Showing 2862 items
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Bendigo Historical Society Inc.
Furniture - HARRIS COLLECTION: SMALL WOODEN CHEST OF DRAWERS
Small wooden handcrafted set of drawers; drawers enclosed in a 'Shell oil' box. On ends of box, printed in black 'Shell' and 'The British Imperial Oil Company Limited' ' 8 Imperial gallons, motor spirit' Small handcrafted drawers are set in the box. Six small drawers, with four wooden knobs, one metal and one loop of wire acting as a drawer pull. Drawers are made from repurposed boxes. One drawer has label of box on side ' Leggo's of Bendigo, Self Raising Roller Flour', parts of label missing 'Good cheap cake' recipe partly visible. On top of drawers, white paint tin stain. -
Ballarat Tramway Museum
Document - Form/s, State Electricity Commission of Victoria (SECV), "Revenue Journal", 11/03/1971 12:00:00 AM
Demonstrates, yields information and has a strong association with the individual conductors on the day that the revenue journals were compiled. Shows the total revenue and passengers and how the passengers were counted. Demonstrates the system used to compile revenue returns and passenger numbers.Set of 34 completed "Revenue Journals", for recording the value of tickets sold by Conductors. Compiled for the 11/3/1971, "D" tin. Shows how the forms were completed and who was on duty that day. Have been signed by each conductor. Numbers of checks issued varies from 6 to 499. Outfit 41D has notes regarding a school passenger. Gives the totals, cash returned and overs/under amounts. Has a metal folding pin near the top left hand corner of the sheet, with the cover giving details of the outfit and date. Each sheet provides the opening and close numbers, See Reg Item 3063 for the blank form and form details.trams, tramways, tickets, accounting, revenue journal, conductors, sec -
Mont De Lancey
Domestic object - Cigar Tobacco Tin, Statesman
A vintage gold square lidded Statesman Lancers 10 tobacco tin with the name printed in black lettering with black and red stripes above and below the name in a triangular shape. There is an ornate 10 pointed star with a white crest in a red circle stamped below the stripes. The word Press with a pointed triangle is written in red on the bottom right of lid for opening. On the back are specifications for the cigars and L35 stamped as well as a brown picture of a cigar on the left. Inside the lid is Lancers "None so Mild" written in black. There is a cream coloured folded piece of paper on which the cigars would have sat. On the left and right sides is written - Statesman Lancers in red print.Statesman Lancers 10 and the word Press is printed on the front of the lid. Inside is written, Lancers "None so Mild". On the back Specifications: Length: 3 3/4 inches (Approx) Circumference: ! 1/8 inches (Approx) Smoking time: About 18 minutes Blend: Mild, International Taste: Mellow, piquant Ash: White, clinging Mouthpiece: Straight cut. On the left and right sides is written - Statesman Lancers in red print.cigars, smoking equipment, cigar tin -
Federation University Historical Collection
Postcard - embroidered card, Souvenir d'Amiens, c1917
Holes Family Ascot WW1 memorabilia This postcard was sent from France during World War One. The writer, Gordon Spittle, enlisted with the brother of the recipient, Mary Coghill Holmes. Postcard with embroidered detail on white silk. The embroidery includes a crowned crest, and the flags of England, France, and Italy and the words "Souvenir d'Amiens".Verso "Somewhere in France July 14th '17 My dear Mary, In the first place I have to thank you for your letter of April 30th which came to hand by the last mail, and also very kindly the tin of biscuits sent per Miss B. which came to hand by the last Sunday. I also received a tin from Violet and will be writing her to-morrow and the next day it it is not to hot and muggy. I can assure you both that I appreciate your continued kindness more than words can tell, and only regret that I am unable to do something in return. Who can believe it is just two years ago since Harry & I enlisted, & the war doesn't appear to be any nearer ending than it did then, however let us hope and trust the end is not very far off, for goodness only knows how utterly tied (sic) of it we all are. His Majesty the King paid our division a visit on Thursday, & yesterday I went to Amiens for the day. Must now ring off for the present with kindest regards to your Mother, Violet, Willie and Self. From S. Gordon S." chatham family archive, chatham, holmes, harry holmes, mary holmes, amiens, world war, world war 1, world war i, world war one, gordon spittle, embroidery, france, western front, mary coghill holmes, postcard -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1996 Class Photo Grade 5/6, 1996
Grade 5/6 1996 Top Row: (L to R) Kurt Herdina, Majd Rezkallah, Khushboo Thakkar, Ruoran Fu, Dela Clark, Lauren Grigg, Kylie McNeil, Ilana Perrin. 3rd Row: Stewart Leigh, G. L. Fairbairn {Teacher), Sara Nickson, Erin White, Solazy Noy, Tin Dang. 2nd Row: Rhys McKee, Tim Waite, Luke Puamau, Manarin Ouk, Brent Senton. 1st Row: Camilla Crocker, Natalie Vita, Lynette Chand, Julian Furzer, Raymond Mollison, Matthew Clark, Kym Pongho, Tina Chen, Jessie Baker. Absent: Jessica Davies. Teacher: G. L. Fairbairn Principal: Mr. Geoff Buzaglo. -
Bendigo Historical Society Inc.
