Sad irons, also called flat irons or smoothing irons, are shaped pieces of metal that are flat and polished on one side and have a handle attached to the other, created for the purpose of ironing fabric. “Sad” is an Old English word for “solid,” and the term “sad iron” is often used to distinguish the largest and heaviest of flat irons. They often had a trivet on which to rest the hot iron. These irons are representative of domestic appliances used prior to the advent of electricity in the home.A pair of triangular flat irons. They are made of solid cast iron with hollow iron handles. Flat irons were commonly heated on trivets in front of open fires, or on the tops of closed ranges. They were made in numbered series which related to their size, but there did not appear to be any standardisation in the series between manufacturers.domestic appliances, flat irons, sad irons

A black and white photograph of WO2 Keith Windbank, a medical advisor with the Australian Army Training Team at Trapong Outpost, Quang Ngai Province, 1 Corps South Vietnam talks with Hahn a village girl he assisted in having her face and eye repaired following damage from artillery firephotograph, gibbons collection catalogue, wo2 windbank, australian army training team, trapong, quang ngai province, 1 corps, vietnamese children

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of an oblique view of 7 RAR Fire Support Base, housing the Battalions direct artillery support, 106 Battery. The FSB also contained the Battalion's mortar platoon. The guns and mortars were 'on the open' and the Battalion elements can be seen, under cover, in the 'scrub'. (Circa May 1970)photograph, 7 rar, fire support base, 106 field battery, gibbons collection catalogue, denis gibbons, photographer, vietnam war, artillery support, mortor platoon

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of the American 7th Fleet Battleship, the USS New Jersey operating on the "Gunline", Tonkin Gulf, North Vietnam. During 'Operation Sea Dragon' they open fire on land targets thirty miles inside North Vietnam. The one (1) ton shells had a special 'rocket assist'.photograph, us 7th fleet, uss new jersey, tonkin gulf, gunline, operation sea dragon, gibbons collection catalogue, photographer, vietnam war, denis gibbons, north vietnam

A black and white photograph of Contact, Contact, Contact, late afternoon,Platoon strength North West of 1ATF 'Operation Atherton' 10 December 1969. 1 Platoon, A Company 8 RAR diggers under heavy machin gun, AK47, rifle and RPG fire. A digger attempts to flank the bunker in frontphotograph, 1 atf, operation atherton, 1 platoon, a coy, 8 rar, gibbons collection catalogue, digger, machine gun, ak47

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Gunners of 1st Field Regiment, RAA, at the 1ATF Base, Nui Dat, Phuoc Tuy Province, Sth Vietnam, breaking open boxes of 105mm artillery shells and prepare and repack them for a parachute drop to 101 Battery at Fire Support Base Discovery (Circa November 1969)photograph, 1st australian field regiment, raa, 1st atf base, nui dat, phuoc tuy province, 105mm artillery, 101 battery, fire support base discovery, gibbons collection catalogue, gunner, denis gibbons, photographer, vietnam war

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of a Gunner at the 1st Australian Task Force Base, Nui Dat, Phuoc Tuy Province, sorts 105mm shell casings returned from Fire Support Base Discovery. The casings were then re-packed into their relevant types and returned to Australia, as scrap metal. (Circa November 1969)photograph, 105mm cartridge, gunner, 1st atf base, nui dat, phuoc tuy province, fire support base discovery, gibbons collection catalogue, gunner, photographer, vietnam war, denis gibbons, 1st australian field regiment, fsb discovery, 101 battery

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Gunners of 1st Field Regiment, RAA, at the 1ATF Base, Nui Dat, Phuoc Tuy Province, Sth Vietnam, break open boxes of 105mm artillery shells and prepare and repack them for a parachute drop to 101 Battery at Fire Support Base Discovery. (Circa November 1969)photograph, 1st australian field regiment, raa, 1st atf base, nui dat, phuoc tuy province, 101 battery, 105mm artillery, fire support base discovery, gibbons collection catalogue, gunner, photographer, vietnam war, denis gibbons, parachute drop

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Gunners of the 1st Field Regiment, RAA, at the 1ATF Base,Nui Dat,Phuoc Tuy Province, Sth Vietnam, break open boxes of 105mm artillery shells and prepare and repack them for a parachute drop to 101 Battery at Fire Support Base Discovery. (Circa November 1969)photograph, 1st australian field regiment, raa, 1st atf base, nui dat, phuoc tuy province, fire support base discovery, gibbons collection catalogue, gunner, photographer, vietnam war, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of a Gunner at the 1st Australian Task Force Base, Nui Dat, Phuoc Tuy Province, throws a 105mm shell casing, returned from Fire Support Base Discovery into its correct pile. The casings were then packed into their relevant types and returned to Australia. (Circa November 1969)photograph, 1st atf base, nui dat, phuoc tuy province, 105mm cartridge, fire support base discovery, gunner, gibbons collection catalogue, photographer, vietnam war, denis gibbons, 105mm howitzer, 1st australian field regiment, raa, fsb discovery

