A collection of items owned by Leonard James Baker who enlisted in the British Army in WWI then migrated to Australia and enlisted in the Australian Army in WWII. The period covered by the collection is 1918-1971.1. Photograph of Len Baker in WWI British Army uniform 2. Certificate of Transfer to Reserve 1918 3. Photograph of Len and Edie Baker's wedding in 1932 4. Letter from St Paul's Church of England, East Kew vicarage 1940 5. Letter from City of Kew 1941 6. Wallet from City of Kew given in WWII 7. 2nd Australian Imperial Force Certificate of Discharge, dated 7 May 1941 8. Australian Military Forces Volunteer Defence Corps Certificate of Discharge dated 15/3/42 - 9/10/45 9. British Passport issued 20 April 1971 from British High Commission Canberra 10. One original and two copied photographs of his wedding. The items were donated by the great-niece of Len Baker. Many can be viewed in the image carousel above.ww1 (1914-1918), second world war (1939-1945), first world war (1914-1918), ww2 (1939-1945), wwii (1939-1945), wwi (1914-1918), len baker, city of kew

A small wallet of badges donated back to Melbourne Legacy by the family of Field Marshall Sir Thomas A Blamey (who was once a Patron of Legacy) and his son Lt. Col. Thomas R Blamey who was an active supporter of Legacy throughout his life, especially on the Mornington Peninsula. The folder contains 21 badges of various colours and donation values. One green enamel on metal badge marked 10 pounds or 20 dollars - oldest one as pre-decimal. With a clip on back. One green enamel on metal badge marked $20. With a clip on back Four orange enamel elongated shape stick pin marked $25 Four blue enamel shield shape stick pin marked $10 Two yellow enamel pentagon stick pin marked $5 One yellow plastic pentagon badge on short pin $5 Three blue plastic torch badges on short pin $1 Three red plastic torch badges on short pin $2 One pink plastic torch badge marked $2 One pink plastic rectangle badge marked $2 One gold with red enamel Widows broch missing its pin. Various manufacturing dates but all produced by AJ Parkes.Shows that the Blamey family supported Legacy with badge day.Dark brown thick cardboard folder with sponge inside to hold badges. 21 Legacy badges and one Legacy Widows broch.badges, blamey

[see inscriptions] Black and white mounted photograph. Approximately 160 men (171 according to inscription on the back) sitting on large tables at a formal dinner event; all weatinh suits and posing for photograph. Photo was taken in a large rooom with a stage, Malvern Town Hall accoring to inscriptions on the back - tables occupy centre and front of photograph - but in the background: [left] Australia flag, WWII poster; [center] stage with painted landscape and piano; [right] WWII poster and Britain flag. [information of event on newspaper cutting stuck on the back - as described on Inscriptions]Handwritten: 171 PRESENT // FEB 1945 // (?) OFF SUPT KNOTT // INSPT SAMBLEBE // CONST GRAMBEU /// MALVERN TOWN HALL Newspaper cutting glued to frame: Supt. J. R. H. Knott, has rettired from the Police Force after 38 and half years' service, was farewelled by citizens and police officials at Malvern Town Hall on Tuesday night, The mayor of Malvern (Cr. J. Johnson) presided and presented SUpt. Knott with a chair and a wallet of notes. Similar presentations were made to Inspector C.H.D. Samblebe and First Constable O. Grambau, who have also retired. Supt. A.D. McKinnon of Ballarat will succeed Supt. Knott // handwritten: SUN 1/2/45victoria police museum, police officers, police academy, police force, superintendent mckinnon, superintendent knott, cr johnson, inspector samblebe, first constable grambau, poulter, william