Document - 'GOLD' POSTER WITH DESCRIPTION OF NUGGETS
Poster heading - 'Gold' - 'In the whole world, only 47 nuggets weighing over 30lbs Troy have been recorded. Of these 40 are from Australia. The region from Ballarat around to Bendigo yielded 32 of these large nuggets. This monument erected in 1897 by the Mines Department, is the only one ever erected to honour the discovery of a gold nugget. The 'Welcome Stranger' nugget was unearthed on 5th February, 1869, weighing 2316 ounces and it was sold for 9.553 pounds'. Poster includes a map of Victoria depicting the main gold mining areas, also mention of gypsum, and tin in northern Victoria. A photo of the monument to the discovery of the 'Welcome Stranger' nugget found 1 1/4 miles from Moliagul in the bottom corner.document, gold -
Bendigo Historical Society Inc.
Programme - THEATRES COLLECTION: LYRIC THEATRE PROGRAMMES
Eight programmes for the Lyric Theatre: 1) ''Cloistered'' A living document of faith relating the exquisite simplicity of convent life. Opening Saturday, 13th August, 1938. 2) ''The Road Back'' with John King, Richard Cromwell, Barbara Read, Slim Summerville. 3) ''Anne of Windy Poplars'' with Anne Shirley and James Ellison. 4) ''Victoria the Great'' with Anna Neagle, Anton Walbrook. 5) '' Tin Pan Alley'' with Alice Faye, Betty Grable, JACK Oakie, John Payne. 6) ''The Robe'' the first cinemascope film to be screened in Northern Victoria opens at the Lyric Friday, 3rd September. 7) ''The Three Musketeers''. 8) Municipal band supported by Miss Pauline Bindley at the Lyric Theatre.entertainment, theatre, lyric -
Kew Historical Society Inc
Badge, Come Back to God, 1915-1920
Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The badges form part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.The use of common symbols for a range of purposes is sometimes a feature of wartime and post-war fundraising buttons. Like the ‘Hospital Day 1919’ badge, the ‘Come Back to God’ badge is within a seven pointed star on a dark blue ground with sprays of wattle; attempting to harness nationalism with religion.Come back to Godbutton -
Kew Historical Society Inc
Badge - Fundraising Button, Hospital Day, 1914-1918
Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The button forms part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration. The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Round metal button in red, white, blue and gold showing a sun setting over the sea with words printed in red around border and on lower outer rim.hospital day, patriotic buttons, first world war (1914-18) -
Melbourne Legacy
Photograph, Ivan Layton, Mrs Mack and Legatee Bert Davis, 196
A photo of Badge Day in the 1960s, with Ivan Layton, Mrs Mack and Legatee Bert Davis counting the donations near a Legacy Appeal tin. Ivan Layton was the Chief Executive Officer for many years. Legatee Bert Davis was the Chief Financial Officer in the early sixties. Mrs Mack was a generous fundraiser. She lived at Mount Macedon and opened her beautiful garden to the public on a regular basis to assist Legacy with fundraising. She was given a Legacy lone pine tree by a grateful Legacy to add to her garden. The letter accompanying the photo said the garden and tree was lost in the Ash Wednesday fires in 1983. Further research shows that Mrs Margaret Mack and her husband Mr John D. (Jack) Mack first opened their garden at Dreamthorpe, Mt Macedon, in April 1950 for a garden fete. It raised £140 for Legacy (source: Trove). The exact date of the photo is unknown but would be early 1960s. Photo donated by Legatee Bert Davis' daughters.An excellent record of important people in Legacy's history.Black and white photo of Ivan Layton, Mrs Mack and Legatee Bert Davis on Badge Day.badge day, ivan layton, bert davis -
Dutch Australian Heritage Centre Victoria
Commemorative pewter plate, 1973 onwards
