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Flagstaff Hill Maritime Museum and Village
Instrument - Musical, Piano, Aucher Freres, circa 1880-1920
This piano was made by Aucher Freres of Paris, said to be famous for its pianos in the mid-late 1800s. Aucher Freres (Aucher Brothers) produced a model of piano that was built specifically for use on sailing vessels, the upright yacht-style piano. Pianos were amongst the domestic goods brought to Australia by many colonial immigrants. They were also imported by Australian distributors by the shipload and sought after by settlers. A piano was often found in a Missions to Seamen club room, where visiting seafarers would entertain or be entertained by music and song as part of their relaxation in port. A sarcastically written news article of January 2nd 1869 reported that the Secretary of the Loyal Liberals of Ballarat, Mr Henry Bell, was presented both with a “illuminated address” and a piano. The piano was made by Aucher Freres of Paris and was purchased for sixty guineas (which converts to around $7,500 Au in 2019). The gift was criticised for encouraging foreign industry rather than native Australian products, thus going against what the Loyal Liberals own protectionist policy. The writer goes on to state that several pianos made in the Colony compared very favourably at the International Exhibition with those manufactured by the English or French. He then says that “… the secretary … might learn a lesson from his piano ... the name Aucher Freres, Paris emblazoned on its front should be … a perpetual reminder of the hollowness of that protectionist imposture …” [Refer to Intercolonial News, Victoria, originally published in The Argus, was repeated in the Wallaroo Times and Mining Journal of South Australia 2-1-1869.] Aucher Freres pianos were still around in 1930. A second-hand model was advertised for sale as a good practice piano. The advertisement was placed by the Mount Gambier, SA, agents for Saver’s Pianos Ltd of Adelaide. The piano was described as “a sound little instrument of good tone and appearance”. The asking price in November 1930 was 32 pounds and ten shillings (which converts to about $2,500 Au in 2019). [Refer to Savery’s advertisement, Mt Gambier Border Watch 11-11-1930]This piano is significant for its connection with the time period of chapel and club room at Flagstaff Hill's St Nicholas Seamen's Church. It represents the form of entertainment enjoyed by seafarer's world wide, which is appropriate for a maritime village. The maker of the piano is famous for its quality pianos of the 19th and early 20th century.Piano, upright, polished wood. The wooden hinged keyboard cover lifts up to allow access to the keyboard. The piano also has two brass candlesticks. The top of the piano is hinged and lifts up to allow access to the piano mechanic's inside for tuning and maintenance. The inside flap has a music stand incorporated into it. It also has the usual two hard-soft pedals at the base. There are two brass decorated hooks at each end to allow for ease of movement when the position of the piano is changed. Maker's name inscribed inside keyboard lid in gold lettering. Made in Paris by Aucher Freres (Aucher Brothers)."AUCHER FRERES / Paris" (NOTE: the "C" is sometimes mistaken for a "G")flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, piano, music, upright piano, paris, france, aucher freres -
Kiewa Valley Historical Society
Book - Air Raid Precautions, WWII, Manual of General Training Sept. 1939
With the onset of WWII, the Victorian State Emergency Council of Defence printed this book for the volunteers who kept watch for enemy aeroplanes flying in the skies during the day and night. For success, training was necessary.During WWII the SECV township of Bogong had an Air Observer's Hut used to monitor the skies overhead for enemy planes. Men and women working on the Kiewa Hydro Electric Scheme volunteered to be rostered on duty. See also KVHS 0937 (photo) and KVHS 0938 (certificate)Small book grey with black print and a red binding with 64 pages. issued by the Victorian State Emergency Council for Civil Defence.Pages 26, 48 & 49 have pencil marks / notes.air raid, wwii, secv, kiewa hydro electric scheme, bogong, victorian state emergency council -
