When Ballarat Junior Technical School building was opened in 1921, there was little cleared space for the students to use for sporting activities. The area known as Battery Paddock was used for dodge-ball and football. Gradually the slope area was cleared and planted. In November 1922 a tennis court was opened in the Battery Paddock. It was designed and built by two former students of the Ballarat School of Mines. The old Mount Doran school house was moved to the area as a students' common room. A new tennis court was built in the same vicinity in 1934. This area was on the corner of Grant and Albert Streets. Area is where the Corbould Building and the Automotive Skills Centre of School of Mines Ballarat Grant Street Campus now stand. Black and white photograph of the tennis court built in 1934 at Ballarat Junior Technical School. Gaol wall to the left and the old Mount Doran school house that was moved to the school grounds in 1922 and used as a Students' common room. Four students playing tennis with others watching.Stamp on back indicating photographer - "Richards & Co - Ballarat"ballarat junior technical school, student, 1921, battery paddock, ballarat school of mines, ballarat school of mines tennis court, mount doran, students' common room, 1934, grant street, albert street, corbould building, automotive skills centre, student activities

Image of the intersection of Sturt and Lydiard Streets looking north along Lydiard St. North giving high view of the Post Office building with its tower. Has an ESCo tram southbound in Lydiard St North, a motor car and a number of horse-drawn vehicles. Shows the verandahs along Lydiard St, centre poles, and looks towards a rather desolate Black Hill following extensive mining works. The Post Office time ball is in the down position. Possibly c1910. Summerscales building - photographer, postcards is next door to the Post Office in Sturt St. Has written on the rear, over the full width of the card a message to Ted from Ena? See item 8238 for a colour version. Yields information about the intersection of Sturt and Lydiard Streets in the early ESCo era and the Post Office building.Postcard - sepia toned - divided back, undated - Valentine & Sons, Printed in Great Britain. Card Number "400.401 JV"See Contextsturt street, post office, ballarat, tramways, lydiard st, esco, black hill

