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Greensborough Historical Society
Album - Photograph Album, Probus Club of Diamond Valley, Probus Club of Diamond Valley Inc.: Year 15, March 2002 - March 2003 [Part 2], 2002-2003
Photographs, minutes of meetings, activities of the Probus Club of Diamond Valley Inc.: Year 15, March 2002 - March 2003 [Part 2]. President: Trevor O'HehirA complete record of the first 20-plus years of this Probus Club; many local identities were among members. Importantly, most photographs have captions naming people, places, dates and events.Large photo album containing photos and memorabilia.probus clubs, probus club of diamond valley inc, . -
Mont De Lancey
Book, Longman, Brown, and Company, The Holy Bible - containing the Authorized Version of the Old and New Testaments, 1842
A Holy Bible containing the Authorized Version of the Old and New Testaments with Twenty Thousand Emendations. There is a Preface, a Canonical Order of the Old and New Testaments and a fold out faded coloured Map of the Countries mentioned in the Bible. At the back there is a coloured map of Palestine in the time of our Saviour illustrative of the Books of the Evangelists, and also of the History of the New Testament. There is an Appendix or General Index of Places and Rivers.An olive green hardcover Holy Bible, Authorized Version of the New and Old Testaments with a wide brown band at the edge next to the spine and triangular corners on the right edges. There is a fine gold line along these features. The brown decorative patterned spine has five raised bands across it with Holy Bible in gold letters printed at the top. The pages have gilt edges and the end papers are colourfully marbled. There is no pagination. It contains the Old and New Testaments with Twenty Thousand Emendations (revisions or corrections). The title page has all the publisher details. Following is a Preface, a Canonical Order of the Old and New Testaments and a fold out faded coloured Map of the Countries mentioned in the Bible. The first two pages of Genesis at the front is badly torn. At the back there is a faded pale coloured map of Palestine in the time of our Saviour illustrative of the Books of the Evangelists, and also of the History of the New Testament. There is an Appendix or General Index of Places and Rivers. non-fictionA Holy Bible containing the Authorized Version of the Old and New Testaments with Twenty Thousand Emendations. There is a Preface, a Canonical Order of the Old and New Testaments and a fold out faded coloured Map of the Countries mentioned in the Bible. At the back there is a coloured map of Palestine in the time of our Saviour illustrative of the Books of the Evangelists, and also of the History of the New Testament. There is an Appendix or General Index of Places and Rivers. religious books, bibles, the holy bible -
Geoffrey Kaye Museum of Anaesthetic History
Tool - Blade, Laryngoscope, Macintosh, Circa 1943
"First described by professor R. R. Macintosh in the Lancet of February 13th, 1943, this design is now the acknowledged leader throughout the world." (PENLON, 1969) Reference: PENLON. 1969. Anaesthetic Equipment - Longworth Scientific Instrument Company LTD. Abingdon, Berkshire, England. January 1969. Macintosh semi curved blade designed in a baby size, with an unfitted light bulb attached. Minor scratches and some slight hit marks over the piece surface caused by its previous use. It has the manufacturer name and the place where it was made along with the owner’s name engraved at the back of the blade. Engraved at the back of the blade near light bulb the owner details: R.C.H. / O.P.T. Stamped at the back blade base into metal the manufacturer's name and place: Longworth / MADE IN ENGLAND Stamped on light bulb base serrated surface, HEINE XHL / #059 2,5v paediatric blades, royal children's hospital, macintosh, light bulb, longworth, blade, laryngoscope -
Bendigo Historical Society Inc.
