"The Uniting Church and former church hall are historically significant at a Local level (AHC A4). It was built after Melton’s ‘United’ church and school, erected by Protestant denominations in 1857 in an effort to share resources in the pioneering era, was replaced by individual churches in the 1860s. The church became the home of and is expressive of the union of the Methodist and Presbyterian churches, begun in Melton from the early 1970s, and formally concluded by the formation of the Uniting Church of Australia in 1977. The new additions and functions of the church are expressive of the increase in Melton’s population especially in the 1970s, and the changing nature of the parish’s ministry. The church is one of only three remaining nineteenth century churches, and one of only two remaining bluestone churches, in the Shire of Melton".Dinner celebrating 150 years of the churchchurches

The photograph is from the album of Ivy Child and shows a view across the Kalorama Valley. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with bare trees in the foreground and a cleared area beyond with several homes visible. Bush in the distance runs into the hills.kalorama valley, kalorama, valley

There were numerous events in Kew, held during World War I, to support the War Effort. The 'Our Heroes' Carnival was held in the Kew Recreation Hall [dem. 1960], Wellington Street on the weekend of 9 and 10 August 1918. The event was held to gain financial support for the Lady Mayoresses' Patriotic League. Three press reports [see references] describe or illustrate the event. Organisation of the event was led by the Mayoress, Mrs Wynne, with the assistance of Mrs. H. Dodd and Mr. Hamilton Wilson. Stalls were operated by women selling items donated or created by individuals, organisations or institutions. While the badge is not mentioned in the references, it was clearly able to be purchased as a symbol of support for the event and for the cause for which it raised funds.The badge appropriates cultural symbols for political purposes. It is a rare example of a three-dimensional badge created to support Australian soldiers abroad during WW1. It is unusual in that the inscription is localised to the municipality rather than using a generic label. Badge - Small silvered metal kookaburra standing on a boomerang inscribed in capital letters with the words "Our Heroes Carnival, Kew". The badge has a pin on the reverse."Our Heroes Carnival, Kew"patriotic badges, world war 1, national symbols, cultural appropriation, badges, first world war -- fundraising, kew recreation hall

The photograph was taken towards the ESE from Peterborough headland. It reproduces an original landscape view of the FALLS OF HALLADALE shipwreck which occurred at 3 am on 14 November 1908 (and confirms that the vessel was on an ENE tack at the time of the collision). The image includes three groups of formally dressed Edwardian sightseers on the cliff top and an adjacent rock ledge. Subsequent versions of this well-known image are usually cropped to present a striking portrait view, emphasising the vertical lines of the ship’s masts and sails, and excluding the groups of sightseers on the right hand of the original image. The small girl in the foreground and the loose sail on the foremast are common to both the landscape and edited portrait versions of this memorable scene. The photograph was taken at an early stage of the ship’s final days, somewhere between the date of her grounding in mid-November 1908 and early January 1909 (when salvagers began dynamiting her iron masts so they could get to the valuable cargo still in her holds). Firmly wedged between two parts of the reef and with all of her square-rigged sails fully set, the FALLS OF HALLADALE provided a spectacle for many miles along the coast. Over these weeks she attracted hundreds of sightseers, and photographers, before the pounding seas finally broke her weakened hull and she disappeared back into deeper waters. The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., they standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29The shipwreck of the FALLS OF HALLADALE is of state significance: Victorian Heritage Register No. S255. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976). The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Photograph; sepia-toned black and white, mounted on grey card. Image of a fully rigged sship, the Falls of Halladale, stranded near the shore with a group of people in the foreground seated on the ground. The photograph is well-worn. Description of Image: Quadrant 01, vessel with full set of sails perched on reef with stern submerged; Quadrant 02, predominantly clear sky over flat calm sea; Quadrant 03, two groups of standing sightseers on rocky promontory with three individuals approaching from left foreground; Quadrant 04, fifteen well-dressed sightseers seated on grassed cliff top including one child and six women. There is a deliberately obscured inscription in white ink along the lower border or foreground of the photograph.Lettering of white uppercase in grassed foreground of initial image is smudged out by subsequent development process and largely indecipherable. However pencilled writing on rear of card ― “Mrs Francis” and “Wreck of ‘Falls of Halladale’ Peterborough 1908”.flagstaff hill maritime village, shipwreck coast, peterborough reef, shipwreck photograph, falls of halladale, warrnambool, flagstaff hill, shipwrecked image, flagstaff hill maritime museum, shipwrecked coast, maritime museum, edwardian sightseers, shipwreck spectacle, photograph, mrs francis, wreck of falls of halladale, peterborough 1908, 1908, peterorough, shipwreck