Lilac Time, Capital Theatre, View Street, Bendigo, Bendigo Operatic Society. For a five night season. Commencing Friday, 20th November, 1970. Bendigo Operatic Society President: Mr J McK. Cannon. Vice-President: Mr P Houston. Hon. Secretary: Miss Ann Ball. Hon. Treasurer: Mr L Spencely. Hon. Subscription Secretary: Mrs P Lyon. Committee: Mesdames I Brown, J Cannon, Miss M Welch, Messrs. R Holyoake, G Lambert & N Roxburgh. Photographs: Cyril Holden, Patricia McCracken, John Boquest, Neil Roxburgh, Bartina Daws, Ruth Iredale, John Tonkin, Harry Brewer, Peggy Green Fred Trewarne, Patricia Lyon, Ann Ball, Graeme Daws, Brian Thomas, Douglas Sayle, John McCormack, Fred Lorenz, Madge Welch, Ruth Gorman. Synopsis of Story. Synopsis of Scenes. Cast in order of their appearance: Ann Ball, Dorothy Field, Cheryl Marshall, Graeme Daws, John Tonkin, Harry Brewer, Shane Brennan, Ruth Iredale, Peggy Green, Patrick McCracken, Brian Thomas, Douglass Sayle, John McCormack, John Boquest, Neil Roxburgh, Fred Trewarne, Fred Lorenz, Michael Filippini, Patricia Lyon, Christine Cavanaugh, Bartina Daws. Choreography: Madge Welch. Adaption & Lyrics by Adrian Ross. Music from Franz Schubert Arranged by Heinrich Bene & G H Clutsam. Wardrobe: Madge Welch & Mrs. Ann Ball. Musical Director: Gwen Grose. Stage Manager: Malcolm Cannon. Members of the Chorus: Wilma Baldwin, Christine Cavanaugh, Dorothy Field, Lynette Gillies, Anne Lewitska, Dawn Mackay, Cheryl Marshall, Dawn Moncrieff, Trudy Montfroy, Wilma Pearce, Henry Johnson, Max Knott, Michael Filippini, Shane Brennan. Ballet: Diane Austin, Annette Basset, Janice Jane, Kathy Jinks, Ruth Lyon, Coral, Rivett, Lyn Rowe, Ann Rundell. Children: Karl Steinberg, Debra Lockett, Wendy Kent, Karin Sutton, Cathy Johnson, Michael Sutton, Graham Orr, Bronwen Smith, Debbie Moyle, Vicki Lockett, Hayden Cornwall. Publicity Officer: Mrs J Cannon. Scenery and Properties: Messrs M Cannon, J Cannon & J Moncrieff. Art Work: Malcom Cannon, Mesdames L Neilsen, C Pla & Miss J Hall. Prompts: Mrs J Cannon & Miss A Ball. Lighting: Messrs, L Reed, H Bridges & T Vincent. Make-up: Mrs J Cannon. Hairdressing: Ross Coiffure. House Manager: Garry McDonald. Songs from ''Lilac Time'' Bendigo Concert Orchestra: Violins: R Weldon, A Boulton, M Robbins, C Messer, C Gill, J Jordan, P Phillip. Viola: E Jarrett. Cellos: C Bubb, D Nankivell. Bass: T French. Flute: C Bubb, D Bubb. Clarinets: R Holyoake. Bassoon: S Anderson. Trombone: N Neuman. Trumpet: D Gray. Percussion: G Aitken. Pianoforte: R Gorman. Acknowledgements: Bendigo 'Advertiser', BCV 8, 3BO, 3CV, Allans Music Store, St. Mary's College. Advertisments: Don Semmens Photographic Studio, Allan's World of Music, Ross Coiffure Beauty Salon.Cambridge Pressprogram, theatre, bendigo operatic society, lilac time, capital theatre, view street, bendigo, . five night season. 20th november, 1970. bendigo operatic society president: mr j mck. cannon. vice-president: mr p houston. hon. secretary: miss ann ball. hon. treasurer: mr l spencely. hon. subscription secretary: mrs p lyon. committee: mesdames i brown, j cannon, miss m welch, messrs. r holyoake, g lambert & n roxburgh. photographs: cyril holden, patricia mccracken, john boquest, neil roxburgh, bartina daws, ruth iredale, john tonkin, harry brewer, peggy green fred trewarne, patricia lyon, ann ball, graeme daws, brian thomas, douglas sayle, john mccormack, fred lorenz, madge welch, ruth gorman. synopsis of story. synopsis of scenes. cast: ann ball, dorothy field, cheryl marshall, graeme daws, john tonkin, harry brewer, shane brennan, ruth iredale, peggy green, patrick mccracken, brian thomas, douglass sayle, john mccormack, john boquest, neil roxburgh, fred trewarne, fred lorenz, michael filippini, patricia lyon, christine cavanaugh, bartina daws. choreography: madge welch. adaption & lyrics by adrian ross. music from franz schubert arranged by heinrich bene & g h clutsam. wardrobe: madge welch & mrs. ann ball. musical director: gwen grose. stage manager: malcolm cannon. members of the chorus: wilma baldwin, christine cavanaugh, dorothy field, lynette gillies, anne lewitska, dawn mackay, cheryl marshall, dawn moncrieff, trudy montfroy, wilma pearce, henry johnson, max knott, michael filippini, shane brennan. ballet: diane austin, annette basset, janice jane, kathy jinks, ruth lyon, coral, rivett, lyn rowe, ann rundell. children: karl steinberg, debra lockett, wendy kent, karin sutton, cathy johnson, michael sutton, graham orr, bronwen smith, debbie moyle, vicki lockett, hayden cornwall. publicity officer: mrs j cannon. scenery and properties: messrs m cannon, j cannon & j moncrieff. art work: malcom cannon, mesdames l neilsen, c pla & miss j hall. prompts: mrs j cannon & miss a ball. lighting: messrs, l reed, h bridges & t vincent. make-up: mrs j cannon. hairdressing: ross coiffure. house manager: garry mcdonald. bendigo concert orchestra: violins: r weldon, a boulton, m robbins, c messer, c gill, j jordan, p phillip. viola: e jarrett. cellos: c bubb, d nankivell. bass: t french. flute: c bubb, d bubb. clarinets: r holyoake. bassoon: s anderson. trombone: n neuman. trumpet: d gray. percussion: g aitken. pianoforte: r gorman. acknowledgements: bendigo 'advertiser', bcv 8, 3bo, 3cv, allans music store, st. mary's college. advertisments: don semmens photographic studio, allan's world of music, ross coiffure beauty salon.