Letter - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS, 1994
Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters 31 March 1994 To: Victorian Arts Council Members From Grant Finck Project Coordinator Content: Introduces himself as the coordinator for 12 months; to members looking for expression of interest, includes Information Sheet 1994 on what the Creative Village is. 27 October 1995 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Granting access to the Victoria Hill site for small quantities of geological material. 10 January 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Endorsement of the project by the Council and confirmation that the Council will provide preliminary site work to allow the project to be enabled. Also advised the Arts Bendigo Mosaic Project makes contact with the Salvation Army (New Work Opportunity Project) 27 February 1996 To: Mrs. Mearle Hall From: Ken Beasley Manager Project Development The Smith Read Training Group. Content: LEAP Project Proposal - Mining Heritage Mosaic outlining the benefits of using LEAP Trainees to undertake the project. Proposed Scope of work outlining responsibilities of each participant. Bendigo Mining NL Environmental Trust Fund (Perseverance Exploration and Department of Energy and Minerals Victoria representatives) 27 June 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Advising that the Council will match dollar for dollar funding for the engagement of an artist to supervise the construction of the Mosaic in Upper Rosalind Park up to $3,500. 22 July 1996 To: Anne Buzza From Geof Brown Camp Hill Primary School Content: Thanks for using and managing the school students to help create tiles. 9 October 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Enclosed cheque for matching grant of $3500 15 October 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Agreement to relocate the project facilities to the car park and to maintain a close liaison between the Council and Arts Bendigo. 13 November 1996 To: Mrs. Mearle Hall From: The Sidney Myer Fund Helen Morris Research Officer Content: Remittance advice for $1000 22 April 1997 To: Mrs. Mearle Hall From: John Little Administrator Victorian Arts Council Content: Remittance advice for $500 towards the project and enclosing 12 VAC Annual reports. 20 October 1998 To: Mrs. Mearle Hall From: City of Greater Bendigo, Andrew Hall (Director Community Development) Content: Advising that the Council will make a grant of $1090 for the purpose of printing of Brochures for Bendigo Heritage Mosaic. A service agreement to be signed before the issue of the grant, 21 March 2001 To: Mrs. Mearle Hall From: City of Greater Bendigo, Justin Hanney (Director Community Services) Content: A reference from Council supporting the project application to Vic Health for the development of a series of small mosaic pieces along the linear pathway asjacent to the Bendigo Creek. 12 November 1996 To: Mrs. Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being first payment as under contract two for mosaic project. 4 December 1996 To: Mrs. Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being second payment as under contract two for mosaic project. 27 July 1997 To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Cheque for $2000 being final payment as under contract two for mosaic project. 12 June 1997 - Two copies To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Agreement between Maery Gabriel (The artist) and Arts Bendigo Inc. to complete the final two sections of the Bendigo Heritage Mosaic at the base of the Rosalin Park Poppet Head, Bendigo with a design of approximately two square meters within each section. The work to be completed by the endo of July 1997, unless severe weather conditions make the laying impossible. Agreement for two lots of $2000. 14 June 1996 From: Maery Gabriel Mosaic Artist To: Arts Bendigo Inc. Content: receipt for 50% payment for two weeks and $60 Travelling expenses. 21 May 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) of the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental thereto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and conditions hereinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-Ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5400 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo 1 November 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) of the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental thereto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and conditions hereinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-Ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5000 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo, plus transfer of