Refers to the 25th anniversary of the reign of Queen Juliana of the Netherlands.Shows fondness/affection of the Dutch public to their royal family.Pewter; circular with a rose petal edge.Embossed likeness of Queen Juliana which states above the image: "Koningin Der Nederlanden" - Queen of The Netherlands below the image: 1948 - Juliana - 1973 - likely referring to the 25th year of her reign. On the back of the plate: A pewter strip welded onto the plate to allow hanging via a hole in that strip. A makers mark at bottom of plate - "KdBR" featuring an angel with clarion/trumpet and holding palm branch. Below maker's mark is "92% tin" on left of reversed face is: "Namaak Verboden" (Imitation Prohibited) on the right of reversed face is: "Tingieterij Roelen" (Pewter Foundry Roelen) -
Ringwood and District Historical Society
Photograph, Ringwood Primary School 1996 Class Photo Grade 3/4, 1996
Grade 3/4 1996 Top Row: (L to R) Manar Rezkallah, Sros Sok, Andrew Huynh, Christopher Watts, Diana Stevanovic, Denis Felic. 3rd Row: Ben Taylor, Nathan Fyfe, Amanda Ashdown, Mrs. J Eyck, Rebecca Lewin, Michael Senton. 2nd Row: Riaan De Wet, Mrs. S. Lambe, Imogen Murtagh, Tenei/le Bird, Emma Nickson, Mrs. G. Winchester, Chloe Bon, Christian Santos, Darren Brown. 1st Row: Di/shad Jayasuriya, Vanny Tin, Marie Weaver, Annie Chen, James Davidson, Bryan Toohey, Michael Szarek. Teacher: Mrs. J Eyck. Principal: Mr. Geoff Buzaglo -
Ringwood and District Historical Society
Photograph - Photograph-School, Kuddly Koala School Portraits, Ringwood Primary School 1994 Class Photo Grade 4 and 5, 1994
Grade 4/5 1994. Names taken from typed legend below each photo (via OCR). Photos mounted on Kuddly Koala School Portraits Card. Top Row: (L to R) Raymond Mollison, Theo Organtzoglou, Catriona Roberts, Manesha Jayasuriya, Sarah Watts, Dela Clark, Alicia Dalton, Aden Guy. 2nd Row: Erin White, Mau Takao, Tin Dang, Mrs. Jenny Vincent, Sara Alcorn, Sreyneth Teng, Christopher Fountain, Matthew Betts. 1st Row: Katrina Connell, Majd Rezkallah, Vivien Jolly, Rhys McKee, Tim Waite. Absent: Camilla Crocker, Manarin Ouk Teacher: Mrs Jenny Vincent.Principal: Mr. Geoff Buzaglo. -
Federation University Historical Collection
Book, Guide for Prospectors in Victoria, 1931, 1931
The handbook was intended for those with little experience who wanted to prospect of fossick.Grey soft covered book of 90 pages. Includes fold out map of a portion of Victoria showing auriferous areas and mineral localities. Also show Counties of Victoria and localities of minerals such as tin, antimony, copper, silver lead, Malybdenite, tungsten ores, manganese, platinum, osmiridium and iron. Chapter heading s include: working alluvial deposits, equipment, geology of Victoria, gold deposits, quartz reefs, indicators, economic minerals, assistance to prospectors, Miners' Right, mining bye-law, mining leases, forest regulations and glossary. Descriptions are given of a god dish, puddling tub, cradle, puddling machine, ground sluicing, boring, windlass, whim, hand dollying, sweeping, California pump, and wing dam.mining, baragwanath, gold, prospector, geology, quartz reefs, alluvial deposits, indicators, victorian goldfields, miners rights, mining leases, forest regulations, sluicing, sluice box, puddling machine, miner's cradle, whim, whip, california pump, gold nuggets, saddle reef, ballarat indicators, state batteries -
Melbourne Legacy
Document, Annual Report 1931-1944, 1931 to 1944
Copies of various Annual Reports for Melbourne Legacy. Other annual reports in 00027, 01096, 01097, 01098 and 01099. Included: 01095.1 Legacy Club Melbourne for year ended 30th June 1931 Moved to 00457 : The Bully Tin, Melbourne Legacy AGM 25th June 1932 01095.2 The Legacy Club of Melbourne Annual Report 1931-1932 01095.3 The Legacy Club of Melbourne Annual Report 1932-1933 01095.4 The Legacy Club Melbourne Annual Report 1933-1934 Legacy Club Melbourne Annual Report 1935 Legacy Club Melbourne Annual Report 1936 01095.7 Legacy Club Melbourne Annual Report 1937 Legacy Club Melbourne Annual Report 1938 Legacy Club Melbourne Annual Report 1939 01095.10 Legacy Club Melbourne Annual Report 1940 Legacy Club Melbourne Eighteenth Annual Report 1941 Legacy Club Melbourne Nineteenth Annual Report 1942 01095.13 Legacy, Melbourne Twentieth Annual Report 1943 01095.14 Melbourne Legacy Twenty-First Annual Report 1944A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1931 to 1944 on foolscap paper with black type.financial summary, annual summary -
Melbourne Legacy
Photograph, A Legacy Night to Remember, charity concert 1985, 1985
