Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the entrance gates to the Kew Asylum. Located in Princess Street, these gates were relocated to Victoria Park in the 1930s/40s. There is a shelter to the left of the gates. A horse-drawn covered carriage is exiting through the gates. An electric light is hung from a metal bar in the centre of the gates. The two-storey gate house on the right of the gates is outside the view of the photograph.kew lunatic asylum, kew lunatic asylum -- gates, henry beater christian, christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the oldest.An album of photographs, compiled by Henry Beater Christian (1886-1962) of Pakington Street, Kew, depicting individuals, natural and settled environments and the interactions between these worlds. Henry Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Digital copy of a 47-page photograph album containing 255 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The album contains a groups of photographic positives taken by Henry B Christian (a resident of Pakington Street), of places in Kew and throughout regional Victoria during the 1920s. The mainly sepia photographs, while small, are of a high resolution. Photographs are typically lightly glued onto pages. Locations are frequently identified by white or black ink, which in a number of cases is illegible due to wear.henry beater christian (1886-1962), landscape photography, photograph albums, kew (vic.) — yarra river, kew (vic.) — zig-zag bridge, kew (vic.) — macauley’s boathouse, studley park (vic.) — yarra river, wonderland — grampians (vic.), black spur (vic.), marysville (vic.), maroondah dam (vic.) — construction, warburton (vic.), cockatoo (vic.), bruthen (vic.), swan reach road (vic.), glen hills (vic.), lightning creek (vic.), omeo (vic.), glen wills (vic.), mt wills (vic.), sunnyside (vic), granite flat (vic.), toolangi (vic.), yea (vic, )., flowerdale (vic.), mt white law (vic.), baw baw (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An album of photographs, compiled by Henry Beater Christian (1886-1962) of Pakington Street, Kew, depicting individuals, natural and settled environments and the interactions between these worlds. Henry Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Digital copy of a photograph 24-page album loaned by Diane Washfold with permission given to photograph and hold a copy in our collection. The album contains series of photographic positives taken by Henry Christian (a resident of Pakington Street), of places in Kew and throughout regional Victoria during the late 1920s. The mainly sepia photographs, while small, are of a very high resolution. Photographs are typically lightly glued onto pages. Individual pages may be identified by white ink, which in a number of cases is illegible due to wear. Identifiable locations include: Walhalla, Thomson River, Aberfeldy, Matlock, Jericho, Jordan River, Jamieson, Harrietville, Mt Feathertop, the Alpine Road, Cape Patton, Melbourne, and Kew.henry christian (1886-1962), landscape photography, photograph albums, walhalla (vic.) -- history —— photographs, thomson river (vic.) — history —— photographs, aberfeldy (vic.) -- history —— photographs, matlock (vic.) -- history —— photographs, jericho (vic.) -- history —— photographs, jordan river (vic.) -- history —— photographs, jamieson (vic.) -- history —— photographs, harrietville (vic.) -- history —— photographs, mt feathertop (vic.) -- history —— photographs, alpine road (vic.) -- history —— photographs, kew (vic.) — history—— macauley’s boathouse — photographs, kew (vic.) —— history - kew lunatic asylum — photographs, kew canoe club history — — photographs, cape patton — history— photographs, coronation — george vi — melbourne (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.Small black and white photograph of the Yarra River at Studley Park. In the middle ground, a man is paddling a canoe upstream. On the horizon, the tower and buildings of Raheen in Studley Park Road can be seen.henry christian (1886-1962), landscape photography, kew canoe club history — — photographs, yarra river -- studley park -- kew (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.Small black and white photograph of the walkway of the Zig-zag Bridge over the Yarra River at Studley Park.henry christian (1886-1962), landscape photography, yarra river -- studley park -- kew (vic.), zig-zag bridge -- yarra river -- kew (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.Small black and white photograph of the Zig-zag Bridge over the Yarra River at Studley Park.henry christian (1886-1962), landscape photography, yarra river -- studley park -- kew (vic.), zig-zag bridge -- yarra river -- kew (vic.), christian-washfold collection

