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Flagstaff Hill Maritime Museum and Village
Container - Bottle, Singer Sewing Machine Company, Circa 1878
The artefact is a glass sewing machine oil bottle recovered from the 1878 shipwreck of the Loch Ard near Port Campbell. It was raised by Flagstaff Hill divers in 1973. The sewing machine oil bottle was used to lubricate a sewing machine mechanism and supplied with new Singer sewing machines as part of the items tool kit. The Loch Ard was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 meters of water. Of the fifty-four people on board, only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. (See References or Notes below for further details.)The bottle is believed to be part of the cargo or passenger goods recovered from the Loch Ard that is of historical significance for Victoria. Registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from the Loch Ard. Its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The object gives us a snapshot into maritime history so we can interpret the story of this tragic event. The collection of marine objects is archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time with this wreck being one of the worst and best-known shipwrecks in Victoria's history. Clear glass oil bottle, rectangular body with concave sides. The bottle has raised inscriptions on the glass.The bottle contained Singer Sewing Machine Oil bottle. Recovered from the wreck of the Loch Ard. "The Singer Manufacturing Company" "Extra Quality Machine Oil."flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, shipwreck artefact, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, flagstaff hill divers, singer sewing machines, lock ard artifact, oil bottle, the singer manufacturing company, extra quality machine oil -
Warrnambool and District Historical Society Inc.
Book, The two new girls - Betty Marchant, 1927 ( date of first edition)
This book, written for girls by the English novelist, Bessie Marchant, was given as a prize to Claire Gilbert. She was the daughter of Roy and Miriam Gilbert and lived in Coulstock Street. Her father worked at Swintons Store in Warrnambool. She would have been at school in the 1940s. She married a farmer, Ainslie Crothers. It is presumed that ‘Y.W.L’ stands for ‘Young Women’s League’, but no Warrnambool group with this name has been found (apart from a Young Women’s Association run by the Presbyterian Church in the 1920s). This book is of interest as it belonged to a local girl, Claire Gilbert, at school in the 1940s. This is a hard cover book of 152 pages with 16 pages at the back giving information on other books published by the same company. The cover is green with the title information enclosed in dark red text boxes with green printing. The spine has red printing with red lines and squares for ornamentation. The inscription is handwritten in black ink on a printed book plate pasted onto the first page. There is a colour plate at the beginning of the story. ‘2nd prize Awarded to Claire Gilbert, Y.W.L., Warrnambool’ claire gilbert, yung women’s league, history of warrnambool -
Warrnambool and District Historical Society Inc.
Container, China cherry toothpaste, c. 1898
This is the lid of a Cherry Tooth Paste container made by John Gosnell & Co. London. This company had its origins in the 17th century with John Gosnell joining the company in 1814. It made perfume, soap, brushes and combs and other personal household items. By 1898 the firm was based in London and known for its Cherry Tooth Paste. The practice of brushing the teeth for hygienic reasons began in the 18th century and became more popular in the 19th century. This item has no known local provenance but is interesting as an example of an early 20th century household product and is useful for display.This is a white china container lid, cracked and mended in places and chipped in other places. The container had Cherry Tooth Paste in it. The top of the lid is brown and yellow with brown and yellow printing. There is an image of the head of a young Grecian girl on the lid. ‘Cherry Tooth Paste, Patronized by the Queen, For beautifying and preserving the teeth & gums, prepared by John Gosnell & Co. Ltd., London’cherry tooth paste, john gosnell & co., warrnambool -
Warrnambool and District Historical Society Inc.