Nhill Aviation Heritage Centre
Booklet - Pilots Notes Manual, The Anson Aeroplane, Two Cheetah Engines
Typical of manual used by pilots Paperback tan in colour, 10 pagesPilots Notes, The Anson Aeroplane, Two Cheetah IX Enginesmanual, pilots notes, cheetah engine, -
Bendigo Military Museum
Souvenir - CARDS, SOUVENIR, c1939-1945
Coloured printing Green and black ink. Heading is "Equatorial Line Greeting".2. It is marked VX114777, CPL W Garland *see note*.souvenir, ww2 -
Bendigo Military Museum
Book - BOOK, EPITAPHS WW1, We Will Remember Them, AIF Epitaphs of World War I
We Will Remember Them, AIF Epitaphs of World War I. From back cover: No consolidated list of epitaphs exists but John and Hazelle Laffin have been collecting them from the graves themselves for decades. These inscriptions, in their great variety, present a picture of Australians of the period.Soft cardboard cover. Black, white & gold print on front, spine & back. On front cover background is a sepia photo of a soldier in uniform with his wife & 2 children. Smaller colour photo in foreground of a headstone. On back cover is a small colour photo of John & Hazelle Laffin. 158 pages, cut, plain, white. Illustrated black & white photos & hand drawn maps. Hand written notes in grey lead pencil on numerous pages.books-military-history, epitaphs ww1 -
Glenelg Shire Council Cultural Collection
Administrative record - Receipt - Mr Campbell, Portland, Feb-21
Receipt, dated 3 February 1921, from postage stamps and collections, to Mr. K Campbell, PortlandFront: Hand written note in 'Remarks' section - black pencampbell family records -
Federation University Historical Collection
Report, Datab Pty Ltd, A Regional Tourism Development and Promotion Strategy for the Stawell and Halls Gap Area, 1995
A report of the the Stawell and Halls Gap tourism area.Notes in pencil by Mary Hollick, lecturer in Tourism at the University of Ballarat.victorian tourisim industry, tourism, goldfields, victorian goldfields, stawell, halls gap, dunkeld, big hill, great western winery village, brambuk living cultural centre, grampians art gallery, built heritage -
Federation University Historical Collection
Report, Read Sturgess and Associates Consulting Economists et al, The Economic Significance of Grampians National Park, 1994 (and other reports), 1990-4
.1) Grampians Surround Strategy, 1990 .2) Tourism and the Grampians Region: A Background Paper, 1990 .3) Grampians Surround Strategy and Discussion Paper, 1991 .4) The Economic Significance of Grampians National Park for the Department of Conservation and Natural Resources, 1994Notes in pencil by Mary Hollick, lecturer in Tourism at the University of Ballarat.victorian tourisim industry, tourism, halls gap, grampians, grampians national park, recreation, water production, bee keeping, arapiles, dunkeld, balmoral, pomonal, wartook, population, agriculture, water supplies, minerals, hamilton, ararat, stawell, horsham, wimmera, koorie heritage, aboriginal heritage, koorie art sites, brambuk, waterways, wannon river, wimmera river, mount william creek, rocklands reservoir, lake lonsdale, lake fyans, lake toolando, cherrypool, mirranatwa, zumstein -
Ringwood and District Historical Society
Photograph, Ringwood Bowling Club- Gardens around greens, 1991
Colour photographNote under photograph- February 1991- Improvement begins to show. -
Port Melbourne Historical & Preservation Society
Document - Notice, Price list, trees, State Nursery, 28 Jun 1878
Notice from Government Gazette re price list for obtaining trees from State Nursery 1878'Ash' 'Mulberry' 'Pitch plane' 'Oak' notes in ink in marginparks and gardens -
Port Melbourne Historical & Preservation Society
Financial record - Order, Quibells Infallible Disinfectant, McLean Bros & Rigg et al, 1892
Order form for Quibells Infallible Disinfectant, received by Town Clerk in 1892Note in ink on back of form written by John Whiteman, the agentbusiness and traders, john whiteman, mclean bros & rigg -
