Black and White postcard, c1906 view of Charing Cross, Bendigo looking towards the west - Mitchell St. Has three tram cars in the view, the fountain, centre poles and a tailors shop on the south west corner of the area. Reproduced by the Rose Stereograph Co of Glen Waverley. Photo courtesy of Rod Aikman. Has the Rose Co. symbol on the rear of the car, along with areas for the stamp and address block.Has "24" in a circle in the top left hand corner of the front of the card and on the rear, a "William F Scott" address label on the bottom left hand corner.trams, tramways, bendigo, mitchell st, charing cross

Colour postcard of Bendigo talking tram No. 470 leaving the Central Deborah Mine, in the Bendigo Talking tram livery with the mine poppet head in the background. Postcard has "Central Deborah Mine and Talking Tram / Bendigo Victoria" around the edges. Two copies held. Ex Melbourne W2 470, later to be renumbered as Bendigo 35 Reproduced by the Rose Stereograph Co of Glen Waverley. Photo courtesy of Neil Cutts. Has the Rose Co. symbol on the rear of the card, along with areas for the stamp and address block. Rose Series Card No. 3157.Copy 2, has "48" in a circle in the top left hand corner of the front of the card and on the rear, the same number, and a "William F Scott" address label on the bottom left hand corner, and inscription "early 1990s" in ink.trams, tramways, bendigo, central deborah, bendigo trust

Demonstrates aspects of the development of the Bendigo tramways by ESCo prior to undertaking the Ballarat system. Yields information about Charing Cross soon after the electric tramway was opened.Black and White postcard, early 1900's view of Charing Cross, Bendigo looking towards the north, Pall Mall. Has three tram cars in the view, the fountain, centre poles, horse drawn cabs and vehicles, a poppet head and building on the east side of the Pall Mall. Divided back postcard with areas for message, address, and the stamp. Has "67)" in the top left hand corner of the back of the card, a circled "13" crossed out, "early 1900's" in ink. In the top right hand corner "$8" in pencil. On the front of the card has "67)" in the top left hand corner in ink.trams, tramways, bendigo, pall mall, charing cross, tram 4

Part of an album of photo cards - cigarette card size - that depicted various country towns c1920. Has photos of the Fernery, Botanic Gardens, Sturt St, Eureka Stockade, and the garden gates with a weighing machine. Possibly published by the Rose Stereograph Co.Demonstrates photo albums and collector type photo cards.Grey card photo album cardboard sheet with teal coloured right hand edge titled "Ballarat" containing 8 small printed photos and "Daylesford" on the other side, though no photos were with the sheet when obtained. See Reg Items 4083 for the bottom left hand corner - from a Rose Stereograph Co. postcard. Each photo has a title on the sheet, though some of them are not correctly located.ballarat, tramways, trams, esco, sturt st, gardens, eureka stockade

Photo taken from the City Fire Brigade station at the corner of Sturt and Raglan Streets, looking east towards Mount Warrenheip. Has an eastbound ESCo tram. Photo shows the overhead structures, Harry Davies & Co. Drapers Importers, Ballarat Town Hall and the general view of the city. On the rear is a large Rose symbol and publisher details.Yields information about Sturt St during 1920sPostcard - Rose Series P 1717, Sturt Street looking east. Second copy - cigarette card size - 63mm x 87mmHas an address in Macarthur St, Ballarat on rear. Second copy has in ink "To Ken from Paul Kiwi4755"ballarat, sturt st, fire watch tower, harry davies

Yields information about the seven window horse tram and passengers and streetscape in the gardens at the time. Only known photograph of this type of tramcar.Stereo pair of photos, black and white, of a 7 window horse tram in Wendouree Parade, possibly near Windmill Drive, Nth end, mounted on heavy card. Photographed and published by Geo Rose. Has many lady passengers on the top deck of the tramcar. Tram has the destination of "Boatsheds". Possibly around 1900. Only known photo as at 2/96 of these seven 7 window horse tram in Ballarat. For a print of one of these photos - see Reg. Item 258. Was borrowed and returned 5/18 by Bob Carmichael, Stereograph collector, PO Box 1349, Ballarat Mail Centre, 0418 528 270, George Rose Specialist. Use print - Reg. No. 258 for displayIn ink on rear "Horse Tram at Botanical Gardens Ballarat Vic."trams, tramways, ballaarat tramway company, horse trams, 7 window horse tram, gardens, stereo photograph