These are photos of a Melbourne Legacy charity concert, which is possibly it is the concert in September 1985. Photos of singers and performers during the concert also guests and some performers afterwards. According to a programme stored at 00056, 'A Legacy Night to Remember' concert was at Melbourne Concert Hall, some of the performers were Barry Crocker, Simon Gallaher, Rolf Harris, Anne & Johnny Hawker's Band, Colleen Hewett, Jackie Love, Paul Martelle, 3rd Military District 'Redcoats'. Special guest compere - Daryl Somers. One of the photos show a lady holding a programme saying 'National Australia Bank proudly supports The Melbourne Legacy Charity Concert' - so it might be a different concert but the same performers are present. 01412.6 shows Legatee J C Dean who was president in 1984. The photos came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a fundraising marathon run (some are items 00433 to 00438, 01410 to 01415).A record of a Legacy run event for fundraising in either 1984 or 1985.Black and white photo x 6 of a charity concert for Legacy and 3 proof sheets.Proof sheets are labelled 'Cassidy and Baker, 226 Coventry St, South Melbourne, 699 4000 / Neg: ' The negative numbers are '4663', 4664' and '4665'fundraising, concert, gala performance -
Kiewa Valley Historical Society
Photographic Equipment - Developer
The photographic developers were used to develop plates, films and lantern slides. They had to be mixed as per instructions on the bottles. These may have been used by an individual or by a local school or organisation.Wilma Davies, a long term resident of the Kiewa Valley, donated this photographic equipment.1 brownish/black cardboard box with hinged lid at top. Label is black, white & orange on front & across top of lid. This label continues down the sides and was a seal. The box contains: 3 clear glass cylinders with white markings used to measure 1 cc of liquid, showing 5cc and 10cc. Also: 1 brown glass, rectangular shaped bottle "Kodak Amidol" 1 ounce nett. It has a black plastic screw lid, a white label on 3 sides with black & orange print. Also: x2 round brown glass bottles with a sealed orange rubber(?) over tin(?) sealed (screw?) lids. Label "Johnson Colourform Developer "A" solution" all around with white label on the front and "Activol" and 'Caution' on the back all in black and orange print.Johnson Colourform Outfit on box. White marks showing 1cc on glass cylinders and 5cc and 10cc. "Kodak Amidol" etc. on 1 bottle "Johnson Colourform developer "A" Solution on 2 bottles.photographic equipment, photography, chemicals, processing equipment, johnson of hendon, kodak, colourform outfit, photo developer, wilma davies -
Bendigo Military Museum
Memorabilia - BADGES
Belonged to Fanny Isabella Nicol Staff Nurse AIF. Refer 1795P for service history, 2317.6, 2591.4 paper & circular tin ANZAC day badges (not individually marked) .1) round paper badge "Remembrance " wattle flowers .2) square badge union jack flag and Navy flag (red) .3) round badge "remembrance." ANZAC day (1936) mauve .4) R.S.L remembrance ANZAC day (1940) yellow paper badge. .5) round metal badge ANZAC day purple / yellow .6) round badge metal ANZAC day (1939) purple/ green .7) round badge (metal) ANZAC day (1938) blue/ green with a laurel wreath + bow .8) round metal badge twentieth anniversary (1935) green/ blue .9) round metal badge "Lest we forget." brown /white) soldier with open. badges, remembrance, australian -
Flagstaff Hill Maritime Museum and Village
Document - Sheet Music, W H Paling & Co., music publisher, 1900s-1920s
The tunes in the set of sheet music are mostly marches, jaunty and bright songs from the 1910s. The sheet music were published by W H P & Co., which was the company of William Henry Paling, Sydney. Paling was born in the Netherlands in 1825. He was a musician, composer, and violin teacher at the Academy of Rotterdam. In 1853 he arrived in Sydney where he became a piano and violin teacher and a professor of music at a ladies' college. He opened the W H Paling music warehouse around the same time, at 85 Wynyard Square in Sydney. He initiated clubs and groups, was involved in fundraising in the community, and conducted a Philharmonic Society concert. He seized the opportunity to supply the growing demand for pianos