Gladys Machin was the first female Councillor for the City of Caulfield. She served between 1950-1965 and was Mayor in 1955-56 and 1959-60. Machin championed the opening of the Caulfield Elderly Citizens Club in 1952 (later renamed in her honour as the Gladys E Machin Senior Citizen's Club). Machin was also President between 1953-1974, as noted on the engraving. The club now forms part of the Caulfield Senior Citizen's Centre at 8 Cedar Street, Caulfield South. Caulfield was one of the first local councils to establish an elderly citizen's club. This photograph used to hang in the main hall at Caulfield Senior Citizen's Centre alongside a photo of the Queen.This object is considered of historic significance for its portrayal of Gladys Machin, first female Councillor for the City of Caulfield. Framed sepia toned and hand-painted photograph of Gladys E. Machin. Engraving on panel at bottom reads: 'Mrs Gladys E.Machin OBE J.P Founder of the Club, President 1953-1974'. gladys e machin, city of caulfield, councillor, mayor, gladys e wallace, glen eira, caulfield senior citizen's club

The badge design The League’s badge represents a readiness at all times to render service to Queen and country and to former comrades. It can’t be purchased and may only be worn by those who have served their country. The shield design is symbolic of the protection provided to those who wear it. Within the badge, red represents the blood ties of war that exist between comrades; white stands for the purity of the motives in joining the league – to render service without personal gain or ambition; and blue indicates a willingness to serve a comrade anywhere under the blue sky. The wattle represents Australia, with the leek, the rose, the thistle and the shamrock standing for Wales, England, Scotland and Ireland respectively.The collection of badges,medallion,issue diary and photograph shows what a soldier who served in WW1, received.It is good that this collection is still intact. Badge awarded to Driver of the 6th Field Ambulance, Malachy Sandy, no 3320,who enlisted March 6th 1915. RTA 14 Jan 1919.Metal badge with crown attached to top of badge.Two folded metal loop(for pin to attach to coat etc), soldered on back of badge. "1919" on crown."Australia" in red scroll along bottom of of badge.Engraved flowers top left and right below crown."Returned Sailors & Soldiers Imperial League" on blue circular background surrounding embossed soldier holding rifles. On the back of badge is : "Copyright / 83978 / Prouds Ltd"sandy, malachy, badge, rsl, imperial, league

Slide photograph of children at Harelands being helped with their homework by a legatee. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of children being cared for at Harelands.Colour slide of the children in Harelands doing homework, in a brown cardboard mount.residences, harelands, study

Slide photograph of the Harelands dining room from the 1950s or 1960s. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Harelands was built in the Queen Anne style and is now heritage listed. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the residence called Harelands.Colour slide of the dining room in Harelands, in a grey Hanimount cardboard mount.residences, harelands, dining room

In 2023 The Royal Australian Mint has released a Legacy Centenary Coin. The coin is available in a limited mintage of 30,000. The reverse of the coin features a sculpted interpretation of the Legacy logo torch cupped by a pair of hands with the title text ‘Centenary of Legacy • 100 Years of Service’ circling the design around the edge of the coin. The front side of the coin features the Queen Elizabeth II Memorial Obverse which will only be featured on coins made in 2023, making this coin even more collectible. The coin was released in two different presentation cards. This one retailed for $15. The other appears with the Legacy Stamp and postmarked as a first day of issue and cost $18.95 in a limited edition of 7,000.A record that Legacy's reputation is such that the centenary was marked by the Royal Mint and Australia Post.An uncirculated Australian $1 coin in a protective pack.100th anniversary, centenary

A booklet produced about the Shrine of Remembrance. Its full title mentions the 1939-45 memorial and 'Including a full description of the many features of the Memorial together with its history and thirty six photographs.' The exact date is unknown but was after the Queen dedicated the World War 2 memorial in 1954. Item was with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01211, 01649, 01650).Details of the Shrine of Remembrance published for the public. It is important to note it mentions that Legacy had an important role in promoting the construction of the original design over alternate proposals (of a civic square or a hospital). There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01211, 01649).A 40 page of booklet describing the Shrine, buff paper in a cream cover with black and white photos and black print.Handwritten on top right corner of the cover is S2 in red pen, part of an original numbering system.memorial, shrine of remembrance