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A Rose Series postcard of Ferny Creek in the Dandenongs to the north of Melbourne. The monochrome postcard is numbered P. 3811.Front: THE ROSE SERIES P. 3811 COPYRIGHT / VIEW AT FERNY CREEK, VIC. Reverse: POST CARD / THE ROSE SERIES DELUXE / A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA / PUBLISHED BY THE ROSE STENOGRAPH CO., ARMADALE, VICTORIA / [Inscription] Many Happy Returns of the day, Mum.ferny creek - victoria, postcards

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A Rose Series postcard of Ferny Creek in the Dandenongs to the north of Melbourne. The postcard is numbered P. 2880.Front: THE ROSE SERIES P. 2880 COPYRIGHT / VIEW AT FERNY CREEK, VIC / Reverse: POST CARD / THE "ROSE' SERIES DELUXE / A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA / PUBLISHED BY THE ROSE STEREOGRAPH CO., ARMADALE, VICTORIArose stereograph company postcards, ferny creek - victoria, postcards -- ferny creek

Rose Series Postcard. Victoria Reserve later Cato Park at Head of the St George Mine Dam originally established with donations from Mr E Simmons and voluntary efforts. Shows rotundasB/W Photo The Rose Series P. 1643 Copyright of Stawell Post Cards. Victoria Park, Stawell, Victoria. Top right corner torn off. Shows a Wooden Rotunda with seating by Lake Victoria (now Cato Lake). Shows young Willow Walk on right of lake . Renamed Cato Park. Reverse: Real Photo POST CARD. The "Rose" Series DE Luxe Produced in Australia. Published by "The Rose Stereograph" Armadale Victoria. Rose emblem logo divides the post card.stawell

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard is evidence of the location of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. A sepia postcard depicting a winding path lined with rocks. There is a cannon on the right hand side of the card beneath a spreading palm tree. There is a tall pine and a cypress tree in the background. The cannons were relocated from Fort Gellibrand to the Gardens in 1906. Front: ‘THE ROSE SERIES, P. 1030 THE GARDENS, WILLIMASTOWN, VICTOORIA / copyright’. Reverse: Left side vertical ‘Published by the Rose Stereograph Co. / Armadale, Victoria’. Across the top of the card: ‘POST CARD / The “Rose” Series A Real Photograph / De Luxe Produced in Australia’. There is an image of a rose and stem with three leaves in the centre of the card. In pencil on top right hand corner: $5 [believed to be inserted by the vendor of the card]postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, cannon, rose stereograph, rose-series, 1906

PhotographThe Rose Series P. 1144 East Beach Port Fairy Victoriaeast beach

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the path running along the river side of the gardens with trees overhanging the walkThe Rose Series P 1139 The Lovers Walk in the Gardens, Port Fairy, Vic.lovers walk - gardens, path, botanical, trees

Post card of the Moyne River BridgeBlack and white photograph of the Moyne river and Bridgehe Rose Series P. 10810 The Moyne River and Bridge, Port Fairybridge, moyne river, traffic, road

Both photographs are of historical interest in Ballarat.The Fernery photograph is of particular interest especially since the Fernery in the Ballarat Botanical Gardens was rebuilt. The Eureka Stockade gives perspective on the changes that have taken place in more recent years.2 sepia photographs. The Fernery, Ballarat Botanical Gardens and Eureka Stockade, Ballarat. The titles are printed at the bottom of each photograph. The Eureka Stockade has a fold mark down the centre of it.The Fernery photograph is part of "The Rose Series" P1807 which is written in the bottom lefthand corner and on the back is written at the top of the card, righthand side, "A Real Photograph produced in Australia". On the lefthand side is written, "published by the Rose Stereograph, Armadale, Victoria". With the Eureka Stockade photo, "Valentine Series No.1560 is written in the bottom lefthand corner. On the back, righthand side is written, "Valentine Publishing Company Co., Melbourne and Sydney".john garner, doctor, john garner collection, ballarat botanical gardens, friends of ballarat botanical gardens, the fernery, eureka stockade, ballarat, gardens

The three envelopes of photographic cards have twelve various photographs of Melbourne, Frankston and Ballarat. Two sets are published by The Rose Stereograph Company in Armadale Victoria. Each card has a description of the photograph and where it is located.Three envelopes of 12 small beautiful sepia and black and white photograph snapshots of Melbourne, Frankston and Ballarat in Victoria. c1930 - 1940. The Melbourne packet is a grey paper envelope with Twelve Beautiful Snapshots of Melbourne in Sepia Photogravure One Shilling printed on the front. The two other beige envelopes have Beauty Spots in Australia 12 Real Photographs for your Snapshot Album Price 1/6 Priced in Australia by the Rose Stereograph Company Printers & Photographic Publishers Armadale Victoria. This is surrounded by an ornate border with Ballarat at the bottom and Frankston on the other.photographs, sepia photographs, souvenir photographs

