Invitation by the St Kilda 14ft Sailing Club to an annual Smoke Night and Presentation of Prizes at the club house on Marine Parade, St Kilda, at 8pm on 16 October 1954. Shows office bearers.White card, discoloured with age, printed in black with diagonal red, yellow and black stripe across top left hand corner.st kilda 14ft sailing club

Woman and cat in front of shops night scene atmosphericblack and white photograph copy

Contains the order of ceremony for the 1959 Williamstown High School speech night, held at the Williamstown Town Hall. Also includes the Head Master's report of the year.Paper, black and white printed pamphlet. 8 p.williamstown high school, 1959, speech night

The program contains details of the Williamstown High School 52nd annual speech night, held at Williamstown Town Hall on Tuesday 9th April, 1968. The principal's report for 1967 is also included.Pamphlet printed in blue on white paper. 7 p.williamstown high school, 1968, speech night

2 copies of photographs mounted on board. 1 copy in colour, 1 copy black and white. Accompanied by a caption.Caption reads: Family maths program of Australia aimed at years 6 & 7. It was developed to increase the interest and skills associated with mathematics in a fun and family environment. Emy Pinneri (Teacher). Mr Infante and daughter Hazel.williamstown high school, 1980s, maths, family maths program of australia, emy pinneri

Premiership Presentation Night at St. Linus Church Hall, Merlynston. 'Dawn' Premiers for Season 1952-53. Cricket Club. Names on photo: Back row: Bill Revallion, Ray Miller, Harold Rutledge, …. , Keith Joyce; Front row: John Downey, Jim Hamilton, Dick Wilson, Fred Hanley, Gordon Anderson, C. Lapham. merlynston, cricket, dawn manufacturer, st linus church

In July 1940, the 2/24th Battalion was formed in Wangaratta. On the 27th September, after weeks of hard training the Battalion marched out to Bonegilla to continue training prior to overseas deployment to the Middle East in November, 1940. This image depicts soldiers resting during the 60 mile march.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1990 and one of the first, if not the first, to receive this type of honour.Reproduced black and white photograph of unknown soldiers sitting on the ground in bush land. Night bivouac enroute to Bonegilla2/24th battalion, wangaratta

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered yellow rising sun, crown, banner and foliate decoration. Handwritten message on backFront: "FROM 5TH PIONEER BATTALION FRANCE" "KEEP SMILING" (embroidered) Back: "To Enid best love from Dad xxxxxx / France June 28/6/1917" "My Dear Mary / just a pc to let you know I'm still well and hope you are all the same I have not seen Joe yet is is still warm over here yet we have been out shooting to day I feel tired. I wish it was all over I full up of it. I seen Dexter the other night he is looking well on it ?? I'm beginning to think it is never going to end well this all at present love Will love from your loving husband xxx / xxxx " wwi, postcard, embroidered postcard, carte postale

White soft covered book with red and black printing. Red "rising sun". Previously called A Night of a Thousand Suicides.Cowra - The Night of a Thousand Suicides cowra, japanese pow's, japanese pow excapes

White card with blue text and decorative border.non-fictioncongregational church, pilots

This book contains a collection of poems written by English poet, Alfred, Lord Tennyson, between 1830-1870. It also contains an introduction written by Sir Thomas Herbert Warren, former President of Magdalen College at Oxford University, plus 91 black-and-white illustrations by Millais, Rossetti, Maclise, and others. Alfred Tennyson, 1st Baron Tennyson FRS, was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu." Ruyton Girls' School has a long tradition of awarding prizes to students at annual "Speech Night" events. Speech Night at Ruyton is an extraordinary occasion. It is a time when we gather to celebrate both the year just lived and the contribution of our Year 12 girls to the life of our School. It is a night of stirring student speeches, acknowledgement of student endeavour and excellence and awe-inspiring performances by School choirs and ensembles. The Maisie Brodribb Memorial Prize was named in honour of former Ruyton Girls' School student, Maisie Anderson (maiden name Brodribb), who attended the School between 1898-1903. The Prize, now discontinued, had been awarded for Mathematics and Science.The record has strong historic significance as it was awarded to a former notable student, Helen Gordon (maiden name Cole). Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Navy leather hardcover bound book with gold detailing on front cover and spine. 882 pages.Front Cover: R / RECTE ET FIDE LITER / RUYTON / Spine: POEMS OF / TENNYSON / Inside Cover: R / RECTE ET FIDE LITER / RUYTON / PRIZE / AWARDED TO / Helen Cole / FOR / Biology / Form Matriculation / H. Daniell. / 11th Dec. 1952 / Maisie Brodribb Memorial Prize /ruyton girls' school, school, students, prize, speech night, poetry, lord tennyson, queen victoria, senior school, high school, ruyton, old ruytonians' association

From 'Carlton album' 1922-1925The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph with white border. Adhered to Page 5 of album."January 1923" handwritten in white pen at the top right of the page. "Night Duty" handwritten in white pen under the photograph. "Ruth Boehive, Jean Gilruth, Gwen Graham" handwritten in blue pen under the photograph and under the white writing.

