.1) 2/23rd Batt AIF Patch used from 1942-46. .2) If viewed as a diamond shape white over red it is possibly 2/24th Batt AIF. Items belonged to Frederick CARLETON VX33476. Refer Cat 142.7 (medals) for his service history. .1) Felt colour patch, T-shaped; light blue, dark blue on grey. .2) Felt colour patch, square; diagonal white and red on grey.uniform, army, colour patches

Small lapel pin, in gold, blue and white.Front includes a gold silhouette of a wheelchair athlete wielding javelin, inset on a white background in the shape of the state of New South Wales, on a gold a background. Above and below the image is the text "THE PARAPLEGIC SPORTS CLUB N.S.W." Back is plain, except for A.E. PATRICK, SYDNEY, likely the maker of the badge,

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

Anchors are used to stop boats from moving and today are usually made of metal, and they are made to catch the ocean floor (the seabed). There are two main types of anchors: temporary and permanent. A permanent anchor is called a mooring block and is not easily moved. A temporary anchor can be moved and is carried on the boat. When people talk about anchors, they are usually thinking about temporary anchors. An anchor works by either weight (mass) or shape. Shape is more important to temporary anchors, and design is very important. Anchors must resist wind and tide, and also the up-and-down movement of waves. The subject item is a foundry produced item made specifically for marine use, at present there is no history or manufacturing provenance currently available as the item is unmarked.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item is believed to have been produced in the first half of the 20th century by an unknown manufacture and its design is known as the "Kedge Admirality" pattern.Kedge Admirality design anchor metal with double bent hook & Halibut. Stock, eye, loop and shackle at top of anchor. Stock held in position with pin. Anchor painted black.Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ships anchor, marine eqipment

Anchors are used to stop boats from moving and today are usually made of metal, and they are made to catch the ocean floor (the seabed). There are two main types of anchors: temporary and permanent. A permanent anchor is called a mooring block and is not easily moved. A temporary anchor can be moved and is carried on the boat. When people talk about anchors, they are usually thinking about temporary anchors. An anchor works by either weight (mass) or shape. Shape is more important to temporary anchors, and design is very important. Anchors must resist wind and tide, and also the up-and-down movement of waves. The subject item is a foundry produced item made specifically for marine use, at present there is no history or manufacturing provenance currently available as the item is unmarked.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item is believed to have been produced in the first half of the 20th century by an unknown manufacture and its design is known as the "Kedge Admirality" pattern.Anchor, Kedge Admirality design galvanised metal with shackle and rope hole at top of anchor Halibut is missing (bar at top) and two curved flat pointed metal hooks at the base of the anchor.Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ships anchor, marine eqipment

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.An English-made “Busvine” black wool herringbone twill riding habit comprising jacket and safety skirt, (jodhpurs missing) from late 1800’s to early 1900’s. The jacket (.1) features a black short pile silk velvet inset notched lapel collar secured with a single button at the apex of the waist and a single button near the collar for use in inclement weather. The sleeves join the bodice high on the shoulder with a full cut head to the sleeve and a tapered curved shape to the hand. The sleeve secures at the wrist with four black buttons. From the waist the jacket flares over the hip through princess line shaping and finishes with a curved front on either side. The seams of the shaping panels intersect single functional flapped besom pockets on either front panel. The back of the jacket features a centre back seam and two princess-line shaping seams that finish in a double vent on either side of the centre back. The jacket length would have finished approximately just below the bottom of the wearer. The apron fronted safety skirt (.2) secures from the waist at the front of the left thigh with five buttons. Over the wearers, right leg the skirt shapes to accommodate the rider’s right knee whilst sitting sidesaddle with her legs on the horses left flank. The base of the skirt has an elastic strap, which hooks around the rider’s leg to reduce the danger of the rider’s skirt become tangled, should the rider become un-seated. When the riders is not mounted the skirt can be secured with a button around the body to provide additional modesty as well as assist walking without the skirt dragging on the ground.Jacket: Manufacturer's label “Busvine, By serial appointment to Her Majesty The Queen, 4 Brook Street W.” Owner label “Doreen Wright” this label appears far more modern than the manufacturers label. Skirt: Manufacture's label: “J. Busvine and Co, 4 Brook Street, London W." In handwriting “Miss Wingfield” Manufacturers label: Busvines Patent Safety Skirt, protected by two separate patents. 4 Brooks St London West.barone, riding habit, j. busvine and co, seaview, brighton