Souvenir, Exhibition Glass, 1987
This is a glass cup which has been painted and etched at the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition lasted three months and was staged at the Liebig/Timor Streets intersection at the Warrnambool Town Hall and Council buildings with some temporary buildings added for the occasion. It was reported that 70,000 people visited the displays, attended the concerts and entered the competitions. John Villiers, a Warrnambool painter and decorator with a glassware and chinaware shop in Liebig Street, had a stall at the Exhibition. He brought from Melbourne a glass etcher who etched glass souvenirs such as this one for patrons of the Exhibition. It was the first time that glass etching had been done in Warrnambool. Alice McConnell was born in 1885 in Warrnambool to Robert McConnell and Matilda Russell so she was about 11 or 12 at the time of the Exhibition. She died at the age of 17 in Warrnambool. Her father was possibly the proprietor of the R. and J. McConnell livery stables which later became a transport company in Warrnambool.This glass is most significant because it is one of the few surviving souvenirs of the important Warrnambool Industrial and Art Exhibition of 1896-7. It is also a memento of Alice McConnell, the owner of the glass, who died at the young age of 17. The item comes from the estate of Ken Wooles who was a descendant of the Wooles family prominent in Warrnambool as monumental masons. He was also related to the McConnell family on his mother’s side of the familyThis is a glass cup with a handle. It has a curved shape and has a painting of a young girl with brown hair in a white decorative setting. The glass is etched with the name of Alice McConnell and this was done in 1897 at the Warrnambool Industrial and Art Exhibition of 1896-7. There is a crack near the handle.‘Warrnambool Exhibition, Alice McConnell, 1897’warrnambool industrial and art exhibition 1896-7, alice mcconnell -
Otway Districts Historical Society
Minute Book, Beech Forest Butter Factory Minute Book, 18/3/1902 - 6/2/1905, 18 March 1902
A meeting was held in Gardner's Hall, Beech Forest, for the purposes of considering the advisability of having butter factory established in the Beech Forest district. It was eventually agreed that a butter factory should be established, that provisional directors should be appointed, and upwards of 400 shares were taken up immediately. A second meeting was held on 20 May 1902 of about 40 dairymen. The meeting became a meeting of shareholders resolving to expedite the registration of the company and other preliminary matters. The election of directors then took place. Another meeting of shareholders held on the 15 July 1902 resolved to purchase a property and have the by-laws accepted. An Extraordinary General Meeting was held on 6 August 1902 to confirm all the resolutions passed by the Board.A ledger containing the records of the Beech Forest Butter Factory Minute Book from 18 March, 1902, the date the Butter Factory starts, until 6 February, 1905.Beech Forest Butter Factory Minutes Book Donated to the Otway District Historical Society Inc. by the Colac & District Family History Group Inc. 1st May 2013beech forest; butter, factory, 1902, 1905, minute book, -
Otway Districts Historical Society
Share Certificate, Photocopy of The Otway Ranges Proprietary Mining Company Limited, issue 265 to Roderick Foord, 11/08/1890
Photocopy of The Otway Ranges Proprietary Mining Company Limited, One pound issue for a total capital of 24,000 pounds, Share certificate 8291 to 8300 issued to Roderick Foord. No. of issue 265, dated 11 September 1890.265, Roderick Foord, Ten, 8291 to 8300, 11 Sept 1890, St John A Biggs, John W Gardiner, P.W. Fallon -
Otway Districts Historical Society
Photograph, Directors and staff of Beech Forest Butter Factory Limited
Photograph (mounted) of nine men outside the Beech Forest Butter Factory, with crates of butter.Beech Forest Butter Factory Company, Limited, Standing, from left: W Peddle (Assistant), H Black (Assistant), J H Condon (Director), F L Lancashire (Director), W Harrison (Director), Seated, from left: A J Athorn (Manager), S G Clapham (Secretary), H M Hall (Managing Director), C Farrell (Director).agriculture, dairy, directors, management, beech-forest-butter-factory, w-peddle, a-j-athorn, h-black, s-g-clapham, j-h-condon, f-l lancashire, h-m-hall, c-farrell, w-harrison -
Otway Districts Historical Society
Book, Marine History Publication, Wild White Man