and local sheet music, becoming an agency for European manufacturers. He made several trips to Europe to supply his business. In 1875 the firm opened up premises in George Street Sydney. On his 1884-85 trip, he met Pietro Marich, an Austrian musician and businessman who then joined Piling's company and successfully expanded it into large premises with showrooms. In 1886 Piling's brother John joined the firm as partner. In 1883 it became a limited liability company, setting up in other major cities. He had many civic involvements and eventually presented his model farm at Campden for use as a hospital, along with finances to erect buildings on the land. He became ill after a trip to Europe, passing away in 1895, but the company continued in business.The collection of sheet music represents the musical and entertainment taste of the early 20th century. Sheet music was collected from Europe and locally and played in homes and public gatherings for listening to, for dancing and for background music. It was even recorded and played on portable gramophones with wax cylinders.Sheet Music wet; three sheets of printed music, comprising two large sheets with two pages of music printed on each side in black ink, and one small sheet with one page of music printed on one side in red ink. Music on the large sheets is March Music by W H P & Co. no. 1437, which is the same company as the music on the last sheet, The Music on the small sheet is Tango Music by Paling & Co. Ltd, of Sydney, and established by William Henry Paling (W H & P Co). Music Titles on the large sheets are: - - Parade of the Tin Soldiers - Guard of Honour - Irish Guards March - Slope Arms Music title on the small sheet is: - - Caro Mio Tango (My Dear) by Silvo ArnoOn the large sheets: printed "W.H.P. & CO." "1437" and handwritten in pencil "268" On the small sheet: printed "THE LATEST SUCCESS" "Try this on your piano" "Price 1/6 or Post Free 1/7, From all Music Stores, or direct from the Publishers" "PALING & CO. LTD. George-st., SYDNEY."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sheet music, music, guard of honour, parade of the tin soldiers, irish guards march, caro mio tango (my dear), w h p & co., william henry paling, pietro marich, john piling, jos j kaiser, silvo arno, leon jessel, george street sydney, early 29th century, march music, tango music -
Kiewa Valley Historical Society
Case for G.P. Multimeter, Circa 1950
This leather case holder for a general purpose Multi-meter( KVHS 0307 (A)) was manufactured after 1950 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to measure very small voltages associated with the operation of the various Hydro Generators. The readings were able to be shown by the resistor in use in the current circuit. During this time period, high quality testing instruments were either sourced from Europe or England. This particular carry case was manufactured in the Netherlands. This carry case for an analog General Purpose multi-meter which is quite a large (for a handheld mobile) apparatus.The bag however permits the easy monitoring of electrical variations within the large SEC Victoria Hydro Scheme's electrical generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This leather case is to provide protection for this mobile G.P. Multimeter, therefore it is made from thick leather. It has a carrying strap from a thick "D" chromed link. This link is fastened to the main cover by a looped leather strip with a black coloured rivet. All the fasteners are either chrome or black coloured rivets. The front, which when opened back exposes fully the inside of the case. It is clip fastened to the lower section of the front piece which also can be pushed back allowing the meter to be removed from the frontal position. There is a strip retaining strap slightly higher from the mid point. This is fasted by a black press stud. There are two "L" shaped tin protrusions allowing the meter to slide only down the case until it rests on these shelves. This provides for an empty space for minimal storage,.On the front bottom and below the clasp is a tag "STATE ELECTRICITY COMMISSION OF VICTORIA TRANSMISSION DEPT."sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth -
Bendigo Historical Society Inc.
