Photograph shows the detail of some of the memorabilia of the Stawell Gift 1954. The photo was taken on a visit by John Hayes to the Common School Museum to give a talk for the Rutherglen Historical Society. John Hayes, the winner of the Stawell Gift in 1954, was a former Rutherglen boy, who also produced "The Glen Guys", a booklet about Rutherglen personalities.Colour photograph of the detail of a sporting photograph in the corner of a framed display. John Hayes Stawell Gift 1954john hayes, stawell gift, the glen guys, common school museum

Photograph shows the detail of some of the memorabilia of the Stawell Gift 1954. The photo was taken on a visit by John Hayes to the Common School Museum to give a talk for the Rutherglen Historical Society. John Hayes, the winner of the Stawell Gift in 1954, was a former Rutherglen boy, who also produced "The Glen Guys", a booklet about Rutherglen personalities.Colour photograph of the detail of a sporting photograph in the corner of a framed display. John Hayes Stawell Gift 1954john hayes, stawell gift, the glen guys, common school museum

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland. The Council of Rutherglen Scotland was later amalgamated into South Lanarkshire, and the holdings of the Rutherglen Museum sent to the South Lanarkshire Museum. Martha Valentine communicated with the South Lanarkshire Museum, to enquire if they still held this item. Sharon Paton, of the South Lanarkshire museum replied with the comments: "Yes I can confirm the quilt (RG.1992.7) is part of the Rutherglen collections transferred to us by Glasgow City Council in 1995/6 during council re-organisation. We are very pleased you have given some more information on the history of the quilt since many of the items transferred to us at that time, did not arrive with a lot of historical information. I attach photographs of the quilt taken yesterday. Due to space restrictions in that store, I couldn’t unroll it fully, but hopefully before the end of this year we can do that when we are working in our storage sites. It was very easy to locate. It was last displayed around 2003/4 for our Treasures of South Lanarkshire exhibition at Low Parks Museum." We were pleased to see that it had a good home. Colour photograph of a handmade quilt. Photograph was printed from a digital image sent from the South Lanarkshire Museum in Scotlandquilts, handcrafts, red cross, world war ii, quilt

One of a series of photographs taken after refurbishment of Museum.Colour photograph of part of the 'weights & measures' collection displayed in the old fireplace of the Home Economics Room of the Common School MuseumOn back of photo: "21 Historical Society. New floor & painted room. 21/9/03"common school museum

Photograph taken at reopening of Common School Museum, after repairs to floor.Colour photograph of the interior of the Common School Museum, Home Economics Room, showing a display of photographs on a table, a free-standing board, and on the old school-room chalk board.On back of photo: "12/11/03"reopening, common school, museum

Caption reads: "This is the Rutherglen police station, which was described as a 'disgrace' at Rutherglen Shire Council's meeting last Friday. Walls of the tiny station are riddled with white ants and the two lock-ups at the rear are primitive. The station is said to be more than 80 years old and entirely out of character with its surroundings -- the pleasant civic square. The condition of the buildings will be brought to the attention of the Victorian Police Commissioner and Public Works Department." The two lock-ups mentioned are now (2018) property of the Rutherglen Historical Society, and are located at the back of the Museum awaiting renovations to make them into a display.Black and white photocopy, that seems to have been from a newspaper article, showing a photograph of a small cottage that served as a police station in Rutherglen for some years. The photograph and its caption are printed on two sheets of paper.Written at the left side of the photo: "Police Station Rutherglen 1965" police station, rutherglen shire, cells, lock-up

Photograph taken at reopening of Common School Museum, after repairs to floor.Colour photograph of the interior of the Common School Museum, Home Economics Room, showing several displays.On back of photo: "12/11/03"reopening, common school, museum

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

Portsmouth was an important harbour with many emigrants leaving for Australia from this port. It has world class displays of The Mary Rose, HMS Victory, HMS Warrior 1860, Museums and Harbour tours. portsmouth harbour emigrants

& coloured photos of the official opening of the Equipment Display Shed on October 13th 2007 by the Mayor, City of Whitehorse, Cr. John Koutras.equipment display shed, schwerkolt cottage & museum complex, implements, koutras john

These original columns are marble, made in 113AD. They come from Rome, Italy and are held in the Cast Courts at the Victoria & Albert Museum, London. The collection of casts at the museum is one of the most important in the world. Their original purpose was educational when it was not easy to trail and see original works. they thus provided an opportunity for students to study. The Cast Courts opened in 1873 and allowed the display of large monuments. These galleries are currently divided by nationality. Photograph of a cast of Trajan's Column at the Victoria & Albert Museum, London. The column has been displayed in two parts. he massive cast is a tremendous feat of both engineering and casting. Displayed in the Architectural Courts from the time of their opening in 1873, it provided the opportunity for students (and others not able to travel to Rome) to see this iconic monument of the classical world. The cast of the column is made up of sections of plaster reliefs that are attached to an inner chimney built of brick. Each section was individually numbered so that the column could easily be assembled like a giant jigsaw puzzle. (http://www.vam.ac.uk/content/articles/t/trajans-column/)trajan's column, roman forum, plaster casts