Photograph shows actor Megan Williams dressed as conductress Alice Sullivan posing at the right side driver's doorway of what may be an L class car, suggested by the metal downpipe from the roof to the undercarriage and the saloon windows. The photograph is closely cropped but also appears to show a male in jacket or coat inside the saloon behind the driver's compartment. The Sullivans was a successful period drama series screened on Channel 9 between 1976 and 1983. It traced the lives of a Melbourne family during the 1939-45 war and its aftermath. As women were 'finally' employed by the tramways from 1941 because of man-power shortages, Alice Sullivan's new job helped highlight the changing societal views of the 1940s. The series was know for its attention to historical details, so Alice is dressed in the conductress uniform of the 1940s - brown tunic with brass buttons and belt, collar and tie, a cap (which may not exactly match that of the day), brown skirt below the knees, stockings and flat brown lace-up shoes. Alice also wears a conductor's coin bag with ticket wallet and two blocks 4 penny tickets strategically located for the camera. One error in the historical detail is that the coin bag is hung solely around her neck, which was never done because of the weight of the coins and tickets. A more eleborate harness was soon provided for conductresses. Another error is the placement of the ticket blocks which would have easily worked loose and lost, resulting in a large deduction for the conductress's wage.Yields information about 1940s conductresses and their representation in popular drama Black and white print with note on rearIn pencil: "Channel 9 Sullivans"megan williams, alice sullivan, conductress, l class, the sullivans, conductress uniform, coin bag

Demonstrates the method of dispensing tickets by conductors, how the tickets could be arranged, although the arrangement may not exactly represent the 1958-1963 arrangements of a ticket wallet. Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented. Has a strong association with Travis Jeffery.Ticket wallet with a set of nine 1950-60's Ballarat tram tickets set up to represent a typical conductor's set of tickets by Travis Jeffrey, though these may not exactly line up with the fares at any one period - 1958 to 1963 following the introduction of concession tickets. Does not have a 3d City Section Ticket. 4000 - Sheet of leather, approx. 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a light cream or white colour cotton. The stitching on one side that forms the pockets has been removed, possibly by Travis, to present the tickets. 3992 - 7d black 3993 - 6d teal 3994 - 5d green 3995 - 4d brown 3996 - 4d Parcel check 3997 - 2d Red 3998 - 3d orange 3999 - 2d concession - red 4001 - 3d concession - orange 4002 - 2d City Section - red See Alan Bradley's notes "Fares in Ballarat"trams, tramways, secv, tickets, conductors

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

Demonstrates the method of dispensing tickets by conductors, how the tickets could be arranged, during the last period of Ballarat Tramways - 1971 fare system. Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented. Has a strong association with Travis Jeffery.Ticket wallet with a set of eight 1970's Ballarat tram tickets set up to represent a typical conductor's set of tickets by Travis Jeffrey. 2775.1 - Sheet of leather, approx. 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a light cream or white colour cotton. 2775.2 - 4c ticket block - C511306 - C511399 - See Reg. Item 1715 for full details 2775.3 - 7c ticket block - C981113 - C981199 - See Reg. Item 1718 for full details 2775.4 - 5c City section ticket block - A357688 - 357799 - See Reg. Item 1725 for full details 2775.5 - 7c City section ticket block - A148080 - 148199 - See Reg. Item 1726 for full details 2775.6 - 8c ticket block - A896327 - 896399 - See Reg. Item 1719 for full details 2775.7 - 13c ticket block - B486983 - 486999 - See Reg. Item 1721 for full details 2775.8 - 16c ticket block - A572369 - 572399 - See Reg. Item 1723 for full details 2775.9 - 18c ticket block - A369492 - 369599 - See Reg. Item 1724 for full details. trams, tramways, secv, tickets, conductors