William Buckley was born in 1780 at Macclesfield, Cheshire, England. After time as a bricklayer and soldier he was caught with stolen property, sentenced on 2 August 1802, and transported to Australia. Between October, 1803, and January, 1804, he escaped from Sullivan's Bay in the Port Phillip district and spent the next 32 years in the company of aborigines wandering between Port Phillip and the near western district as far as Lake Corangamite. In about 1835 he was discovered by three white men, members of John Batman's Port Phillip Association investigating the area with a view to future settlement.Wild white man. Kevin Hayden. Marine History Publications; Geelong (Vic); nd. 28 p.; illus.; map. Soft cover.william buckley; aborigines; otway ranges; -
Otway Districts Historical Society
Photograph, R. Preston, Kawarren: Down goods with G42 shunting, 1955, 14 December 1955
Originally known as Loves River it became Kawarren station on 16 June 1902. It consisted of a loop siding and combined office and passenger shelter. Goods loading was sawn timber (brought in on four tramways operating between 1905 and 1939), firewood, charcoal and limestone. In 1920 the limestone company built a store shed and a covered loading area at the terminus to assist operations. The company also requested the siding to be extended by three metres, which Victorian Railways did in the same year. This gave the loop a capacity of 21 trucks. Around 2,000 tonnes per year of limestone traffic kept the station busy until trade ceased in 1957. A postal motor started in October 1938, Kawarren being a point where the postal motor and trains were permitted to cross.B/W. G42 with a Down goods train at Kawarren on 14 December 1955. On No.2 Road empty NQR wagons proceeding to get filled at a covered lime loading operation. A three workmen are checking aspects of the train while a group appear to be clustered at the guard's van around an NKS motor trolley.kawarren; railways; limestone; timber; charcoal; -
Otway Districts Historical Society
Photograph, R. Preston, Beech Forest: Loading puncheons, c.1914
While one of the lesser prime loading points sawn and split timber were loaded at Beech Forest, and a large share of this was brought to the station over two timber tramways that operated between 1904 and 1933. At the eastern end of the railway yard, near the six-ton derrick crane, a wooden tramline curved out the gate and along the road for about 8 km (5 miles) to the co-operative Box Company, known locally as the Box mill, owned by the Victorian Diary Farmers' Co-operative whose purpose was the milling of butter boxes. Other millers also provided timber. Logs were hauled to the mill by horses, and the sawn timber despatched over a tramline that joined the Box mill line about 1.2 km (0.75 miles) along. B/W. Two men loading puncheons (a short post approximately 4 feet [1.2 metres] especially used for supporting a roof in a coal mine) on a NQR wagon at Beech Forest. Note the lack of trees in the background.beech forest; railways; puncheons; -
Otway Districts Historical Society
Book, Everbest Printing Company Ltd, 250 Victorian waterfalls, 2011
Victoria is not noted for its waterfalls but in fact there are many hundreds of beautiful waterfalls scattered throughout the state. Each waterfall is different from the next, some remarkably so. Consider the amazing Hopetoun Falls surrounded by lush rainforest ferns near Beech Forest, compared to the often snow-covered Piemans Falls crashing down to the bottom of Bryce Gorge. This publication documents many of the more accessible waterfalls of Victoria, some for the first time, and many close to Melbourne. Ideal for bushwalkers, photographers, campers, or those who are interested in a healthy walk or looking for somewhere to enjoy a pinic lunch. There is nothing better than doing so at the base of a majestic waterfall with the spray drifing across the rock face and the unique sound of the water tumbling into the drop pool below.250 Victorian waterfalls. Ray Barber. Ian Wacey. 1st ed. Ian Wacey; Eltham North (Vic); 2011. 320 p.; illus., map, references, index. Soft cover. ISBN 978 0 646 54331 4waterfalls; ray barber; ian wacey;, victoria; -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Arts in Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 5, No. 6 (sic - 5), Summer Issue 2000, 2000