the diamond saw purchased by AB 28 August 1996 Memorial to Bendigo’s Mining Heritage and Traditions financial and other support as at August 128th Arts Bendigo Financial contribution: $7000 Local Busine Sponsors: $2800 City of Greater Bendigo Matching Above: $2800 City of Greater Bendigo Site works: Equiv, $12000 Local Businesses and institutions supplying goods and services to total value of: Equiv: $7600 Expenditure: Purchase of equipment, including diamond saw: $2000 Purchase of materials: $800 Artists design fees: $3000 Artists on site work, travel and accommodation: $12000 insurance, administration etc.: $700 31 May 1996 List of possible donors' checklist Undated Budget Sheet 21 September 1995 From: The Victorian Arts Council To: City of Greater Bendigo Content: Invoice for $5000 10 December 1995 From: Maery Gabriel artist To: Arts Bendigo Content: Invoice $1575 for design of Rosalind Park Lookout. 45 hours @ $35/hour 1 October 1996 Historic mining Mosaic Pavement, Rosalind Park Poppet Head Financial Statement as a October 1st, 1996 28 October 1996 From: Maery Gabriel To: Ann Buzza (representing Arts Bendigo) Report on project of Rosalind Park Mosaic as at October 1996. The report lists the difficulties faced with the weather, unsuitable facilities on site and problems with the LEAP team labour.victorian arts council, city of greater bendigo -
Geoffrey Kaye Museum of Anaesthetic History
Tool - Magill's laryngoscope, A Charles Kind, Ltd
This object is Magill's adaptation of the battery handle in the form of an "inserting tracheoscope". Introduced in 1935 for one-lung anaesthesia, it is combined with an endotracheal tube, the central part of which is a latex-covered wire spiral, and a bronchus blocker. In use, the tube was fixed to the holder and the whole apparatus inserted as a ttracheoscope. At the carina, the blocker was inserted into the bronchus and the balloon (now perished in this example) inflated. The holder was then removed leaving the endotracheal tube and blocker in place. The bronchus blocker consists of gum elastic on woven silver wire and has a suction channel opening at the tip. in other stages of development of Magill's laryngoscope, the original pattern blade was adapted to the battery handle, at first in a fixed arrangement and then with interchangeable blades of different sizes. Later still, the folding handle was introduced.This U-shaped chrome plated laryngoscope comprises an endotracheal tube used to facilitate access to the patient's airway, wire spring attachments and a cylindrical handle with provisions for battery to illuminate inside the body during use.Embossed on the central shaft of the item is 'A Charles King, Ltd', the maker's details.laryngoscope, anaesthesia, macgills, chrome, battery, a charles kind ltd -
Geoffrey Kaye Museum of Anaesthetic History
Tool - Blade, Laryngoscope, Macintosh, Circa 1943
"First described by professor R. R. Macintosh in the Lancet of February 13th, 1943, this design is now the acknowledged leader throughout the world." (PENLON, 1969) Reference: PENLON. 1969. Anaesthetic Equipment - Longworth Scientific Instrument Company LTD. Abingdon, Berkshire, England. January 1969. Macintosh semi curved blade designed in a child size, with a light bulb attached. Minor scratches and some slight hit marks over the piece surface caused by its previous use. It has stamped the manufacturer name and the place where it was made at the back of the blade.Stamped on the back blade base, Longworth / MADE IN ENGLANDmacintosh, blade, longworth, paediatrics, light bulb -
Narre Warren and District Family History Group
Book, Sheila Scotter, Sheila Scotter : snaps, secrets and stories from my life, 1998
... came to live in Australia in the first place and why she has ...There is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publisher253 p.; 25 cmnon-fictionThere is no other store like David Jones... and there is no other consultant like Sheila Scotter! Known variously as the Kangaroo editor (by Diana Vreeland), the black and white lady from Albert Park, and the Silver Duchess, this is the autobiography, scrapbook-style, of one of Australia's doyennes of style. For Sheila Scotter's seventeenth birthday her parents put on a 'coming out ball' in the United Services Club in Calcutta, where they lived at the time. The teenager wore a pale turquoise silk taffeta ball gown. Sheila no longer remembers what happened to that dress, but she does know that it is responsible for the black-and-white wardrobe that has been her hallmark ever since, with the exception of one occasion and one occasion only. For her seventieth birthday party, close friend John Truscott conned her into wearing red, insisting that the theme for the event was all