O'Dea married Alfred Webb 14th February 1951Cream lace wedding dress, lined with crepe, fashioned with a round neckline, with three rows of lace accents; long sleeves with approx. 16 buttons on each sleeve; the bodice comes to a point at the waist, attaching to a beautiful full length flowing skirt containing a small train and to finish the bottom of the skirt has a wide gathers tulle trim wedding dress, fred webb, 1951, doreen o'dea, alfred webb

The dress was in the cupboard of Muriel Kerr, the donor's recently deceased mother. The donor remembers being shown it and trying it on in the late '70s or early '80s and being told that it belonged to her great-grandmother, Lilian Armstrong Ballantine (nee Power) [1887-1967]. Lilian Ballantine lived at 31 Harp Road (now the site of the Leo Baeck Centre) from the early 1920s to 1967. Lilian's married Archibald Dill Ballantine [1883-1947], in 1910. He was a member of the Monumental firm of A&G Ballantine, responsible for the Kew War Memorial (and possibly the Springthorpe Memorial). Lilian was highly involved with the Finlay McQueen Memorial Church [ie the East Kew Presbyterian Church]. Lilian's daughter, Mary (the donor's grandmother) married Alan McQueen, the son of Finlay McQueen, the first Minister of the East Kew Church. Mary Macqueen lived at 1 Oswin Street; she was a well-known artist. The dress is significant due to its associations with a family with strong connections, through a number of generations, to Kew East and its spiritual institutions. The garment's integrity and design also contribute to its aesthetic significance as a representative item of women's outerwear during the first decades of the twentieth century.Pale blue striped muslin single-piece dress with lace, tulle and embroidery at the neck and on the cuffs. The lace at the neck and cuffs is embroidered with coloured flowers, and edged with tulle. Bordering the v-neckline is a deeper blue guipure lace (possibly added later). There is a satin flower on the right side of the skirt which gathers the hem, exposing the deeper blue cotton underskirt. The dress has a narrow band of blue satin at the high waist. The cotton underskirt is attached by thread in places to the outer layer. Both the outer and under layers are attached with metal hooks and eyes. Edging the cuffs and hem of the dress is blue commercial fringing. The exterior of the dress has a slight brown tinge which is not apparent on the inside hem, suggesting that it has been discoloured through exposure. There are minor stains.women's clothing, edwardian dresses, lilian ballantine, australian fashion - 1910s, mary macqueen, finlay mcqueen memorial church, east kew presbyterian church, alan mcqueen, kew war memorial, archibald dill ballantine, leo baeck centre, 31 harp road -- kew (vic.), a&g ballantine, women's clothing -- 1900s, fashion - 1900s, fashion design

Various receipts - Merle Bush. a. Receipt to M E Bush for 50 shares (@5/- paper share) in The Natalite Motor Spirit Co. of Australia Ltd., Sydney 1920; b. J S McCullough - Parcels Delivery Service (Bendigo - Melbourne, 1938); c. G Jalland & Son - House Furnishers, Bendigo 1933?person, individual, bush collection - personal, bush collection, collection, business, commerce, retail

Brenda Crute married Jim Bywaters 19671967 A delightful bridal gown fashioned in chantilly lace cur on empire lines, fitted sleeveless bodice with boat shaped neckline back and front. Sheath skirt. Chapel length nylon organza coat train with butterfly sleeves & edging of chantilly lace. Headdress - Pearlized orange blossom & leaves mounted to a three-tiered nylon tulle veil.wedding dress, brenda crute, jim bywaters, 1967, textiles - bridal - fashion, stawell - wedding

Photograph taken on Oval with two rows of ladies totaling seventeen. Back Row: Not Recorded, June McGlashon, Edith Pengelly (Bolitho), Not Recorded, Lyn Walder, Not Recorded, Joan Fitzpatrick (Williams), Not Recorded, Jan Male Front Row: Sylvie Bugbird, Ruth Bugbird, Not Recorded, Not Recorded, R. Stevens, Merle Walder, Stevens, Dot Telfordmaldon football netball club, maldon ladies football club