The donor of this gift, Professor John Gibbs, has played an important role in the history of ANZCA as a board member of the first ANZCA Council. In the late 1980s Professor Gibbs was President of the New Zealand Society of Anaesthetists and in 2004 received the ANZCA medal for his major contributions to the status of anaesthesia. The muffineer set was presented in a custom made box bearing the manufacturer's mark 'Nanking Store', active in Shanghai, China from the late 19th century until early 20th century. Each item in the set is stamped with the makers mark and character of a rooster. It is unknown as to the symbolism of the rooster, however, it may have represented the Chinese year of the rooster. It is possible this is a Chinese export silver piece, as a result of increased export trade to the West in the early 20th century. Chinese export silver were made in foreign taste for export, in particular common items such as tea and coffee sets. A Muffineer is a small container with a pierced top for sprinkling sugar, salt, spice, or other powder. It gained its name from its early use for sprinkling sugar or salt on muffins and were part of the Victorian tableware. After the First World War and the change of life style, this was later referred to as sugar shakers.A sterling silver muffineer set of Queen Anne revival with tray. Muffiner set contains 3 silver shakers (muffineer), 6 silver condiment dishes on stand 3 with lid and handle, 10 small, rounded spoons, 10 blue, glass inserts for condiment dishes. The set comes with a custom made presentation box, lined with beige silk. The box proper is lined in dark blue velour with individual sections cut out to sit each set piece. Each piece is hallmarked except four spoons. Large heavy oval shaped silver tray with extended loop rope designed handle on either side decorated with a very ornate fern leaf pattern design etched into the entire base of the tray. [printed in gold lettering on beige fabric inside lid cover] Chinese name of manufacturer in Chinese characters / NANKING STORE / GOLD AND SILVER SMITHS / 444 SZECHUEN ROAD / SHANGHAI / markers mark and Chinese characters [hallmarks on condiments dishes] NKSTERLING / SILVER / character of rooster [hallmarks on muffineer] NANKING / SILVER / character of rooster [hallmarks on spoons - 6 only] NANKING / character of rooster [hallmarks on tray reverse] 19722 number scratched into surface.professor john gibbs, nanking store, chinese export silver, muffineer, sterling silver

COLLECTION OF PHOTOGRAPHS. Comprises 8 B&W photos of individuals or groups (various era) with no names provided; 4 colour photographs of people (couples) with no names provided; 2 B&W photographs with name identification on back - Russell January 1942; Russell & Audrey with Bridesmaids & Best Man Shirley's husband - Best Man Jack's daughter - small bridesmaid on left; one B&W? (Polaroid) photograph of building - on reverse - Campbell Connelly, Bendigo (crn. Forest St and High St). This photo shows the current building (2015 Chinese restaurant) with adjoining building in Forest St having Taubman's advertisement and corner building having a sign pointing up Forest St to the City Centre Motel.powell collection, photographs, family photos

Yields information about the identification methods used by the ESCo to identify their crews to public and has a strong association with the individuals who wore them over time.Pressed metal uniform badge for ESCo Drivers. Round pressed steel badge with the words "ESCo OF V. LTD." pressed into the badge around the top portion of the badge, the word "DRIVER" and number "15" pressed into the lower half of the badge -with small horizontal lines within the individual letters. Appears to have had a nickel silver finish originally. On rear badge two metal lugs have been soldered onto the badge and a leather strap with a button hole cut into to enable it to be worn on a uniform. Has words "STOKES & SONS" stamped in reverse on the lower rear of the badge. Badges of this type shown on ESCo uniforms of 1905 and through to the 20's. See Reg. item 2900 for Conductors Badge and 5280 for Driver's badge No. 49. tramways, trams, esco, drivers, badges, uniforms