Port Melbourne Historical & Preservation Society
Document - Photocopy, Land sale brochure, Dot Wharrie, 1987
Either copies of or the brochure itself was in Dot WHARRIE's possession, and she made these copies to be put into a heritage exhibition staged by Pat GRAINGER at the Missions to Seamen building, Community Day Dec. 1987. They show portions of brochure offering various lots including site later J.E. Earl's and Morley's Coal Store (at the time leased by S&A). Lots 6 to 11 are the only ones included on these pages. All properties were owned by Lady Janet CLARKE.One of two yellow photocopies of allotment plans and descriptions from sale brochure c1905: property belonging to Lady Janet CLARKE, Rouse, Bay and Beach Streets plus Post Office PlaceInk notes on back with guesses as to date, signature 'Pat Grainger'business and traders, built environment, town planning, heritage, dot wharrie, moule hamilton and kiddle, swallow & ariell ltd, morley's coal depot, lady janet clarke, land sales -
Port Melbourne Historical & Preservation Society
Document - Photocopy, Land sale brochure, Dot Wharrie, 1987
Either copies of or the brochure itself was in Dot WHARRIE's possession, and she made these copies to be put into a heritage exhibition staged by Pat GRAINGER at the Missions to Seamen building, Community Day Dec. 1987. They show portions of brochure offering various lots including site later J.E. Earl's and Morley's Coal Store (at the time leased by S&A). Lots 6 to 11 are the only ones included on these pages. All properties were owned by Lady Janet CLARKE.One of two yellow photocopies of allotment plans and descriptions from sale brochure c1905: property belonging to Lady Janet CLARKE, Liardet, Nott, Bay and Graham StreetsInk notes on back with guesses as to date, signature 'Pat Grainger'business and traders, built environment, town planning, heritage, dot wharrie, moule hamilton and kiddle, swallow & ariell ltd, morley's coal depot, lady janet clarke, land sales, james edward earl -
Churchill Island Heritage Farm
Textile - Jabot
A Jabot, from the French meaning ‘a bird’s crop’, is a decorative clothing item consisting of fabric or lace designed to fall from the throat suspended from or attached to a collar or neckband or simply pinned at the throat. Jabots made of lace were an essential male upper class fashion item in the baroque period but in the late 19th century a jabot would be a cambric or lace bib decorating women’s clothing and it would be held in place with a brooch or a sewn in neckband. This example with its exquisite chemical lace trim could possibly even be clerical in nature. Jabots continue to be worn to this day in the field of Law and in highest formal Scottish evening attire. The lace is embroidered onto a sacrificial fabric which has been treated (initially chemically treated) to dissolve in a chemical solution on completion without damaging the lace. The chemicals used were not environmentally friendly and consequently this method of lace making has developed to use water soluble base fabrics or fabrics which will disintegrate with the application of heat Originally chemical lace was made on a home embroidery machine but is now also known as Schiffli Lace and made on a Schiffli machine. This machine was invented by Isaak Grobli in 1863 using the same principles as the newly invented sewing machine except that the bobbin of the sewing machine was replaced by a shuttle shaped like the hull of a sail boat, hence the name ‘schiffli’ which means ‘little boat’ in Swiss-German. The Schiffli machine uses two threads and makes a stitch similar to a closely spaced zigzag stitch on a domestic sewing machine. Over time the number of needles and shuttles increased until the present day when some machines can be up to 18 metres in length and use over a thousand needles. Previously the pattern was followed by hand using a pantograph arm where the operator followed the design pattern but the development of computer technology has meant that software designed to drive Schiffli machines can now create a wide variety of stitches and lace designs.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Jabot with chemical lace trim.Package contains note: "FICHU c1860/70 (hand made)lace, janet amess lace collection, churchill island, insert, amess, jabot -