Vol. 5, No. 6 (5), Summer Issue 2000 CONTENTS John Perceval and Helen Daniel 2 Two who served their communities well Gateway Sculpture Project 3 New public art in Manningham The Artary Project 5 Getting onto the net Tucker: Australian Gothic 6 Albert and Barbara Tucker's gift to Australia Short Story 8 Learning Curves Interview 10 Elizabeth James on drawing Open Studios 12 40 artists welcome the public Banyule Youth Awards 18 Support for emerging young artists Not Just a Pretty Place 20 Nillumbik art in Public Places CD Reviews 22 Book Reviews 23 Australian Classical Music 24 Elizabeth Scarlett Theatre Reviews 25 Artin About 26 Wining & Dining 30 Book Review 32 Artist's Services 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, public art, sentinal, river peel, manningham, artary project, plenty views golf park, albert tucker, barbara tucker, kinglake gallery, bulleen art & garden centre, st andrews gallery, steve flanagan, eltham wiregrass gallery, elizabeth james, willy wonka's ice cream gourmet food, nillumbik artists' open studios, accadia ceramics, alan martin, alan sartori, attunga, veronica holland, leanne mooney, sally nihill, bend of islands, michael skewes, elizabeth vercoe, creek house studio, syd tunn, ona henderson, chris pittard, mary lou pittard, diamond creek living & learning centre, drew gregory, jane annois, jane trikojus, jenni mitchell, grace mitchell, mervyn hannan, girraeen studio, jill forrest, kangaroo studios, peter burns, jules burns, muddy waters studio, nel ten wolde, overbank end, kay steventon, kim tarpey, reg cox, robert phillips studio, stained glass studio, shan shnookal, matthew holderness, ray macminn, jane viola, john hewish, open pottery studios, linda detoma, judith roberts, cassandra tobias, christian benetto, kevina-jo smith, julianne piko, hugh crosthwaite, sarah slater, peter doyle, stuart sinclair, carly young, lenister farm, not just a pretty place, kangaroo house, dynamic vegies, old bakery cottage bookshop, nick charles, felicity nottingham, michael mcgirr, eltham little theatre, heidelberg theartre company, montsalvat, recherche, ken eckerall, thompsons pharmacy, st andrews market, 2000 banyule young artists award, heide museum of modern art -
Bay Steamers Maritime Museum
Book, A.C. Hardy, Modern Marine Engineering Volume II, 1948
Dark brown hard cover book of 239 pagesFront page hand written in pencil "J.T. Young" -
Bay Steamers Maritime Museum
Book, A.C. Hardy, Modern Marine Engineering Volume III, 1948
Dark brown hard cover book of 239 pagesFront page hand written in pencil "J.T. Young" -
Ithacan Historical Society
Photograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
Ithacan Historical Society
Photograph, Ithaca House, c1970s
Ithaca House, the home of the Ithacan Philanthropic Society, is located at 329 - 335 Elizabeth Street. The site was purchased in the mid 1950s to build the club rooms. The money for the venture was raised by the issue of non-redeemable 10 and 50 pound debentures to members. Nicholas Sofarnos, a young Ithacan architecture graduate, designed the building. Construction was completed in 1958. Up until 2020 Yamaha were long standing ground floor tenants. Prior to the building of Ithaca House, from 1917 up until 1958, the club rooms were located on the top floor of Michael's Building on the corner of Lonsdale and Elizabeth Streets. The Ithacan Philanthropic Society has been a focal point initially for expatriate Ithacans and as the years have passed it holds many happy memories for Australian born Ithacans through the generations.A coloured photograph of a three storey grey building in a city street with two cars being driven along the road. The Yamaha Motor Bicycle company occupies the ground floor, and in the adjacent building Honda motorbikes are sold. There are curtained windows across the width of the second floor and signage on the top floor windows indicates this level is used for social events such as receptions and dances. -
Victorian Railway History Library
Book, David Burke, 30 Days On Australia's Railways - A diary of September journeys, 2014
An entertaining look at railway events in Australia in the month of September - from 1848, when a meeting was called to start a railway company in New South Wales, to 2013, when the great Bayer-Garrett AD6029 steam engine was restored to working order. For some strange reason, September has been a month when particularly memorable railway events tend to occur. Author David Burke has crafted a 'diary' which documents, day by day, major happenings to do with railways in Australia - from the days of steam, to diesel, to diesel-electric and electrification, covering the first trains that ran between New South Wales and Queensland, and to Melbourne. It was in also September that the first sod was dug for the Trans-Australian Railway across the Nullarbor to Perth. The book is heavily