The Mayor's room was traditionally a private space in which the Mayor met with visitors and official guests. The signatures in this Visitor's Book reflect the breadth of community members who were received by Mayor's throughout the 20th century. From local people to overseas dignitaries their signatures are recorded for prosperity as evidence of their visit to Bendigo. Signatures include the Duchess and Duke of York (Later the King and Queen of England) who visited on the 28th April 1927 as part of their national visit which coincided with the opening of Parliament House in Canberra. Royals Prince Charles and Lady Diana signed the book on the April 15th, 1983 and Prime Minister John Howard and Members of Cabinet in 1998. Large tan leather and green cloth bound book. 390 lined pages each with three ruled vertical columns titled; Name, Address, Remarks. Marbled front and back end papers. Pages numbered top left or right of each page. Front end page has a small pink piece of paper pasted in centre with makers name and address on it. The book began being used on the 23rd March1900, with the last two pages featuring signatures of federal politicians who attended a Cabinet Meeting at the Bendigo Town Hall on the 21st July 1998.Spine; Embossed leather piece with Visitors Book written on it. Cover; Embossed leather piece with Mayor's Room Bendigo Visitors Bookcity of greater bendigo events, city of greater bendigo town hall, city of greater bendigo royal visits

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as "Home sweet Home “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. For more information on the Giles collection see Acquisition section this document: An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. The Giles family collection is of additional social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us an additional view into what domestic life was like in early colonial times prior to Federation.Wall decoration, framed handmade embroidered tapestry with the woven inscription, Frame has velvet cover. This item is part of the Giles CollectionHome Sweet Home, in gothic scriptflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, soft furnishing, wall decoration, home sweet home, wall hanging, handmade wall hanging, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century handcraft, mrs vera giles

Presented to 1st Infantry Regiment (WA Volunteer Forces) by HE the Governor of WA, Lt-Colonel Sir Gerard Smith, KCMG at a Queen's Birthday parade held on the Recreation Ground, Bazaar Terrace, Perth (now where the Esplanade is situated), on 28 May 1896. Consecrated by Senior Chaplain of the Forces, the Very Reverend Dean Goldsmith. Purchased by the WA Government, with the sanction of the Home Authorities, the colour was manufactured at the Pimlico Army Clothing Depot, London. It was the first Queen's Colour to be presented to a Western Australian Army unit. (A detailed description of this colour appeared in "The West Australian" of 23 May 1896) This colour was subsequently inherited by successor Militia units to the 1st Infantry Regiment, including 11th Australian Infantry Regiment (Perth Regiment), 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The colour was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 7 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time, this colour later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these Colours to the Museum in November 1993. Purchased by the WA Government, with the sanction of the Home Authorities, this was the first Queen's Colour to be presented to a Western Australian Army unit. (A detailed description of this colour appeared in "The West Australian" of 23 May 1896)Union flag with red and gold fringe. In the centre a circle inscribed "Western Australia", surmounted by a crown. Within the circle a black swan on gold background.military heraldry

Paper pamphlet printed by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Prince Henry, Duke of Gloucester, KG, KT, KP, GCB, GCMG, GCVO, PC (Henry William Frederick Albert; 31 March 1900 – 10 June 1974) was the third son and fourth child of King George V and Queen Mary. He served as Governor-General of Australia from 1945 to 1947, the only member of the British royal family to hold the post. Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GBE (born Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. She was the mother of Prince William of Gloucester and Prince Richard, Duke of Gloucester. The daughter of the 7th Duke of Buccleuch, Scotland's largest landowner, she became by marriage a princess of the United Kingdom, and a sister-in-law to Edward VIII and George VI. She was thus an aunt by marriage to Elizabeth II. Princess Alice was extremely well travelled, both before and after her marriage. At the time of her death at 102, she was the oldest living member of the British royal family. David W. Streader (1887 - 1978) was Mayor of Bendigo from 1946 - 47. He was a JP and belonged to the Loyal Sandhurst Lodge. Paper pamphlet printed in blue, purple and red ink by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Souvenir / City of Bendigo / To the Children who participated in the TABLEAU / welcoming THEIR ROYAL HIGHNESSES, / THE DUKE and THE DUCHESS of CLOUCESTER / BENDIGO, Thursday, 14th November, 1946 / [ decorative line break] / After following with rapt attention the various phases / of the TABLEAU of WELCOME in THEIR honour, HIS ROYAL / HIGHNESS, THE DUKE OF GLOUCESTER, on behalf of the / DUCHESS and HIMSELF, said :- / [italics] "I am deeply moved by this magnificent spectacle. / Will you kindly convey my grateful thanks to all / concerned in the presentation of this beautiful / tableau ?" / in conveying this message to you, may I , as Mayor of / the City, add my personal congratulations and thanks to/ those of THEIR ROYAL HIGHNESSES for such a delightful / effort. / [signed] David. W. Streader / Mayor duke and duchess of gloucester, governor-general, city of greater bendigo royal visits, city of greater bendigo tourism, mayor d.w. streader, mayoress streader