R54259 Chief Electrician Weapons Radio, Raymond Henry Hunt, Royal Australain Navy. Raymond Henry Hunt's unit: HMAS Hobart. His Vietnam Service was from 22nd March 1968 - 17th June 1968. His Date of Death was 17th June 1968, Vietnam waters* *Raymond Hunt was one of two sailors killed by 'friendly fire' when HMAS Hobart, while patrolling of North Vietnam, was hit by rockets fired from a United States aircraft.Five Replica Medals are placed horizontally on a single line of a blackboard that sits on a black stand. The first four medals are silver with four different ribbons. The last medal is gold and white with green and white alternate ribbon.hmas hobart, royal australian navy, raymond henry hunt, friendly fire, north vietnam

The successful dropping of supplies to remote fire crews involved a great deal of experimentation. The result was a large heavy-duty cardboard container being developed in 1964 by Athol Hodgson from the FCV Fire Research Branch which employed fold-out wings and was called the “helibox”. It was suitable for supplies weighing less than 9 kg and best dropped from about 300 feet and became a standard technique. It was adopted Australia wide, but the wider availability of helicopters made the helibox eventually redundant. Unique to Victoria but adopted across Australia.Large cardboard box with "wings" to cause it to rotate when dropped from the air. Wings held in place by means of string office "Ty-Tite" fasteners.bushfire

The bonfire at Beckett Park was the culmination of the EMPIRE DAY/CELEBRATIONS in Surrey Hills in 1935 and 1936. In 1937 vandals lit the fire prematurely but residents hastily rebuilt it - about/100 tons including old tyres. A volunteer fire-watcher had his caravan close by until lights-up time on Saturday night. From glass negative taken by Ian Barkla's father, Frank Leslie Barkla of 37 Grovedale Road, who was a keen photographer and a member of the Melbourne Camera Club.Image depicting the building of a large bonfire made primarily from rubber tyres, supported by a wooden frame c1937/8. There is a significant crowd of people watching the erection of the pyre from ground level. Several members of the crowd are seated or holding bicycles. There are multiple persons situated on the pyre or on a ladder propped up against the mound of tyres. The area containing the pyre has been fenced off with rope (?). A young boy in the image (second from left with bike) has been identified as Alex Walker.Black and white, W 25.3 cm x H 20.4 cm, landscapeparks and reserves, 1937, beckett park, bicycles, crowds, empire day, bonfires, alex walker, frank leslie barkla

Neville FRENCH (1955- ) Born Maryborough, Victoria In 1977 Neville French graduated from Ballarat College of Advanced Education after studying a Diploma in Fine Art (Ceramics) between 1974 and 1976, and was a tutor there for six months in 1978. He holds a Master of Arts, Research (Ceramics) from RMIT Universiy, and was awarded the Vitrify Alcorso National Ceramics Award in 2012. Neville has an international reputation as a ceramics artists and educator. From 1982 to 2012 Neville French was teach and coordinator of the Ceramics department at the Ballarat School of Mines and University of Ballarat (now Federation University). From 1982 to 2012 Neville French taught Ceramics at the Ballarat School of Mines TAFE, which later merged with the University of Ballarat (now Federation University Australia). He completed a Graduate Diploma of Education at Hawthorn State College in 1980, a Certificate of Stoneware Glazes from Brisbane College of Advanced Education in 1983 and a Master of Arts Fine Art (Ceramics) at RMIT University in 2000. Between 2010 and 2012 Neville French taught post graduate honours and masters Ceramics students. During his time as a student at Ballarat Neville Bunning would collect clay from the Enfield clay pit. He described following white tyre tracks to find the location. He described the clay as silky smooth and and fired to a beautiful grey colour at stoneware tempreture. When blended with terracotta clay from Nerrina or fireclay from Bacchus Marsh a wide range of different bodies could be created. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two vessels made as a sculptural pair. Statement: "My work involves an exploration of elemental vessels - extending porcelain to develop taut contours and spatial dynamics. I seek to distill an essence of purity to evoke notions of quietude and transendence through the expressive use of glaze and its relationship to form, tactility, weight and light. Forms are wheel-thrown, altered and slowly scraped to develip a soft line and solidity. Coloured matt glazes are layered and fused to the porcelain body through multiple firings to give expression and luminosity to the surface,. The iodosyncratice nature of glaze stimulates the imagination. It evokes associations with the natural environement and alludes to a meditative infinity."Signed on base 'f.'art, artwork, neville french, french, ceramics, porcelain, wheelthrown, thrown and altered, alumni