A coolamon is an Indigenous Australian carrying vessel. It is a multi-purpose shallow vessel, or dish with curved sides, ranging in length from 30–70 cm, and similar in shape to a canoe. Coolamons or pitchis were traditionally used by Aboriginal women to carry water, fruits, nuts, as well as to cradle babies. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This container is an example of an implement used by the early Indigenous people of Eastern Australia.A large shallow elongated hand-made wooden receptacle used by Australian aborigines as a container for food and drink or for carrying babies.pitchi coolamon aboriginal container

Blank letterhead for documents sent out by the Victorian Blind Sports Association, during 1980's and possibly early 1990's. Logo consists of a large V, with an upside smaller v between to turn the middle into a diamond shape. Three circles overlap across the middle of the diamond/V.Blank A4 paper with Vic Blind Sports logo, address and list of sports covered at basenon-fictionVictorian Blind Sports Association All correspondence to: SECRETARY C/- 454 Glenferrie Road, KOOYONG, 3144 Telephone: 20-8876 Patron: Mr John Cain Premier of Victoria (At base of page:) Affiliated bodies - Cricket, Lawn Bowls, Olympic Sports, Square Dancing, Swish, Skiing, Indoor Bias Bowls and Goal Ball Donations of $2.00 and over are Tax Deductible.elizabeth maxwell, neil maxwell, victorian blind sports association, office equipment and supplies

An ergonomic keyboard designed for people who need to type with one hand. Typing speeds of 85 WPM are possible with this keyboard. The layout of the keyboard is designed for one handed users to type quickly and efficiently.The shape allows the natural movement of the hand. The company was formed in 1977 and this model was created in 1981. Single handed keyboard with grey and yellow buttons and power cord. Maltronkeyboard, maltron, disability, one handed keyboard, impaired aid, electronic

This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. This bottle has a pontil mark in the centre of the base and four pontil marks around the heel. It also has tape around its mouth and lip, adding a little more interest to its history. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The tool that the glassblower or his assistant used to steady the bottle left four marks in the heel of the bottle. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. This bottle is a little more significant than other similar bottles in our collection because it has multiple pontil marks, four around the heel of the base as well as one in the centre of the base. These marks were left by the tool or tools used to hold or steady the bottle as the maker completed the process. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Applied mouth with remnants of tape around lip. Lip is straight and narrow. Low shoulder seam; glass above seam has more shine than below seam. Body tapers gently inwards to base. Rim of heel has four equidistant pontil marks. Base is concave with central pontil mark. No inscriptions. Handmade bottle. Sediment inside bottle on one side, top to bottom. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle, multiple pontil marks

In the beginning of the19th century, the main mode of transportation was the horse and carriage. Even after the advent of the railway, remote areas still relied on the horse for local transport.Until Australian coachbuilders began making buggies from the 1860s, most were made in America Buggies with four wheels were light but comfortable. Many had hoods to keep the sun and rain off passengers. They were generally owned by doctors, ‘squatters’ and business people. Some had small turn-out seats at the back for children. Lamps are placed at different places on the carriage sides: 1 lamp on each side placed close to box seatThese lanterns are examples of lighting devices used in the time of horse and carriage transport.Two kerosene lanterns - buggy lamps.They are rectangular in shape and have a chimney on top. Both have carrying handles.There are 3 glass windows having two clear white lights and one small red round light on the back. The ceramic burner is made by Barton's.On ceramic wick holder - B in the middle of BARTONS B Underneath is TRADE MARK lighting kerosene-lights buggy-lamps transport lanterns

This plate has been produced by the English firm of W.H.Grindley for use at the Criterion Hotel in Warrnambool. The Criterion Hotel was on the western side of Kepler street near Lava Street and was established in 1872 with the first licensee being John Tate. The hotel closed in 2008, was partially destroyed by fire in 2010 and was demolished in 2013. The Humm family had a long association with the Criterion Hotel, with George Humm of Woodford taking over as the licensee in 1882 and buying the hotel in 1887 and remaining there until his death in 1894. George Humm’s widow, Elizabeth, was the licensee from 1894 to 1907, her son, John was the licensee from 1907 to 1916 and his widow, Bridget, was the licensee from 1916 to 1919. The plate could have been in use for all or part of these years but is most likely to have been bought early in the 20th century. This plate is of considerable interest because it came from the Criterion Hotel, a prominent hotel in Warrnambool for over 130 years.This is a white china plate which has a red embedded stamp in the shape of a belt (the maker’s trademark) on the front and on the back it has the blue markings of the maker with an image of a crown. The bowl has a shallow base and was perhaps a soup plate. The edges of the plate are somewhat worn and scuffed. ‘Humms Criterion Hotel Warrnambool’ ‘Grindley Hotel Ware England Vitrified’ criterion hotel, humm family of woodford, history of warrnambool