The Dead Man’s Penny is a commemorative medallion which was presented to the next-of-kin of the men and women from England and the Empire who died during World War One. The Dead Man’s Penny was accompanied by a letter from King George V, stating ‘I join with my grateful people in sending you this memorial of a brave life given for others in the Great War’.[http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny/] Popularly known as the "Dead Man’s Penny", because of the similarity in appearance to the somewhat smaller penny coin. 1,355,000 plaques were issued, which used a total of 450 tonnes of bronze, and continued to be issued into the 1930s to commemorate people who died as a consequence of the war. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] It was decided that the design of the plaque was to be picked from submissions made in a public competition. Over 800 designs were submitted and the competition was won by the sculptor and medallist Edward Carter Preston with his design called Pyramus, receiving a first place prize of £250.[http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] They were initially made at the Memorial Plaque Factory, 54/56 Church Road, Acton, W3, London from 1919. Early plaques did not have a number stamped on them but later ones have a number stamped behind the lion's back leg. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] Ted Cannon's plaquette does not have a stamped number. Ted Cannon was a gifted artist and cartoonist who studied at the Ballarat School of Mines Technical Art School. During the Battle of Pozieres on the Western Front Ted Cannon worked with the Scout Platoon sketching the enemy's gun emplacements. Ted proved invaluable to the Brigade and brought he came under the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. The effects of the late Ted Cannon were returned to his parents. These were an autograph book, three brushes, prayer book, housewife, whistle, book, hymn book, curios. Another listing gives his effects as "identity disc, letters, photos, wallet, 2 books, Mexican Dollar, 1 cent (Ceylon), 3 German Straps, Fountain Pen, Cigarette-holder, Franc Note, 50 centimes Note, devotional book, mirror, rosary, scapula, metal ring, two combs, book of views, nail clippers, badges, tie clip, Egyptian stamp.[http://recordsearch.naa.gov.au/scripts/Imagine.asp?B=3202589] Ted Cannon was an only child. It is not known how the 'Dead Man's Penny' came into the ownership of the donor, but it is thought that it may have been left in a house owned by the donor's mother. Further information on Ted Cannon can be found at http://bih.ballarat.edu.au/index.php/Edwin_J._Cannon and http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916Large bronze medallion or plaquette featuring an image of Lady Britannia surrounded by two dolphins (representing Britain’s sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge of the medallion are the words ‘He died for freedom and honour’. Next to Lady Britannia is the deceased solider’s name, with no rank provided to show equality in their sacrifice. (http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny) The plaque was distributed throughout the British Empire, and the first plaques were distributed in Australia in 1922 "Returned home" by W. & O. Mayne, 2013. ted cannon, edwin joseph cannon, cannon, world war 1, world war

Take a stroll through the average beverage aisle in your supermarket, and you might get the impression that tea has always come in small boxes with disposable tea bags. But before those easy to come by boxes, there was the rich and intriguing history of the tea strainer, a beautiful little tool that has helped our ancestors enjoy loose leaf tea for hundreds of years. Enjoying loose-leaf tea, and becoming familiar with this tool, can help spark an appreciation for your tea strainer and infuser collection, or simply inspire you to grow one. Documentation of tea tools such as the tea strainer appear in ancient history, the earliest models were likely made of bamboo, and later evolved into stainless steel, sterling silver, china, porcelain, silicon, and linen. During the Tang Dynasty in China, a small book called “Classic of Tea” was written describing tea utensils, and they were made to help Buddhist monks keep living things (such as small bugs) out of the drinking water. However, using a tea tool to keep run away tea leaves out of a cup did not become a cited use of the strainer until the 17th century when Dutch merchants made tea more readily available to those outside of the Chinese dynasty. British royals then increased the popularity of tea as their preferred beverage, and it was not long before a newfound fanaticism for tea in Great Britain spread to the American colonies, as did a growing demand for products that could separate loose tea leaves from liquid with ease and flair. Why did people use a strainer to separate out tea leaves in Great Britain and not in China? While the method of serving tea from a teapot with the tea loose in the pot was a practice used in both countries, the reason China may not have required a tool to remove leaves from their cup likely had to do with the types of tea leaves they were producing. The British owned tea plantations, in countries such as India, produced finer black tea leaves that did not require as much space to expand inside of a tea pot, where as the leaves prepared on the Chinese plantations would expand far more in the pot, and were therefore less likely to land or be bothersome inside a tea cup. This common approach to serving tea with smaller tea leaves required a solution to avoid ending up with a cup, and mouth, full of tea leaves. The obvious solution was a strainer basket. In the Victorian era, tea strainer baskets, similar to those still used in tea parlors today, were made to sit on top of the cup to capture the leaves when pouring the tea from a tea pot into the individual cups. Another solution was a tea-removing device called a mote spoon. Mote spoons act as search and rescue spoons to remove tea leaves from individual teacups. The tea would be brewed loose in the teapot, so any tea that ended up in the cup could be removed with a long handled spoon with holes in the spoon to remove rogue tea leaves and keep the steeped water in the cup. The handle also helped keep the teapot spout free of leaves and could help unclog any leaves trapped when pouring. Stainless steel tea strainers and tea infusers gained popularity in the late 19th century. Big name tea strainer producers, such as Tiffany and Gorham, could use fine silver to create quality, heavy, and sturdy strainers, for those who could afford it. There were many varieties of strainers at that time, but it was more likely that smaller designers who could not afford to mass-produce these quality strainers out of silver made them into unique shapes to attract consumers with lighter wallets. And borne was the tea strainer we are accustomed to today. Things took an unexpected turn for the tea strainer in the early 1900s when Thomas Sullivan, a tea merchant, shipped out tea samples in small silk bags. Customers did not realize that they were supposed to remove the tea from the bags, and instead boiled the tea, bag and all! The convenience of tossing out the leaves is obvious, and the popularity of tea bags is still seen today. Most premium bags of tea we are accustomed to today are frequently packaged loose for consumption, and when they are available in bags, the leaves are often crowded and do not have enough space to expand. While pyramid tea bags have become a more recent solution to this problem, due to the additional space at the top of the bag, enjoying a variety of quality tea is easier with a tea strainer in your arsenal. Besides, with the wide variety of strainers for your cup or pot in versatile materials such as mesh, silver, or a novelty silicone cartoon shape, loose tea can still reign supreme. Tea strainers sometimes do require more cleanup and measuring, but the experience and quality is always worth the effort. Besides, strainers also allow for mixing favorite tea blends together for an extra dose of delicious creativity! https://www.teamuse.com/article_170413.html The strainer provided the convenience of separating the tea leaves for disposal later.Metal strainer, bowl shaped, with mesh and twisted wire handle.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, strainer