Painted and used at Internment camp 3.Watercolour painting of "Cairo Courtyard" on wooden board, wide brown wooden frameC. Rippert. On back: "Numurkah Butter Factory, Victoria, Australia. 54 lbs nett. Produced in the district of Numurkah. "Pure Creamery Butter". G. Glockemann - Hornsby. On a sticker "Gemalde" Von Frau Rippert Ruckseite Des Bildes Von Historischem Interesse. Frau Charlotte Rippert, the artist, was a German Lutheran Missionary in Egypt in the 1930's. Interned by British in Cairo and transported to Australia on the Queen Elizabeth, arriving in Sydney, 31 August 1941.c. rippert, internment camp 3, internment camp artists, glockmann family, charlotte rippert

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth and the postcard shows the plaque and two of the four drinking stations. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. Front: VALENTINE’S, M.355 THE FOUNTAIN, WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Queen St, Melb’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES’. The postcard is addressed to ‘Dear Agnes’ from ‘Una’. Marked in pencil on to right hand corner ‘1920 / $8’ believed to be put on the postcard by the vendor. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, 1920, granite, bliss-and-sons, 1906

This is a programme for a 1913 Clara Butt and Kennerley Rumford concert in the Warrnambool Town Hall. Clara Butt (1872-1936) was an English contralto recitalist and concert performer, well-known for her powerful and deep voice. Her three months’ tuition in Paris was sponsored by Queen Victoria. She was married to Kennerley Rumford in 1900 and they had three children. Robert Henry Kennerley Rumford (1870-1957) was an English baritone singer known initially for his performance of oratorio. Clara Butt and Kennerley Rumford were called ‘the greatest classical Valentines’. Other performers listed in this concert programme were Mowat Carter, a Melbourne-born violinist and William Murdoch, a pianist, composer and author, born in Bendigo.This programme is of considerable significance as it records the visit to Warrnambool of the famous English singer, Clara Butt. It is an original programme and it is probably a rare one. This is an eight-page programme, consisting of two sheets of cream paper folded in half. The programme was stapled but the staples have been removed. The front cover has blue printing and the back cover has an advertisement in blue print. The print on the inside pages is in black. Two inscriptions are handwritten in blue ink.‘1913’ ‘N.J.Absalom’clara butt, kennerley rumford, warrnambool town hall, history of warrnambool

The Chancellor is the head of the university and presides over meetings of Council. The Chancellor is also an ex officio member of all other bodies of the University. As well as being the traditional colour of embellishment on a Chancellor's gown, gold also provides a tangible link between the new university and its Ballarat ancestry. Academic gowns distinguish between the university's senior office holders, The design of the Chancellor's gown at the University of Ballarat is based on an Oxford and Cambridge tradition for university Chancellors' robes. It is made after the style of an English Queen's Counsel gown, with appropriate traditional adornment (chevrons) on the sleeves and edges. The decorative braiding is in gold oak-leaf braid. The velvet trencher with gold tassel is the traditional headwear for a Chancellor. Black and white 16 page booklet with a primarily black cover. The booklet is the programme for the installation of Emeritus Professor Geoffrey Blainey as the foundation Chancellor of the University of Ballarat. The contents include an order of proceedings, history, Geoffrey Blainey, the role of Chancellor, the chancellor's regalia, University of Ballarat logo.university of ballarat, chancellor, geoffrey blainey, blainey, governor of victoria, richard mcgarvie, bill pryor, nina valentine, david james, vern robson, lee francis, david fitzgerald, redmond barry, ballarat school of mines