illustrated with historic photographs, both black and white and colour, newspaper cuttings, sketches and maps, and features 13 paintings by renowned railway artist Phil Belbin. Names that leap to the fore among those who made railway history happen include Ben Chifley, the locomotive driver who became Prime Minister of Australia, engineer Dr John Bradfield, designer of the Sydney Harbour Bridge and responsible for putting Sydney's city trains underground, James Fraser, first Australian-born Chief Commissioner for Railways, and Harold Young, the Scotsman who designed the C38 engine and the Silver City Comet. Cover picture shows: Climbing the steep Fassifern Grade with a heavy coal train maakes for plenty of Bayer-Garrett action in Phil Belbin's painting of the AD60 class at work on the Shorty North line to Newcastle New South Wales Australia.ill. p.172.non-fictionAn entertaining look at railway events in Australia in the month of September - from 1848, when a meeting was called to start a railway company in New South Wales, to 2013, when the great Bayer-Garrett AD6029 steam engine was restored to working order. For some strange reason, September has been a month when particularly memorable railway events tend to occur. Author David Burke has crafted a 'diary' which documents, day by day, major happenings to do with railways in Australia - from the days of steam, to diesel, to diesel-electric and electrification, covering the first trains that ran between New South Wales and Queensland, and to Melbourne. It was in also September that the first sod was dug for the Trans-Australian Railway across the Nullarbor to Perth. The book is heavily illustrated with historic photographs, both black and white and colour, newspaper cuttings, sketches and maps, and features 13 paintings by renowned railway artist Phil Belbin. Names that leap to the fore among those who made railway history happen include Ben Chifley, the locomotive driver who became Prime Minister of Australia, engineer Dr John Bradfield, designer of the Sydney Harbour Bridge and responsible for putting Sydney's city trains underground, James Fraser, first Australian-born Chief Commissioner for Railways, and Harold Young, the Scotsman who designed the C38 engine and the Silver City Comet. Cover picture shows: Climbing the steep Fassifern Grade with a heavy coal train maakes for plenty of Bayer-Garrett action in Phil Belbin's painting of the AD60 class at work on the Shorty North line to Newcastle New South Wales Australia.railroads -- australia -- history., railroad travel -- australia -- history. -
Melbourne Legacy
Book, Mark Lyons, Legacy the First Fifty Years, 1978
Navy blue book with a blue dust jacket, published about the history of Legacy, including photographs of activities and early members. Incudes a newspaper article stuck on the rear flyleafs about singer Dame Gracie Fields.non-fictionhistory, mark lyons, 50th anniversary -
The Mrs Aeneas Gunn Memorial Library
Book, George H. Doran Company, Revolt in the desert, 1927
The Arab Revolt of 1916-1918, when the disparate tribes of Arabia rose up as one great force to defeat an empire, was one of the most turbulent periods in the history of the Middle East and a pivotal element of the Middle Eastern arena of World War I. It sounded the death knell for the Ottoman Empire and paved the way for a new colonial power in the region - the British. It was T.E. Lawrence, a young army officer with a brilliant military mind and unmatched knowledge of the region and the Arab people, who - alongside the charismatic Faisal I - led the Revolt. These were epic events that changed the shape of the Middle East and affected Lawrence for the rest of his life. His magnificent first-hand account of the period is now a classic of 20th century literature.Index, ill, map, p.335.non-fictionThe Arab Revolt of 1916-1918, when the disparate tribes of Arabia rose up as one great force to defeat an empire, was one of the most turbulent periods in the history of the Middle East and a pivotal element of the Middle Eastern arena of World War I. It sounded the death knell for the Ottoman Empire and paved the way for a new colonial power in the region - the British. It was T.E. Lawrence, a young army officer with a brilliant military mind and unmatched knowledge of the region and the Arab people, who - alongside the charismatic Faisal I - led the Revolt. These were epic events that changed the shape of the Middle East and affected Lawrence for the rest of his life. His magnificent first-hand account of the period is now a classic of 20th century literature. world war 1914-1918 - campaigns - middle east, lawrence of arabia -