This collection of photographs shows various scenes around Warrnambool and district such as street scapes, the Ozone Coffee Palace, Botanic Gardens, Beach scenes, Hopkins River and Proudfoots on the Hopkins. Valentines snapshots were done of many place world wide, and packaged in a convenient size to be posted.These cards have an historic and artistic significance and also provide the opportunity to be used in an interpretive way. Small, pale green, card folder with 24 photographs, 12 are gloss finish and 12 matt finish. The gloss photos have titles printed on reverse and matt cards have handwritten style titles.On folder: Valentine’s snapshots. Printed in Great Britain.warrnambool, valentine postcards, lava street, koroit street, liebig street, proudfoots, warrnambool botanic gardens, warrnambool beach

This folder came from the photographic studio of Alex Wilkins. For over 35 years in the 20th century he was one of the best-known commercial photographers in Warrnambool. In 1938 he purchased the building known as Jordan Studios (94 Liebig Street) and worked there until the 1960s. In the 1940s he became interested in producing movie films documenting local news and scenes. The name ‘McKinney’ on this folder indicates that the contents belonged to someone in the Warrnambool area as William McKinney had a general store in Lava Street in the 1870s and 80s and there are still McKinney residents in Warrnambool today. This folder is of some interest as it comes from the studio of Alex Wilkins, one of Warrnambool’s most important photographers in the 20th century. This is buff-coloured paper folded in three places to make a folder with sleeves at each end to insert photographs or photograph negatives. The folder is stitched with cotton at the top and the bottom and some of the stitching is coming undone. The inside sleeves have black printed advertising material on them and the front cover has a red and black image of two little girls. The back cover has a red and black advertisement for Kodak Verichrome film.Back Cover: ‘McKinney’ Front Cover: ‘Alex Wilkins, Photographer, 94 Liebig St., Warrnanmbool’ (stamp) alex wilkins, mckinney family, warrnambool

Items belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service record..1) Emergency signaling mirror with cord and aiming post made of polished metal. .2) Bag to carry mirror made of cotton.Has instructions on the back of mirrormilitary equipment, signalling, mirror

Personal account of a common 'crisis' situation, written by GHS member Atis Lejins.5 p. typescriptatis lejins