Joseph Ringland Anderson was born in Killylea, Ulster, Ireland in March 1854. At the age of 18 he joined the Presbyterian Church at Killylea by profession of faith. He studied at Queen's College, Galway, and graduated M.A. He then studied Theology at the General Assembly's Theological Hall, Belfast. In 1881 he decided to emigrate to Australia, and completed his theological education at Ormond College, Melbourne. He was ordained in 1882 and inducted into the Presbyterian Church at Penshurst, Victoria. While at Penshurst he married Annie Love Elder. He was called to Lilydale in 1893, to Beechworth in 1902, to North Carlton in 1907 and 1913, was inducted into the Kew Presbyterian Church. Retired and demitted 1926. Died 12 August 1941B & W head and shoulders photograph of the Rev. Joseph Ringland Anderson, M.A. printed on buff cardRev. J.R. Anderson, M.A. 1913 - 1926joseph ringland anderson, ulster, ormond college, kew, presbyterian, minister

A postcard to the Comradeship Committee when a Legatee was travelling in England. The postcard is a picture of the Trooping of the Colour in London shown as rows of Queen's guardsmen. It is addressed to Hugh Caffrey (?) at Legacy House. It is dated 15 June 1995. It says: "G'day Hughie. Recognise me. I'm behind the bloke in the hat in the back row. Had a wonderful VE-50 week of celebrations. The RAAF were really looked after, reserve seats and all. A further week at the old dome was terrific. People were wonderful to us. Have just returned from 21 days around Europe Fantastic. About the head around the British Isles and Ireland. Regards to all at Legacy, Cheers. Ron S (?). £2 a pint beer?A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard of London.Printed "London. Trooping the Colour" 35p UK postage stamp and airmail sticker. Handwritten text in blue pen.comradeship, legatee

Photos of an event for Legacy at Queen's Hall in the Victorian Parliament House. Exact event and date unknown but stored with items of the 50th Anniversary celebrations in 1973. The photos show President Geoff Handbury making a speech and his wife Helen (in black gloves), Dame Mary Herring and Sir Edmund Herring to the right hand side of the photo. Also views from a balcony down on the attendees. Photo came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary / 1983 Morewell / 1973 Legacy March ANZAC Day, 50 yr celebration, inclusion in ANZAC Day March authority of RSL". See items 00451 to 00455, 00460 to 00464, 00391, 01418, 01419. A record of an event at Parliament house to mark the 50th anniversary of Legacy during the Golden Jubilee year 1973.Black and white photo x 4 an event held at Parliament house for Legacy in 1973.All stamped "This Photograph is with the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink.golden jubilee, legatee event

The photograph shows the demolition or removal of the cable tram track at the intersection of Smith Street and Gertrude St Fitzroy, 1954/55. Photo shows the workmen excavating and demolishing parts of the massive infrastructure needed at this curve to enable cable trams to pass around the sharp curve, still one of the sharpest on today's Melbourne tram system. The outside cable tram track remains in position. The MMBW plan shows a large cable sheave pit on the outside of the curve. The 1955 Annual Report notes that work commenced following the completion of the Queen's visit in March 1954 and that all work was done by day-labour. The track was opened to service in late June 1955. Photographer is possibly Keith Kings.Yields information about the extent of work need to convert the former Northcote Cable tram route to Electric trams, the people, the extent of the original construction and the methods used to undertake the work.Photograph - Black and White - demolishing cable tram track Smith and Gertrude Streets 1954/55trams, tramways, cable trams, workmen, mmtb, demolition, track work, conversion, smith street, gertrude street, fitzroy