Bendigo Advertiser '' The way we were'' from Monday, September 2, 2002. A night to remember: the Eaglehawk Lodge (No 555) hosted a combined ladies night and debutante ball on October 17, 1945. The debutantes with chaperone Mrs P. H. Richardson (front centre) are - Back row: Gwen Johnston, Elaine Strub, Norma Wild, Shirley Coates, Una Scheuffele, Peggy Powell, Trixie Kent, Mareon Cox and Berry Richardson. Front row: Vilma Jamieson, Jean Thomas, Norma Bawden, Audrey Mathers, Yvonne Russell, Joan Grocott, Beryl Mathers and Beth Dellar. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser '' The way we were'' from Tuesday, March 16, 2004. Top class: Marong State School, early 30s. Back Lorna Nankivell, Lily Filcock, Betty Genardini, Iris Hill, Ethyl Filcock, Alice Symons, Betty Ball, Gwenda Herbert, Beryl White and Jean Winzar. Centre: Doris Hill, Violet Andrews, Hugh Guthrie, Norm Cocks, Arnold Symons, Norm Thomas, Neville Carter, Jack Bray and Beryl Herbert. Front: Billy Bray, Albert Hollingworth, Harold, Andrews, Keith Symons, Ken Tracey and Leo Pacholli. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Sepia photograph. Slab hut with bark roof, verandah. One brick chimney, weatherboard skillion at L end. One male under verandah. One male in yard. One male mounted on horse. Barrels, wheelbarrow, four wheeled horse drawn vehicle under or near verandah. Inscriptions on front 'MP94', in red ballpoint ink '28'.On Back in grey lead 'Axedale family near Sugarloaf'.( near Fosterville ) On back in red ball point pen '28'. History of object: Previous Acc. No. 'MP 94'. An important photo of early settlers showing type and construction of farmhouse, type of farm implements and clothingBendigo Advertiserbuildings, residential, cottage

Sepia photograph on grey mount of P Rohs Bone Mills, artificial manures, flock mills. Timber building, with large brick chimney stack. Dray loaded with bags of manure pulled by white horse. Female and male figures on platform in front of building. Two children and group of five males and one female on ground. Inscriptions: in image - 'P Rohs, Bendigo Bone Mills, Artificial manures, flock mills'. On cart in image - 'Bendigo Bone Mills', On front TR corner 'MP115'. On back - 'Peter Rohs Fertilizer Factory, Rohs Road, Bendigo c1880'. Handwritten on back in ball point pen.buildings, commercial, p rohs bone mills

B&W photo of Port Melbourne United Football Club team 1928. 13 of the players are specifically identified by position in the photo. 3 others are known but not identified. The officials are unknown Players; Back Row : from left Edgar Brown; Sheik Dobson; W Mathews; Mat Elder; McMillan; A Littlepage; Macca Milan; Players Middle Row: first left P May; John Littlepage (with ball); then W Bruce; ??;Perce Russell 2nd from right Front Row from left: George (Chudda) Bolman; Snowy Dobson; Red Money Position unknown: P May; Lawrie; McNeillsport - australian rules football, edgar brown, sheik dobson, w mathews, nat elder, mcmillian, a littlepage, macca millan, p may, john littlepage, w bruce, red money, lawrie, mcneil, port melbourne united football club, george (chudda) bolman

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency" top and bottom. On the other side is "Made in England" and "View from this side". Photo taken by Ben Parle 4/1956. Photo of Ballarat No. 32 at the Sebastopol terminus, with the Royal Mail Hotel in the background. Photo taken with two friends of the photographer and the conductor, before turning the trolley pole. The tram has the destination of Lydiard St. North. Advice from R. Merchant 5/10/04 - Hugh Ballment (left) and Bob Young. See worksheet for email. For high resolution scan see btm2827h.tif "Sebastopol Ballarat" "1/54"tramways, trams, sebastopol, royal mail hotel, tram 32

golf, brighton municipal golf links, brighton public golf course, brighton east, mayor, councillor, opening, ceremony, speech, cr. j.a. grant, cr. e.m. young, cr. j.a. kennedy, cr. j. redapple, c.e. tuxen, city engineer, j.h. taylor, town clerk, kiosk