Card board box containing 3 individual envelopes (originally held 6) that hold one piece transparent plastic eye shield visors mounted on leather band with felt forehead comfort strip held by 3 staples. At the end of the leather band two lengths of black elastic material straps with one having a small hook and the other having small ring and when joined secure the shield to the wearers head. The elastic bands are secured to the leather using press studs which clip into two studs in the plastic visor to make the visor fit around the wearers face. The cardboard box is made of heavy duty cardboard with opening at one end to access the envelopes. The envelopes are beige manila type and not sealed. On cardboard Box a label - EYESHIELDS,ANTI-GAS, MK11 AIR SPRAY Action to be taken within ten minutes in the following order to prevent blisters--. 1. COTTON WASTE: Swab liquid off exposed skin. 2. OINTMENT: Rub hard on exposed skin for 1 minute. 3. EYESHIELD: Change. 4. CLOTHING: If detector shows large drops, remove or cut away as necessary. If cape "worn" swab off liquid. SMALL drops :no action. 5. OINTMENT: Rub on skin now exposed. 6. DETECTORS: If possible, remove and renew. (Tippet or Armlet). 7. WEAPONS: Decontaminate. 8. OINTMENT: Re-apply to hands. A.F.A.& CO. 1941

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 33 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Omeo' and includes photos of landscapes, individuals, and towns. This small black and white photo is a panoramic view of mountains and valleys stretching off into the distance."OMEO"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, omeo

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 33 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Omeo' and includes photos of landscapes, individuals, and towns. This small black and white photo is a panoramic view of Omeo in Victoria, which is surrounded by farmland, mountains and valleys."OMEO"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, omeo

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 33 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Omeo' and includes photos of landscapes, individuals, and towns. This small black and white photo is a panoramic view of valleys and hills near Omeo in Victoria in the mid-1920s."OMEO"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, omeo

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 34 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Bogong ****' and includes photos of landscapes, individuals, and built structures. This small black and white photo is of a wooden bridge near Bogong in Victoria in the mid-1920s."BOGONG [illegible]"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, bogong

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 34 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Bogong ****' and includes photos of landscapes, individuals, and built structures. This small black and white photo shows a group of trekkers on horseback near Bogong in Victoria in the mid-1920s."BOGONG [illegible]"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, bogong

Photo Album - titled "TAP - Part D - 1041, Z, A and B class trams – sheets D1 to D16 ", from Transit Australia Publishing. Photos used in the Destination City and other publications series. For a detailed list of photographs see htd4603i.pdf. For individual photo images see: \dbtext\hawthtramcoll\photo collections\TAP-Part D, images TAP244 to TAP268. TAP244_4-DecoratedTram_WilliamSt_ChrisMarsh_11Feb1989.jpg TAP245a_67-1022_EastPreston_Nov1982_PTC.jpg TAP245_46_NicholsonSt_IanHammond.jpg TAP246_112_BourkeSt_HughBallment_Jan1993.jpg TAP247_2111_BourkeSt.jpg TAP248_1041_MMTB.jpg TAP249_1_MacarthurSt_MMTB.jpg TAP250_112_KooriHeitage_PTC.jpg TAP251_116_HighSt_MMTB.jpg TAP252_134_BurwoodHwy_IanHammond.jpg TAP253_231_VictoriaPde_c1991_HughWaldron.jpg TAP254_265_StKilda-light-rail_DavidKeenan.jpg TAP255_266_StKilda_light-rail_IanHammond.jpg TAP256_271_PortMelbourne_light-rail_DavidKeenan.jpg TAP257_2001_PrestonWorkshops_DaleBudd.jpg TAP258_2007_BourkeSt_AndrewFoy_3Jan1989.jpg TAP259_2096_NormCross.jpg TAP260_2096_NormCross.jpg T AP261_2100_PlentyRd_RayMarsh.jpg TAP262_2132_ComEng_PTC.jpg TAP263_Sketch-all-electric-car-1041_MMTB.jpg TAP264_25_BurwoodHwy.jpg TAP265_233_PrestonWorkshops_PTC.jpg TAP266_267_PortMelbourne_30Oct1988_IanCooperCollection.jpg TAP267_2003_Bundoora_DaleBudd.jpg TAP268_2007_SouthMelbourne_31Oct1988_FritzVanDam.jpgtrams, tramways, transit australia, destination city, tramcars, depots, pcc, z class, a class, b class, tram 4, tram 46, tram 67, tram 1022, tram 112, tram 2111, tram 1041, tram 1, tram 116, tram 134, tram 231, tram 265, tram 266, tram 271, tram 2001, tram 2007, tram 2096, tram 2100, tram 25, tram 233, tram 2003, tram 2007