Churchill Island Heritage Farm
Clothing - Mob Cap, Budoir
A mob cap was worn over the hair when indoors working and a hat could be placed over it when going outdoors. It was quite reasonable to receive visitors while wearing a mob cap. This cap has been labelled as a ‘boudoir’ cap to be worn over curlers or to keep a lady’s hair in place overnight. It is made of cotton and has beautiful torchon lace inserts with the same lace trim around the edge. This torchon lace is a handmade bobbin lace using soft cotton thread.in a simple design of filled diamonds alternating with spiders. These caps were worn by women in Georgian times and called a ‘bonnet’. The term ‘mobcap’ may have come from the Dutch or French languages but the name was cemented during the French Revolution when most of the revolutionary women were wearing these caps. During the Victorian era they were mostly worn by servants or nurses.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. white cotton mob cap, with central lace section in the form of a crossPackaged with note: "White cotton handmade lace mob cap"lace, lace collection, churchill island -
Churchill Island Heritage Farm
Clothing - Bonnet, Baby
This baby bonnet is made of strips or braids of machine made torchon lace crocheted together by hand and the bonnet is lined with silk fabric. There are crocheted rosettes in place which are placed to attach the ribbons. The thread used is possibly rayon which was used from 1915, but is very difficult to distinguish from silk. The Barmen machine would have been used to create the lace strips. It was developed from a braiding machine in the 1890s in Barmen which is now part of Wuppertal in Germany. This machine makes a near perfect copy of torchon lace which it creates in cylindrical form and by strategic removal of threads is flattened into the braid strip.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. Strips of machine made torchon lace in a bonnet, lined with silk, and crocheted rosettes for attachments to two lengths of silk for ties.Packaged with note; "Hand crocheted silk lined baby's bonnet" crochet, churchill island, janet amess lace collection, baby, bonnet, amess, clothing -
Moorabbin Air Museum
Book (item) - Mean Life Estimates For The Wing Strut Of Beaver Aircraft On Agricultural Operations
Dept. Of Supply ARL Structures And Materials Note 316 By P.J.Foden -
St Kilda Historical Society
Ephemera - Ticket, Return Complimentary Ball, 1933
Ticket to a return complimentary ball at the St Kilda Town Hall on 16 August 1933.Cream card, discoloured with age, printed in blueStamped number 497 Some faint sketches and notes in pencilst kilda balls, st kilda mayoral function -
Robin Boyd Foundation
Book, Thomas Jenkins, We Came to Australia, 1969
Hardcover w/ Dust JacketSome editor's notes and reference inside front cover and throughoutaustralian history, emigration, immigration, walsh st library -
Robin Boyd Foundation
Book, P.R. Smith, Australian Pageant, 1958
SoftcoverMandie Boyd, Study notes, and word definitions penciled in throughoutwalsh st library -
Whitehorse Historical Society Inc.
Badge, 1935/36
Badge of the Mitcham % District Choral & Orchestral Society.Mitcham & District Choral & Orchestral Society with treble cleft and note.numismatics, badges -
Ballarat Heritage Services
Notes from Halinka de Tarczynska, Events Taken from Career of Halinka de Tarczynska, 1990s
Born in Australia, Halinka began learning the piano at the age of four years when her mother gave her her first lesson. Her father was Stanislaw, a well known Polish violinist. At the age of eleven Halinka played the A Major Mozart Piano concerto with orchestra. She went on to have an illustrious career in piano and singing. A distinguished artist born in Australia.6 pages A4Typed and some with handwritten notes in red, blue and black biro -
Whittlesea Historical Society Inc.