A Wright & Ditson 'Davis Cup' fibre-sealed tennis racquet with striped plastic reinforcements around shoulders; and handle wrapped with leather grip. Has 'WD' printed on butt. Model name, words 'FIBRE-SEALED', intials 'WD' and a trophy logo feature across throat on obverse. Manufacturer name, words 'FIBRE-SEALED', intials 'WD' and a trophy logo feature across throat on reverse. On obverse of shaft is printed:WRIGHT & DITSON/CHAMPIONSHIP QUALITY. Manufacturer's 'man on tennis ball' trademark/logo features on reverse of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, String, Leather, Plastic, Nylon, Fibreglasstennis

Wall Calendar - heavy card covers, 12 gloss art pages inside, titled "Trams - 2003" containing full colour photographs of Brisbane, Bendigo, Auckland, Sydney, Melbourne, Hobart, Adelaide and Christchurch. W7 1024 has a Lufthansa colour scheme. Has a punched hole along the top edge to enable wall use. Provides dates for holidays, school holidays and Pension payment days and phases of the moon. Produced by Topmill Pty Ltd and distributed by Gordon & Gotch Pty Ltd. Photos by Lawrie Hort, Hugh Ballment, Les Horsburgh, A. W. Perry, Ken Smith, and Colin Loach.trams, tramways, ballarat, bendigo, melbourne, adelaide, sydney, brisbane, auckland, hobart, christchurch, tram 104, tram 180, tram 111, tram 411, tram 1024

This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Cone, part of a Flagstaff signal set. A woven cane cone, painted black, with a metal rod passing through the centre and two crossed metal bars at the base. The central rod has a loop at the top and passes through the bars at the base, finishing in a metal loop. The rod has swivels at each end.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, marine navigation, marine communications, communication signal, lifesaving, ship at sea, day shape, masthead signal, day signal, day mark signals, marine technology, safety equipment, navigation equipment, marine day shape, day marker, cane day shape, signal cone, day signal cone, cone signal, cone day shape, distant signal, flagstaff signal, signal station, communications, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897

This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Cone, part of a Flagstaff signal set. A woven cane cone, painted black, with a metal rod passing through the centre and two crossed metal bars at the base. The central rod has a loop at the top and passes through the bars at the base, finishing in a metal loop. The rod has swivels at each end.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, marine navigation, marine communications, communication signal, lifesaving, ship at sea, day shape, masthead signal, day signal, day mark signals, marine technology, safety equipment, navigation equipment, marine day shape, day marker, cane day shape, signal cone, day signal cone, cone signal, cone day shape, distant signal, flagstaff signal, signal station, communications, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897

This is a photograph of three men in a heavily laden boat. The boat is tied up to a stick inserted into the bank. There is a black cocker spaniel dog also in the boat. The man in the middle back is believed to be John Trestrail Freeman. The card has been addressed to his wife. Dolly Freeman née Dolly Dean. The other two men , Bot and Paddy cannot be identified. The men are obviously travelling up the river. There is a motor on the back of the boat. The luggage includes a Gladstone bag, suit cases and boxes, indicating they have been travelling a long distance.This photograph is significant because it shows the type of transport available in the 1920's. Also it shows the conditions the three men travelled in. The boat was small, heavily laden with a simple motor. River traffic in 1920 would have been sparse. Also a journey from Echuca to Mildura would have taken weeks to complete.A rectangular black and white postcard showing three men and a dog in a heavily laden boat, which is tied up to the bank.On the back is printed W. GRIMWOOD/ POSTCARD/CORRESPONDENCE/ ADDRESS ONLY/KODAK AUSTRALIA . Handwritten in ink on the back are the words "To Doll from Bot, Tress, Paddy, River Rovers on Trip to Mildura Feb. 1920." Written on the front of the card in green ball point ink are the words "River Rovers Bot Tress Paddy 1920". In the bottom right hand corner in green pen is written "Echuca to Mildura. Tress Freeman."freeman, john trestrail (jr.), mildura, murray river, river rovers, freeman, dolly