This is a set of nine photographs of technicians from the Royal Australian Survey Corps operating aerial surveys equipment c1980s. In photo .1P, CPL Steve Gloster was operating a RC10 air survey camera mounted in an Australian Army Pilatus Porter aircraft. The Wild RC10 super wide-angle air survey cameras were first introduced in 1971, were equipped with virtual distortion free lenses for supplementary, spot and special photography. In photo .2P, Roger Rees was operating Air Profile Recorder (APR) equipment. it was possibly taken during OP NERVOSE 84, sometime between June – August 1984 when based in Ngukurr, Northern Territory. The APR was operated at this time in unison with an RC10 camera. In 1963 the Royal Australian Survey Corps introduced the radar airborne profile recorder (Canadian Applied Research Ltd, Mark V, Airborne Profiler Recorder) was introduced for 1:100,000 mapping to replace terrain heighting by aneroid barometry. Later in 1974-1975, the Australian developed WREMAPS II airborne laser terrain profile recorder was introduced. In photo .3P, Neil Jones appears at the door of Airsearch Beechcraft Queen Air aircraft, Registration / Serial VH-MWX. This aircraft was typically used by RA Svy on air survey operations flying mission with Aerodist, APR and RC10 camera equipment. The Australian Army’s Pilatus Porter (short take-off and landing turbo propeller) was also equipped with a Wild RC10 aerial mapping camera for identification photography. The Pilatus Porter was also used on RA Svy’s map field checking operations. Photo .9P was taken at a survey station at an unknown location. In this photo an Australian Army Kiowa Light Observation Helicopter (LOH) is supporting a field survey party undertaking Magnavox AN/PRR-14 portable Doppler satellite observations. The satellite receiver’s antenna is plumbed over the survey ground mark surrounded by white plastic panels. The panels were used to identify the survey station on aerial photography. Introduced in 1974–1975, the Magnavox AN/PRR-14 portable Doppler satellite (US Navy Navigation Satellite System – TRANSIT) receivers and computing system provided independent three-dimensional point positions anywhere in the world, anytime, in any weather accurate to about 1.5metres with precise satellite ephemerides. The Bell OH-58 Kiowa LOH was a family of military helicopters used for observation, utility, and direct fire support. It was identified by RA Svy in the mid-1970s that considerable time was lost in replacing unserviceable remote equipment by road. Therefore Aerodist operations (pre-dating satellite receiver operations) were fully supported by Army’s Kiowa LOH aircraft. This is a set of nine photographs of technicians from the Royal Australian Survey Corps operating aerial surveys equipment c1980s. .1P to .3P, .5P to .9P - Colour and black and white photos on photographic paper and scanned at 300 dpi. .4P - Colour photo on 35mm slide film and scanned at 96 dpi. .1) & .2) - Photo, black & white, c1980s, CPL Steve Gloster operating an RC10 air camera. .3) - Photo, colour, 1984, Roger Rees operating Air Profile Recorder (APR) equipment. .4) - Photo, colour, c1980s, Neil Jones at the door of an Airsearch Beechcraft Queen Air aircraft, typically used by RA Svy on air survey operations. .5) - Photo, colour, c1980s. A Beechcraft King Air aircraft, also used by RA Svy on air survey operations. .6) - Photo, colour, c1980s. An Australian Army Pilatus Porter, used by RA Svy on air survey and map field checking operations. SGT Peter Mustart is possibly in the foreground. .7) to .8) - Photo, colour, c1980s. An Australian Army Pilatus Porter and unidentified personnel, used by RA Svy on air survey and map field checking operations. .9) - Photo, colour, c1980s. An Australian Army Kiowa helicopter supporting a field survey party undertaking Magnavox AN/PRR-14 portable Doppler satellite observations. There are biro marks on photos .4P to .9Proyal australian survey corps, rasvy, army survey regiment, asr, fortuna, aerial surveys