red. And what did the guests all wear? Black and white! This anecdote lite, stylish, idiosyncratic is typical of the many that make up Sheila Scotter's autobiographical assortment. Most Australian women know Sheila Scotter through her Women's Weekly column 'Sheila Scotter Suggests' which ran between 1975 and 1980 and totalled some 235 instalments. The fact that this column is still vividly remembered 17 years later attests to the sacred place it held in every Australian household. A feminist before the word was invented, Sheila has had a formidable career. Two chapters are devoted to her career in fashion, including her time as the editor-in-chief of Vogue and founding editor of Vogue Living. The art of fundraising is also treated in some depth. In snippets, we hear of her love of cricket (which she once played); we find out how she came to live in Australia in the first place and why she has made Melbourne her home. Not surprisingly, the book reflects the personal contradictoriness of its author/subject on the one hand an aristocrat, on the other a rogue who does not respect rank; blithely mixing innate feminism with blatant coquettishness; outrageous yet scrupulously stylish; in the know yet discrete; courting notoriety while at the same time needing solitude a Like all celebrity autobiographers Sheila reserves her right to privacy while basking in the limelight. But she has used this book to set the record straight on a number of issues, including why she left Vogue, her many romantic involvements, her much-publicised spat with socialite Lillian Frank, and what was wrong with David Jones, to whom she consulted during 1994-95. The book contains the expected wining, dining and partying, as well as the inside story on some recent scandals. Sheila Scotter is glamorous and alluring, a forthright mover and shaker who inspires fear in some, awe and respect in others, and admiration and loyalty in most. No matter what you think of her, you simply cannot ignore her. Friends and enemies alike are awaiting this book with bated breath for one reason: when Sheila Scotter speaks, people listen. Contents Foreword (by Ruth Cracknell, a personal friend) Before I Begin a (explaining the rationale for the book) 1 Thursday's Child (birthdays) 2 Christmases to Remember 3 In Fashion (career in fashion) 4 A Matter of Style (Vogue Living and its influence) 5 Marriage and Other Liaisons 6 A Mixed Salad of Letters (letters, personal and business, from prominent people) 7 Fundraising: Are Committees Really Necessary? 8 Loved Ones Departed (or Why I Envy the Angels) 9 Disappointments and Other Disasters (scandals and inside stories) 10 London, Paris, Sydney, Melbourne (the places she has lived) 11 Not the Last Instalment (a look ahead) Postscript (a tribute to some special men read between the lines) Source: Publishersheila scotter, fashion -
Emerald Museum & Nobelius Heritage Park
Postcard - Postcard of Hanging Rock, Kyneton, Vic
This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts Hanging Rock, a large rock formation sacred to First Nations people for thousands of years prior to European settlement. Hanging Rock became a recreational place for settlers during the 19th century and then became famous through the novel 'Picnic at Hanging Rock' (1967) and the subsequent movie (1975) of the same name. The photograph appears to be c1900s-1920s.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Photographic black and white postcard of Hanging Rock c1900s-1920sOn front, printed: 'THE ROSE SERIES, P.1558 THE HANGING ROCK NEAR KYNETON, VICTORIA / Copyright' On back, printed: 'Post Card / The "Rose" Series De Luxe Produced in Australia On extreme left side of back, printed:'[unclear word] By "THE ROSE STENOGRAPHS" / Armadale, Victoria'postcard, photography, 1900s, hanging rock, 1920s -
Bendigo Military Museum
Equipment - FIRST FIELD DRESSING, Johnson & Johnson, 1942-1944
Small First Field dressing bandages designed to be carried on the person and to be used in the first instance. There are basic instructions on how to place the dressings onto or over a wound. All packets have identical markings except for the Masnufacturers date. 1. November 1942. 2. November 1942. 3. March 1943. 4. June 1944. 5. June 1944. FIRST FIELD DRESSING "See attachment for treatment conditions". DO NOT HANDLE THE GAUZE OR WOUND. Johnson & Johnson Pty Ltd, SYDNEY November 1942.passchendaele barracks trust, first field dressings -
Bendigo Military Museum
Equipment - FIRST FIELD DRESSING, Johnson & Johnson PTY LTD, 1941-1944