There is some information hidden by the hand written information on a card in the middle of the certificate.A small card sized certificate belonging to A.J. Roddy with type written fields completed in ink by the interrogating officer. There is type written information outlining the requirements for the card holder. Card was produced by M19 and interrogation by Intelligence Officer 14 May 1945.Top of Card Type Written in Capitals: CERTIFICATE IN RESPECT OF COMPLETION OF MI9 INTERROGATION QUESTIONNAIRE./Left hand side: CERTIFIED THAT/ NUMBER (in ink) VX8007 RANK (ink) DVR./Name & Initials in BLOCKS (ink) RODDY AJ/Unit (ink) AMN Coy AASC 6 Australian Div/ has completed MI9/ Date (ink) 14 May (Typed) 45/ The Centre of the card is covered with a hand written note that states:- On arrival in England/ spent the first whole/ day in interrogation/ many Nazis were picked up by this method./ A.I.S. (I.S.9), ink Signature L.E. Friend Capt/C.M.F. Intelligence Officer./ Note. This Certifivate MUST be carefully retained by the individual with whom/ it refers and MUST be/ produced to the appropriate authorities on request,/ whether in the Middle East, North Africa or the United Kingdom.officer, certificate, interrogation, questionnaire, certified, intelligence

Contents belonged to Major Damien Batty whilst serving with the United Nations Forces in Afghanistan. Major Damien Batty served in Afghanistan in 2011-2012 with the Bravo Commando Company Group, 2nd Commando Regiment in Uruzgan. The Commandos took part in 20 rotations with the Special Operations Task Group (SOTG) between 2007 and 2012. During this time they undertook significant combat operations, and were awarded for its actions, the regiment was collectively awarded the Unit Citation for Gallantry and the Meritorious Unit Citation.Contents from the Field Notebook Holder, (see 0096.1) belonging to Major Damien Batty whilst serving with the United Nations in Afghanistan. Located in the clear plastic compartment of the Field Note Holder: 0096.02 - Authority card in colour featuring a photograph of Major Damien Batty. 0096.03 - Facility access card in colour featuring a photograph of Major Damien Batty. Located in the folded compartment of the Field Note Holder: 0096.04 - White boarding pass with colour text 0096.05 - Peach sticker with black text 0096.06 - Peach sticker with black text 0096.07 - Green sticker with black text 0096.08 - White A4 sized paper copy of passport with certification stamp 0096.09 - Small grey Rules of Engagement card with a gloss surface and rounded corners. Has text on both sides 0096.10 - Small yellow Rules of Engagement card with a gloss surface and rounded corners. Has text on both sides 0096.11 - Small purple Rules of Engagement card with a gloss surface and rounded corners. Has text on both sides 0096.12 - White piece of paper torn from a spinal notebook with written text in blue and red ink. (Not pictured) 0096.02 - UNESCORTED / WEAPONS AUTHORISED / CELL PHONE ALLOWED / BATTY / TF-66 / VALID UNTIL 5 DECEMBER 2012. 0096.03 - 03-MAR-74 / BATTY DAMIEN / OF-3 Back 0096.04 - ADAGOLD / AVIATION PTY LTD / FROM SYDNEY / TO MIHAD MILITARY / DATE 05 JUN /1310 / 0096.05 - NHD / 10987 /ADAGOLD / AVIATION PTY LTD / 0096.06 - NHD / 10986 / ADAGOLD / AVIATION PTY LTD / 0096.07 - QUALITY CONTROL / 0096.08 - DAMIEN BATTY / 0096.09 - RESTRICTED / DEPARTMENT OF DEFENSE / SEARCH AND DETENTION / OP SLIPPER / (AFGHANISTAN ONLY) / DEC 2010 / 0096.10 - RESTRICTED / DEPARTMENT OF DEFENSE / MEAO FORCE PROTECTION / INDIVIDUAL GUIDANCE ON THE USE OF FORCE / APR 2009 / 0096.11 - RESTRICTED / DEPARTMENT OF DEFENSE / PURPLE CARD / ORDERS FOR OPERATING FIRE / OP SLIPPER / contents, field notebook holder, identification, united nations

Booklet to accompany third year student exhibition of Bachelor of Visual Arts students. Includes staff list, individual student names and photographs within their studio spaces at the Mt Helen Campus. It also includes student contact details and some artist statements. Introduction by Associate Professor Ian Hemingway, Head, School of Visual and Performing Arts, Ballarat University College. List of subject areas and staff names. Ceramics, Drawing, Graphic Design, Painting, Photography, Printmaking, Sculpture, Art History / Art Theory. At this time, the School offered the three-year Bachelor of Arts, Visual Arts; Bachelor of Arts, Performing Arts, a one year Graduate Diploma of Visual Arts and a one year Graduate Diploma of Music Education.Saddle-stitched book. 68pp cover black and white text pages on gloss stock, plus 4pp single colour cover on textured card.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, ceramics, drawing, graphic design, painting, photography, printmaking, sculpture, art history / art theory, mt helen campus