Members of the Eltham District Historical Society transfer collection items from storage into their new home. Previously occupied by the Parks and Environment Department of Nillumbik Shire Council (L-R: Mark Gillham, Margaret Ball Vice President, Sue Law Immediate Past President, Harry Gilham President) Nillumbik Shire Council Commissioner Vin Heffernan (1996-97) worked with Harry Gilham to obtain use of the former Eltham Shire Parks and Gardens office at 728 Main Road for use by the Society. Harry as a younger man had played in the scrum for Heidelberg Football Club along with Vin's brother who was on the wing. Apparently Heffernan was able to access $30K to spend on the site to fix it up for occupation.Colour photo print 12.5 x 19 cmLeaser Newspaper Groupmargaret ball, mark gilham, police residence, sue law, 728 main road, activities, eltham, eltham district historical society, harry gilham, justice precinct, local history centre

Members of the Eltham District Historical Society transfer collection items from storage into their new home. Previously occupied by the Parks and Environment Department of Nillumbik Shire Council (L-R: Mark Gillham, Margaret Ball Vice President, Sue Law Immediate Past President, Harry Gilham President) Nillumbik Shire Council Commissioner Vin Heffernan (1996-97) worked with Harry Gilham to obtain use of the former Eltham Shire Parks and Gardens office at 728 Main Road for use by the Society. Harry as a younger man had played in the scrum for Heidelberg Football Club along with Vin's brother who was on the wing. Apparently Heffernan was able to access $30K to spend on the site to fix it up for occupation.Colour photographeltham district historical society, harry gilham, margaret ball, mark gilham, sue law, local history centre, 728 main road, activities, eltham, justice precinct, police residence

A class photograph of Watsonia High School 1965 Form 3A. Students are named by donor: Row 1: Lyn Eyval, Gisella Begutter, Glynne Pietzsch, Stephen Meadows, Larry Gard, Lyn Guy, Colette Hion, Leonore Barter; Row 2: Marg Litster, Andrea Winton, Shirley Faulkner, Julia Buday, Barb Porteous, Sue Cope, Kathy Ball, Wendy Auty, Kerry Fitzmaurice; Row 3: Charlie Lopatko, Neville Harris, John Briggs, Robert Stevens, Stephen Riley, Shane Crowley, Colin Wallace, Graeme Wilson; 4th row: Wendy Simpson, Marion Wasley, Loraine Clay, Sue Day, Mr Macraw, Pam Cox, Elisabeth Craig, Glenys Norman, Christine MacDougal.This photograph is complete with names and class list.Black and white school photo with names of students and class timetable on separate pages. watsonia high school, glynne pietzsch, glynne cousins pietzsch

A metal cup engraved with 'Melbourne Red Cross Younger Set' sits on top of a plastic base, which has a dark coloured plate attached to the front side. On the front plate is engraved "Memorial SWISH - Trophy, Commemorating Annual Contests between the R.V.I.B. and Younger Set Teams". On the rear side are engraved the winners of the trophy: 1975 - RVIB, 1976 - RVIB, 1977 - RVIB, 1978 - MRCYS. The Melbourne Red Cross Younger Set were an auxiliary of RVIB that helped provide awareness and raised funds for services. Swish is a form of table tennis that is played without sight. The ball contains a bell and is hit with a rectangular bat under the board that acts as a net. This cup represented the annual game between the Auxiliary and RVIB players.1 pewter cup resting on top of a plastic platform with an engraved plate Memorial SWISH - Trophy, Commemorating Annual Contests between the R.V.I.B. and Younger Set Teams 1975 - RVIB, 1976 - RVIB, 1977 - RVIB, 1978 - MRCYSnameplates, royal victorian institute for the blind