Tool - PITTOCK COLLECTION: THREE WOOD SPOKEHAVES
Pittock collection: three wood spokeshaves, metal construction * one straight spokeshave, marked 64, 230 mm L x 40 mm W * one rounded spokeshave, marked B, 250 mm L x 60 mm W * one specialised marking/shaping tool, wide guide, marked Stanley No. 66 Pat'd Feb 9.86, 300 mm L x 50 mm W x 55 mm D * variety of shaping tool blades for Stanley tool, 60 mm x 15 mm blades. Stored in Havelock Flake Cut Pure Virginia Tobacco tin, 80 mm L x 55 mm W x 15 mm D Items stored in Pittock coach builder's box, reference 13000.1. -
National Wool Museum
Griswold stocking knitting machine, c1890 - 1900
The machine was most recently used by donor's father c2008 to knit socks, but had been used for many years earlier. According to family history, it is believed that the machine came to Australia with donor's grandparents in the early 20th century, and was created c1890-1900. It is still in working order and a demonstration was given by the donor during the acquisition process.Griswold stocking knitter machine. Black steel manual machine which clamps on to the edge of a table and is operated by turning a handle. Centre of machine is a cylinder which can be lined with pins to create the sock/stocking. Two detached parts of the machine include a bobbin holder and yarn feeder. Accompanying items include: 3 examples of incomplete attempted socks made by donor. 4 envelops containing instructions, pattersn, notes and advice on using the machine, created by donor's father and grandfather. 1 bobbin with grey yarn. 2 metal machinery pieces. 2 tins containing pins for the machine. 1 metal yarn feeder cone. 10 weights plus two weight stands. Stocking knitter machine has an identifier plate with patent numbers on the side. -
Kew Historical Society Inc
Booklet, Arbuckle, Waddell & Fawckner, The Pickwick Portfolio, Vol.1 No.2, 1912
Pickwick Clubs were established around the world in the nineteenth and twentieth centuries, inspired by the first novel of Charles Dickens. A Kew branch was formed in 1897 and lasted until c.1912. Its membership was drawn from a number of notable Kew families. The club published two booklets, the first in 1904 and the second in 1912. In addition to holding meetings, club members performed in productions of Shakespearian plays in the Recreation Hall in Wellington Street Kew. Members of the club adopted pseudonyms based on characters in Dickens' novels.Literary publication of of artistic (literary) significance recording the social and cultural activities of a group of residents of Kew and its environs that operated from 1897 to c.1912. Another copy is held by the State Library of New South WalesContents of The Pickwick Portfolio, Vol.1, No.2 - Frontispiece / Mark Tapley (Alice Bale); Editorial; To Pickwick / John Jarndyce (Mr G. Bell); A sonnet / BarkisThe Pickwick Portfolio being the magazine of The Pickwick Club, Kew, Vol.1, No.2 January 1, 1912 (Mr McCowan); Nikko / Barnaby Rudge (Mr H. Gaze); The lady or the tiger? / Nathaniel Winkle (Mr J.A. Richardson); Why? / Alfred Jingle (Mr H.M. King); The autobiography of Richard Pitt Cobden Slugger / Sam Weller (Mr P Vines); A new natural history; A kerosene tin / Wardle (Mr Veitch); Peter, or butt me no butts / Henrietta Boffin (Mrs J.A. Richardson); Laughter: can it be cured? / Cap'n Cuttle (Mr E. Vines)fictionthe pickwick club - kew, literary clubs, pickwick clubs, charles dickens -
Ringwood and District Historical Society
Biography, He heard Dickens, Disraeli, 21-Jul-44
Handwritten article about Captain Edward Thomas Miles 21-Jul-1944, copied from a newspaper.This is a handwritten copy from an unnamed newspaper. Refer also to the Australian Dictionary of Biography.; 21-Jul-1944 - Newspaper.; He heard Dickens, Disraeli; Captain Edward Thomas Miles who died recently at Ringwood where he had lived in retirement for many years, was born in Hobart 1849 and gained Master Mariners Certificate at 21 and his first command two years later. Served in the China, South African and Indian Wars. Was on the China - London tea run.; Pioneered the coastal trade of Tasmania.; was warden of Hobart marine Board, Member for Glamorgan in the Tasmanian House of Assembly for 12 years and also a minister before Federation.; In 1905 got Concession from Siam to form the Tongkah Harbour Tin Dredging Company, which later won 2,000,000 pounds worth of Tin. Sons and