David Aloysius Patrick McKenzie-McHarg, L.I.B, O.B.E was born on 20th June 1918 in Albury, NSW to Hugh Patrick McKenzie-McHarg and Laura May (Dunne) McKenzie-McHarg. McKenzie-McHarg served on the Council of the United Shire of Beechworth for more than a decade during the 1960s-70s, including seven years as president. He was renowned as a public speaker and played a significant role in the community. In recognition for his outstanding achievements and services rendered to the Beechworth community he was awarded an Order of the British Empire (OBE) in 1976. David McKenzie-McHarg died on 6th June 1992 and is buried in Beechworth Cemetery. David McKenzie-McHarg’s wife, Marjorie Jean McKenzie McHarg, was well known to the Beechworth community as a brilliant pianist and played at all the balls and house parties. Apparently, she could play without sheet-music and would only have to hear a tune once to play it to near perfection. Together, they were a formidable asset to the Beechworth community over many years The British honours system has various orders, usually relating to the monarchy, military and colonial officials. An OBE (or order of the British Empire) is given for an outstanding achievement or service to the community. This will have had a long-term, significant impact and stand out as an example to others. This Order was established by George V in 1917 in response to recognising the thousands of men and women who served in a variety of non-combatant roles during the First world war who didn’t otherwise receive any formal recognition but were certainly worthy of acknowledgement. Recommendations for appointments to this Order were originally made on the nomination of the United Kingdom, however this soon became available to Commonwealth countries as well. However, Australia officially ceased to recommend the Order of the British Empire in 1989 with the establishment of the Order of Australia. Silver badge suspended from red ribbon with pearl-grey edges. The badge is in the form of a cross patonce (having the arms growing broader and floriated toward the end), the obverse of which bears the same field as the star pictures George V and Queen Mary. The reverse bears George V's Royal and Imperial Cypher. Both are within a ring bearing the motto of the Order: FOR GOD AND THE EMPIRE. The presentation case in which the medal is housed is of a black outer boarder edge leatherette finishing, block letters in gold OBE. The inside has a cream velvet base with a silk padded liner to the roof with the full set of Royal Mint Crest Mark. Obverse: FOR GOD AND THE EMPIRE / burke museum, obe, obe medal, beechworth, david mckenzie-mcharg, british honours system, george v, beechworth community, order of australia., order of the british empire, marjorie jean mckenzie mcharg

Royal Australian Air Force officer’s cap.Navy cotton drill peaked cap with black crossgrain band around exterior. Two black eyelets sit above band on either side. Black patent leather chin strap attached by two gold buttons on brim, slightly misshapen. Embroidered patch carrying a red velvet and metal crown (Queen Elizabeth II era) with blue, green and red embroidered knots mimicing jewels, sits above a gold eagle above now tarnished gold leaves. Interior sweatband in patent leather with plastic layer on top interior, underneath which is a manufacturer’s label with red ink. Strip of folded newspaper (H06.2) inserted inside interior sweatband.Label reads “M.TX/SIZE 6 7/8/A [broad arrow] F/MADE IN AUSTRALIA”. Black ink stamp on inside of sweatband reads “M. TX” inside a circle and “S19/[broad arrow]”raaf, royal australian air force, officer

Bendigo Advertiser '' The way we were'' from Monday, August 26, 2002. We were the champions: the Rochester Football Club was the undefeated champion and premier in the Bendigo Football League in 1962. This photo was taken at the Queen Elizabeth Oval. Back row, left to right: Peter Fayers, Trev Randall, Greame Balch, Ray Willett, Brian Jones, Noel (Chooka) Howe, Ken Ingram, Fred Rodda, Con O'Toole (c/c), Max Proctor and Trev English. Front row: Bob Kelly, Bruce Major, Daryl Dobell, Bruce Fry, Graeme Taylor, Bob Sill, Spencer Brown and Daryl Hooper. The clip is in a folder.newspaper, bendigo advertiser, the way we were

A Bendigo Advertiser article (magazine section June 22nd 1972) titled 'Back to school for teachers'. There are also smaller sections titled 'Learning to make music' and 'Informal drama course'. All articles relate to teachers attending Bendigo Teachers' College to participate in evening courses for their own professional advancement and/or enjoyment. There are photos of Mrs. Gloria Gearon, and Sisters Patricia and Marie Leo playing guitars. Also included on the same page a Farewell for Queen's Medallist Senior Constable H. R. "Bert" Morshead by the people of Raywood. The write up also includes a list of the Community work organised by him for the benefit of the residents and sports people of Raywood.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo teachers' college staff, education, bendigo, tertiary education, music education, drama workshop, mrs. gloria gearon, sister patricia, sister marie leo, st. killian's convent school, mr. k. g. scarrott