Paterson Hall Story is told through the reminiscences of 23 people who played an active part in the life of a popular recreational and entertainment hub from 1929 to 1999. They relate how a simple concrete structure in Glenferrie Road, Kooyong became a 'home away from home' for people who were blind or vision impaired, their families and friends. The hall was originally built as a clubhouse for blind cricketers in 1927, but by 1929 it had been extended to include a social hall and other facilities including a verandah where spectators could watch the cricket. Over the years the hall was used for activities as diverse as square dancing, singing, craft classes, ball games, art and craft shows, drama groups and annual meetings.60 MP3 sound files of oral history interviews and book excerptsNarrated by Maurice Lockie, Bill Charles and Norah Tooheypaterson hall, association for the advancement of the blind, victorian blind cricket association

A menu card from a dinner dance held in 1962. Charity balls were held with the proceeds from the evening going to aid Melbourne Legacy. The ball was held under the patronage of 'His Excellency the Administrator of the Commonwealth of Australia, General Sir Dallas Brooks.' From Wikpedia: "Brooks was appointed Governor of Victoria by Premier Thomas Hollway and served from 1949 to 1963. During his term as governor, he acted as Administrator of the Commonwealth three times. He served in this capacity for almost seven months after the governor-general, Viscount Dunrossil, suddenly died in office in 1961 after serving only one year. Sir Dallas was in effect Acting governor-general until the appointment of the Viscount De L'Isle.A record that Legacy used gala dinners and balls for fundraising events. It was attended by the Governor of Victoria who was patron of Legacy.Printed menu card for a dinner dance in aid of Legacy, at Southern Cross Hotel 1 September 1962.fundraising, governor of victoria, gala performance

Yellow folded card. P.Ellis and 2 in circle hand written at top on front. Circular Emblem. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per head Band: Armstrongs. Star of Evening Belle of Ball Matron of evening. Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Inside reads: Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Rear reads: Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small cakes, Pavlova, Fruit Salad, Coffee. Catering by Eric Brookes Catering Service who caters for Weddings and Special Occasions Dinner A La Carte 028 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359person, individual, peter ellis oam

Yellow card Black stick figure drawing in circle. 2 in circle handwritten in top right hand corner. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per Head Band Armstrongs Star of Evening Belle of Ball Matron of Evening Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small Cakes, Pavlova, Fruit Salad, Coffee. Catering By Eric Brookes Catering Service Who Caters for Weddings and Special Occasions Dinner A La Carte 038 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359. 411510 handwritten on back.person, individual, peter ellis oam

Two cardboard parts to a printed programme. On one is a posy of violets and the printing: "Programme German Masque Ball, Tuesday 22nd. The second lists 15 dances. Printed by A. Brookley, Printers. Also are the following two articles from Trove: From the Bendigo Advertiser and the Bendigo Independant, Wed 23 Aug 1905: GERMAN MASQUE BALL. The pleasant plan of fancy masque ball, which for nearly 20 years now has been an annual fixture at this season, is always looked forward to with delight. It is got up by the Bendigo Deutcher Verein, in aid of their free library. The function took place last night in the Masonic Hall and was most enjoyable, and all who took part in it were delighted. The hall was tastefully decorated with flags, flowers and ferns. Bockelmann's Band occupied the stage and discoured sweet music. Many of the items on a long programme were of Mr. Bockelmann's own composition, notably the schottische "Bendigo," the waltz 'Como, 'and the waltz "Golden City." By 9 o'clock there were about 80 couples on the floor. Amongst the merry troupe of dancers were youths and maidens in all sorts and descriptions of gay costumes, including flower girls, Japanese lady, German peasant, lily of the valley, Mercia, Geisha girl, French Vivandiere, red dominos, black dominos, "The Last Rose of Summer," rose, sailor girls, gondolier, Pierot, Charles II., Tipperary boy. Toreador, Romeo, Prince Le Var, huntsman, Indian prince, fireman, barristers. jockeys, cricketers, etc. Many of the Iadies were in evening dress, but wore the masque. The arrangements were admirably carried out by the secretarv. Mr. J. D. Khaland, while it would be difficult to find a better M.C. than Mr. J. Armstrong. The dancing was witnessed by a large number of the public, who were accommodated on a temporary gallery at one end of the hall. A small charge was made for their admission, which helped to swell thelibrary funds. An excellent supper, served in Mr. W. C. Dick's best style, was much enjoyed. Dancing was kept up till about three o'clock, everybody pronouncing the gathering a highly enjoyable one. bendigo history, sandhurst, lutheran german church, penny school