The Rupertswood Hotel was built on the NE corner at the intersection of Brook and Evans Streets. It was demolished in the late 1970s, in the dead of night, to make way for a modern retail area. In its heyday the two storey hotel was the pride of Sunbury and offered accommodation for rail travellers.A black and white photograph of a bluestone building which is being demolished. Three workmen are working from scaffolding which is on the RHS of the photograph.rupertswood hotel, hotels, evans street, brook street, cathie, james, goodby, norman, levvy, f.w., george evans collection

newsletter produced by Greg Hocking and Tim Woods currently showing were dags the hot bagels pathfinder one for the money a night of infectiousblack and white advertisementpiaf, universal theatre, program, programme, jeannie lewis

Performed for the Ewa Czajor trust fund benefit for women theatre directors. The program is undated but the year of the performance was probably 1988. Small black and white flyerone night forever, kate ceberano, tracey harvey, amanda testro, con marasco, raymond j bartholomeusz, hot bagels, jean kittson, lynda gibson, mark little, mandy salomon, george kapiniaris, handspan theatre, ewa czajor trust fund, athenaeum theatre

BLACK AND WHITE PHOTOGRAPH MOUNTED ON FIRM CARDBOARD OF YOUNG MAN FORMALLY DRESSED IN THREE PIECE SUITVAGUE? ON REVERSE SIDE OF PHOTOGRAPH . MIFS PALMER. BROWN BEAD 2 @ 2/- 1 @ 1/6 HAIR? FRIDAY NIGHTlocal history, photography, photograph, local personalities

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

The First Word is the traditional opening night Emerging Writers' Festival event. The event offers a sample of what is to come during the festival. This flyer, advertising the 2009 First Word event, also lists the staff, Board and partners.A black and white A4 page folded into a flyer providing details of the First Word opening night Emerging Writers' Festival in 2009.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, first word, david ryding

Carpet samples created by Godfrey Hirst, a carpet mill whose history spans back to 1865 when the Victorian Woollen and Cloth Manufacturing Company began operations in Geelong and was purchased in the 1890s by the man Godfrey Hirst. Godfrey Hirst’s entrepreneurial skills and knowledge of the industry led to the great success which saw the company expand in multiple forms over the next century and a half. Today, thousands of metres of carpet are produced by Godfrey Hirst every day, and their flooring can be found in millions of homes. These 6 carpet samples date from the early 1990s and each have a unique colour pattern and design.Each carpet sample is made with a pile fibre that is 100% wool. The primary backing of the carpet is a woven polypropylene with a secondary backing a woven jute. Carpet 8102.1's colour name is Slate. It has a dark grey background with a red and blue diagonal stripe. The pattern repeats in a 10cm x 11.5cm block. Carpet 8102.2’s colour name is Terracotta. It is a mostly block pink colour with no repeating pattern. It has occasional flicks of grey. Carpet 8102.3’s colour name is Arctic Night. It has white, light blue and grey colours repeating one after another in a diagonal line. Carpet 8102.4’s colour name is Ivory. It has a brown background with a cream colour diamond. The pattern repeats in a 15cm x 15cm block. Carpet 8102.5’s colour name is Glenwood. It has a thin darker green and lighter green horizontal stripe spanning its entire width. These stripes repeat the height of the carpet. Carpet 8105.6’s colour name is also Ivory. It has a brown background with a cream colour leaf pattern. The pattern repeats in a 92cm x 92cm block.Wording on rear: Numerous. See Media.godfrey hirst, carpet, textile manufacture

Owned by members of donor's family in 1850s.White cotton bonnet decorated with embroidered Anglais and trimmed around face and hem. Ties for under chin. Worn in 1850s. Night bonnet.costume, female headwear

Made by Mrs Norah Huggins 1891 - 1965 for her glory box. She was married to a blacksmith who worked with carriages. They lived at Ballarook near BallaratLong white cotton nightgown. Broderie Anglaise yoke with white lace trim on square neckline. Long sleeves trimmed with Broderie and lace. Centre closing has four buttonsN.Hugginscostume, female nightwear

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Entrance from Mitcham Road to Mitcham Bowls Club near Halliday Park. Note suspended metal light shades for night and evening games. (Built c. early 1960's on portion of Halliday Park previously occupied by Mitcham R.S.L. and Nunawading Youth Club cricket teams.mitcham bowling club, mitcham road, mitcham, halliday park

Black and white photo of Nunawading Civic Centre at nightcity of nunawading civic centre

Black and white photo of Mitcham Memorial Hall , also known as RSL Hall Mitcham. Scene of many social/entertainment events such a dances (ballroom and Square), local cinema which presented three night time screenings and one Saturday afternoon matinee and many other happenings. It was also the foundation home for the Nunawading Youth Club which later became the Nunawading Sports and Gymnastics Club.mitcham memorial hall