Leather straps were commonly used to secure cases and other forms of luggage when traveling. The labels enabled easy identification when collecting luggage from transport carriages, coaches, buses and trains. 10th Field Company, Australian Engineers WW1 1914-18. The 10th Brigade was an infantry brigade of the Australian Army. Originally formed in 1912 as a Militia formation, the brigade was re-raised in 1916 as part of the expansion of the Australian Imperial Force following the end of the Gallipoli campaign. It subsequently saw service on the Western Front in France and Belgium during the First World War. After the war it was disbanded but was re-raised in 1921 as a part-time formation based in the state of Victoria. During the Second World War the brigade was used in a garrison role in Australia before being disbanded in 1942.These leather straps and labels were attached to the luggage of an Australian soldier during early 20th C who may have been a resident or relative of a resident in City of MoorabbinLeather luggage straps with metal buckles and 3 luggage address labels attached.Label 1 - L.D.McCallum Sgt / 10th Fd Coy AE Label 2 - Healesville Label 3 - Maryborough leather, straps, belts, luggage labels, tools, saddles, wallets, personal effects, horses, drays, world war 1 1914 -18, world war 2 1939-45, army, 1st aif, military, 10th field company australian engineers, western front, france, belgium,

ID cert and Cert of Exemption -#25548 Pte. William Laing, 3rd Argyll & Sutherland Highlanders. See COL017ephemera, ww1, army

Owned by Mr Bob Cuttler, shearer.

Brown leather card case with two pocketspersonal effects, containers

This object relates to Jack WILLIAMS. He was born on 1/01/1893 in Ballarat, VIC. Jack served in the Army (92) enlisting on, 24/08/1914 in Ballarat, VIC before being discharged from duties with the 8 Battalion as a Army Non-Commissioned Private (PTE) on 20/11/1918. Jack WILLIAMS was not a prisoner of war. His next of kin is Mr & Mrs Williams, 907 Urquhart St. Jack Williams was awarded the 1914-1915 Star, British War Medal, Victory Medal.Note inside reads:- "Enlisted with 8th Battalion in 1914 at start of World War 1 & was on ship coming home on leave in 1918 when armestice was signed. Was a runner, used to run messages to the fighting line. 8th Batt was Ballarat's own & red& white (patpersonal items, ballarat rsl, ballarat

This object relates to Herbert Swain GREENING. He was born on 1/01/1891 in Ballarat, VIC. Herbert Swain served in the AIF (3292) enlisting on, 13/07/1915 in Ballarat, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Private (PTE) on 15/02/1918. Herbert Swain GREENING was not a prisoner of war. His next of kin is Mrs. M. Greening - Mother. Herbert Greening was awarded the 1914-1915 Star, British War Medal, Victory Medal.first world war (ww1), 1914 - 1918, personal items, ballarat rsl, ballarat

personal items, ballarat rsl, ballarat

This object relates to Ernest Joseph LEWIS. He was born on 20/05/1911 in Carlton, VIC. Ernest Joseph served in the Army (VX73578) enlisting on, 27/01/1942 in West Brunswick, VIC before being discharged from duties with the 15 FLD REGIMENT as a Army Non-Commissioned Private (PTE) on 03/10/1945. Ernest Joseph LEWIS was not a prisoner of war. His next of kin is Ethel LEWIS.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

Photo of greyhound insidepersonal items, ballarat rsl, ballarat

Gold Initials on front "R B"personal items, ballarat rsl, ballarat

This object relates to Charles Ben French. He was born on 17 November 1904 in Melbourne, Victoria. Charles French served in the NZ Merchant Navy as a Merch. Navy Non-Commissioned Baker (BAKER). He was not taken as a prisoner of war.Gold engraving - City of Kew, Victoria Insignia, Presented by The Mayor, Councillors and Citizens of the City of Kew to C B French on enlistment for Active Service Abroad 1941second world war (ww2), 1939 - 1945, personal items, ballarat rsl, ballarat

This object relates to Leslie Royce LILLINGSTON. He was born on 30/10/1917 in Ballarat, VIC. Leslie Royce served in the Army (VX22256) enlisting on, 05/06/1940 in Ballarat, VIC before being discharged from duties with the 2/12 FLD REGT as a Army Non-Commissioned Sergeant (SGT) on 14/01/1946. Leslie Royce LILLINGSTON was not a prisoner of war. Les Lillingston died 24/1/1991. His next of kin is George LILLINGSTON. He was a Rat of Tobruk 1941 9 DIV 2/12 BTN.personal items, ballarat rsl, ballarat

Containing Business Cards - Funeral Directors; Book - Masons of Victoriapersonal items, ballarat rsl, ballarat