Photocopy of photograph, Harvesting Wheat, Gibson's, River Street, Whittlesea, unknown
Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Photocopy of sepia photograph, A4 page, (2 of 20)Note on the rear, Harvesting Wheat Gibsons River Street Whittleseajohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, river street, gibson, harvesting wheat, farming -
Ballarat Tramway Museum
Photograph - Colour print - trams 41 and 20, Barry Pemberton, July 1970
Photo shows tram 41 (Lydiard St Nth) and 20 stopped at the City terminus, corner of Lydiard and Sturt Streets. In the background is Ballarat Town Hall. Tram 41 has an auxiliary board advertising Alf Garnett at the Vegas 70 Cinema. Tram 20 was "destroyed" in a collision in Victoria Street during September 1970.Yields information about tram operations and advertising July 1970.Colour print - digital printed made 12/22Has notes on the rear of the print about the photographer, address and dates.tramways, tramcars, ballarat, alf garnett, sturt st, tran 41, tram 20 -
Ballarat Tramway Museum
Photograph - Colour print - Bendigo 18, Barry Pemberton
Photo shows Bendigo 18, painted in the Bendigo Trust colour scheme at the Mine terminus, late 1980's or early 1990s. It was originally converted by the SEC to a one-man tram but not used as such. Converted by the Bendigo Trust to a enclosed car with entries at either ends. Operated by the Ballarat Tramway Museum during 2001 to 2005 to celebrate 150 years of Gold, where it carried its Melbourne number of 45. Currently operated by the Bendigo Tramways as No. 45.Yields information about Bendigo Tramways tramcar 18 /45.Colour print - digital printed made 12/22Has notes on the rear of the print about the photographer, address and dates.tramways, tramcars, tram 18, bendigo, bendigo tramways, tram 45 -
Ballarat Tramway Museum
Drawing - Commonwealth Portland Cement Works NSW to Wal Jack, C Roy G Field, 18-8-1944
Wal Jack had an extensive range of correspondents throughout Australia and the world who often prepared extensive drawings for him. This detailed drawing is by Roy Field who swapped many photographs with Wal Jack. The drawing details the railways associated with the Commonwealth Portland Cement at Portland NSW. Details of Roy are included within this record.Demonstrates some of the correspondence that Wal Jack received from around the world and that of Roy Field.Drawing - pen and ink red and black on foolscap sheet of Commonwealth Portland Cement Works NSWOn rear in pencil and type, a note about Sandringham tram No. 51.letters, wal jack, tramways, drawings, roy field, portland cement nsw, railways -
Ballarat Tramway Museum
Book, Jack Richardson, The Australian Tramway Album, 1946/47
One of the first books published about Australian Tramway systems. Compiled by Jack Richardson as Editor who went on to publish the Destination series of tramway books. Provides information about the tramcars of each Australian tramway system and some photos and information on USA systems.Demonstrates publishing of magazines and books after the second world war and the work of Jack Richardson.Book - 56 pages, multiple sections with grey covers, stapled and re-stapled, black and white photos.Many corrections, notes marked in blue ink on various pages.books, destinations, jack richardson, traction publications, australia, tramways, ballarat, bendigo, geelong -
Clayton RSL Sub Branch
Non-fiction book, D-Day with the Screaming Eagles
101st Airborne June 6 1944 George E. Koskimaki is a former paratrooper who jumped into Normandy on June 6, 1944, as General Maxwell Taylor’s radioman. He went on to become a preeminent historian of the 101st Airborne Division, having interviewed hundreds of fellow veterans for their firsthand accounts. He currently lives in Northville, Michigan non-fiction novel written by 101st Airborne paratrooper...soft cover non-fiction bookhighlighting noted and some personal notes visible on some pages. -
University of Melbourne, Burnley Campus Archives
Plan, Plan of Richmond Park, 1872
Plan of Richmond Park L4461. Shows Horticultural Society's Garden without extra land used for Field Station (see 11.0363, but earlier). Photo-lithographed at the Department of Lands and Survey, 6th Sept. 1872.Handwritten notes on reverse and another railway line marked in pencil.richmond, parks, field station -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Robert Williams Blue Gum ?, Dedication Plaques in the Ballarat Botanical Gardens, 7-9 January 1991
Director of Gardens M/s Claire Nailer nee Williams is asking for information about a Blue Gum dedicated to her Great Grandfather, Robert Williams. She is also asking whether a new plaque could be made also including her grandfather and father. This correspondence refers to the history of the Blue Gums in the Ballarat Botanic Gardens, the issue of dedication plaques missing and the lack of funds for replacements. Insight is also given into Philip Clingin's assiduous work. pp.1,3 & 4 are printed on City of Ballarat notepaper with City Logos and address in blue. p2 is a photocopied letter written in longhand.There is a note in longhand stapled to the right top corner of p.1.john garner, john garner collection, doctor, ballarat botanical gardens, curator, philip clingin, claire nailer nee williams, robert williams, major-general robert earnest williams, friends of ballarat botanical gardens, blue gums, williams family papers, weston bate, dedication plaques, director of gardens and parks, roy mosman, 1991, eucalyptus globulus, gardens, ballarat