Optometrists are trained to examine eyes and prescribe visual aids such as spectacles. The optometer pictured in the media section of this document dates from the 1800s. The optometer was used with various lenses to determine the refraction of the eye. Refraction means the extent to which light is bent by an individual's eye. The result can determine how short-sighted or long-sighted they are, and the strength of spectacles required. In the second half of the 1800s, ophthalmologists also devised instruments to measure the separate components of vision. Dr Jules Badal developed the pictured instrument in 1876. It was based on an optometer invented by William Porterfield in 1759. The brass stands look as though they were made for an optometer to be table mounted, with heavy brass stands and designed to hold a cylindrical object securely as would be required by an optometer. Stands appear to have been very well made and very early probably early to mid 19th Century by a well known scientific instrument maker given there are no inscriptions or marks to indicate the time period made or maker it is difficult to assume significance to these items at this point in time as well as the items are incomplete.The brass stands believed to be for mounting an early Optometer an (ophthalmic instrument) Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, stands for scientific instrument

This is a traffic report of the Warrnambool Tramway in 1880. The Warrnambool Tramway ran from the south end of Fairy Street near the present day railway sheds past the site of the old Woollen Mill, then extended towards the Warrnambool Bay on the easterly side of the site today of the Lady Bay Apartments and on to the Tramway Jetty. The Tramway was completed in 1858 and was horse-drawn. It was leased to private individuals until 1864 when the Warrnambool Council took over the management. The Tramway closed in 1890 when the Breakwater was opened and it had its own spurline from the railway station to the end of the Breakwater. The 1880 report shows that contractors were paid over £300 and that 26, 409 tons of potatoes and 9167 bales of wool were carried by the Tramway in that year. This report is of interest as it shows the operations of the Warrnambool Tramway in 1880. The Tramway was significant in the maritime history of Warrnambool.This is a single foolscap-size sheet with handwritten material concerning a report of the Warrnambool Tramway operations in 1880. The writing is in black ink. The page has a large red-lined margin on the left side. The sheet is a little stained where it has been folded.history of warrnambool, warrnambool tramway

Samuel Carson was a local farmer who in the late 1800's acquired land to the West of Warrnambool in the Farnham park estate and towards Tower Hill near Gorman's lane. By the time of his death on May 23, 1920 he left an amount of 11666 pounds. Apart from amounts left to individuals, he bequeathed one hundred pounds each to ten different orphanages, and homes for neglected children and the blind and leaving the remainder to charitable organisations at the discretion of his trustees.The donation of 3500 pounds in August 1922 was in the latter category. This plaque commemorates Samuel Carson's generosity to the newly refurbished Warrnambool Base Hospital. He left a son William who farmed at Yangery at the time of his father's death. This item is significant in that it links a local identity through his generous donation to the local hospital. It therefore has strong social,historical and interpretative value. His generosity is a significant part of the history of Warrnambool Base Hospital.Heavy rectangular cast brass plate with raised edge and text in capitals. Corners have rounded cutouts and there is a hole in each corner for attachment. The Samuel Carson Childrens' Ward.warrnambool, warrnambool base hospital, samuel carson, samuel carson warrnambool, childrens' ward warrnambool 1928

Kiron Robinson lives and works in Melbourne and is currently a lecturer in photography at the Victorian College of the Arts. He has undertaken numerous residencies internationally and has exhibited extensively in Australia and internationally. Recent projects include exhibitions at Museum of Contemporary Art (MoCA), Taipei; POSCO Museum of Art, South Korea; and Kurumuya Museum, Japan. He has recently held solo exhibitions at Centre for Contemporary Photography, Monash University Faculty Gallery and Gippsland Art Gallery. In 2016 he was included in What happens now?, the inaugural Melbourne Biennial Lab.You, We, They, Me is a combination of 14 words paired together to form seven circles. The words are collected from the history of this North Fitzroy location―from the earliest Indigenous histories to the more recent past. This neon installation presents words of action, each indicating the possibility of a newly formed future. Each of these actions reveals a relationship to the habitation, and subsequent sense of ownership of the space, by the community. The words acknowledge that a community is comprised of individuals―the singular that constructs the many. They are a call to attention―of this location’s future as a carrier of the past―and as a place within which the community can be and create. The circularity of each of the words and their pairings creates a forming, reforming and interdependence that is in a continual action of becoming―the essence of the Bargoonga Nganjin space―a communal place of continual transformation.Kiron RobinsonColourful neon text based artworks.text, community