These stairs are on display at Victoria and Albert Museum, London. Salisbury Cathedral is still in existence and houses the famous Magna Carta. Standing 123 metres high above the city that grew up around it Salisbury Cathedral is almost entirely Early English Gothic in architectural style. The Magna Carta housed at SAlisbury is the best preserved of the four originals dating from June 1215 and still in existence.It is written in Latin with a quill pen on treated animal skin (parchment). The sealed documents were sent throughout the country after the Charter was forced on King John barons who were unhappy with the way he was ruling England. Wooden stairsmagna carta salisbury cathedral king john stairs

Four similar but larger brackets were on the facade of Pindar's house. this is on display at the Victoria and Albert Museum, London. This smaller example was most likely part of a chimney piece from a grand room on the first floor. The crouching minter has a man's head, the chest of a woman and the legs of a goat or horse.Wooden carved bracket at Sir Paul Pindar's Housepaul pindar's house, bracket, timber, victoria and albert museum, london, sculpture

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

This book describes the "Koorie" exhibition which is devoted to over 40,000 years of Aboriginal cultural heritage in south eastern Australia and displayed in the Kershaw Hall, Museum of Victoria.non-fictionThe "Koorie" exhibition which opened in 1988 is devoted to over 40,000 years of Aboriginal cultural heritage in south eastern Australia and displayed in the Kershaw Hall, Museum of Victoria. This book provides details and photographs of the exhibition.aborigines, museum victoria

A poster of members of the Schwerkolt family who were most closely connected to the Mitcham property. It is used for display in the Schwerkolt Cottage and Museum.non-fictionA poster of members of the Schwerkolt family who were most closely connected to the Mitcham property. It is used for display in the Schwerkolt Cottage and Museum.schwerkolt family, schwerkolt cottage

Coloured photograph of Vicki Jones-Evans dressing a model for display in the museum.costumes, whitehorse museum

Old Tick was the neighbour of Gus, Bess and Jack Gervasoni in Stanley St, Daylesford. As a toddler Jack Gervasoni would sit on his knee for hours watching his pocket watch - leading to the name 'Tick', and later 'Old Tick'. Annie Wheldon was Tick's daughter and gave many items currently on display at the Daylesford Museum.Black and white photograp of the photograph on the occassion of Gus Gervasoni being shipped out for compulsory service during World War two. He is the one in uniform, with furrowed brow. Left to right: Gus Gervasoni, his father George Gervasoni, ? , (Possibly Old Tick [Wheldon]. Front row left to right: Kevin or Roger Lock, Jack Gervasoni (son of Gus), Ken Lock. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, george gervasoni, john hogan gervasoni, ken lock

This fully self contained camp park containing accommodation, general store, entertainment, Rotunda, petrol bowsers and community kitchen was the vision of Richard Bromby Whiter who commenced the project in 1927. Water for gardening and sewerage supplied by an underground boreSmall format black and white photograph of the entrance to the planned Lakes Camping Park fronting Roadknight Street. Shows homestead, cabin and tents, small tree in foreground, vehicle at side. Vera Wilson, later Vera Harbeck, standing outside entrance. Lakes Entrance Victoriatourism, recreation, camping, room display

This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number 02373.1|Also one 12 x 16 framed photograph used in room display.Black and white postcard of the Whiters Camp Park, showing entry from Roadknight Street. Homestead, picnic shelter, sign beside entry gives mileage to towns between Lakes Entrance and Melbourne. Lakes Entrance VictoriaThe Lakes Camp Park, Lakes Entranceresort, room display

This is the after paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The before paired photograph number 02373|Also one 12 x 16 framed photograph used in room display.Colour photograph of the entrance to Whiters Holiday village, situated on the corner of Whiters Street and Roadnight Street Lakes Entrance Victoria.tourism, camping, transport

Second copy 18 x 25 cm, purchased from Win Burnett 1992Black and white photograph of activities in front of Harbeck's Store. Long telegraph poles are lying in foreground, stacked railway sleepers behind them, eight horse team harnessed to log wagon in front of general store, grain store and residence. Two smaller wagons, horses and men in image. Lakes Entrance Victoriaretail trade, township, animals, clothing, room display

This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph 02386.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph showing six men, three wearing grocery aprons and horse outside Harbeck's Store at Lakes Entrance, Victoria.retail trade, township, room display

Hall designed by H G French erected by E Cowlishew, seated 350, lit with acetylene light, opened with a grand ball 26 September 1907. Later altered, bio-box added to show films. Hall was drastically altered in 1962, demolished 1998. New Civic Centre and library built on site.|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph Number 02401.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of the timber Mechanics Hall. Building has gable roof, four ventilators and chimney, foyer at end of building has gable roof, steps leading to doors of foyer and main building. Many windows. Lakes Entrance VictoriaMechanics Hallhalls, township, room display

This is the after paired photograph used in the 150 year Lakes Entrance 1858-2008 display|The before paired photograph number 02401|Also one 12 x 16 framed photograph used in room display.Colour photograph of the Mechanics Hall, Library and Shire business centre in Mechanics Street, Lakes Entrance Victoriahalls, floods