This set of pots represents the type of pot or saucepan used on an open range wood fired stove. The pots are heavy and thick, and have a solid lid suitable for slow cooking.This pot set is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Pots; two cast iron pots with lids. Wooden handles on pots have ring on end for hanging. Pots have inscriptions. The large post has the capacity of 3 quart (3 quarts or 2.84 litres) and the small pot holds a capacity of 2qt (2 quart or 1.89 litres). Stamped on large pot "Made in Taiwan" "3qt" Stamped on small pot "Taiwan" and "Sauce Pan 2qt"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, pot, saucepan, sauce pan, cooking pots, cook ware, food, slow cooking

K.V. CHARLTON rebuilt after fire in 1976 by R. Lowe. Sold to John Sutton. Photograph is part of Jenny Pollard's streetscape series taken in 1989 for Charlton Shire.Colour photograph showing K.V, Charlton service station. Three men in front on the footpath. Two petrol bowsers on RH side of service station. Post Office on right of service station. Signage on building says MASSEY FERGUSON K.V. CHARLTON HOLDENk.v. charlton service station, r. lowe, john sutton, jenny pollard

Blacksmith's Bellow Used by the Blacksmith to blow more air into his fire which further heats the flame to provide a temperature hot enough to heat the steel that he is working onHistoric - Industrial - Blacksmithing equipment Blacksmith's bellow. made from wood and leather and wrought iron fittings puffing billy, bellow, open hearth, blacksmith, heat

Sunbury Shopping Square now occupies the railway land which was once the football ground, scout hall, boys club, fire station and tennis courts for Sunbury residents.A coloured photograph taken at the T intersection of Macedon and Evans Streets. The Sunbury Shoping Square and car park is on the RHS of the photograph. There is a blue car on the intersection and 3 white cars are approaching the intersection from Evans Street.shopping centres, sunbury shopping square, coles supermarket, liquourland, evans street, macedon street, george evans collection

The disused cottage was owned by Alec Lloyd who was the fruiterer in Sunbury. It was situated on a sheep run on the Diggers Rest-Toolern Vale Road and was destroyed by fire in the early 1990's.A coloured photograph of a weatherboard farm cottage in a paddock with tall gum trees behind the house. The cottage with a pitched roof over the main structure and a lean-to with skillion roof at the rear is used as a storage for hay. The remains of a tank are on one side of the house and sheep are grazing around the property.farm cottages, sheep farming, lloyd, alec, george evans collection

Certificate to No 3363. Pte D. Scott 38th Battalion for gallantry in carrying messages under heavy fire near Bray 24th Aug 1918. Awarded Military Medal.Wooden frame with pink background, black and white photo of a man wearing glasses on either side of photo are two oval shaped flags that the top half navy blue and bottom half faded orange. Below in the centre is an Order Of The Day Certificate and medals on either side of the certificate.Left medal GEORGIVS V BRITT ??N REX ET IND IMP Hmilitary medals, pte d. scott, world war i