Mont De Lancey
Book, Cassell & Company, Limited, Little Folks, late 1800's early 1900's
A collection of magazine stories, poems, puzzles, music for young children bound into a hardcover book. It dates around late 1800's to early 1900's.A very badly damaged hardcover book, Little Folks: a British magazine for the young. This is a bound edition for children. The front cover has an illustration of two girls standing beside a fence feeding a pony leafy greens from a basket. The back cover has two advertisements: one for Pear's soap and one for Cadbury's cocoa. There are black and white illustrations throughout. The spine has come apart from the two loose covers and many pages are torn and dog-eared. Some are missing. 426p. Inside on p.179 there are pressed leaves.fictionA collection of magazine stories, poems, puzzles, music for young children bound into a hardcover book. It dates around late 1800's to early 1900's. children's fiction, children's stories -
Mont De Lancey
Book, M.A. Goldsmith, Mammoth Mother Goose, late 1920's or 1930
A Mammoth Mother Goose collection of verses and rhymes for young children in various categories - Alphabet, Wild Animals, Countries, Animal Adventures, Christmas. Black and white illustrations are on every page. M.A. Goldsmith has written some of the categories of verses.Large thick vey worn Mammoth Mother Goose collection of verses and rhymes in various categories for young children. Front cover has a coloured illustration of Mother Goose flying towards elves and pixies outside a house in the clouds. A surprised eagle is pictured beneath her with Series 695 The Goldsmith Publishing Co Cleveland, Ohio Made in U.S.A. The damaged brown fabric spine has the title, No.695, Publisher and place of publisher in black lettering. Severe tanning and foxing seen all through.fictionA Mammoth Mother Goose collection of verses and rhymes for young children in various categories - Alphabet, Wild Animals, Countries, Animal Adventures, Christmas. Black and white illustrations are on every page. M.A. Goldsmith has written some of the categories of verses.nursery rhymes, rhymes, verses, mother goose -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 7 Cliff Gibson, 2018
The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Cliff Gibson, a Williamstown resident, discusses the handling and shipping of explosives in the Port of Melbourne between 1863 to 1962 and the establishment, development and history of Truganina Explosives Reserve. In the interview he mentions the names of the Lighters and Ships used to transport the explosives to and from the Truganina Explosives Reserve. A primary source of information on memories of the Truganina Explosives Reserve and Altona,Victoriaexplosives, lighter, sailing lighters, the brig martha, deer park, australian chemical company, nobel explosives company, ici, james scott and company, jacks magazine, william wardell, george thomas chirnside, 1897, 1901, pier, bill grant, james mullins, 2 foot gauge tramway, explosives trucks, explosive magazines, railway explosives vans, queen street, richard rendle holten, ports and harbours, the lighter truganina, the lighter george stone, rose, mary jane, tarniet, derrimut, boonah, deutgam, naval dockyards williamstown, charlie curry, powder barges, cargo net, alma doepel, huia, wongalla, joseph sims, argonaut, maryland, pirie, lady isobel, taranui, point wilson, failee, captain dyson, hector pirie -
Ballarat Heritage Services
Booklet - Program, Ballarat Light Opera Company, Bedazzled
A group of talented Ballarat young singers and players performed Bedazzled at the Mount Clear Technical High School theatre. Many of them have gone on to musical careers of note.4 pages of white paper with black text, and coloured cover silver with red textBedazzled, with program outline and players. The Ballarat Light Opera Company Present AN EVENING OF SONG AND DANCE FROM BROADWAY MUSICALS Dedicated to Richard Wagner ORCHESTRA Musical Director Mark Jones Pianist Meredith Gunthorpe Harp Kerry Hanrahan Cello Sue Dodd Synthesizer Paula Heenan Flute Mark Lacey Natalie Jones Percussion Andrew Payne CAST Felicity Counsel, Matthew Brooks, Elizabeth Dale, Andrew Dark, Jacqui Dark, Time Gay, Fiona Hanrahan, Trevor Harris, Kerrie Hanrahan, Mark Jones, Anne Hoppen, Mitchell Leviston, Natalie Jones, Colin Prato, Wnedy McCausland, Toney (sic) Rowenow, Leanne Squires, Jeff Smart, Geoff Wallis -
Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Whitehorse Historical Society Inc.