Lists for each weekday, the work done on each tram, who was on leave, and events or failures, derailments - shown in red ink, motormen examined. Has notes in the front cover the start dates for M Devlin, W Kell and the death date of G Minns. A birth date for Davis entered? At the page for 13/2/1969 was a handwritten list of work done to the tram fleet during 1969 - see item 8288. Related item diaries: 8280 - 1960 8281 - 1961 8282 - 1962 8283 - 1964 8284 - 1965 8285 - 1966 8286 - 1967 8286A - 1968 8287 - 1969 8288 - individual sheets for each tram 8289 - 1970 8290 - Monthly reports from May 1965 to August 1971Yields information about the Ballarat Workshop activities, tramcars maintained and events.Printed and bound book - Collins Australian Diary No. 324 for 1969 - two pages per week, ruled with date and holiday information and sheets for events, finances etc.ballarat, tramcars, workshop records, workshops, maintenance

Brimbank Little Athletics Centre is one of Victoria's Little Athletics registered clubs. These clubs offer track and field programs for children aged 5–17, promoting fitness, fun, and personal achievement. The three colours represents the colours of the three individual centres that were merged in 2000, Deer Park (Yellow), Red (St. Albans) & Blue (Sunshine) to form the Brimbank Little Athletics Centre. The yellow wheat graphic represents the area’s history of agriculture manufacture and the flat grassy landscape of the western plains, and is an adoption from the City of Brimbank's logo. On the back, the 151, means the centre is the 151th registered Little Athletics Centre in Victoria. This competition top was used at the local centre competition days including regional & state events.Yellow, red & blue sleeveless polyester athletic size 8 competition uniform.Front - Little Athletics Victoria with Little Athletics logo Back - Brimbank Little Athletics Centre 151brimbank little athletics, little athletics, athletics

A brown wooden award with two columns supporting an upper platform, upon which rests a wreath on a block of wood. Between the columns another block of wood, with the Lions International badge upon it, acts as a base for a circle containing a picture of two crossed rifles upside down with a target between them. Winners inscribed on individuals metal plates: 1973-74 H. Glen, 1974-75 P. Teague, 1975-76 H. Glen, 1976-77 S. Harkensee, 1977-78 J. Scholtz, 1978-79 J. Bloomer, 1979-80 J. Musgrove, 1980-81 R. Teague, 1982 M. James, 1983 S. Harkensee, 1984 H. Parson, 1985 M. James.Wooden rectangle topped with a plastic wreath and tarnished silver plates inscribed with winner namesThe Forest Hill Lions Club Perpetual Trophyroyal victorian institute for the blind, rvib rifle club

Donna MARCUS (1960- ) Featuring instantly recognisable kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context. In 1981 Donna Marcus was awarded a Bachelor of Visual Arts from the Tasmanian School of Art, followed by A Master of Arts (Visual Arts) from the City Art Institute (University of New South Wales). In 2006 Donna Marcus received a PhD from Monash University in Melbourne, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Anodised aluminium sculptural pieces made from old cookware. The 'Cities' that Donna Marcus depicts in anodised aluminium reflect the artist's travel and history. These urban representations draw on memories from home and more particularly, the kitchen. art, artwork, donna marcus, sculpture, annodised aluminium

37 pages of text with cardboard covernon-fictionBackground and overview of the establishment and work of the Association for the Blindassociation for the blind, association for the advancement of the blind

Photograph is most likely of Matthew Francis Child. It was taken c1929. The photograph was taken by Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing an old, white haired man with a beard standing in the foreground. He is wearing a suit and tie.Below photograph in album - 90th Birthdaymatthew francis child, ivy child, child

The man in the photograph is Arthur Edward (Ted) Child. The photograph is from the album of his daughter, Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a man wearing a jacket, jodhpur like trousers, leather gaiters and a wide brimmed hat standing in a bush setting.Written below the photograph in the album: The Old Geaserted child, arthur edward child