Card cases were common items used mainly by men in the 19th century. A silver card case indicated that the owner was a man of means. ‘W.Swinton’ is presumed to be William Swinton who came to Australia in 1854 and established a drapery and grocery store in Timor Street in 1865. William Swinton died in 1901 and his son, also William was Mayor of Warrnambool from 1917 to 1919. A Swinton business still exists in Timor Street today. ‘W.Wilkie’ was obviously a friend or a business acquaintance of William Swinton and may have been related to James Wilkie who came to Warrnambool in 1854 and opened a drapery shop in 1855 in Timor Street with James Butters as a partner. This is a most significant item as one that belonged to William Swinton, a prominent Warrnambool business man and a pioneer settler in the town. It also has social significance as an example of an item used by businessmen and others in the 19th centuryThis is a silver card case with a hinged lid. The silver is patterned in geometric shapes and the edges are highly ornamented with scrolls. Inside the case are five pieces of white paper which are obviously not original. The case has five hallmarks indicating it is a quality object. The silver is somewhat tarnished. Scroll frame on front of case: ‘From W.Wilkie to W. Swinton’butters and wilkie drapery store, william swinton, warrnambool

This cup was produced as a memento of the Coronation of Queen Elizabeth II in 1953. It was the official design of the British Pottery Manufacturers Federation. Queen Elizabeth II became Queen of England at the age of 25 following the death of her father in 1952. The Coronation was celebrated throughout the British Empire and a commemorative medal was issued. This cup is a high quality item and many such items would have been sold in Australia in 1953. This cup is retained as an example of the type of souvenir sold in Warrnambool and other parts of Australia in 1953. It is an attractive item and will be useful for display. This is a white china cup with a colour image of a crown and the initials ‘E11R’ on one side of the cup and a colour image of Queen Elizabeth in an oval shape surrounded by a crown, French lettering, British flags and foliage on the other side of the cup. The maker’s name and symbol are on the base of the cup. ‘Coronation June 2nd 1953’ ‘Honi Soit Qui Mal Y Pense’ ‘H.M. Queen Elizabeth 11’ ‘E 11 R’ ‘ Sol 391413 J. & G. Meakin England’ queen elizabeth 11 coronation, history of warrnambool

Nails such as these were used for building purposes, probably in the construction of house and shed roofs. The jar has no significance, being a discarded household item used to contain the nails. The nails have no known local provenance but are of interest as they date back over 100 years and are retained to show the type of nails used in the past.This is a glass jar with a ridged base and a metal screw top lid. There is etched printing on one side of the jar. The jar contains many old metal nails, possibly handmade. They are mostly rectangular in shape with flattened heads. There is also at least one metal screw in the jar‘AGEE Mason Jar’antiquarian building materials, warrnambool, history of warrnambool

The item was given to Capt R.A. Hanson VX111070 by Japanese POW's in camp in New Guinea. Refer Cat No 5646.3P for his service details.Cigarette case oval shape aluminium, made from an aeroplane strut, each end is covered in perspex, two parts slide together over an inner section, all around has been hand engraved withJapanese symbols, ladies in bathers, mountains and palms."Japanese symbols"accessory, cigarettes, trench art

items in collection relating to the Jackson Family..1) Badge pressed metal silver and yellow colours, shows a bird with scroll underneath, has single clip on the rear. .2) Badge pressed metal silver colour, curved shape centre shows depiction of a person holding a large "X", around that is an inscription..1) "Waterloo - Royal Scots Greys" .2) "The Highlanders", "Black Watch"badges, british, waterloo, black watch

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Four current issue gold coloured metal Rising Sun hat badges with Queen's Crown beneath the rising sun shape. The scroll beneath the crown reads 'THE AUSTRALIAN ARMY'. There are two pins soldered to the reverse side with two brass press clips attached. rising sun badge, army chaplain, major thomas b. williams

“We Walk in their Shadow” - An Allied Armistice book of poetry.Book, soft cover cardboard, blue print on front and back over beige background, cover has illustrated colour collection of flags above a ribbon in scroll shape of country names, 49 pages plain white, illustrated B & W sketches with poetry.books, poetry, armistice

Each is a 5.56mm x 45mm NATO round as used by the Australian military c. 1970s and 1980s.Group of three 5.56 mm rimless bottleneck rounds complete with projectile in the case..1) and .2) are identical. .3) has the projectile pushed back into the case. Each case is cylindrical in shape and made of brass. Each projectile is pointed and made of copper coloured metal.ammunition, weapons