These three programmes are advertising brochures for the entertainment of R.G. Bachelder’s Anglo-American Christy Minstrels. R.G. Bachelder was an American minstrel performer and showman. He and his company toured Australia in the 1870s and 1880s and for a time his partner was Horace Bent, regarded at the time as Australia’s greatest comedian. The three programmes date from the early 1880s, with the date of Programme One being 1882. The three programmes appear to feature only males with the man attractions being the African- American comedians, Sam Keenan and Alf Moynham and the singer, Beaumont Read. The latter was an American singer and songwriter and is regarded in some circles as the greatest male alto singer ever to appear on the Australian stage. He settled in Australia for a time. Other performers included W. Ball, C.S. Fredericks and T. Bergin.These three programmes are of considerable significance because they are original advertising brochures for Bachelder’s Anglo-American Christy Minstrels, a prominent entertainment company touring Australia in the second half of the 19th century. The items are also of significance because one of them is the brochure for a local Warrnambool concert held in the month of August in the Orderly Room in Kepler Street, Warrnambool This concert was a benefit for the famous alto singer Beaumont Read and was listed as the last performance of the company so it probably can be dated 1883. These are three original programmes for Bachelder’s Anglo-American Christy Minstrels. They date from the early 1880s. Programme One is a yellow sheet with black print and an ornamental border, Programme Two is a faded white sheet with black print and Programme Three is a white/cream sheet with black print and an ornamental border. The three items are somewhat tattered. r.g.bachelder, beaumont read, entertainment in warrnambool, 19th century entertainment in australia

Leatherwork was offered to clients at the Ballarat office of Vision Australia, involving the use of jigs to help align punch marks. This jig was donated by "G.A. Arnold P/L 98-106 Moray St, South Melbourne" and its users were advised to "Clean and oil weekly" according to the 2 metal plates attached to the base plate that the jig was affixed to. A small metal bar runs across the middle of the base plate, to assist in correct alignment, with a black ball handle situated above a metal rod to allow users to push downwards on to a secondary rod (held in place by a cylinder) at the end of which is a punch. The cylinder that holds the punch in place is attached to a broader black metal attachment that is screwed into the base plate. The punch remains at the centre, however this image was taken before the centre's refurbishment.Metal sheet with ridges to align items above a punch activated by a lever pushed downwardsG.A. Arnold P/L 98-106 Moray St, South Melbournerecreation equipment, vision australia

The Federation Markers project, jointly funded by the Commonwealth Government and Stonnington Council, was intended to commemorate the centenary of Federation by means of a series of plaques to be erected around the municipality. Following public consultation, 50 historically significant themes were identified On the 7th April 1928 this playing field was inaugurated as the world's first permanent sports ground for blind cricketers when the first ball was bowled at a competition between the Victorian Blind Cricket Association and interstate teams. Mr William Paterson, a volunteer worker and advocate for blind people for over 60 years, was instrumental in acquiring and developing this sports ground and clubhouse on behalf of the Association for the Advancement of the Blind (now called Vision Australia Foundation). - text copied and edited from Stonnington History Centre record, accessed 26/5/2022.1 plastic sign with images and wordingvictorian blind cricket association, association for the blind, william paterson

Grade 2 1987 Back Row L-R: Simon Terzioski, Jeffrey Pearson, Joshua White, Shane Reinhardt, Patrick Marden.-(Anthony Barnett) Travis McIver, Stuart Yendle, Warren Bartholomeusz, Jason Clarke, Marcus Grbac 2nd Row: Lee Skinder, Tim Adams, Anthony Barnett, Matthew Lythow, Tim McCarthy, Daniel Little, Jarrad Page, Chris Harrower, Andrew Cass, Mathhew Monk Front Row: Louise Brown, Philippa Darlow, Mary Katsandonis, Elizabeth Ball, Kelly Thompson, Nicole Betts, Emily Chellew, Stacey Short, Christina TeLindert, Rebecca Salt Teacher: J. Leaney