Grandsons managed the original company until present war, and one son and three grandsons remained to become prisioners of war.; Met Cecil Rhodes when he went to the Cape with his first sample of diamonds from the Kimberley.; With all other ship's officers was called out as special policeman to quell the Fenian riots in London.; Heard on several occasions Charles Dickens reading his own works. Listened to Disraeli and Gladstone speaking in the House of Commons.; With his partners built the Zeehan to Strahan railway, Tasmania, 29 miles. Was shipwrecked 3 times.; His first memory was that of travelling with his parents to the gold diggings in Victoria by bullock cart in 1852 at the age of three years. +Additional Keywords: Miles, Captain Edward Thomas / Dickens, Charles / Disraeli / Rhodes / Gladstone -
Eltham District Historical Society Inc
Photograph - Photo Postcard, Pond near Eltham Park, c.1910
This card depicts the pond near Eltham Park (later Eltham Lower Park) circa 1910. The view is taken from Maria Street (Main Road) opposite Dalton Street looking northwest across the Dalton Street road extension reserve (now Wingrove Park Trail) and Jarrold farm. A haystack is visible. Also visible is a gas streetlight and White Cloud cottage which belonged to the Jarrold family From the same collection as accession no. 00778, (Yarra at Eltham) - sent from Eltham and addressed to "Mr J. L. Brown, "Elthamville", Tinning Street, Brunswick" "with love from Nellie" who was most probably a member of the extended Brown family, and no. 00780 (Eltham, J.H. Clark Photo - dated 20 May 1911). Sending postcards to family and friends including short messages was a common form of communication in the early 20th century. Part of a slide show presentation "Bridges & Waterways of the Shire" by Russell Yeoman to the 13 September 1989 Society meeting. The presentation included slides of historic photos from the Shire of Eltham Pioneers collections as well as several recent views.Sending postcards to family and friends including short messages was a common form of communication in the early 20th century.Sepia postcard in very poor condition which has been removed from an album. Glue residue and album page adhering preventing information being readFront: Pond near Eltham Parkpostcard, eltham, pond, dalton street, duck pond, eltham park, elthamville, gas lamp, haystack, jarrold cottage, jarrold property, main road, maria street, white cloud cottage, wingrove park trail -
Federation University Art Collection
Painting - Artwork - watercolour, Wes Walters, [Boats] by Wes Walters, 06/1948
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. 2 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour behind glass depicting moored sailing boats.Signed lower right 'W.R. Walters June 48' Sticker verso "Jaman the Picture Framer 84-88 Lt Collins Street Melbourne Phone Cent 4802"wes walters, watercolour, boats, coastal, sailing, alumni -
Federation University Art Collection
Drawing - Artwork, [Title Unknown] by Wes Walters
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Black and white charcoal drawing in white frame with glass.wes walters, drawing, available, alumni -
Federation University Art Collection
Drawing, Wes Walters, 'Towards' by Wes Walters, 1991
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and mounted abstract artwork wes walters, artist, artwork, drawing, walters, available -
Federation University Art Collection
Drawing - Pencil on paper, Wes Walters, 'Self Portrait', by Wes Walters, 1980
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil self portrait by Wes Walters drawn close to the time he completed the Archibald Prize winning portrait of Phillip Adams. Signed and dated lower centre: '1/2/79 Walters' art, artwork, walters, wes walters, portrait, sketch, available -
Federation University Art Collection
Drawing - Charcoal on paper, Wes Walters, 'Study for Portrait of Arthur Boyd' by Wes Walters, 1982, 1982
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Charcoal portrait study of Arthur Boyd on Fabriano paper. This sketch is one of several head studies made for the portrait of Arthur Boyd portrait entered into the 1982 Archibald Prize. The painting is in the collection of the Art Gallery of New South Wales. Signed lower right: 'Walters'art, artwork, walters, wes walters, arthur boyd, portrait, available, archibald prize