This lamp pattern was originally made in USA between 1880 and 1900. The pattern is called Feathered Cartouche and generally had a painted motif on each of the panels on the front. This lamp is probably a copy of the American lamp and made in Australia sometime in the first half of the 20th century. The lamp has an English style collar rather than an American one and the pattern is not as crisp as the American ones. There were several lamp patterns made here that were copies of American patterns and that style of collar was used on most of them. (ref Oil Lamp Antiques)This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.Ornate clear glass kerosene lamp. Glass chimney is missing. Base is square and patterned with raised oval shapes, as is the stem. Both base and stem are hollow. At the top, the kerosene holder is squarish with round corners.. The wick holder is of brass and has a small wick adjustor.lamp, kerosene lamp, lighting - domestic

Rectangular weights like these were often used with platform scales used for weighing large items or bags.Five rectangular cast iron handled weights - one smaller than the other four. Each of the larger ones has a moulded ring in the middle of the top. The smallest one is cubic and has a small rectangular recess in the front.On the top is a small oval shape on a stem. cast-iron weights

In1912 Mr.A.E.Stewart was a valuable member of the Learmonth ANA Branch No75.Photo is part of original set of photos depicting all ANA Branch No 75 members in 1912.Black and white photo of Mr. A.E. Stewart.Oval in shape and set in a brown woodgrain look mount with his name inscribed in white ink at the base.It is at the right in second row in a collection of photos showing all 1912 members of the 1912 Learmonth ANA BranchNo 75.LEARMONTH ANA BRANCH NO 75. PRESENTED TO C.MEDWELL ESQ. BY HIS FELLOW MEMBERS AS A MARK OF ESTEEM & APPRECIATION OF VALUABLE SERVICES RENDERED TO THE BRANCH AS SECRETARY. LEARMONTH 1912.stewart a e 1912, learmonth ana branch no 75

This photograph is of Christina Giles, who died in Wangoom, Warrnambool, in 1899 at 7 years, 5 months and 4 days old and is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. Jordan, Warrnambool refers to Joseph Jordan who operated a photographic studio in Warrnambool from the late 1880s. His work was prevelent in Victoria's Western District of Victoria.This photograph of Christina Giles is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation and the high mortality rates amongst children during the early years of colonial settlement. The photograph is also significant for is association with renowned Western District photographer, Joseph Jordan.Photograph of Christina Giles standing on chair in a decorative carved wood frame with floral design in abstract shape. Photo by Jordan of Warrnambool. Christina Giles died in Warrnambool in 1899 at 7 years, 5 months, 4 days of age. It is part of the Giles Family Collection. "Jordan Warrnambool" ( Photographers) flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, christina giles, giles collection, giles family, giles history, henry and mary giles, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, joseph jordan, jordan photography

The fabric of this child's dress includes 'Broderie Anglaise, a form of needlework involving patterns of holes that are each stitched to form a finish that will not fray. The dress features a homemade button.. This handcraft dates back to the 1500s. It became popular in the 1800s and early 1900s, particularly for women's nightwear and underclothing.This child's dress has handcraft and needlework skills that were popular in the 19th and early 20th centuries. The dress also features a homemade button.Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. The bodice and shirt have Broderie Anglaise embroidery inserts, with the holes formed into a star pattern. The bodice insert is a 'V' shape. The back has a ribbon tie and is finished with a homemade button.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, child's dress, clothing, embroidery, broderie anglaise, handmade button, handmade dress, child's fashion, dressmaker, handcraft, needlework, lacework

A lapel badge of the Returned Sailors and Soldiers Imperial League of Australia. Very similar in shape to current R.S.L. Badge but twice the size, provision is made at the top of the badge for a crown clip (removable) with a date showing membership year. Blue, white and red enamel on brass.Sailors and Soldiers League Australiaaustralia, sailors, soldiers, inperial, league, badge

Large China vase made in England in the shape of a white Swan with black and lemon detailing. Contains card with wording - This Swan ornament is from Taraxville Golden Square, the home of Lydia Chancellor who said it had been a wedding present to herself and her Husband.Made In England No4ornaments, ceramic, vase

A WW1 Trenchart Brass letter opener, fashioned in the shape of a dagger, using a bullet as the handle with a military uniform button on the end and a Belgian coin in the centre. Button reads Australian Commonwealth ER V11, coin shows a Lion seated & reads L' Union Fait ?military, world war 1, trenchart