Document - photocopy, Australian Tesselated Tile Company, C 1920
Sepia scan of 4 young women in best clothes, who are connected to the 'Tess' in some way. The two on the left are Minnie Williams and May Greenway.australian tesselated tile company, williams, minnie, greenway, may -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Marysville & District Historical Society
Book - Paperback booklet, Elizabeth Mary Amos, Marysville Community Golf and Bowls Club Inc.-Before and After Black Saturday, February 7, 2009, 2011
This book was created to document through photographs, the history of the Marysville Community Golf and Bowls Club both before and after the Black Saturday Bushfire of 7th February, 2009.Front cover has a photograph taken of one of the greens at the Marysville Community Golf Course. Back cover has a photograph of a red toadstool.non-fictionThis book was created to document through photographs, the history of the Marysville Community Golf and Bowls Club both before and after the Black Saturday Bushfire of 7th February, 2009.marysville community golf and bowls club, golf, bowls (game), marysville, black saturday bushfires, 2009, wildfires, victoria, history -
Marysville & District Historical Society
Book - Paperback booklet, Elizabeth Mary Amos, Marysville Community Golf and Bowls Club Inc.-Before and After Black Saturday, February 7, 2009, 2011
This book was created to document through photographs, the history of the Marysville Community Golf and Bowls Club both before and after the Black Saturday Bushfire of 7th February, 2009.Front cover has a photograph taken of one of the greens at the Marysville Community Golf Course. Back cover has a photograph of a red toadstool.non-fictionThis book was created to document through photographs, the history of the Marysville Community Golf and Bowls Club both before and after the Black Saturday Bushfire of 7th February, 2009.marysville community golf and bowls club, golf, bowls (game), marysville, black saturday bushfires, 2009, wildfires, victoria, history -
Federation University Historical Collection
Photograph - Tintype, Portrait of two young girls
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype -
Warrnambool and District Historical Society Inc.
Booklet - Memorandum and Articles of Association 003048.1 Tower Hill Park Butter and Cheese Factory Company Ltd; 003048.2 Koroit and Tower Hill Butter and Cheese Factory Company Ltd, Thomas Smith Printer, 003048.1 1893; 003048.2 1888
These booklets document the formation and the aims of two early dairy factories in the Koroit and Tower Hill area. These factories later became part of the Koroit FactoryThese two memorandums of association document the formation of two early butter and cheese factories in the Koroit and Tower Hill area, listing the first directors. A meeting at the Koroit Town Hall on May 23, 1888, unanimously decided to form the Koroit and Tower Hill Butter Factory coy. Ltd. Mr W J Anderson started the movement to establish a butter factory to suit the convenience of the share farmers of the Tower Hill Park estate in the early 1890's. Both of these factories were ultimately bought out by the Koroit Factory.003048.1 10 page small buff coloured booklet dated 1893 with pencilled note "Supplier names to Dept. Agriculture requesting Pamphlets be sent them" 003048.2 8 page cream coloured booklet dated 1888003048.1 Memorandum and Articles of Association of the Tower Hill Park Butter and Cheese Factory company, Limited. Warrnambool Printed by Thos. Smith, Koroit Street. 1893 003048.2 "The Companies' Statute, 1864" company limited by Shares Memorandum and Articles of Association of the Koroit and Tower Hill Butter and Cheese Factory, Limited. ~ Warrnambool: Thos. Smith, Machine Printer, Koroit Street, 1888memorandum and articles of association, butter and cheese factory, tower hill park butter and cheese factory, koroit and tower hill butter and cheese factory, thomas smith printer, dairying factory, john wilson anderson, john campbell jnr., joseph lamb wall, thomas gleeson, john quirk, michael hally, robert kerr, william crowe, james young, patrick mcgrath, richard skilbeck, peter mcvicar, tower hill park, illowa