Various news articles pertaining to the January 1962 Victorian bushfires in the Dandenong and Healesville districts which by the third day had encompassed large areas of the State. Specific Eltham Shire districts mentioned include Panton Hill and Hurstbridge on page 1, Warrandyte on page 2, 3, 4 and 5, Hurstbridge, Smith’s Gully, Kinglake on page 3 and 4, Strathewen, Kangaroo Ground, Panton Hill, St. Andrews, Smith’s Gully on page 4 and Pound Bend, Smith’s Gully and Warrandyte on pages 20-21 • They Flee Night Peril, p1 (Illust.) • Their grim picnic; A flash fire strikes, p2 (Illust.) • Night of terror as towns quitted, p3 • Fought till he dropped, p3 (Illust.) • Rain in fire area, p3 • Wye River town goes, p3 • Black Friday Hero Dies In Fire; with wife, grandsons, p4 • Surrounded!, p4 (Illust.) • Main street houses ablaze, p4 • Hurstbridge is evacuated, p4 • Scores jump in river at Warrandyte, p5 • Hills people leave homes, p5 • “Fire” cry at Parlt., p5 • Blind – he’s safe now, p5 (Illust.) • Police Chief Runs Battle, p7 • From Fire Front: Hospital treats 34, p7 • Firms send help, p7 • Tragedy and Ruin: Third Day; Ferntree Gully; Warrandyte; Pound Bend; Smiths Gully; Escape for 18, pp20-21 (Illust.) • Church was a haven for the hurt, weary, p39 (Illust.) • A home is lost, p40 (Illust.) tom fielding collection, victorian bushfires - 1962, victorian bushfires – 1962, panton hill, hurstbridge, five ways crossroads, warrandyte south, dandenongs, upwey, mt. evelyn, monbulk, olinda, sassafras, st. andrews, warrandyte, christmas hills, yarra river, mitcham, whitehorse roiad, donvale, park orchards, metropolitan fire chief, w.t. aldridge, loughnan’s hill, ringwood, woori yallock, leslie ockwell, linda ockwell, kalorama, healesville, daylesford, fire damage – buildings, wye river, portland, eganstown, ballarat, sherbrooke park forest, forest commission headquarters, kallista, r.t. seaton, montrose, yallourn, central gippsland, smith’s creek, black friday, geoffrey ockwell, ronald ockwell, preston town hall, e.j. tenner, strathewen, kangaroo ground, eric farnsworth, adele farnsworth, robin farnsworth, roy cleland, ann cleland, belgrave, sassfras, kaloramalice commissioner porter, mansfield, box hill hospital, pound bend, ferntree gully, ferntree gully state school, w. carew, ann quinton

Lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. The technique on pottery was first developed in Mesopotamia (modern Iraq) in the early 9th century. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen. The Lusterware effect is a final coating applied over the ceramic glaze, and fixed by a light second firing, applying small amounts of metallic compounds (generally of silver or copper) mixed with something to make it paintable (clay or ochre). This is then fired in a reducing atmosphere at a temperature high enough to "soften" the glaze from the first firing, and break down the metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials such as silver and platinum. The very thin layer of luster is often delicate, and many types of Lusterware are easily damaged by scratching removing the metallic layer, or by contact with acids. Lusterware has therefore always been for display and occasional use, although by the 19th century it could be relatively cheap. Many pieces show the luster effect only working correctly on parts of the surface, or not at all. An item probably made in Staffordshire UK where this type of pottery was popular in the late 19th century by unknown pottery as the subject item has no marks. The teapot at this time cannot be associated with a historical event, person, or place, provenance regards manufacture is unknown, item assessed as a collection asset given it was produced before 1950.Teapot ceramic ornate copper lusterware abstract floral design handle has a protruding sculptured bird for thumb grip. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, tea set, kitchen ware, ceramic, lusterware, pottery, staffordshire uk, pottery finishes

City of Ringwood community information report issued December 1962, including financial summary and sections covering Valuations, Private Street Construction, Other New Works, Sewerage, Planning Scheme, Annual Special Clearance of Refuse, Elderly Citizens' Village, Elderly Citizens' Clubrooms, Fire Hazards, and list of Council Representatives.Vale - ex-Cr. A.T. Miles, Mr. A.F.B. Long, Mr. F.R. Lucas.rinx

Bendigo Advertiser ''The way we were'' from 2002. Bonding: Will Robins and Arthur, his 10th son, would travel to a hut in the bush every weekend. On Saturdays, the pair would dig for gold, and on Sundays they would catch rabbits and gather wood to take home to King Street for the fire. Photo taken in 1924.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. City brewery: the City Brewery was registered in 1893. The owners boiled their beer in an open iron vessel over an open fire. After 1900 the business continued as Illingworth's City Brewery until 1904 when the Breheny brothers took control. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Historic: The view over Bendigo in the early 1900s. The photo was taken looking north-west from St. Paul's Church tower. Visible is the Shamrock hotel, the fire brigade depot and bell tower, the County Court House and district jail. The clip is in a folder.newspaper, bendigo advertiser, the way we were

An Education Department, Victoria. Cover for Attendance Roll and Examination Register. in pen on the cover the number 33336 and Benet (?) N. Jordan C/o Bendigo Fire building, View street, Bendigo. Stuck on the inside a preliminary preparation for inspection list signed by W. F. R. Budge (inspector of Schools). The folder is empty.school, history, education

Copy of a plan of the Chum Reserve, Long Gully, dated September 1998. The plan between Derwent Drive and Dyason Court show play area, trees, swings, fire pit, tree house and grassy area. There is also a plan of the tree house - South East Elevation. Drawn by Mary Jeavons Landscape Architects.bendigo, history, long gully history group, the long gully history group - chum reserve long gully, shared action long gully community house, city of greater bendigo, mary jeavons landscape architects