Medium size First Field dressing bandages designed to be carried on the person and to be used in the first instance of a wound. There are basic instructions on the field dressings on how to place the dressings on a wound. Each packet has the identical markings except for the Manufacturers date. 1. February 1942. 2. October 1941. 3. January 1942. 4. June 1944. 5. June 1944. 6. November 1944. FIRST FIELD DRESSING. "See attachment for Treatment conditions". DO NOT HANDLE THE GAUZE OR WOUND. Johnson & Johnson Pty Ltd. SYDNEY February 1942.passchendaele barracks trust, first field dressings -
Wangaratta RSL Sub Branch
Document - Framed Certificate, Private Sidney PLUM
Borough of Wangaratta Certificate of Thanks and Apppreciation presented to Private Sydney Spencer Plum. 3431 1st Pioneer Battalion A.I.F, Born January 3rd 1894 at Dockers Plains. Father's name Albert F Plum. Mother's name Mary Plum. He was educated at North Wangaratta and Docker's Plains State School. He was a blacksmith when he enlisted June 12th 1915. He trained at Flemington Racecourse and embarked on SS "Nestor" October 11th 1915. He fought in battles; Peronne, Cambrai, Somme. Being wounded 3 times. He embarked for home per SS "Orontes"; disembarked January 28th 1919 and was discharged March 16th 1919. Later, he entered the service of the Victorian Railways Department.Oak framed certificates were presented by the Borough of Wangaratta to the relatives of soldiers killed in action and returned soldiers who enlisted from the Borough during the First World War. These ceremonies were well attended by the local communities and held at intervals when the soldiers and nurses returned home from active service.Burgandy wooden frame with sand coloured mounting of a certificate of thanks and appreciation from Borough of Wangaratta to Pte Sidney S PLUM. At the top of the certificate, it has the Australian and Union Jack flags entwined over some wattle. At the bottom it has the rising sun surrounded by a wreath with two crossed rifles underneath. To the bottom right there is a large red leather seal. Mounted beneath the certificate is a black plaque. On the back is a typed history of S.Plum.Plaque is inscribed: 3451A Pte Sydney Spencer Plum. 1st Pioneer Battalion A.I.F. Served 12/6/1915 to 16/3/1919. Peronne, Cambrai and Somme. Born 3/1/1894 - Died 25/7/1958. Certificate: For King & Empire, Borough of Wangaratta. The Mayor, Councillors, and Ratepayers of the Borough of Wangaratta hereby place on record their Thanks and Appreciation for the conduct of S.S.Plum who served his King and Country in the Great War, which commenced 4th August 1914. In Witness Whereof the Corporate Seal of the Municipality is hereto attached in the presence of Mayor, Town Clerk. He answered his country's call. D.W Patterson Co PTY LTD 495 Collins St Melbsidney, plum, wangaratta, wwi, world war 1, peronne, cambrai, somme, north wangaratta, dockers plains -
Melbourne Tram Museum
Book, Abstract from Agreement between AETA & MTOCo, 1912
Contains a copy of the agreement dated 23-8-1912 between the Australian Tramway Employees Association with the Melbourne Tramway & Omnibus Company Limited, and a supplemental agreement dated 12-8-1913. See item 6340 for a digital copy and its historical significance in detail. Additional fold-out sheets have been inserted to detail the changes made to the agreement over time. Each section has been cut and pasted into the book with handwritten notes and names in some places.Yields information about the first agreement between the Melbourne cable tram operator and the Union that represented the workers.Book - leather bound, with end papers and tabbed for A to Z, containing the agreement between the MTOCo and the AETA of 1912 and hand written notes for each clause.On top and bottom edges in ink "Old 10/8/12"tramways, trams, unions, atea, cable tramways, mtoco, employment conditions, agreements, cable trams, disputes, discipline -
Bendigo Historical Society Inc.
Ephemera - Documents, 1950s - 1970s
1. Lords Raceway trotting track was formally opened in November 1954 by Mr. Galvin the Trotting Club's Chief Secretary. 2. Clothes/cloth rationing was in place from June 1942 till June 1948. Adults were allowed 112 clothing coupons per year. A lady's dress used 12 coupons, a pair of socks 4 coupons, and a man's suit used 38 coupons. Other items affected by rationing were butter, tea, sugar, eggs, tobacco, petrol and Meat. Butter and tea were rationed until 1950. 3. Marong Catholic Church had its foundation stone laid in 1876, and the first services were held in1877. The church is now closed.1. Invitation to The Bendigo Motor Classic at Lord's Raceway April 6, 1985 2. Clothing Ration Card Issued to Z M Symons Murphy's Creek, Tarnagulla. 1947 Issue. 3. Ticket to Marong Catholic Church Annual Ball 17 July 1963. 4. ID Card for an accredited interviewer for W D Scott, Marketing Division. history, bendigo, merle lummis collection