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A cardboard box full of stereoscope cards showing street views and landscape scenery. stereoscope, stereographs, entertainment, fun, leisure

This photograph, enlarged from a post card from the Rose Series, is representative of many images representing High Street, Wodonga as it developed over time. The Rose Series of postcards is a series of postcards of scenes from around Australia and some international ones as well. They were produced by the Rose Stereograph Company, which was the business of Victorian photographer George Rose (1861-1942). In 1880, George, aged 19, founded his business in Victoria, and soon became famous for producing stereographs, or stereo views. His early images included the landing at Anzac Cove, Ned and Dan Kelly’s Armour (taken at trial in 1880), The Duke & Duchess of York and their daughter Princess Elizabeth and Phar Lap winning the Melbourne Cup. When stereographs lost popularity during the 1920s, Rose switched to the production of postcards and decorative cards. He and his team of photographers took thousands of photos of scenery around Victoria and beyond, and the postcards became iconic images of Australian life. The Rose Stereograph Company Collection comprising more than 100,000 items was auctioned by Lloyds in June 2021.This is an image from an important collection of postcards which were representative of towns in Victoria taken c1920 - 1940sThis is an enlarged black and white photo of a postcard of High Street Wodonga from the Rose Series Across bottom of photo "THE ROSE SERIES P.1760 HIGH STREET, WATER TOWER, WODONGA, VIC."rose series p.1760, wodonga post cards, high street wodonga

This postcard folder contains lithographs of photographs taken locally by Georg Rose between 1880 and 1942. He reproduced them at his company's premises, the Rose Stereographic Company at Armadale, Victoria. The postcard folder was purchased as a Warrnambool souvenir by the donor's parents around 1945 to 1950. Interestingly, the city on the cover is printed as "Warrambool", which is a location in New South Wales, but the postcards within all have the locations and text of Warrnambool. The photographs include the 'new' concrete bridge, built in 1922 to replace the original bridge, built in 1872. The boathouses belonging to Proudfoots and to Flett/Fanny Nelson are also pictured on the Hopkins River mouth. The twelve photographs included locations connected to other items in our Collection. The photographs are titled: - b. The Avenue and War Memorial. Warrnambool. Vic. c. The Blow-hole. Thunder Point. Warrnambool. Vic. d. Botanical Gardens. Warrnambool. Vic. e. Eagle Rock. Warrnambool. Vic. f. The New Concrete Bridge and Breakwater. Warrnambool. Vic. g. Liebig Street. Warrnambool. Vic. h. Looking to Thunder Point. Warrnambool. Vic. i. The Beach. Warrnambool. Vic. j. Hopkins Falls. Warrnambool. Vic. k. Shelly Beach. Warrnambool. Vic. l. The Mouth of the Hopkins River. Warrnambool. Vic. m. Panorama of Warrnambool. Vic. [Kepler Street towards Presbyterian Church on Spence St] George Rose, 1861-1942: - famous for his Late 19th and early 20th century photography. He was born in Clunes, Victoria, and was in his 20th year when he founded Rose Stereograph Company in 1880. He took the opportunity of a popular trend of the times to produce stereographs, pairs of almost duplicate photographs which appeared to be in 3D when viewed in a handheld stereo viewer. By the 1920s these lost their popularity, so he used his photographic skills to produce cards and postcards of scenes and people. The photographs in this postcard folder were taken between 1880 and 1942 by the renowned Victorian photographer George Rose. The locations match photographs and postcards in our collection that were taken at different times. A comparison between them shows the changes over time in the land and bay, the buildings and other structures, transportation and even the fashions of the times, building the story of our local history.The postcard folder has a blue-grey textured rectangular card cover with a sketch of a rose on the front along with the name of the postcard series. the location of the series' focus, the producer's details and lines for adding an address. The folded cover contains a long, concertinaed page with six titled photographs on each side, totalling twelve in all. Interestingly, the cover has the location name of "Warrambool", a place in NSW, instead of Warrnambool, the location of all of the photographs inside. The folder contains scenes from Warrnambool and nearby popular areas including Lady Bay, Port of Warrnambool, Warrnambool Breakwater, Viaduct, Merri River Footbridge, the Hopkins River Mouth, with Proudfoot’s and the Fanny Nelson/Flett boathouses. The cover has a sketch of a rose and inscriptions. The photographs for the lithographs were taken prior between 1880 and 1942 by well-known Victorian photographer, George Rose, Rose Stereograph Company of Armadale, Victoria.Image: [Rose with rosebud and leaves] Printed: "Rose Series / Picturesque Views of / WARRAMBOOL / AUSTRALIA" [correct spelling is WARRNAMBOOL] "PUBLISHED BY / ROSE STEREOGRAPH CO / ARMADALE. VIC." Printed lines (3) for an address. Printed rectangle [ ] for attaching a stamp.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay

Postcard photo of Bourke St looking east from near Queen St with a number of trams in the distance view. Has the Thomas Cook, Hicks and other buildings in the view. Late 1950's or early 1960's. Divided back with places for stamp, address, correspondence and details with makers details "Rose colour card 119"trams, tramways, bourke st, queen st

Postcard - Rose Series black and white of the view from the Flinders St station clock tower looking south towards the Shrine. Shows St Kilda Road, Prince Henry's Hospital, the Yarra River and the gardens on the south side of the river. Has two trams in the view. On the lower edge of the card "The Rose Series P13602 Looking over St Kilda Road from Flinders St Station Melb. Vic" and "Olympic Year 1956". On the rear is a note written to Keith from Ken of Barkly St Mornington on 14/1/58 mainly about a Pat Lyton? now a tram conductor at Hanna St and a meeting with Brian. Has some personal notes about Pat.trams, tramways, flinders st, postcards, st kilda road

A postcard showing a scene looking west from Russell St along Collins St. Has some 7 cable trams, horse-drawn carts, and motor vehicles in view. In the view is Scotts Church, the Athenium, and the Town Hall. In the bottom left-hand corner of the card is "Printed for Commonwealth Immigration Office by Rose Stereograph Co. Vic."Demonstrates a card printed to promote Australian Immigration to Melbourne, possibly post the first world war.Black and White postcard, Divided back.In pencil in the bottom right hand corner "Government publicity issue in England $12"tramways, collins st, cable trams, immigration

A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Illegible had a good time/ with Arthur Clarke/ about 1932marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, rose series, rose stereograph company, postcard, souvenir, p. 10142

A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, rose series, rose stereograph company, postcard, souvenir, p. 10142

A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard from Greenlands guest house in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, rose series, rose stereograph company, p. 1004, postcard, souvenir

A black and white postcard of the view of Mt. Grant and Lake Mountain from Green Lanes guest house in Marysville. The postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of the view of Mt. Grant and Lake Mountain from Green Lanes guest house in Marysville. The postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.F. Geoffrey Cobb Series No. 2 POST CARD The Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria.marysville, victoria, australia, greenlands, the spot, green lanes, sarah mclean, murdock mclean, geoffrey cobb, cath m anderson, mr and mrs a.g. clarke, e pigdon, bert patterson, guest house, postcard, souvenir, rose stereograph company, f geoffrey cobb, f geoffrey cobb series no. 2

A digital copy of a black and white postcard of Marysville House that was produced by the Rose Stereograph Company as a souvenir of Marysville.A digital copy of a black and white postcard of Marysville House that was produced by the Rose Stereograph Company as a souvenir of Marysville.THE ROSE SERIES P. 2297/ COPYRIGHT POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Dear Mum + Dad,/ I am coming home/ on Wednesday. I/ don't know what/ bus yet. I am coming/ home under sufference./ I know you (illegible)/ miss me an awful/ lot. (illegible) is/ sick she has/ diary. Mum I (illegible)marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, rose stereograph company, rose series, p. 2297, postcard, souvenir

Image is an ESCo tram leaving the intersection of Grenville St. and Bridge St. and proceeding east along Bridge St. Photo taken behind junction points. Has the Nicholl & Allan building on the left side of the photo and the Bucks Head Hotel on the right. Numerous people walking around the street. Shows overhead construction in the area. Title in top left-hand corner "Bridge St. (Looking East), Ballarat. On the rear is places for stamp, address and manufacturer's name in a fancy motif "WTP". Photo taken soon after opening, no roof-mounted destination boxes. See item 9010 for a printed version. yields information of Bridge St at Grenville St, c1905B&W print, laser print and scanned images of a coloured postcard lent to the BTM by Mr. Norm DePomeroy, August 1998 and Sovereign Hill reproduction of this card contained within a scrap book. See Notes for various image holdings and history.trams, tramways, esco, sturt st, postcards, bridge st., grenville st